What If Lisa Had All The Power: 2019 Emmy Nominations Edition


In a few hours, the 2019 Emmy nominations will be announced!

Since I love awards and I love making lists, it’s an annual tradition that I list who and what would be nominated if I had all the power.  Keep in mind that what you’re seeing below are not necessarily my predictions of what or who will actually be nominated.  Many of the shows listed below will probably be ignored tomorrow morning.  Instead, this is a list of the nominees and winners if I was the one who was solely responsible for picking them.

Because I got off to a late start this year, I’m only listing the major categories below.  I may go back and do a full, 100-category list sometime tomorrow.  Who knows?  I do love making lists.

Anyway, here’s what would be nominated and what would win if I had all the power!  (Winners are listed in bold.)

(Want to see who and what was nominated for Emmy consideration this year?  Click here!)

(Want to see my picks for last year?  Click here!)

(Want to see my picks for 2012?  I know, that’s kinda random.  Anyway, click here!)

Programming

Outstanding Comedy Series

Barry

Brooklyn Nine-Nine

GLOW

It’s Always Sunny In Philadelphia

The Marvelous Mrs. Maisel

One Day At A Time

Veep

Vida

Outstanding Drama Series

Better Call Saul

Dynasty

Flack

Game of Thrones

The Magicians

My Brilliant Friend

Ozark

You

Outstanding Limited Series

Chernobyl

Fosse/Verdon

The Haunting of Hill House

I Am The Night

Maniac

Sharp Objects

True Detective

A Very English Scandal

Outstanding Television Movie

The Bad Seed

Bandersnatch (Black Mirror)

Brexit

Deadwood

King Lear

Native Son

No One Would Tell

O.G.

Performer

Outstanding Lead Actor in a Comedy Series

Iain Armitage in Young Sheldon

Ted Danson in The Good Place

Bill Hader in Barry

Pete Holmes in Crashing

Glenn Howerton in A.P. Bio

Andy Samberg in Brooklyn Nine Nine

Outstanding Lead Actor in a Drama Series

Penn Badgley in You

Jason Bateman in Ozark

James Franco in The Deuce

John Krasinski in Tom Clancy’s Jack Ryan

Bob Odenkirk in Better Call Saul

Dominic West in The Affair

Outstanding Lead Actor In a Limited Series

Hugh Grant in A Very English Scandal

Jared Harris in Chernobyl

Jonah Hill in Maniac

Chris Pine in I Am The Night

Sam Rockwell in Fosse/Verdon

Henry Thomas in The Haunting of Hill House

Outstanding Lead Actor In An Original Movie

Benedict Cumberbatch in Brexit

Anthony Hopkins in King Lear

Rob Lowe in The Bad Seed

Ian McShane in Deadwood

Timothy Olyphant in Deadwood

Jeffrey Wright in O.G.

Outstanding Lead Actress In A Comedy Series

Melissa Barrera in Vida

Kristen Bell in The Good Place

Alison Brie in GLOW

Rachel Brosnahan in The Marvelous Mrs. Maisel

Julia Louis-Dreyfus in Veep

Zoe Perry in Young Sheldon

Outstanding Lead Actress in A Drama Series

Emilia Clarke in Game of Thrones

Gaia Girace in My Brilliant Friend

Maggie Gyllenhaal in The Deuce

Laura Linney in Ozark

Margherita Mazzucco in My Brilliant Friend

Anna Paquin in Flack

Outstanding Lead Actress in a Limited Series

Amy Adams in Sharp Objects

India Eisley in I Am The Night

Carla Gugino in The Haunting of Hill House

Charlotte Hope in The Spanish Princess

Emma Stone in Maniac

Michelle Williams in Fosse/Verdon

Outstanding Lead Actress in an Original Movie

Shannen Doherty in No One Would Tell

Chelsea Frei in Victoria Gotti: My Father’s Daughter

McKenna Grace in The Bad Seed

Paula Malcolmson in Deadwood

Molly Parker in Deadwood

Christina Ricci in Escaping The Madhouse: The Nellie Bly Story

Outstanding Supporting Actor In A Comedy Series

Fred Armisen in Documentary Now!

Andre Braugher in Brooklyn Nine Nine

Anthony Carrigan in Barry

Tony Hale in Veep

Sam Richardson in Veep

Stephen Root in Barry

Outstanding Supporting Actor In A Drama Series

Jonathan Banks in Better Call Saul

Nikolaj Coster-Waldau in Game of Thrones

Peter Dinklage in Game of Thrones

Giancarlo Esposito in Better Call Saul

Peter Mullan in Ozark

Luca Padovan in You

Outstanding Supporting Actor In A Limited Series

Stephen Dorff in True Detective

Timothy Hutton in The Haunting of Hill House

Chris Messina in Sharp Objects

Stellan Skarsgard in Chernobyl

Justin Thereoux in Maniac

Ben Whishaw in A Very English Scandal

Outstanding Supporting Actor In An Original Movie

Jim Broadbent in King Lear

Bill Camp in Native Son

Theothus Carter in O.G.

Rory Kinnear in Brexit

Gerald McRaney in Deadwood

Will Poulter in Bandersnatch (Black Mirror)

Outstanding Supporting Actress in A Comedy Series

Caroline Aaron in The Marvelous Mrs. Maisel

Alex Borstein in The Marvelous Mrs. Maisel

Anna Chlumsky in Veep

Sarah Goldberg in Barry

Rita Moreno in One Day At A Time

Sarah Sutherland in Veep

Outstanding Supporting Actress In A Drama Series

Summer Bishil in The Magicians

Elisa Del Genio in My Brilliant Friend

Julia Garner in Ozark

Lena Headey in Game of Thrones

Elizabeth Lail in You

Shay Mitchell in You

Outstanding Supporting Actress In A Limited Series

Jessie Buckley in Chernobyl

Patricia Clarkson in Sharp Objects

Sally Field in Maniac

Patricia Hodge in A Very English Scandal

Connie Nielsen in I Am The Night

Emily Watson in Chernobyl

Outstanding Supporting Actress In An Original Movie

Kim Dickens in Deadwood

Florence Pugh in King Lear

Margaret Qualley in Favorite Son

Emma Thompson in King Lear

Emily Watson in King Lear

Robin Weigert in Deadwood

 

2018 In Review: The Best of Lifetime


Today, I continue my look back at the previous year with my picks for the best of Lifetime in 2018!  Below, you’ll find my nominations for the best Lifetime films and performances of 2018!  Winners are starred and listed in bold!

(As a guide, I used the credits for the imdb.  If anyone has been miscredited or left out, please feel free to let me know and I’ll fix the error both here and, if I can, on the imdb as well.)

(For my previous best of Lifetime picks, click on the links: 2014, 2015, 2016, 2017)

Best Picture

The Art of Murder, produced by Neil Elman, Bryce Fishman, James Lourie, Hannah Pillemer, Edgar Rosa, Fernando Szew

The Bad Seed, produced by Justis Greene, Harvey Kahn, Elizabeth Guber Stephen, Mark Wolper.

Believe Me: The Abduction of Lisa McVey. Produced by Mary Petryshyn, Charles Tremayne, Jeff Vanderwal

Cocaine Godmother, produced by Jamie Goehring, S. Lily Hui, Jonathan Koch, Stephen Michaels, Andrew Molina, Alisa Tager, Shawn Williamson.

Conrad & Michelle: If Words Could Kill, produced by David Manzaners and Judith Verno

*The Girl in the Bathtub, produced by Kevin Leeson, Emanuel Pereira, Diane Sokolow, Rachel Verno*

Girl in the Bunker, produced by Kim Bondi, Stephen Kemp, Thomas Vencelides

I Killed My BFF: The Preacher’s Daughter.  Produced by Len Murach and Rick Van Meter.

No One Would Tell. Produced by Shawn Angeliski, Paddy Bickerton, Martin Fisher, Lisa Richardson, Danielle Von Zerneck

Terror in the Woods. Produced by David Eubanks, Les Franck, Adam Freeman, Leslie Greif, James Heerdegen, Ashley Hudson, Christina Ricci, Eric Tomonsanus, DJ Viola

Best Director

Jim Donovan for Believe Me: The Abduction of Lisa McVey

Gail Harvey for No One Would Tell

Seth Jarrett for I Killed My BFF: The Preacher’s Daughter

Rob Lowe for The Bad Seed

*Karen Moncrieff for The Girl in the Bathtub*

Guillermo Navarro in Cocaine Godmother

Best Actor

Burgess Abernethy in Harry & Meghan: A Royal Romance

Kevin Fonteyne in Lover in the Attic

Rob Lowe in The Bad Seed

Austin P. McKenzie in Conrad & Michelle: If Words Could Kill

*Eric Roberts in Stalked By My Doctor: Patient’s Revenge*

Henry Thomas in The Girl in the Bunker

Best Actress

Haylie Duff in Deadly Delusion

McKenna Grace in The Bad Seed

Caitlin Stasey in The Girl In The Bathtub

Bella Thorne in Conrad & Michelle: If Words Could Kill

Megan West in I Killed My BFF: The Preacher’s Daughter

*Catherine Zeta-Jones in Cocaine Godmother*

Best Supporting Actor

Juan Pablo Espinosa in Cocaine Godmother

David Fierro in Lover in the Attic

Joel Gretsch in I Killed My BFF: The Preacher’s Daughter

Patrick Muldoon in A Tale of Two Coreys

*Jason Patric in The Girl in the Bathtub*

Rossif Sutherland in Believe Me: The Abduction of Lisa McVey

Best Supporting Actress

Krista Allen in Party Mom

Cara Buono in The Bad Seed

Angela Kinsey in Terror in the Woods

*Lydia Look in Mistress Hunter*

Jenny Pellicer in Cocaine Godmother

Katherine Reis in I Killed My BFF: The Preacher’s Daughter

Best Screenplay

The Bad Seed.  Barbara Marshall.

Believe Me: The Abudction of Lisa McVey. Christina Welsh.

Cocaine Godmother.  Molly McAlpine, David McKenna.

The Girl in the Bathtub. Karen Moncrieff.

*No One Would Tell. Caitlin D. Fryers*

Terror in the Woods. Amber Benson.

Best Cinematography

The Bad Seed. Peter Menzies, Jr.

Believe Me: The Abduction of Lisa McVey. Sasha Moric.

Cocaine Godmother. Guillermo Navarro.

Girl in the Bunker. Fraser Brown.

*I Killed My BFF: The Preacher’s Daughter.  Brian J. Reynolds*

Terror in the Woods. David McGrory.

Best Costuming

*The Art of Murder. Steviee Hughes.*

Cocaine Godmother. Jori Woodman.

Harry & Meghan: A Royal Romance. Claudia Da Ponte, Diah Wymont.

I Killed My BFF: The Peacher’s Daughter.  David Anthony Crowley.

Psycho Prom Queen.  Anie Fisette.

A Tale of Two Coreys.  Jennifer Garnet Filo.

Best Editing

The Bad Seed, Eric L. Beason.

Believe Me: The Abduction of Lisa McVey. Lisa Grootenboer.

Cocaine Godmother. Luis Carballar.

*Conrad & Michelle: If Words Could Kill.  Henk van Eeghen*

The Girl in the Bathtub.

Girl in the Bunker.  Stephen Kemp.

Best Makeup and Hairstyling

Cocaine Godmother.  Laura Copó, Victoria Ferguson, Brittany Isaacs, Andrea Manchur, Joanna Mireau, Adam James Phillips, Trefor Proud, Juanita Santamaria, Ronnie Sidhu, Vicki Syskakis

Harry & Meghan: A Royal Romance.  Lorna Bravo, Helena Cepeda, Jenni Brown Greenberg, Shelly Jensen, Melissa Rankl, Cydney Sjostrom

I Killed My BFF: The Preacher’s Daughter. Missy Scarbrough and Christina Kim.

*Lover in the Attic. Crystal Broedel, Brittanie Cruz, Robin Styles, Diana Valerie, Nataleigh Verrengia*

A Tale of Two Coreys. Katherine Chandler, Lynnae Duley, Monique Hyman, Katie Kilkenny, Kaity Licina, Megan Nicoll, Rebecca Violet Schroeder, Adina Sullivan

Zombie at 17.  Jessica Awad, Cinthia Burke, Christine Capustinsky, Shannon Doyle.

Best Score

Cocaine Godmother. Eduardo Aram.

The Girl in the Bathtub.  Adam Gorgoni.

Lover in the Attic. Ozzy Doniz.

No One Would Tell. Mark Lazeski.

A Tale of Two Coreys. Jim Dooley.

*Terror in the Woods. Ozzy Doniz.*

Best Production Design

*The Art of Murder. Yana Veselova.*

Cocaine Godmother.  Eric Fraser.

The Girl in the Bathtub. Laura Lola Maier.

Girl in the Bunker. Andrew Berry.

Harry & Meghan: A Royal Romance. Mayne Berke, Ashley Swanson, Vincent Wright

Lover in the Attic. Lindsay Glick.

Best Sound

Cocaine Godmother

*Deadly Delusion*

House of Darkness: New Blood

Killer Under The Bed

Lover in the Attic.

Terror in the Woods

Best Visual Effects

The Bad Seed.

Cocaine Godmother

Deadly Delusion

House of Darkness: New Blood

*Killer Under The Bed*

Zombie at 17

And those are my picks for the best of Lifetime in 2018!  (Lifetime had a pretty good year.)  Now, I’m off to make my selections for the best of SyFy 2018!  I’ll be back …. well, maybe not soon.  It took me about three hours to do my Lifetime post.  So, I’ll be back eventually.

Lisa Marie’s 2018 In Review:

  1. The 10 Worst Films of 2018

 

The Haunting of Hill House, S1E1, Steven Sees a Ghost, Review By Case Wright


HH1

Happy Horrorthon! Hill House came early this year.  Here we go!

Hill House has been remade many different ways.  This time it’s done by Mike Flanagan of Gerald’s Game (Netflix).  The show splits its time between then and now.  It opens “Then” with Timothy Hutton in a very big and creepy house with a bunch of kids.  We learn through A LOT of exposition that Steven has grown up to be paranormal writer.  The cuts between then and now aren’t too bad, but it does diffuse the tension.

The kids handled the trauma of growing up in a haunted house with varied acceptance.  Steven is a paranormal investigator.  The oldest sister works at funeral home. Luke grew up to be an alcoholic. Nellie grew up to be disturbed.  There’s another sister who’s a sex addict.  I’m halfway into the episode and I am kinda bored.  They try to sell the show as the next Stranger Things, but I’m not sure if this show is even the next Whitney.  This show is a lot of things, but it is not worthy at this point of being in the same sentence as Season 1 Stranger Things.  

This show has 20 minutes left to get good and my hopes are low.

Nellie is one of the many family members who has grown up all messed up.  She is drawn back to Hill House I suppose because she wants to do some lawn maintenance.

The story, once again, shifts to the past and Steven and the dad need to escape the house because they are being pursued by a ghost.  Apparently, their mom was possessed by a ghost and they have to flee and leave mom behind (awkward mother’s day coming up).  Funny how divorce can just creep up on a couple after 20 years of marriage; you look over and realize that you and your spouse are different people; in that, you are a person and she is possessed by a demon.

Nellie has returned to Hill House literally and starts dancing around.  It’s weird.  The show jump cuts to Steven to an explaining session that her house is not haunted, but he’ll make it seem haunted in the book and the lady looks at him with contempt because he’s a fraud.  We learn that Steven is a failed novelist who cashed in on the family drama by writing the Haunting of Hill House.  This caused Steven and his sister to become estranged.

The show flashes back and actually does a good job at showing why Luke is so traumatized.  Apparently, one of the Hill House ghosts was harassing him when he was young and that trauma triggered his lifelong addiction.

The show flashes to Steven again as an adult.  He catches his brother with the substance abuse problem leaving his apartment with all of his electronics.  Steven gets the brother to give him his stuff back.  When he finally goes inside, he finds Nell at his home and the first scary thing happens in the whole show: Steve’s dad calls and says that Nell went to the hill house and she’s dead.  So……the Nell that is in Steve’s house is a GHOOOOOOOST.  BOO!  Nell does some ghosty stuff that’s kinda spooooky.

I don’t know if there will be second review of this show.  I will definitely watch another episode, but I’m not ready to get married to it yet.  I think it could have some potential, but Stranger Things had me the first murder in the first 30 seconds.  So far, this is more slow exposition than slow burn, but I will give it a fair shot.

Cheers!

Embracing the Melodrama Part II #89: Legends of the Fall (dir by Ed Zwick)


LegendsoffallposterWhen I first started to watch the 1994 film Legends of the Fall on Encore, I was a little bit concerned when I discovered that it was directed by Ed Zwick.  After all, Zwick also directed Love and Other Drugs, which is one of the worst and most insulting films of all time.  In fact, I nearly stopped watching when I saw Zwick’s name.  But, largely because I want to finish up this series of melodramatic film reviews at some point in the near future, I decided to go ahead and watch the film.

And it turned out that Legends of the Fall is not a bad film.  I probably would have enjoyed it more if I had seen it in a movie theater as opposed to on television but, considering that it was directed by Ed Zwick, Legends of the Fall is definitely watchable.  If nothing else, it’s better than Love and Other Drugs.

Legends of the Fall tells the story of the Ludlows, a family that lives on a Montana ranch at the start of the 2oth Century.  Starting with the final days of the Indian wars and proceeding through World War I and prohibition, Legends of the Fall covers a lot of historical events but does so in a very Hollywood way, which is to say that all of the main characters dress like they’re from the past but they all have very modern social attitudes.  In this case, Col. William Ludlow (Anthony Hopkins) may be a wealthy white military veteran but he’s also totally pro-Native American.  And, of course, all the local Native Americans love him, despite the fact that he’s a representative of the institutions that have destroyed their way of life.

Anyway, Col. Ludlow has three sons.  The oldest, Alfred (Aidan Quinn), is serious and responsible. The youngest, Samuel (Henry Thomas), is naive and idealistic.  And the middle child is Tristan (Brad Pitt), who is wild and rebellious and looks like Brad Pitt.  You have to wonder how the same gene pool could produce both Aidan Quinn and Brad Pitt.

As the film begins, Samuel has returned from studying at Harvard.  With him is his fiancée, Susannah (Julia Ormond, who has really pretty hair in this movie).  Though she loves Samuel, Susannah finds herself attracted to Tristan, largely because Tristan looks like Brad Pitt.  Tristan is also attracted to Susannah but he would never betray his younger brother.  In fact, when Samuel announces that he’s enlisted in the Canadian army so that he can fight in World War I, Tristan and Alfred soon do the exact same thing.

War is Hell, which is something that Samuel discovers when he’s gunned down by a bunch of German soldiers.  Tristan responds by cutting Samuel’s heart out of his body and sending it back to Montana.  He then proceeds to go a little crazy and when we next see Tristan, he’s uniform is decorated with the scalps of dead Germans.

Meanwhile, Alfred has been wounded in battle and is sent back to Montana.  Eventually, he ends up married to Susannah.  And then Tristan comes back home and…

Well, a lot of stuff happens after Tristan returns.  In fact, you could even argue that too much happens.  Zwick obviously set out to try to make Legends of the Fall into an old school Hollywood epic but far too often, it seems like he’s mostly just copying scenes from other films.  There’s a hollowness at the center of Legends of the Fall and the end result is a film that’s visually gorgeous and thematically shallow.

And yet, you should never underestimate the importance of looking good.  Legends of the Fall is a beautiful film to look at and so is Brad Pitt.  I wouldn’t necessarily say that Brad gives a particularly good performance here because, to be honest, Tristan is such an idealized character that I doubt anyone could really make him believable.  But the Brad Pitt of 1994 looked so good and had such a strong screen presence that it didn’t matter that he wasn’t as good an actor as the Brad Pitt of 2015.  Legends of The Fall is one of those movies that can get by on pure charisma and fortunately, Brad Pitt is enough of a movie star to make the film work.

Legends of the Fall is not a great film but it’s still not a bad way to waste 120 minutes.  (Of course, the film itself lasts 133 minutes but still…)

Shattered Politics #71: Gangs of New York (dir by Martin Scorsese)


Gangs_of_New_York_Poster

Despite the fact that it was nominated for best picture and marked the start of his fantastically successful collaboration with actor Leonardo DiCaprio, Martin Scorsese’s 2002 film Gangs of New York does not have the best reputation.  It always seems to be regarded as one of Scorsese’s lesser films and, often times, both The Aviator and The Departed are described as representing a comeback of sorts from Gangs.

To a certain extent, I have to agree.  Gangs of New York is a lesser Scorsese movie but then again, a lesser Scorsese film is still a hundred times better than the greatest films from Brett Ratner or Michael Bay.

The flaws of Gangs of New York are many.  The film, which tells the epic story of how an Irish gang led by Leonard DiCaprio battled a nativist gang led by Daniel Day-Lewis in Civil War-era New York City, runs for nearly 3 hours and yet it somehow still feels rushed and incomplete.  Cameron Diaz is far too contemporary of an actress to be truly believable as a 19th century pickpocket.  For that matter, Leonardo DiCaprio gives one of the worst performances of his career, coming across as being one-note and shrill.  If you only knew DiCaprio from his work in Gangs of New York, you would have a hard time believing that he was capable of doing the type of work that he did in Inception or The Wolf of Wall Street.

And yet, Gangs of New York is one of those flawed films that I can’t help but enjoy.

First off, on a purely personal level, how can I not love a film about how terribly the Irish were treated in the 19th Century?  Seriously, the Irish were regarded as if they were somehow subhuman.  They were attacked for being Catholic.  They were viewed as being criminals.  An entire freaking political party — the American party — was formed specifically to keep the Irish out.  But you know what?  We Irish kept coming, we kept fighting for our rights, and now everyone wishes they could be one of us!

Secondly, and this should not a shock when you consider that the film was directed by Martin Scorsese, the film looks absolutely gorgeous!  Despite the fact that it’s takes place in a 19th century slum and most of the characters are poor, Gangs of New York is a visual feast.  I loved the ornate sets and all the colorful clothes.  I loved the attention to detail that was put into everything.

(My favorite visual from the film: Daniel Day-Lewis and his entourage walking down a street while fireworks explode directly over Day-Lewis’s shoulder.)

Third, there’s Daniel Day-Lewis’s performance as Bill “The Butcher” Cutting.  One reason why DiCaprio’s performance is so noticeably bad is because he’s acting opposite Day-Lewis.  Sporting a handle-bar mustache and speaking in an almost satirically exaggerated New York accent, Day-Lewis turns Bill into one cinema’s greatest villains.

Add to that, the great Italian actor Giovanni Lombardo Radice show up for a few minutes, playing Simon Legree in a theatrical production of Uncle Tom’s Cabin!  Scorsese should make more films with Radice.

But, perhaps the main reason why I enjoy Gangs of New York is because, as I’ve mentioned so many times in the past, I really am a big history nerd.  And Gangs of New York deals with a period in American history that really doesn’t get as much attention as it deserves.  While we all know that the Civil War started when the South seceded from the union, what is often forgotten is that the North was not united in their support of Abraham Lincoln and the Union.  In fact, the Mayor of New York, Fernando Wood, was such a strong supporter of the Confederacy that he, at one point, suggested that New York City should secede from the union as well.  And when Lincoln instituted the draft, NYC — and several other cities in the north — exploded into riots.

Of course, Gangs of New York is not a 100% historically accurate.  For one thing, it compresses the time frame of the draft riots and — as films often do — it downplays the culture of Northern racism and instead portrays racists like Bill Cutting as being the exception to the rule.  But, even with that in mind, Gangs of New York still serves as a good starting point for those who want to learn more about American history than what they’ve been told in school.

My favorite parts of Gangs of New York dealt not with how the gangs fought each other but instead how the gangs were used as political foot soldiers.  One of the major supporting characters in Gangs of New York is William “Boss” Tweed (Jim Broadbent), a real-life politician who was at the center of one of America’s first major political scandals.  When we first meet Tweed, he is using Bill Cutting’s gang to fix elections.  However, as the film progresses, Tweed comes to realize that the political future of New York rests with the Irish.  So, Tweed starts using the Irish gang to fix elections.  For those of us who are into political history, the Boss Tweed scenes are a lot of fun.

Gangs of New York has its flaws.  It’s the type of project that, if it were made today, it would probably be a series on HBO and it would win all sorts of awards.  (Actually, it did kinda.  It was called Boardwalk Empire.)  It’s not perfect, but I like it.