What If Lisa Had All The Power: 2019 Emmy Nominations Edition

Posted on July 15, 2019 by Lisa Marie Bowman

In a few hours, the 2019 Emmy nominations will be announced!

Since I love awards and I love making lists, it’s an annual tradition that I list who and what would be nominated if I had all the power. Keep in mind that what you’re seeing below are not necessarily my predictions of what or who will actually be nominated. Many of the shows listed below will probably be ignored tomorrow morning. Instead, this is a list of the nominees and winners if I was the one who was solely responsible for picking them.

Because I got off to a late start this year, I’m only listing the major categories below. I may go back and do a full, 100-category list sometime tomorrow. Who knows? I do love making lists.

Anyway, here’s what would be nominated and what would win if I had all the power! (Winners are listed in bold.)

(Want to see who and what was nominated for Emmy consideration this year? Click here!)

(Want to see my picks for last year? Click here!)

(Want to see my picks for 2012? I know, that’s kinda random. Anyway, click here!)

Programming

Outstanding Comedy Series

Barry

Brooklyn Nine-Nine

GLOW

It’s Always Sunny In Philadelphia

The Marvelous Mrs. Maisel

One Day At A Time

Veep

Vida

Outstanding Drama Series

Better Call Saul

Dynasty

Flack

Game of Thrones

The Magicians

My Brilliant Friend

Ozark

You

Outstanding Limited Series

Chernobyl

Fosse/Verdon

The Haunting of Hill House

I Am The Night

Maniac

Sharp Objects

True Detective

A Very English Scandal

Outstanding Television Movie

The Bad Seed

Bandersnatch (Black Mirror)

Brexit

Deadwood

King Lear

Native Son

No One Would Tell

O.G.

Performer

Outstanding Lead Actor in a Comedy Series

Iain Armitage in Young Sheldon

Ted Danson in The Good Place

Bill Hader in Barry

Pete Holmes in Crashing

Glenn Howerton in A.P. Bio

Andy Samberg in Brooklyn Nine Nine

Outstanding Lead Actor in a Drama Series

Penn Badgley in You

Jason Bateman in Ozark

James Franco in The Deuce

John Krasinski in Tom Clancy’s Jack Ryan

Bob Odenkirk in Better Call Saul

Dominic West in The Affair

Outstanding Lead Actor In a Limited Series

Hugh Grant in A Very English Scandal

Jared Harris in Chernobyl

Jonah Hill in Maniac

Chris Pine in I Am The Night

Sam Rockwell in Fosse/Verdon

Henry Thomas in The Haunting of Hill House

Outstanding Lead Actor In An Original Movie

Benedict Cumberbatch in Brexit

Anthony Hopkins in King Lear

Rob Lowe in The Bad Seed

Ian McShane in Deadwood

Timothy Olyphant in Deadwood

Jeffrey Wright in O.G.

Outstanding Lead Actress In A Comedy Series

Melissa Barrera in Vida

Kristen Bell in The Good Place

Alison Brie in GLOW

Rachel Brosnahan in The Marvelous Mrs. Maisel

Julia Louis-Dreyfus in Veep

Zoe Perry in Young Sheldon

Outstanding Lead Actress in A Drama Series

Emilia Clarke in Game of Thrones

Gaia Girace in My Brilliant Friend

Maggie Gyllenhaal in The Deuce

Laura Linney in Ozark

Margherita Mazzucco in My Brilliant Friend

Anna Paquin in Flack

Outstanding Lead Actress in a Limited Series

Amy Adams in Sharp Objects

India Eisley in I Am The Night

Carla Gugino in The Haunting of Hill House

Charlotte Hope in The Spanish Princess

Emma Stone in Maniac

Michelle Williams in Fosse/Verdon

Outstanding Lead Actress in an Original Movie

Shannen Doherty in No One Would Tell

Chelsea Frei in Victoria Gotti: My Father’s Daughter

McKenna Grace in The Bad Seed

Paula Malcolmson in Deadwood

Molly Parker in Deadwood

Christina Ricci in Escaping The Madhouse: The Nellie Bly Story

Outstanding Supporting Actor In A Comedy Series

Fred Armisen in Documentary Now!

Andre Braugher in Brooklyn Nine Nine

Anthony Carrigan in Barry

Tony Hale in Veep

Sam Richardson in Veep

Stephen Root in Barry

Outstanding Supporting Actor In A Drama Series

Jonathan Banks in Better Call Saul

Nikolaj Coster-Waldau in Game of Thrones

Peter Dinklage in Game of Thrones

Giancarlo Esposito in Better Call Saul

Peter Mullan in Ozark

Luca Padovan in You

Outstanding Supporting Actor In A Limited Series

Stephen Dorff in True Detective

Timothy Hutton in The Haunting of Hill House

Chris Messina in Sharp Objects

Stellan Skarsgard in Chernobyl

Justin Thereoux in Maniac

Ben Whishaw in A Very English Scandal

Outstanding Supporting Actor In An Original Movie

Jim Broadbent in King Lear

Bill Camp in Native Son

Theothus Carter in O.G.

Rory Kinnear in Brexit

Gerald McRaney in Deadwood

Will Poulter in Bandersnatch (Black Mirror)

Outstanding Supporting Actress in A Comedy Series

Caroline Aaron in The Marvelous Mrs. Maisel

Alex Borstein in The Marvelous Mrs. Maisel

Anna Chlumsky in Veep

Sarah Goldberg in Barry

Rita Moreno in One Day At A Time

Sarah Sutherland in Veep

Outstanding Supporting Actress In A Drama Series

Summer Bishil in The Magicians

Elisa Del Genio in My Brilliant Friend

Julia Garner in Ozark

Lena Headey in Game of Thrones

Elizabeth Lail in You

Shay Mitchell in You

Outstanding Supporting Actress In A Limited Series

Jessie Buckley in Chernobyl

Patricia Clarkson in Sharp Objects

Sally Field in Maniac

Patricia Hodge in A Very English Scandal

Connie Nielsen in I Am The Night

Emily Watson in Chernobyl

Outstanding Supporting Actress In An Original Movie

Kim Dickens in Deadwood

Florence Pugh in King Lear

Margaret Qualley in Favorite Son

Emma Thompson in King Lear

Emily Watson in King Lear

Robin Weigert in Deadwood

Cleaning Out The DVR: This Is My Life (dir by Nora Ephron)

Posted on September 23, 2017 by Lisa Marie Bowman

(Lisa is currently in the process of trying to clean out her DVR. She has over 170 movies recorded and she’s trying to get them all watched before the beginning of the new year! Will she make it? Keep checking the Shattered Lens to find out! She recorded the 1992 dramedy This Is My Life off of Indieplex on March 20th.)

This Is My Life tells the story of Dottie Ingels (Julie Kavner). Dottie may be stuck working in a dead end job at a cosmetics counter but she dreams of becoming a successful comedienne. She even entertains her customers, who all seem to be delighted to put off making their purchases so that they can listen to an aspiring star tell corny jokes that were probably considered to be dated even at the height of vaudeville. Most of Dottie’s jokes deal with raising her daughters — Erica (Samantha Mathis) and Opal (Gabby Hoffman) — on her own. Times may not be easy but … well, actually, as portrayed in this movie, times are remarkably easy for a single mom with a job in retail. It’s certainly easier for Dottie than it ever was for my mom.

Anyway, Dottie’s aunt dies and leaves her some money, so Dottie moves herself and her daughters to New York City so that she can pursue her comedy career. With the help of an eccentric agent (Dan Aykroyd) and his assistant (Carrie Fisher), Dottie starts to find success as a performer but her daughters also start to resent the fact that their mother is no longer around as much as she used to be. While Dottie is getting invitations to appear on late night talk shows, Erica and Opal are feeling neglected. Finally, they decide to run away from home and head upstate to see their father, little realizing that he may not have room for them in his new life.

This Is My Life is one of those films that could only have been made by someone totally in love with the concept (as opposed to the reality) of show business. While Dottie does have to sacrifice to find success, the film has no doubt that the sacrifices are worth it. As played by Dan Aykroyd, Dottie’s agent is a big lovable eccentric who just wants the best for all of his clients. In fact, everyone in this movie just wants the best for Dottie. As a result, the film is so good-natured that you kind of feel guilty if you don’t force yourself to love it. At the same time, it’s such an unabashedly sentimental movie that it’s difficult to take any of its conflicts seriously. It’s like a fantasy of what it’s like to be an aspiring star in New York. Making her directorial debut, the famous writer Nora Ephron laid on the schmaltz so thick that, for the majority of the film, there’s not even a hint of a rough edge or a ragged corner. This is a film that really could have used a little more profanity. And while Julie Kavner is undoubtedly a funny actress, she’s never believable as a stand-up comedienne. (At least not a successful one…)

That said, there were a few things that I did like about This Is My Life. Mathis and Hoffman are believable as sisters and there’s a natural poignancy to the scenes where they manage to track down their father. I related to those scenes and they brought tears to my mismatched eyes, not that it’s particularly hard to do that. Otherwise, This Is My Life felt like a typical directorial debut: heartfelt, uneven, well-intentioned, and just a little too heavy-handed.

Shattered Politics #63: Primary Colors (dir by Mike Nichols)

Posted on February 3, 2015 by Lisa Marie Bowman

Jack Stanton (John Travolta) is the charismatic governor of an unnamed Southern state. After spending his entire life in politics, Jack is finally ready to run for President. Even more ready is his equally ambitious wife, Susan (Emma Thompson). Jack proves himself to be a strong candidate, a good speaker who understands the voters and who has the ability to project empathy for almost anyone’s situation. He’s managed to recruit a talented and dedicated campaign staff, including the flamboyant Richard Jemmons (Billy Bob Thornton), Daisy Green (Maura Tierney), and journalist Henry Burton (Adrian Lester). Henry is the son of a civil rights leader and, as soon as they meet, Jack talks about the first time that he ever heard Henry’s father speak. Within minutes of first meeting him, Henry believes in Jack.

The problem, however, is that there are constant hints that Jack may not be worthy of his admiration. There’s the fact that he’s a compulsive womanizer who is given to displays of temper and immaturity. When one of Jack’s old friends reveals that Jack may have impregnated his daughter, Jack and Susan respond with a pragmatic ruthlessness that takes Henry by surprise.

When one of Jack’s mistresses threatens to go public, Henry is partnered up with Libby (Kathy Bates) and sent to dig up dirt on her and her sponsors. When the former governor of Florida, Freddie Picker (Larry Hagman), emerges as a threat to derail Jack’s quest for the nomination, Henry and Libby are again assigned to research Picker’s background. Libby is perhaps the film’s most interesting character. Recovering from a mental breakdown, Libby has no trouble threatening to shoot one political opponent but she’s still vulnerable and idealistic enough that it truly hurts her when Jack and Susan repeatedly fail to live up to her ideals. As an out lesbian, Libby is perhaps the only character who has no trouble revealing her true self and, because of her honesty, she is the one who suffers the most.

First released in 1998 and based on a novel by Joe Klein, Primary Colors is an entertaining and ultimately rather bittersweet dramedy about the American way of politics. John Travolta and Emma Thompson may be playing Jack and Susan Stanton but it’s obvious from the start that they’re meant to be Bill and Hillary Clinton. And while it takes a few minutes to get used to Travolta’s attempt to sound Southern, this is ultimately one of his best performances. As played by Travolta, Jack Stanton is charming, compassionate, self-centered, and ultimately, incredibly frustrating. One reason why Primary Colors works is because we, as an audience, come to believe in Jack just as much as Henry does and then we come to be just as disillusioned as Libby. Emma Thompson’s performance is a little less obviously based on Hillary. Unlike Travolta, she doesn’t attempt to imitate Hillary’s voice or mannerisms. But she perfectly captures the steely determination.

Primary Colors captures both the thrill of believing and the inevitability of disillusionment. It’s definitely a film that I will rewatch in the days leading up to 2016.

Back to School #73: 21 Jump Street (dir by Phil Lord and Christopher Miller)

Posted on September 24, 2014 by Lisa Marie Bowman

Though the TV series that its based is a bit before my time, the 2012 comedy 21 Jump Street is a personal favorite of mine. The film tells the story of how nerdy Morton Schmidt (Jonah Hill) and popular but none-too-intelligent jock Greg Jenko (Channing Tatum) first met in high school, went to the police academy together, both turned out to really bad cops together, and then returned to high school together.

Why did they return to high school? Because they’re both working undercover now! As part of a recently revived program from the 80s (and that would apparently be the original television series), young cops are being sent undercover into high school. As all the other cops involved with the program appear to be super cops, Capt. Dickson (Ice Cube) has every reason to believe that Schmidt and Jenko will be able to discover who is responsible for dealing a dangerous new synthetic drug known as HFS.

One of the things that makes 21 Jump Street work is that, at no point, does the film pretend that either Channing Tatum or Jonah Hill could still pass for a high school student. One of the film’s best moments comes when a drug dealing environmentalist/student named Eric Molson (Dave Franco, brother of my beloved James) tells Jenko that he suspects that Jenko may be a cop. “Why?” Jenko asks. “You’re taste in music. The fact that you look like a fucking forty-year old man,” Eric replies.

Not surprisingly, Jenko and Schmidt prove themselves to be fairly clueless about how high school has changed. One thing that I’ve always found interesting about high school films is that often times, regardless of when a particularly film might be set, it still feels like it’s taking place ten to twenty years in the past. That’s largely because most high school films are made by directors who are trying to relive their youth and, as a result, they end up making a film about a high school in 2014 where all of the students look and act as if they’re living in the 90s. The truth of the matter is that things change pretty quickly.

That’s one reason why I haven’t set foot back in my high school since I graduated. As much fun as I did have in high school and even though I’ve been told that I can still pass for high school age (and I still constantly get asked for ID), the fact of the matter is that it’s no longer 2004.

When Jenko and Schmidt return to high school, they do so expecting to have to return to their previous teenager personas. That’s good news for Jenko and not so good news for Schmidt. However, once they arrive (and after their class schedules accidentally get switched), they discover that high school has changed. Jocks like Jenko no longer rule the school and Schmidt is now one of the popular kids…

Before I saw 21 Jump Street, I knew that Jonah Hill was funny. But the film’s big surprise was that Channing Tatum is just as funny. Throughout the film, Tatum shows a willingness to poke fun at his own image and proves that he can deliver an absurd one-liner as masterfully as just about anyone else working today. There’s a lot of reasons why 21 Jump Street is a funny film. It’s full of funny lines and the movie features a lot of very sharp satire of both the action and the teen genres. But the true pleasure of the film comes from the comedic chemistry between Tatum and Hill.

It’s just a lot of fun to watch.