Late Night Retro Television Review: Friday the 13th: The Series 3.20 “The Charnel Pit”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The entire series can be found on YouTube!

This week, we say goodbye to Friday the 13th.

Episode 3.20 “The Charnel Pit”

(Dir by Armand Mastroianni, originally aired on May 14th, 1990)

All things come to an end and that includes the adventures of Micki, Jack, and Johnny.

Friday the 13th: The Series ends with an episode about a professor (Vlasta Vrana) who owns a two-sided painting that he can use to send people into the past.  He sends female victims back to the time of the Marquis de Sade (Neil Munro) and the Marquis sends the professor his unpublished works.  If you’ve ever seen an episode of this show, you will not be surprised to learn that eventually Micki is sent back to the Marquis and briefly finds herself fascinated by the man for whom sadism is named.  Micki  gets to dress up in a cleavage-baring costume and Neil Munro plays another villain.  All the bad guys end up dead and the painting is tossed in the Curious Goods vault.  It’s Friday the 13th!

It might not seem like much of a finale.  Unfortunately, the cast and crew were not informed that the series wouldn’t be returning for a fourth season until they were almost finished filming this episode.  As a result, Friday the 13th did not get a proper send-off.  The series ended with many of the cursed antiques still out there and Jack, Micki, and Johnny apparently destined to spend the rest of their lives searching for them.

On the one hand, I enjoyed this series and I regret that it didn’t get a proper ending.  Micki, Jack, and even Johnny suffered so much that it seemed like they deserved to end things with some sort of triumph.  At the same time, it does feel appropriate that — after a season that featured some ill-thought experimentation with the show’s format — Friday the 13th went out with a traditional episode.  This show was always at its best when it focused on antiques and creepy villains.  That’s certainly the way that I’ll remember the show.

I enjoyed watching and reviewing Friday the 13th.  Was it uneven?  Sure.  It was a low-budget, syndicated show.  A certain uneveness is a part of the package.  At its best, though, it was a genuinely creepy show that was blessed with some wonderful chemistry between Chris Wiggins, Robey, and John D. LeMay.  (The show never really recovered from LeMay’s exit.)  On the whole, the good definitely outweighed the bad, even during the final season.  And who knows?  Perhaps, if there had been a fourth season, the writers would have finally figured out a way to make Johnny into a compelling character.

I’ll miss reviewing this series.

Next week, something new will premiere in this time slot.  What will it be?  You’ll find out next week!

Brad reviews BREACH OF FAITH: FAMILY OF COPS II (1997), starring Charles Bronson!


Legendary actor Charles Bronson ended his five-decade career by starring in a series of made-for-TV movies, FAMILY OF COPS (1995), BREACH OF FAITH: A FAMILY OF COPS II (1997), and FAMILY OF COPS III: UNDER SUSPICION (1999). I was in my mid-twenties as this series played out, and I enjoyed each of the installments. Today, I’m going to take a look at the second film in the series.

BREACH OF FAITH: A FAMILY OF COPS II picks back up with the Fein family a couple of years after the first installment. The main storyline follows Police inspector and family patriarch Paul Fein (Charles Bronson) as he supervises the investigation into the murder of a popular local Catholic priest. Of course, the investigation is a family affair, as his eldest son Ben (Joe Penny) is the lead detective on the case. Paul and Ben follow the clues that lead directly to the Russian mafia. As the investigation closes in, members of the Fein family find themselves targeted for beatdowns by Russian henchmen in order to get Paul to drop the case. Other storylines include the widower Paul’s blossoming relationship with detective Anna Meyer. Her “moves” on Paul, which began in the first installment, seem to finally be paying off. Paul’s eldest daughter Kate, the public defender, has her own set of problems when she successfully advocates for the parole of a 12-year-old criminal. On the little psychopath’s first night out, he robs a store, shoots and kills Eddie Fein’s partner, and then gets killed himself when Eddie fires back. Meanwhile, Paul’s youngest daughter Jackie (Angela Featherstone), who seems to be getting her life back on track after the events of the first film, decides she’s going to join the police academy against her dad’s wishes. Finally, Paul’s sister Shelly (Diane Ladd) visits the family, tells stories about her brother, shares a lot of wisdom, and even finds herself caught up in the crossfire of the Fein family / Russian mafia feud!

Charles Bronson was 75 years old when BREACH OF FAITH: FAMILY OF COPS II premiered on CBS on the night of February 2nd, 1997. He still handles the emotional scenes with his family well, gets to throw a couple of punches, and even gets to shoot some people, but the younger men (Joe Penny and Sebastian Spence) handle more of the action this time around. Charles Bronson is still the main reason to watch, but after all of these years, you can finally tell that he is slowing down. There is only one departure from the original cast, and that’s Joe Penny replacing Daniel Baldwin as the eldest son, Detective Ben Fein. I don’t think it hurts the film in any way, and to be completely honest, I prefer Joe Penny in the role. Sebastian Spence and Barbara Williams get to do a little more heavy lifting as Eddie Fein and Kate Fein deal with the aftermath of the young criminal, that Kate helped get released, shooting and killing Eddie’s partner. There is one exchange between Paul and his daughter Kate, who’s dealing with extreme guilt over the situation, that I always found unintentionally funny. It goes something like this:

Paul: “It’s not your fault.”

Kate: “Of course, it is.”

Paul: “Okay! So it is!”

Thanks a lot, Dad! Angela Featherstone, whose Jackie was the most interesting character in the first film, doesn’t have as much to do in this installment. She and Bronson have a great scene together when he tries to talk her out of becoming a cop, but once she heads to the academy, she pretty much disappears from the last half of the film. And finally, I like Diane Ladd as Bronson’s sister in the film. Her character brings another layer of warmth to the family dynamics and helps us get to know her brother Paul a little better.       

As was the case with the original film, the central police investigation into the death of the priest at the hands of the Russian mafia isn’t all that interesting. The bad guys come right out of central casting for TV movies of the era, and the subdued violence and reduced action due to its TV roots can’t help but be compared negatively to the explosive action films that Charles Bronson once headlined. I never felt like the family was really in danger. And this is a completely personal preference, but I don’t care for the romantic relationship that develops between the characters played by Bronson and Kim Weeks. Bronson was dating Weeks in real life at the time of this movie, and they would be married the following year. Although I do hope that they were happy together in real life, I’m just not a fan of Weeks as an actress, and it’s hard for me to accept anyone but Jill Ireland as his on and off-screen love interest.

With BREACH OF FAITH: FAMILY OF COPS II being the penultimate film in Charles Bronson’s career, I definitely recommend it to his fans and to anyone else who enjoys TV movies of the era. While Bronson may be slowing down due to his age, Paul Fein is a perfect character for the icon that allows him to be tough and tender in equal measure. The final sequence of the film always brings a tear to my eye. The entire family is sitting down together to celebrate the weekly “Shabbat” meal when a misty-eyed Paul Fein raises a glass and says, “I’m proud of every one of you… my family.” I know just how much Bronson’s family meant to him, and I can’t help but see that come through in his performance.   

The Florida Film Critics Circle Honors First Cow!


The Florida Film Critics Circle today announced their picks for the best of 2020!  You can check out a full list of nominees here.  Meanwhile, the winners are below!

Best Picture: First Cow

Best Actor: Anthony Hopkins in The Father  (Runner-Up: John Magaro in First Cow)

Best Actress: Frances McDormand in Nomadland (Runner-up: Viola Davis in Ma Rainey’s Black Bottom)

Best Supporting Actor: Paul Raci in the Sound of Metal (Runner-up: Brian Dennehy in Driveways)

Best Supporting Actress: Maria Bakalova in Borat Subsequent Movie Film (Runner-up: Yuh-Jung Youn in Minari)

Best Ensemble: Mangrove (Runner-Up: The Trial of the Chicago 7)

Best Director: Chloe Zhao for Nomand Land (runner-up: Kelley Reichardt for First Cow and Aaron Sorkin The Trial of the Chicago 7)

Best Original Screenplay: Lee Isaac Chung for Minari (runner-up: Sorkin)

Best Adapted Screenplay: Charlie Kaufman for I’m Thinking of Ending Things (Runners-up: Chloe Zhao for Nomadland, Ruben Santiago-Hudson for Ma Rainey’s Black Bottom)

Best Cinematography — Erik Messerschmidt for Mank (Runner-up: Shabier Kirchner for Lovers Rock)

Best Visual Effects: Murray Barber for Possessor (runner-up: Andrew Jackson for Tenet)

Best Art Direction: Dan Webster for Mank (Runner-up: Adam Marshall for Lovers Rock)

Best Score: Trent Reznor, Atticus Ross, and Jon Batiste for Soul (runner-up: Ludwig Goransson for Tenet)

Best Documentary: You Don’t Nomi (Runner-up: Dick Johnson is Dead)

Best Foreign Language Film: Los Fuertes (runner-up: Minari)

Best Animated Film: Soul (runner-up: Wolfwalkers)

Best First Film: Promising Young Woman (runner-up: The Father)

Breakout Award: Sidney Flanigan for Never Rarely Sometimes Always (runner-up: Maria Bakalova for that Borat movie)

The Golden Orange Award: Enzian Theater

Here Are The 2020 Florida Film Critics Circle Nominations!


The Florida Film Critics Circle announced their nominees for the best of 2020 earlier today!

All I can say is “Thank you, Florida, for doing the right thing!”  Seriously, the best films of 2020 should be announced in December of 2020 and January of 2021.  This whole extended eligibility window that a lot of groups are doing because of the pandemic is idiotic.

Another thing that I’ve noticed is that the late Brian Dennehy has been getting some critical support for his final performance in Driveways.  (I’ll be seeing Driveways next week.)  It would be interesting if both Denney and Chadwick Boseman landed nominations.  I’m not sure which year holds the record for the most posthumous nominations but, if both Boseman and Denney were nominated for Oscars, it would be the first time that there was more than one posthumous acting nominee.

Here’s the nominees.  The winners will be announced on the 21st!

BEST PICTURE
First Cow
Nomadland
The Trial of the Chicago 7
Minari

BEST ACTOR
Chadwick Boseman – Ma Rainey’s Black Bottom
Anthony Hopkins – The Father
John Magaro – First Cow
Riz Ahmed – Sound of Metal

BEST ACTRESS
Viola Davis – Ma Rainey’s Black Bottom
Carrie Coon – The Nest
Elisabeth Moss – Shirley
Frances McDormand – Nomadland
Carey Mulligan – Promising Young Woman

BEST SUPPORTING ACTOR
Chadwick Boseman – Da 5 Bloods
Paul Raci – Sound of Metal
Brian Dennehy – Driveways
Sacha Baron Cohen – The Trial of the Chicago 7
Bill Murray – On the Rocks

BEST SUPPORTING ACTRESS
Maria Bakalova – Borat Subsequent Moviefilm
Swankie – Nomadland
Yuh-Jung Youn – Minari
Jane Adams – She Dies Tomorrow

BEST ENSEMBLE
Mangrove
The Trial of the Chicago 7
Ma Rainey’s Black Bottom
Minari

BEST DIRECTOR
Florian Zeller – The Father
Kelly Reichardt – First Cow
Chloé Zhao – Nomadland
Lee Isaac Chung – Minari
Aaron Sorkin – The Trial of the Chicago 7

BEST ORIGINAL SCREENPLAY
Aaron Sorkin – The Trial of the Chicago 7
Peter Docter/ Kemp Powers/Mike Jones – Soul
Jack Fincher – Mank
Emerald Fennell – Promising Young Woman
Lee Isaac Chung – Minari

BEST ADAPTED SCREENPLAY
Ruben Santiago-Hudson – Ma Rainey’s Black Bottom
Jon Raymond/ Kelly Reichardt – First Cow
Florian Zeller/Christopher Hampton – The Father
Chloé Zhao – Nomadland
Charlie Kaufman – I’m Thinking of Ending Things

BEST CINEMATOGRAPHY
Shabier Kirchner – Lovers Rock
Hoyte van Hoytema – Tenet
Victor Kossakovsky/Egil Håskjold Larsen – Gunda
Erik Messerschmidt – Mank
Joshua James Richards – Nomadland

BEST VISUAL EFFECTS
Andrew Jackson – Tenet
Mark Bakowski – The Midnight Sky
Murray Barber – Possessor

BEST ART DIRECTION/PRODUCTIOIN
Dan Webster – Mank
Kirby Feagan – Shirley
Adam Marshall – Lovers Rock

BEST SCORE
Ludwig Göransson – Tenet
William Tyler – First Cow
Trent Reznor/Atticus Ross/Jon Batiste – Soul
Alexandre Desplat – The Midnight Sky

BEST DOCUMENTARY
Dick Johnson is Dead
Gunda
You Don’t Nomi
Time
David Byrne’s American Utopia

BEST FOREIGN LANGUAGE FILM
Los Fuertes
Those Who Remained
Minari
The Painted Bird
Dry Wind

BEST ANIMATED FILM
Wolfwalkers
Soul
Ride Your Wave
The Wolf House
Over the Moon

BEST FIRST FILM
Promising Young Woman
The Forty-Year-Old Version
Relic
The Father
Some Kind of Heaven

BREAKOUT AWARD
Sidney Flanigan – Never Rarely Sometimes Always
Odessa Young – Shirley
Maria Bakalova – Borat Subsequent Moviefilm
Marin Ireland – The Dark and the Wicked
Lucas Jaye – Driveways

THE GOLDEN ORANGE AWARD
ENZIAN Theater
Keisha Rae Witherspoon
Amy Seimetz

Here Are The Seattle Film Critics Nominations!


Earlier today, the Seattle Film Critics Society announced their nominations for the best of 2017!  The winners will be announced on December 18th.

The most interesting thing about Seattle’s nominations?  The amount of love that they showed to Blade Runner 2049, an acclaimed film that, with the exception of Roger Deakins’s cinematography, was running the risk of being forgotten during the precursor season.  They also showed some love to Logan and The Disaster Artist, which made me happy.

With a tip of the hat to AwardsWatch, here are their nominations:

BEST PICTURE OF THE YEAR:

Blade Runner 2049 (Warner Bros.)

The Disaster Artist (A24)

Dunkirk (Warner Bros.)

The Florida Project (A24)

Get Out (Universal)

Lady Bird (A24)

Logan (20th Century Fox)

Phantom Thread (Focus Features)

The Post (20th Century Fox)

Three Billboards Outside Ebbing, Missouri (Fox Searchlight)

 

BEST DIRECTOR:

Sean Baker – The Florida Project

Greta Gerwig – Lady Bird

Christopher Nolan – Dunkirk

Jordan Peele – Get Out

Denis Villeneuve – Blade Runner 2049

 

BEST ACTOR in a LEADING ROLE:

Daniel Day-Lewis – Phantom Thread

James Franco – The Disaster Artist

Daniel Kaluuya – Get Out

Gary Oldman – Darkest Hour

Robert Pattinson – Good Time

 

BEST ACTRESS in a LEADING ROLE:

Sally Hawkins – The Shape of Water

Frances McDormand – Three Billboards Outside Ebbing, Missouri

Margot Robbie – I, Tonya

Saoirse Ronan – Lady Bird

Meryl Streep – The Post

 

BEST ACTOR in a SUPPORTING ROLE:

Willem Dafoe – The Florida Project

Barry Keoghan – The Killing of a Sacred Deer

Sam Rockwell – Three Billboards Outside Ebbing, Missouri

Michael Shannon – The Shape of Water

Patrick Stewart – Logan

 

BEST ACTRESS in a SUPPORTING ROLE:

Tiffany Haddish – Girls Trip

Holly Hunter – The Big Sick

Allison Janney – I, Tonya

Lesley Manville – Phantom Thread

Laurie Metcalf – Lady Bird

 

BEST ENSEMBLE CAST:

Call Me by Your Name

Get Out

Lady Bird

The Post

Three Billboards Outside Ebbing, Missouri

 

BEST SCREENPLAY:

The Big Sick – Emily V. Gordon & Kumail Nanjiani

The Disaster Artist – Scott Neustadter & Michael H. Weber

Get Out – Jordan Peele

Lady Bird – Greta Gerwig

Three Billboards Outside Ebbing, Missouri – Martin McDonagh

 

BEST ANIMATED FEATURE:

The Breadwinner – Nora Twomey, director

Coco – Adrian Molina, Lee Unkrich, directors

The LEGO Batman Movie – Chris McKay, director

Loving Vincent – Dorota Kobiela, Hugh Welchman, directors

Your Name. – Makoto Shinkai, director

 

BEST FOREIGN LANGUAGE FILM:

Blade of the Immortal – Takashi Miike, director
BPM (Beats Per Minute) – Robin Campillo, director

Frantz – François Ozon, director

Raw – Julia Ducournau, director

Thelma – Joachim Trier, director

 

BEST DOCUMENTARY FEATURE:

City of Ghosts – Matthew Heineman, director

Ex Libris: The New York Public Library – Frederick Wiseman, director

Faces Places – JR, Agnès Varda, co-directors

LA 92 – Daniel Lindsay, T.J. Martin, directors

Step – Amanda Lipitz, director

 

BEST CINEMATOGRAPHY:

Blade Runner 2049 – Roger A. Deakins

Columbus – Elisha Christian

Dunkirk – Hoyte von Hoytema

The Florida Project – Alexis Zabé

The Shape of Water – Dan Laustsen

 

BEST COSTUME DESIGN:

Beauty and the Beast – Jacqueline Durran

Blade Runner 2049 – Rénee April

Darkest Hour – Jacqueline Durran

Phantom Thread – Mark Bridges

The Shape of Water – Luis Sequeira

 

BEST FILM EDITING:

Baby Driver – Paul Machliss, Jonathan Amos

Blade Runner 2049 – Joe Walker

Dunkirk – Lee Smith

Get Out – Gregory Plotkin

Lady Bird – Nick Houy

 

BEST ORIGINAL SCORE:

Blade Runner 2049 – Benjamin Wallfisch, Hans Zimmer

Dunkirk – Hans Zimmer

Phantom Thread – Jonny Greenwood

War for the Planet of the Apes – Michael Giacchino

Wonderstruck – Carter Burwell

 

BEST PRODUCTION DESIGN:

Blade Runner 2049 – Dennis Gassner (Production Designer); Alessandra Querzola (Set Decorator)

Dunkirk – Nathan Crowley (Production Designer); Gary Fettis (Supervising Set Decorator)

Murder on the Orient Express – Jim Clay (Production Designer); Rebecca Alleway (Set Decorator)

Phantom Thread – Mark Tildesley (Production Designer); Véronique Melery (Set Decorator)

The Shape of Water – Paul Denham Austerberry (Production Designer); Shane Vieau, Jeff Melvin (Set Decorators)

 

BEST VISUAL EFFECTS:

Blade Runner 2049 – John Nelson, Paul Lambert, Richard R. Hoover, Gerd Nefzer
Dunkirk – Andrew Jackson, Andrew Lockley, Scott Fisher, Paul Corbould

The Shape of Water – Dennis Berardi, Luke Groves, Trey Harrell, Kevin Scott

Valerian and the City of a Thousand Planets – Scott Stokdyk, Jérome Lionard

War for the Planet of the Apes – Joe Letteri, Dan Lemmon, Daniel Barrett, Joel Whist

 

BEST YOUTH PERFORMANCE (18 years of age or younger upon start of filming):

Dafne Keen – Logan
Sophia Lillis It

Brooklynn Prince – The Florida Project

Millicent Simmonds – Wonderstruck

Jacob Tremblay – Wonder

 

VILLAIN OF THE YEAR:

Dennis and various multiple personalities – Split – portrayed by James McAvoy

Martin – The Killing of a Sacred Deer – portrayed by Barry Keoghan

Pennywise – It – portrayed by Bill Skarsgård

Philip Krauss – Detroit – portrayed by Will Poulter

Richard Strickland – The Shape of Water – portrayed by Michael Shannon