Today, the Shattered Lens wishes a happy birthday to Shane Kippel!
Shane Kippel, as I’m sure I don’t have to tell you, played Spinner Mason on Degrassi: The Next Generation. He started out as the school bully but, by the time the third season began, he was pretty much the heart of the ensemble. How cool was Shane Kippel? He was so cool that Spinner ended up getting held back three times just so there would be an excuse to keep Kippel on the show!
(“What type of idiot fails his own language!?” Spinner once said when confronted with his grade in English. Oh, Spinner!)
Today’s song of the day features Shane Kippel on drums. From Degrassi, here is Downtown Sasquatch with Dust!
(The other members of the band are Jake Epstein on vocals, Aubrey Graham on guitar, and Adamo Ruggiero on bass.)
Andy Griffith would have been 99 years old today. This man has brought so much joy into my life over the years, and that joy has primarily come from his performance as Sheriff Andy Taylor on THE ANDY GRIFFITH SHOW (1960-1968). There are 249 episodes of the classic TV series, and I have watched every single one of them many times. I love Andy’s relationship with his deputy Barney Fife (Don Knotts), and their adventures lead to so many laughs, but the shows that touch me the most emotionally involve his relationship with his son, Opie (Ron Howard). There are several episodes throughout the series where Andy will put his trust in Opie even when he’s unsure if it’s the right thing to do. One of those episodes is the first episode of season 3, entitled “Mr. McBeevee.” It’s one of my favorite episodes of the entire series, and it illustrates the special relationship between a dad and his son.
This episode of the classic western TV series RAWHIDE opens as Rowdy Yates (Clint Eastwood) and his group of drovers agree to drive 750 head of cattle belonging to rancher Mason Woodruff (Larry Gates) to market. The deal gets off to a bad start when Roman Bedford (Brendon Boone), who’s part of Yates’ outfit, finds himself trying to romance Vicki Woodruff (Jill Haworth), the daughter of the ranch owner. Woodruff’s foreman and world class A-hole, Del Lingman (Charles Bronson) sees Roman making his move and gets pissed. You see, Del wants Vicki for himself, so he tries to bully Roman into a gunfight. Luckily for young Roman, Rowdy and Mason Woodruff are able to momentarily diffuse the situation before the cowboy can be blown away by the experienced gunman. Unable to accept the humiliation that he suffered at the hands of Del, Roman challenges him to a duel to settle the score. Roman is a good shot, but he’s not a fast draw, so a couple of the men with Yates’ crew, Jed Colby (John Ireland) and Simon Blake (Raymond St. Jacques), try to teach him some tricks that just may give him a chance against Del’s superior gunplay. To complicate matters even further, Mason Woodruff has a hidden criminal past that Roman may know about. Because of this, the rancher has another reason to want Roman dead, and Del Lingman is just the man to take care of the problem. Who will survive the duel at daybreak?!!
As hard as it is to believe, my viewing of “Duel at Daybreak” is the only episode of RAWHIDE that I’ve ever watched, and it’s special to me for two reasons. First, the episode premiered on my mom’s 14th birthday, November 16, 1965. And second, it’s the only time that tough guy icons Clint Eastwood and Charles Bronson would appear on screen together. For historical reference, this was the last season of RAWHIDE, with only three episodes of the classic series to come after this. Eastwood was at the beginning of his legendary movie career after filming FISTFUL OF DOLLARS (1964) and FOR A FEW DOLLARS MORE (1965) for director Sergio Leone. Bronson, who was already a well-respected character actor, was two years away from making THE DIRTY DOZEN (1967) and three years away from breaking out as an international superstar by playing Harmonica in Leone’s masterpiece, ONCE UPON A TIME IN THE WEST (1968).
For the episode itself, Charles Bronson is the true standout as Del Lingman. He’s the kind of mean SOB who would goad a man into a gunfight, kill him, and then sit down for dinner without a care in the world. Bronson has a face that makes for a good villain, and he often played the bad guy in his early TV shows and movies. He projects real menace and danger in this role. Clint Eastwood’s Rowdy Yates may be the star of the show and the trail boss, but he’s a bit more of a secondary character in this specific episode as the main tension is between Bronson and the young cowboy played by Brendon Boone. Looking back now, it’s an incredible missed opportunity that the “duel at daybreak” wouldn’t feature Eastwood versus Bronson. Eastwood mostly tries, and fails, to play peacemaker in the episode. The two legends do exchange a potentially badass back and forth when Eastwood is trying to deescalate the situation and keep Bronson from shooting the young cowboy over a little mud on his pants:
Rowdy Yates: “Putting a high price on a pair of pants, ain’t you?”
Del Lingman: “Perhaps you’d like to pay for them.”
Rowdy Yates: “Any time, mister.”
It’s a good scene, but it’s just a shame that they didn’t get a chance to mix it up at the end.
As Charles Bronson’s biggest fan, I enjoyed seeing a couple of actors who worked with him in the 80’s. John Ireland, who plays Jed Colby in this episode, co-starred with Bronson in MESSENGER OF DEATH (1988) as Morman patriarch Zenus Beechum. It’s not one of Bronson’s best, but one of the highlights of the film is its strong cast. Ireland has roles in so many great films, including MY DARLING CLEMENTINE (1946), RED RIVER (1948), GUNFIGHT AT THE O.K. CORRAL (1957) and FAREWELL MY LOVELY (1975). He would appear in 11 episodes of RAWHIDE. Raymond St. Jacques, who plays Simon Baker in this episode, has a very memorable role in Bronson’s disturbing hitman thriller THE EVIL THAT MEN DO (1984). In a unique twist in the Bronson filmography, Jacques’ bodyguard character Randolph gets duped into thinking he’s about to get some three-way action with Bronson and Theresa Saldana only to end up dead with a knife sticking out of his throat. It’s a memorable meet and kill. I noticed he played a character named “Coffin” Ed Johnson in COTTON COMES TO HARLEM (1970). With a name like that, he’s got to be good! He would appear in 13 episodes of RAWHIDE.
Overall, “Duel at Daybreak” is a special episode of RAWHIDE since it put Eastwood and Bronson on screen together for the only time in their careers. I wish they could have fought with fists or guns, but it wasn’t meant to be. Beggars can’t be choosers, and at this point, I’ll gladly take what we got.
Bret Maverick (James Garner) stops off and visits his old friend Jed Christianson (Edgar Buchanan). Jed is desperate to break up the hot and heavy romance between his beautiful and wild daughter, Carrie (Abby Dalton), and a good for nothing gunslinger named Red Hardigan (Clint Eastwood). He asks Bret to stay for a while and help break them up. Not really wanting to get involved, Bret changes his tune when he’s offered $1,000 to hang around for a week. There is one serious problem, though, and that’s the fact that Red has a reputation for being extremely fast and accurate with a gun, and he’s not afraid to use it. When Bret actually sees a demonstration of Red’s shooting skills, he knows he’s going to have to come up with a plan to drive Red away that avoids a gunfight at all costs. And that’s exactly what he does. I won’t give away exactly what he does, but it involves his brother Bart (Jack Kelly) and a notorious gunslinger named John Wesley Hardin, and it’s genius!
As we continue to celebrate the birthday of Hollywood legend Clint Eastwood, I decided I’d watch his 1959 guest starring appearance on the TV series MAVERICK with James Garner. I recently watched Eastwood and Garner work together in the enjoyable “geezers in space” movie SPACE COWBOYS (2000), which came out about 40 years after this. With that fresh in mind, I especially enjoyed seeing them work together while they were both in their prime. “Duel at Sundown” is the first episode I’ve watched of the MAVERICK TV series, and I must say that I had a ball with it. James Garner’s effortless charisma and laid back demeanor as Bret Maverick make his character right down my alley. Nothing seems to rattle the man, and he’s as funny as hell! As of the time of this review, all five seasons of the series are streaming on PlutoTV, so I’m planning on catching some more episodes as I can. As far as the young Clint Eastwood, who was 29 when this show premiered, he definitely looks the part of a future star. Maybe I’m just being influenced by what he’s accomplished over the last 60 years, but his steely intensity, his great head of hair, and his way with the ladies are all on display. And even though his character of Red is a hot headed gunslinger who’s driven by jealousy, there are a couple of times when he flashes that million dollar smile, and you can’t help but like him. For me, it’s fun to watch these megastars in roles when they were just working actors trying to build a career. You can usually see the qualities that will make them the most popular actors in the world, but they’re still going to lose to the star of the series at the end. It’s a rite of passage.
Overall, “Duel at Sundown” is an excellent introduction to the MAVERICK TV series for me. It’s funny and actually quite clever, as evidenced by the scheme that Bret Maverick comes up with at the end to keep from having to face Red in a gunfight. But the true highlight is seeing Garner, in one of his signature roles, working with a young Eastwood who’s destined for stardom. I highly recommend it!
Mike Kovac (Charles Bronson) is taking pictures at a tenement fire in New York City. After getting his pictures of the fire, he gets a few shots of some of the people hanging around, including Norma Delgado (Angie Dickinson). A group of young men see him taking the pictures, so they take the camera away from him. It seems Norma is the daughter of Marty Delgado (Robert Armstrong), a mobster who’s just finished off a six year stretch in prison. Prior to going to prison, Marty stashed a lot of cash away and the boys are planning on taking it away from him. They’re afraid if anyone knows his daughter is around, they’ll be on their way to take the money for themselves. When the boys show back up at Kovac’s house, take his pictures and smash him on the head, he’s determined to figure out what the hell is going on. The first step is finding Norma. Once he finds her, everything else should become clear.
Aside from Charles Bronson as Mike Kovac, the most interesting thing about this episode is the presence of the lovely Angie Dickinson. At this point in her career she was mostly guesting on TV shows or doing smaller parts in movies. She’s so beautiful, but she really doesn’t have a lot to do here. The next year she would play John Wayne’s love interest in RIO BRAVO (1959) and she’d be on her way to stardom. It’s a treat seeing her and Bronson on screen together.
Bronson does have one decent tough guy exchange with the young thugs:
Kovac – “…a real tough bunch. You’re tough like a coat of cheap paint. First stretch of bad weather comes along and it peels right off!”
Thug – “Maybe you’re the paint remover?!”
Kovac – “You don’t get that boy out the darkroom, we’ll soon find out!”
As soon as Kovac says this he gets knocked out cold, so Bronson’s not always as tough as he seems at this point in his career.
One other thing, I am finding that I like the episodes where Kovac’s “Pop” Anton (Ludwig Stossel) shows up. Pop is also a photographer, and he’s so proud of his son and the way his pictures are always in magazines and in the papers. During the middle part of this episode he just has one slight criticism of his son’s work, “you need more lighting.” When Kovac gets the money shot at the end and Pop sees it in a magazine, he’s so proud… he just thinks there needed to be more lighting! It’s a lighthearted and fun way for the episode to end.
Hi, everyone! I have a quick programming note. Because of the holiday and my own need to get caught up with some other TSL projects that I’m currently working on, I will be taking a two week-long break from my Retro Television Reviews. They will return on Monday, June 9th, with reviews of MiamiVice and CHiPs!
For those of you keeping track, Monday is all about the cops, with Miami Vice and CHiPs. Tuesday will feature FantasyIsland and PacificBlue. Wednesday serves up The Love Boat and Monsters. Thursday gives us Malibu, CA and Highway to Heaven. Friday gives us St. Elsewhere and Friday the 13th. Saturday presents us with The American Short Story and Check It Out! And on Sunday, we’ve got Homicide: Life on the Street and Degrassi High!
Again, Retro Television Reviews will return on June 9th. Thank you for your understanding and patience!
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The entire series can be found on YouTube!
This week …. hey, where is everyone?
Episode 3.14 “Repetition”
(Dir by William Fruet, originally aired on February 5th, 1990)
After newspaper columnist Walter Cromwell (David Ferry) accidentally hits and kills a girl with his car, he finds himself consumed with guilt. He also start to hear the girl’s voice in his head, demanding that he bring her back to life. Walter just happens to have a cursed amulet, one that allows the owner to bring someone else back to life as long as he kills someone who is wearing the amulet. Walter’s first victim is his dying mother. But after he kills her, he starts to hear her voice demanding to be brought back to life. So, Walter commits another murder, one after the other, trying to bring back to life every one who he kills.
This was an interesting episode because neither Johnny nor Jack were anywhere to be seen. Instead, it was just Micki and she only appeared at the start and the end of the episode. The entire episode focused on Walter and his descent into madness and, it must be said, that worked just fine. This show’s strength has always been its collection of cursed antiques and this episode allowed us to see how one of them actually works. We saw how the amulet manipulated Walter and how Walter himself became more and more hooked on using the amulet’s power. I’ve always viewed the antiques as being a bit like drugs and their users being addicts and this episode certainly played into that theory.
This was an intense episode, featuring moody visuals and a strong script from David Lynch’s daughter, the future director Jennifer Lynch. After last week’s odd episode, it was nice to see an episode this week that actually got to the heart of what this series was always supposed to be about.
Mike Kovac (Charles Bronson) is working on a pictorial profile of a banker in a small town outside of New York City, when a man named Terry Killeen (Tom Pittman) robs the bank and kills the banker. Killeen sees Kovac’s camera and forces him to come along with them. Killeen wants to be famous so he has Kovac document his one man crime spree as he robs a bank every day for six straight days. Kovac takes pictures at each robbery and sends them to his friend and small town newspaper man, Jenkins (Russell Collins), to publish the stories. Jenkins figures out that Kovac is using the pictures to provide clues to where they are heading, mainly the Lone Pine Lodge. It seems the college girl that Killeen loves, Sara (Mayo Loiseaux) is at the Lodge and Killeen thinks she will reciprocate his feelings now that he’s a famous outlaw. With Killeen planning to kill Kovac once he’s taken a picture with him and Sara, will Jenkins be able to figure out the clues and make it to Lone Pine and save his friend before it’s too late?!
The most unique aspect of “Profile of a Killer” is the performance of Tom Pittman as the bank robber / murderer, Terry Killeen. He’s certainly over the top, but his cackling laugh as he murders, robs, and terrorizes everyone around him is somewhat unsettling. Sadly, Tom Pittman would die on October 31st, 1958, one week after this episode aired, in a car accident. I also liked the performance of Russell Collins as Kovac’s friend and newspaper man, Jenkins. Jenkins’ day job may be as a newspaper editor, but he makes it clear throughout the episode to the local sheriff’s deputy Gilligan (Wayne Heffley) that he’s planning on getting out of the office and saving Kovac by himself if he has to. That’s pretty much exactly what he does. The episode concludes with a rifle wielding Jenkins and Kovac working together to take on Killeen in a night time gunfight. It’s a fun scene, with Kovac’s flashbulbs and Jenkins’ deadeye shooting skills both coming in handy. And of course, there’s the continued excellence of Charles Bronson in the lead as Mike Kovac. In this episode he uses his brain more than his brawn. He didn’t get any real cool lines, and he didn’t get the opportunity to kick any butt. That’s always a missed opportunity with Bronson, but he still dominates the proceedings with his unique charisma and presence.
“Profile of a Killer” doesn’t give Bronson any true badass moments, but it does create some memorable characters for his Mike Kovac to interact with, and I enjoyed that very much!
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988. The show can be found on Hulu and, for purchase, on Prime!
This week, we start season 2!
Episode 2.1 “Ties That Bind”
(Dir by Bruce Paltrow, originally aired on October 26th, 1983)
The second season is here and there are changes to be found in the opening credits.
David Birney and G.W. Bailey are no longer listed in the opening credits. I’m not sorry to see Birney go as Dr. Samuels was never that interesting of a character. I will miss Bailey’s performance as Dr. Beale.
Norman Lloyd is now listed in the credits, appearing right after Ed Flanders. Ellen Bry, Kim Miyori, and Eric Laneuville are also now listed in the opening credits. That’s good. Last season, Shirley Daniels (played by Ellen Bry) was one of the most important characters on the show and it always seemed strange that she was left out of the opening. Mark Harmon, sporting a mustache, appears in the credits, though he didn’t appear in this episode. The final addition to the opening credits is Nancy Stafford, who does appear in this episode.
Stafford plays Joan Halloran, the new city budget advisor who has been assigned to cut St. Eligius’s budget. She tells Westphall and Auschlander that St. Eligius is not popular downtown. “They call you St. Elsewhere,” she says. Joan wants to do away with the animal research lab, which is a part of the hospital that has never been mentioned before. (And with good reason. Boo, animal research, boo!) Westphall finally agrees, on the condition that the city fund Dr. Craig’s attempt to perform a heart transplant on teacher Eve Leighton (Marian Mercer).
Wisely, Dr. Craig gets a lot of screentime in this episode. If the first season seemed to often be unsure of just how abrasive the show should allow Craig to be, the second season premiere would seem to suggest that the show’s writers realized that the more abrasive Craig is, the better. Of course, Dr. Craig has good reason to be in a bad mood. As he confesses to Nurse Rosenthal, he caught his son doing drugs. Craig explains he kicked him out of the house and now, he wants nothing to do with him.
Speaking of drugs, orderly Luther (played by Eric Laneuville) finally manages to capture the thief who has been stealing all the drugs from the hospital. Dr. White is no longer under suspicion! Yay, I guess. I don’t know. Dr. White wasn’t in much of this episode but he still cames across as being a jerk. I have to admit that I groaned a little when I saw he was still on the show. A part of me is hoping he’ll get a redemption arc this season but, from his behavior during rounds, he still seems to be a jackass.
Speaking of jackasses, when Jerry Singleton (Alan Arkin) discovers that his wife, Fran (Piper Laurie), has had a stroke, he responds by crashing his car into the ER and then refusing to leave the doctors along while they try to save his wife’s life. Jerry is convincing that he knows everything and he’s very demanding. Naturally, Fran’s doctor is Jack Morrison because Morrison always gets the really depressing cases. Fran does wake up from her coma but she neither speaks no seems to hear anything anyone says to her. I can’t imagine this is going to end well, mostly because she’s Morrison’s patient and things never seem to go well when Morrison is involved. (What’s really sad is that Morrison, unlike Peter White, is a good doctor! He just has rotten luck.)
Shirley Daniels finds out that Fiscus is cheating on her with Kathy Martin, who spends most of this episode promoting cryogenics. Shirley responds by dumping Fiscus and telling him that he’s a pig. Fiscus tells Kathy that they no longer have to sneak around, just for Kathy to say that the sneaking around was the whole point. She promptly dumps Ficus.
Finally, Dr. Ehrlich meets a woman, Bobbi (Jean Bruce Scott) at the laundromat. They go back to her apartment. She strips down to her underwear. She has Ehrlich tie her to the bed. Ehrlich realizes that he has to get something from his car so he runs outside and …. gets locked out. And then he nearly gets arrested while trying to use his credit card to open the building’s door. However, the next day, Bobbi shows up at the hospital for her “encounter group,” and the two of them are reunited. Again, I have a feeling this is not going to end well, just because it involves Dr. Ehrlich.
Hey, this episode was pretty good! It moved quickly, it reintroduced us to the cast, and all of the stories were actually fairly interesting. It’s obvious that show’s producers paid attention with what didn’t work during season one and they made an effort to improve things with season two. Compared to the majority of this first season’s episodes, the pace was quicker, the humor was sharper, and just about everyone got a moment or two to shine. I’m looking forward to next week!
Through the Shattered Lens 