The San Diego Film Critics Society announced their nominees for the best of 2015 and … well, there’s a little bit of confusion. As Paddy Mulholland of Screen on Screen points out, the San Diego film critics did not list their nominees alphabetically. But, at the same time, the SFDC hasn’t acknowledged that the nominees were listed as a ranked slate either. So, when they list Ex Machina as their first nominee for Best Picture and Brooklyn as their second, were they announcing that Ex Machina was their pick for best picture and Brooklyn was the runner up? Or did they just decided to randomly list the nominees?
The official winners will be announced on December 14th, at which point we will have clarity!
Best Actor, Female
1. Saoirse Ronan (Brooklyn)
2. Brie Larson (Room)
3. Charlotte Rampling (45 Years)
4. Charlize Theron (Mad Max: Fury Road)
5. Alicia Vikander (Ex Machina)
Best Supporting Actor, Male
1. Mark Rylance (Bridge of Spies)
2. Tom Noonan (Anomalisa)
3. Oscar Isaac (Ex Machina)
4. Paul Dano (Love & Mercy)
5. R. J. Cyler (Me and Earl and the Dying Girl)
Best Supporting Actor, Female
1. Alicia Vikander (The Danish Girl)
2. Jennifer Jason Leigh (The Hateful Eight)
3. Helen Mirren (Trumbo)
4. Kristen Stewart (Clouds of Sils Maria)
5. Olivia Cooke (Me and Earl and the Dying Girl)
Best Original Screenplay
1. Noah Baumbach and Greta Gerwig (Mistress America)
2. Alex Garland (Ex Machina)
3. Jemaine Clement and Taika Waititi (What We Do in the Shadows)
4. Quentin Tarantino (The Hateful Eight)
5. Tom McCarthy and Josh Singer (Spotlight)
Best Adapted Screenplay
1. Nick Hornby (Brooklyn)
2. Emma Donoghue (Room)
3. Charlie Kaufman (Anomalisa)
4. Donald Margulies (The End of the Tour)
5. Drew Goddard and Andy Weir (The Martian)
Best Breakthrough Artist
1. Alicia Vikander (The Danish Girl / Ex Machina)
2. Jacob Tremblay (Room)
3. Emory Cohen (Brooklyn)
4. Abraham Attah (Beasts of No Nation)
5. Sean Baker (Tangerine)
Every year, since 2013, us as a #LateNightMovie gang have had an annual Christmas party week. In 2014 it was two weeks and this year it will be three weeks. And as a joke, myself and Tammy (@TRDownden) try to find the worst #LateNightMovie ever.
And as Tammy, and the rest of the gang admitted, I found it!
The movie I put the gang thru was “Santa and the Ice Cream Bunny”
Cast: As I researched this movie, literally, no cast member wanted to be associated with this movie, but here is what I could find. Director: R. Winer
Writer: Hans Christian Andersen (You will get this if you watched the movie)
Santa: Jay Ripley
Plot:
In Florida, Santa has his sleigh stuck in the sand. To escape the heat all of his reindeer fly back to the North Pole, leaving him in the heat. Passing out from the heat, Santa telepathically summons local children to help. The children bring several animals, including a donkey, a horse, a gorilla and most hilariously a pig, to try and get the sleigh free.
When all efforts fail, Santa tells the children the story of a girl who visits a theme park and hears the story of ‘Thumbelina’. At this point, the movie-in-a-movie starts, with the entire 1970 Barry Mahon ‘Thumbelina’ playing, credits and all.
After the movie, Santa tells the children not to give up. The children leave and return with an Ice Cream Bunny driving a fire truck. The bunny offers to take Santa back to the North Pole. The kids left wondering about the sleigh, it disappears and joins Santa at the North Pole.
Review:
Gawd, this movie was horrible! I mean really horrible! If you are sitting around with 96 minutes of your life you never want back, try and sit thru this movie. I will almost put that out as a dare.
Quips:
As always, the #LateNightMovie gang brought their A game to this movie. Here is a sampling of the snarky fun!
TRDowden:
Annnd we just found an even more annoying song
(referring to another movie we will watch!)
WarrenPeas64:
So… exactly how much LSD would it take to write this? TRDowden:
Did Vic Savage direct this one too?*
PinkyGuerrero:
no one thinks to get an adult with a brain to help
kellythul:
Little children, animals, creepy old guy… this IS a Vic Savage film *
*Great minds thinking alike!
TRDowden:
Is there going to be trauma therapists on hand after this movie, because we’re gonna need it
WarrenPeas64:
I think I’ve been to the other part of Florida – the parts I’ve been to don’t have children wandering the beach with farm animals
JesCoolbaugh:
Plot twist, the horse kicks Santa in the jingle bells…
PinkyGuerrero:
Ok, how ironic that Santa say if you have faith your dreams will come true, and he can’t move his sleigh Janeen_FluffyJ:
Wow! Santa heard our wishes and gave us a new movie! LOL
(And Thumbelina begins) kellythul:
Was this movie one of the 7 plagues set upon Egypt? It should have been
WarrenPeas64:
When this bottle is empty I’m going to hit myself in the head with it
Janeen_FluffyJ:
Great… now our hell is freezing over. TRDowden:
The director really needed to quit licking frogs at this point WarrenPeas64:
Hey – I am LOVING this – we’re MYSTing a movie that’s nearly as bad as Frankenstein’s Island
(Nearly as bad???)
JesCoolbaugh:
Ahahahahaha!!! THe coming was foretold!!! kellythul:
makeitstopmakeitstopmakeitstopmakeitstopmakeitstopmakeitstopmakeitstopmakeitstopmakeitstop WarrenPeas64:
Bet you guys aren’t pitying me for being a Jew now, are ya? are ya?
JesCoolbaugh:
Even Santa can’t take another song. F’k the sleigh, let’s get outta here!!!
Thanks Amber, Becs, Myke, Cindy, Holly, Jinni, Jes, Kelly, Phil, Pinky, Warren, Matt, Kurt, Tammy and Myrna for watching this disaster with me!
If you dare to try and sit thru this movie, here is your chance!
The time was May of 1999. The place was a movie theater in Baltimore, Maryland. The theater was packed with people waiting to see the most anticipated film of their lifetime. The film was The Phantom Menace, the first prequel to the original Star Wars trilogy. For two years, the people in the audience had followed every detail of the film’s production. Some of them had gone to showings of Meet Joe Black and Wing Commander, just so they could see the first trailers for the film.
Sitting out in that audience was one 16 year-old boy who, a few nights earlier, had been standing outside a Target at midnight so that he could be one of the first to buy Phantom Menace merchandise. He bought two Jar Jar Binks action figures because, even before Phantom Menace opened, he suspected Jar Jar would be the most controversial character.
When the lights went down, the audience cheered. At the start of every trailer, someone in the dark theater shouted, “I bent my Wookie!” The audience laughed the first two times. By the fifth time, there were only a few pity titters.
Finally, it was time! The first few notes of John Williams’s Star Wars theme echoed through the theater. Again, the audience cheered as the familiar title crawl appeared on-screen.
The 16 year-old read the opening crawl and he started to get worried. What was all this talk about taxation? Trade routes? Trade Federation? Blockades? It seemed more appropriate for Star Trek or even Dune. Except for the mention of Jedis at the end of the crawl, it did not sound much like Star Wars.
Things started to look up as soon as Liam Neeson and Ewan McGregor made their first appearance as Qui-Gon and Obi-Wan. Obi-Wan’s first line was, “I have a bad feeling about this.” A few people in the audience clapped. “I bent my Wookie!” a familiar voice shouted. Nobody laughed.
When a hologram of Darth Sidious appeared and told the Trade Federation goons to kill Qui-Gon and Obi-Wan, everyone in the audience knew that Darth Sidious was Palaptine, the future Emperor, and the excitement was palpable. When Qui-Gon and Obi-Wan fought off the battle droids and escaped to the besieged planet of Naboo, the audience started to relax. Maybe this wouldn’t be as bad as the critics were saying.
Then Qui-Gon and Obi-Wan met Jar Jar Binks and the whole movie went to shit.
In the months leading up to the release of The Phantom Menace, everyone had heard about Jar Jar Binks and how he was a totally computer-generated character. Jar Jar Binks was the future of movie technology and, from the minute he first appeared, the future was fucking terrifying. Jar Jar was a Gungun, an amphibious creature who was characterized as being clumsy and cowardly. He shrieked in a high-pitched voice and spoke in an indescribable dialect. As much as the audience tried, there was no way to avoid or ignore Jar Jar Binks. He was not in the entire movie but he was at the center of every scene in which he did appear.
As Jar Jar led Obi-Wan and Qui-Gon to the underwater city of the Gunguns, a voice in the dark theater shouted out, “I bent my Wookie!”
“Shut the fuck up!” the 16 year-old snapped back.
The 16 year-old was not sure if anyone heard him but the voice was silent for the rest of the movie.
Sorry, Ralph.
No sooner had the audience recovered from their introduction to Jar Jar then they met young Anakin Skywalker. Anakin’s story was the whole reason that The Phantom Menace had been made. The audience knew that the prequels would show how Anakin Skywalker would grow up to the greatest and most evil badass in the universe, Darth Vader. But in Phantom Menace, he was just a 9 year-old slave on the planet of Tatooine, conceived by immaculate conception. Even before Phantom Menace was released, the word was out that Jake Lloyd, the child cast as young Anakin, was not exactly the best actor in the world. But even though they had been forewarned, the audience was not prepared for just how terrible little Jake Lloyd was in the role. There was no darkness to Jake Lloyd’s cutesy performance. There was no sadness or toughness. Jake Lloyd came across like the type of hyperactive child who would end up in the ensemble of a Christmas play, breaking character and waving to his parents during the Crucifixion. Not only could the audience not see him growing up to be Darth Vader but they could not imagine him as a slave living on an inhospitable desert planet.
Qui-Gon, Obi-Wan, Jar Jar, Queen Padme (Keira Knightley), and Padme’s handmaid, Amidala (Natalie Portman) were stranded on Tatooine when they first met Anakin. Qui-Gon felt that Anakin was “the chosen one,” who would bring balance to the force. It was hard for the audience to believe him when they heard Anakin shout, “Yippe!”
For that 16 year-old who had stayed up past midnight to buy two Jar Jar Binks action figures, that “yippe” was the final straw. He had watched the original Star Wars trilogy on VHS tapes. He had gone to the re-releases. He loved Star Wars and he wanted to love The Phantom Menace. Instead, he felt so let down by the film that he could barely look at the screen.
The 16 year-old wondered why C3PO and R2D2 were in the film. Phantom Menace revealed that they were built by the future Darth Vader. R2D2 would even help Anakin in the film’s final battle. It made no sense. The 16 year-old wondered if anyone else in the audience was as confused as he was. He wondered why, if he could see that this made no sense, George Lucas could not understand the same thing.
Anakin won a pod race and was allowed to leave Tatooine. The film’s action was moved to the Coruscant, a planet that was covered with one huge city. Samuel L. Jackson appeared as Mace Windu and, when he stared out at the audience, he seemed to be saying, “I fucking dare you to yell anything about bending your motherfucking Wookie!” There were scenes set in the galactic senate, presumably to appease everyone who wanted a meticulously detailed portrait of how a galactic Republic would be governed. Padme turned out to be a fake and Amidala was revealed as the real queen. There was a final battle between the forces of the Republic and the Trade Federation. Qui-Gon was killed in a duel with the evil Darth Maul (Ray Park) but Obi-Wan promised to train Anakin in the ways of the Jedi. Palpatine promised that he would be watching Anakin’s development.
And, of course, there was this:
For many in the audience who truly loved the original trilogy and who had spent the past two years scouring every corner of the Internet in search of news about The Phantom Menace, the midi-chlorians was the point that they give up on the movie. The Force added a hint of mysticism to the original trilogy. Because it was so mysterious and its origins so deliberately obscure, fans of Star Wars could imagine that The Force was inside of them as well as Luke and Darth Vader. “May the force be with you,” was more than just a catch phrase to those fans. It was a reminder that, even in a galaxy far far away, there was still mystery and faith. When Qui-Gon talked about midi-chlorians, fans realized that not only did they understand the appeal of Star Wars better than George Lucas but George Lucas did not even care why they loved his film. For those fans, the midi-chlorians not only ruined The Phantom Menace but cheapened the original trilogy as well. The Force was no longer special or mystical. Anakin might as well have just been bitten by a radioactive spider.
For the 16 year-old, it was somehow even worse that, before asking about the Force, Anakin apologized to Qui-Gon for causing so much trouble. Sitting out in the theater, he knew that the boy who would grow up to be Darth Vader would never yell “yippie!” and he would never apologize for causing any trouble.
At the end of the movie, the audience did not know how to react. The 16 year-old talked to his friends as they filed out of the theater. Everyone was in a state of denial. They knew that they had seen something very disappointing but, after all the excitement leading up to the release of The Phantom Menace, they did not want to admit how disappointed they really were with the actual movie. They talked about what did work. They talked about the pod race, which had been fun. They talked about the exciting light saber duel between Qui-Gon, Obi-Wan, and Darth Maul. Being teenage boys, they also talked about Natalie Portman and Keira Knightley.
They tried not to talk about Jar Jar Binks, beyond agreeing that he sucked. They tried not to talk about Jake Lloyd as Anakin. It was too painful to know that Star Wars had been reduced to Jar Jar Binks and Jake Lloyd. They did make fun of the “I bent my Wookie” guy. In the face of grave disillusionment, it was all that the 16 year-old and his friends could do.
Today, enough time has passed that it is easier to laugh about Jar Jar Binks and The Phantom Menace. Though the initial trauma may have faded into memory, it all came rushing back to me as soon as Lisa asked me if I would be willing to review The Phantom Menace for this site. I cautiously agreed and hoped that, since I already knew what I was getting myself into, The Phantom Menace would not be as disappointing the second time around.
It was a strange experience rewatching The Phantom Menace. While I remembered how bad the movie was, I’d forgotten how equally boring it was. Jar Jar Binks was even more annoying than I remembered and Jake Lloyd was even worse. Of the film’s best scenes, the pod race went on too long and the duel with Darth Maul was too short. For such a badass villain, Darth Maul was underused for much of the film, as if George Lucas did not understand that the kids he claimed to have made the film for would be far more interested in the dynamic Darth Maul than the histrionic Jar Jar Binks.
Emphasizing Jar Jar Binks over Darth Maul made as much sense as emphasizing the Ewoks at the expense of Boba Fett.
Worst of all, the entire movie felt even more pointless the second time around. When the prequels were first released, George Lucas always said that all three of them should be viewed in the context of the larger story that they were telling. But what do we really learn from The Phantom Menace or any of the prequels? Did anyone really want to know about how trade was regulated before the Empire? Did we really need to know the exact details of how Anakin became a Jedi? Watching The Phantom Menace, the answer is no.
I was especially surprised by how bad the CGI looked. When The Phantom Menace was first released, the CGI was often the only thing that was critically praised. Critics may have hated Jar Jar Binks as a character but they all agreed that it was impressive that a major character had been created by a computer. It is easy to forget just how big a deal was made about The Phantom Menace‘s special effects. At the time, we had yet to take it for granted that an entire movie could be made on a computer.
But seen today, the CGI not only seems cartoonish but, like the midi-chlorians, it feels like a betrayal of everything that made the original Star Wars special. The universe of New Hope and Empire Strikes Back felt lived in. It was imperfect and real. It was a universe where even the most fearsome storm trooper could accidentally bump his head on a doorway.
But the CGI-created universe of The Phantom Menace was too slick and too perfect. There was no chance for spontaneity or anything unexpected. The universe of the original Star Wars trilogy was one in which you could imagine living but the universe of The Phantom Menace seemed only to exist in the computers at Lucasfilm. With The Phantom Menace, George Lucas seemed to be reminding those who loved his films that the Star Wars universe belonged to him and him alone. Our imagination was no longer necessary.
As for that 16 year-old who first saw The Phantom Menace in that Baltimore theater, I still have those Jar Jar Binks action figures. I keep one of them on my desk at work and I enjoy the strange looks that it gets. If you push down its arms, Jar Jar sticks out his tongue.
Awards seasons continues as, earlier today, the Detroit Film Critics announced their nominations for the best of 2015! Like almost all the other film critics groups, Detroit showed a lot of love to Spotlight. However, unlike previous groups, Detroit did not nominate Michael Keaton, Mark Ruffalo, or Rachel McAdams. Instead, they nominated Liev Schrieber who, up until this point, had not really figured into the awards race.
If nothing else, the current confusion over who, if anyone, should be nominated for Spotlight might inspire someone to ask why the Academy doesn’t give an award for Best Ensemble.
Another question raised by Detroit: why does the Academy only allow actors to be nominated for one performance per category. Detroit nominated Alicia Vikander twice for best supporting actress, for both The Danish Girl and Ex Machina. And why not? As we saw with Jessica Chastain in 2011, sometimes one performer delivers several great performances in one year.
Today, the Academy announced the 74 songs that have been ruled eligible for a Best Original Song nomination! And you know what that means — it’s time for my to post the list! (Our longtime readers should know, by now, how much I love lists!)
The big news is that the 2nd song from the end credits of Love & Mercy — the one that everyone was expecting to be a front runner — has been ruled ineligible. Here’s what is eligible! Be sure to listen to all of these songs before the Oscar nominations are announced in January…
“Happy” from “Altered Minds”
“Home” from “Alvin and the Chipmunks: The Road Chip”
Right now, the jury’s out on whether or not Steven Spielberg’s Bridge of Spies will be an Oscar champ or an Oscar also-ran. But, regardless of how things go with the Academy, Spielberg’s follow-up to Bridge of Spies is already scheduled for a July 1st, 2016 release! It’s called The BFG and here’s the trailer!
Here’s the latest trailer for Jane Got A Gun, featuring Natalie Portman, Joel Edgerton, a hot air balloon, and a gun! This movie will be released on January 29th, 2016!
Well, no, actually it’s not. It’s a very serious film that has a few comedic moments. Matt Damon makes a few jokes but that’s largely because he’s trying not to lose his mind and commit suicide. However, The Martian was submitted to the Golden Globes as a comedy. Why? Probably because the producers realized that it would be easier for them to win if their film was the only big-budget drama nominated in the comedy category. It’s dishonest, it’s unethical, and it totally worked. This morning, when the Golden Globe nominations were announced, The Martian was nominated for Best Picture, Comedy or Musical.
I was not a particularly huge fan of The Martian to begin with. The fact that it has now been nominated for Best Comedy while Inside Out was not does not help matters.
Anyway, as for the rest of the Golden Globe nominations … actually, I like a lot of them. Mad Max: Fury Road was nominated for Best Picture, Drama and that should help it regain whatever momentum it may have lost after not being nominated by the SAG. The Big Short was also nominated for Best Picture, Comedy so I guess I really will have to see it, despite having no desire to do so. Trumbo was not nominated for Best Picture but it did pick up nominations for Bryan Cranston and Helen Mirren. Spotlight was naturally nominated for best picture but received no acting nominations, which means that either all the actors are splitting the votes among themselves or maybe Spotlight, while remaining the front-runner, is not as universally loved as some are thinking. It’s impossible for me to say because I haven’t seen Spotlight yet but I have noticed that a lot of critics seem to be more respectful than enthusiastic about it.
(At the same time, my friend, the sportswriter Jason Tarwater, was quite enthusiastic after seeing Spotlight and I usually trust his opinion on these things.)
Anyway, here are the Golden Globe Film nominations!
Did you like The Passion Of The Christ (2004), but felt it needed slapstick comedy to go along with its overuse of slow motion? Well don’t worry, cause Brazilian Star Wars has got your back. Just like Turkish Star Trek is actually an entry in a different series of movies, this is one in a series of films that featured a Brazilian comedy troupe called The Tramps. They basically run around acting like silent comedians. In fact, the movie has little dialog in it. They must have thought it would be fun to stick them into Star Wars cause I guess sticking them into Planet Of The Apes went over so well in 1976.
The movie opens up exactly like Star Wars. By that, I mean a car chase.
Like almost every scene in this movie, it seems to go on forever. Oh, and it starts with the slow motion right off the bat like these two shots.
It turns out the Tramps were being chased because one of them fooled around with a girl who was already with someone. All you need to know is that this means they are stuck camping out in the middle of nowhere. But before Star Wars can enter into their lives, we need some more comedy. Enter the turtle with a candle on it’s back.
This leads to a guy being set on fire.
And don’t let the comedic opportunity of a fire extinguisher and a black member of the Tramps go to waste!
Now comes Star Wars.
But first, let’s get a good look at each Tramp.
Now it’s time to meet this movie’s Luke Skywalker.
Or Flik. I don’t care. I’ll just call him Hunk Skywalker. He’s there to tell them he needs their help to retrieve half of the brain computer. It is being held by Zuco AKA Darth Vader. He offers to pay them their weight in gold. So of course they agree and go to board the ship. Then Chewbacca pops up in the entrance. This is when this film introduces us to another annoying thing it will do. They see Chewbacca, run away, then the footage is reversed, and they go into the ship. They will also sometimes simply repeat a shot several times for…comedy? Regardless, here’s Chewbacca.
Now we go to Hunk Skywalker’s planet and a battle ensues that goes on forever with so much slow motion.
All that’s important here is that Zuco kidnaps this movie’s Princess Leia.
After one of the sand people blows up a hut, we get introduced to the multi-colored ladies.
I guess the movie thought it needed to add some women in because otherwise it was too much of a sausage fest. That, and maybe this already colorful movie needed even more color. I don’t know, they serve about as much purpose as the Tramps in this movie. After a little travel we come to Brazilian Star Wars’ version of the bar scene. It’s a disco!
Here’s another scene that goes on for EVER!!! Actually I think it comes out to about 10-14 minutes of the movie. Dancing, fighting, and Hunk Skywalker talking to a guy named Igor about where to find Zuco. Eventually this nonsense comes to an end. Then just in case we weren’t sure this was the 1970’s.
Yellow tramp gets hungry and refuses to just eat a pill. He goes off and cracks open a giant egg.
And I’m pretty sure that’s what the Phoenix would have looked like if the Tramps were in Harry Potter.
Then Yellow Tramp spots Zuco and his soldiers which means more pointless scenes. They wind up underground.
After Brazilian Farrah Fawcett looks around, they run into a giant spider.
Oh, no!
Eventually, they make their way out. Too bad the spider didn’t get them so we could be spared this Hunk Skywalker dream.
Do I even need to tell you that’s all in slow motion? Then we get a flashback to the car chase at the beginning of the film since it’s crucial we be reminded of that.
After some talking and this…
they go to make an exchange with Zuco. Their half of the brain computer for the princess. This doesn’t go well. They make the exchange but then the princess takes off a mask and it’s this.
But at least this scene gives us a line that should be immortalized right along side “Use the force”.
Apparently, that meant hanging them over spikes.
They didn’t count on Yellow Tramp to be in the box instead of the brain computer. This leads to another scene that goes on forever.
Eventually this comes to an end and they take Zuco’s men prisoner.
After putting the brain computer back together almost everything is fixed like this city emerging from who knows where. At least I think it’s a city.
Now Hunk Skywalker finally asks Zuco where his princess is. Turns out making that fake mask for the exchange killed her in the process. Isn’t that nice. Yellow Tramp decides he is going to stay with the Yellow Lady, but there’s one problem. Turns out when the princess dies, her older sister takes over as princess.
After the movie gives us false hope…
they wake up back home. At first they think it was a dream, but there’s damage from where the spaceship landed. Then Hunk Skywalker flies by and not only is their Jeep full of gold, but the Jeep itself is gold. The End!
I actually watched this for the first time a couple of years ago and liked it. I didn’t like it this time. The scenes really do go on way too long with way too much slow motion. The comedy is unfunny to say the least. This might be fun for a little kid, but for everyone else, it just means we should all be saying “Now everyone will die the primitive way.”