Star Wars: The Rise of Skywalker – Final Trailer


Well, it all comes down to this.

During tonight’s Monday Night Football game between the New England Patriots and New York Jets, ESPN is hosting the final trailer for J.J. Abrams’ Star Wars: The Rise of Skywalker. The last film of the new trilogy, The Rise of Skywalker seems to have Rey (Daisy Ridley) coming into her own as a Jedi. It also looks like her friends are due to face a new threat, could it really be The Emperor? While Rian Johnson’s The Last Jedi may have left some audiences divided, Disney is hoping this will bring everyone in line and in the theatre. It seems to be working as theatres around the country are already selling out in pre-sales for the film.

It looks like we have Rey and Kylo Ren (Adam Driver) fighting against and alongside each other again. Could this also mean some sort of redemption for Kylo? We’ll find out come December 19th, when the film is released.

Enjoy!

Star Wars: Rise of Skywalker D23 First Look


Star Wars Rise of Skywalker

This past weekend saw Disney’s own convention called D23 come and go over at Anaheim, CA. Everything Disney-branded were announced and talked about. We got more news on Disney’s upcoming streaming service, more Marvel Studios news from Disney+ shows to information on the MCU’s Phase 4 plans. There were even some news about the fallout of the Marvel/Sony issue which has taken Spider-Man out of the MCU proper. Yesterday saw the release of the latest theatrical poster and a special First Look at this upcoming holiday release of Star War: Rise of Skywalker.

The final installment in what’s being called as the Skywalker Saga, the first look trailer shown at D23 yesterday has now been released for general audience consumption and from what I can see it bears some resemblance (at least from some of the images shown) from the old Dark Horse Comics Star Wars: Dark Empire (now just part of Star Wars Legends).

From the very ordered battle formation of Imperial Star Destroyers, to C3PO with red, menacing eyes to Rey in black Sith Robes that echoed Dark Empire’s Luke Skywalker also donning the black Sith Robes and becoming an apprentice of Sith Lord Palpatine.

While much of the stories and ideas from the comics and books of the 1990’s up until the sale of Lucasfilm to Disney has been made moot with the release of the latest films, the Star Wars creators have been mining the so-called Star Wars Legends for ideas and characters to create a new canonical universe.

This latest trailer for Star Wars: Rise of Skywalker does seem to have some influence from that comic book series from Dark Horse and I think that should make for an interesting conclusion to this latest film trilogy.

Here’s The Trailer For — Deep Breath — Star Wars Episode IX: The Rise of Skywalker


Here’s the new trailer for an obscure little art film called …. Stars Wars Episode IX: The Rise of Skywalker!

My first reaction, to be honest, is that the title is extremely unwieldy.  I imagine that most people in the real world will just call it “the new Star Wars film” while people on twitter will demand that it only be called “Episode IX.”  I’m not going to speculate on which Skywalker is rising.  The majority of them seem to be dead.  Perhaps the film will end with Adam Driver taking over the universe and destroying it, Thanos-style.  That would be kind of fun.

I’m not really big into Star Wars.  You may have already guessed that.  While everyone else is going crazy over this trailer, I have to admit that my first reaction was, “Again with the desert?”  But, snarkiness aside, it’s a nicely done trailer.  There’s no way not to be excited by that scene of Rey doing a back flip over that cruiser.  And any trailer that ends with mocking laughter is okay with me.  Apparently, the Emperor is back.  And so is Billy Dee Williams.

(For that matter, Carrie Fisher will be in the film, as well.  Director J.J. Abrams has said that there was enough unused Fisher footage from the previous two sequels that Leia will be able to play a role in The Rise of Skywalker.)

It’s always somewhat weird to me to see how controversial the Star Wars films have become.  I really don’t have enough shrug emojis available to me to express how I react whenever I see people on twitter debating whether or not the last movie was any good or not.  I liked The Force Awakens and I respected the fact that Rogue One killed off the entire cast.  I was kind of indifferent to both Solo and The Last Jedi.

But, let’s hope the best for The Rise of Skywalker!  Apparently, the Star Wars franchise will be going on a bit of a hiatus after the release of this one.  (That said, if The Rise of Skywalker does better at the box office than Solo or The Last Jedi, that hiatus could be a short one.)  So, let’s hope that they (temporarily) end on a good note!

Celebrate Life Day With The Star Wars Holiday Special!


Happy Life Day!

The Star Wars Holiday Special was first aired in 1978 and, over the years, it has achieved a certain amount of infamy.  Some people say that it’s the worst thing to ever be made for TV.  To those people, I say that 1) that’s not a good attitude to have on Life Day and 2) have you seen Disco Beaver From Outer Space?

Anyway, this is a musical Star Wars extravaganza.  One thing that makes it interesting is that Harrison Ford, Mark Hamill, and Carrie Fisher were all ordered to appear in it.  Seeing as how Harrison Ford tends to come across as being grumpy on a good day, I can only imagine how he reacted to filming The Star Wars Holiday Special.

Also, a few years ago, Val reviewed the Hell out of this thing.  Be sure to check out her review.

And now, for those of you looking to experience a dubious piece of pop culture history on this Christmas, we present to you …. The Star Wars Holiday Special!

A Few Words About Gary Kurtz


cracked rear viewer


The name Gary Kurtz isn’t well known except among STAR WARS fans. Along with his partner George Lucas, Kurtz produced the first two films in the original trilogy, and had a lot to do with the franchise’s early success. Gary Kurtz passed away yesterday at age 78 of cancer, and as I looked back on his filmography, I found he was much more than just the “Star Wars” guy.

Monte Hellman’s “Ride in the Whirlwind” (1965)

Gary Kurtz, like many young tyros back in the 1960’s, was a graduate of what’s known as the Roger Corman School of Filmmaking. Getting his start as an assistant director on Monte Hellman’s 1965 Western RIDE IN THE WHIRLWIND, cowritten by and co-starring another Corman alum, Jack Nicholson , Kurtz worked in various capacities on such Corman-related films as VOYAGE TO THE PLANET OF PREHISTORIC WOMEN (production manager), BEACH BALL (camera operator, assistant director…

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Solo: A Star Wars Story, A review with the spoilers that you deserve! By Case Wright


 

GO SEE THIS MOVIE! I don’t remember when Star Wars came out, but I do remember when Empire did and I loved it.  Yes, there were some deeper themes to these movies, but at their heart they were fun like a beach read.  We, the fans, have made these films into something they never were serious think pieces.  I just saw a youtube video where a guy was trying to describe the “correct” routes Han would have to take through the Kessel Run. Give it a rest!

This movie did what the last 6 have failed to do: Entertain.  Rogue One was a melancholy piece of trash about sending an email on a vhs tape.  BORING.  The rest are mind-numbingly painful experiences that are determined to take themselves so seriously that I have had more fun reviewing license agreements for my latest Turbo Tax software.  I really don’t care about Rey or the Ugly Gloomy Kid Kylo Ren who failed to get any of Han’s good looks.  If I were Han, I would have called up Maury Povich about that kid.

This movie did what it was supposed to do first: entertain.  It’s like the other movies never bothered to put that basic principle into the writers’ room.  Ron Howard really did a great job with the film and Alden Ehrenreich really succeeded in capturing a pre-cynical, but still cocky Han.  It could be that I also liked this story because Han reminds me the most of myself: edgy, cocky, wise-cracking, iconoclast, with devastating good looks.

The story even opens uniquely without any moody sad bullshit. Instead, it opens with some text, the title card, and Han driving away fast and furious, and a bit bloodied.  There’s no everyone’s perfect and noble blah blah blah.  Within 30 minutes, you are transported to a high-stakes futuristic train robbery that if it had a couple tumbleweeds and player piano, it would have been a great Western.

Han begins his quest because he loses his love Emilia Clarke.  Han between you and me: you gotta lock that down.  Other than Emilia, everyone else in the universe is gross and scaly even pretty people make ugly kids (see above) there must be radiation in this galaxy far far away or some such shit.  Han figures that if he does enough smuggling and heists he’ll get enough cash, to buy a ship and get Emilia Clarke out of the hellhole from whence she came. It doesn’t quite work out the way he plans, but you see a great character arc as Han become more cynical and savvy as the rogue we will eventually love.

As he is going on his big heist, we watch his friendship develop with Chewy, Lando, and most of all the Millenium Falcon which comes across as a character herself.  Most of the critics who have done middling reviews seem to focus on the box office, but unless you’re a shareholder of Newscorp or an accountant at 20th Century fox, why do you care?!  Another bizarre critique is that it’s too fun or not melancholy enough as Rogue One.  Okay, I have solution for the people who don’t think this amazingly well-done feature isn’t sad enough for them:  Go see this film, then shortly thereafter do a search for political twitter and then click show threads or just look up one of your hollywood heroes and count the indictments.

 

 

4 Shots From 4 Peter Cushing Films: Hamlet, Doctor Who and the Daleks, Frankenstein Must Be Destroyed, Star Wars


4 Shots from 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots from 4 Films lets the visuals do the talking!

Today is Peter Cushing’s birthday!  This edition of 4 Shots From 4 Films is dedicated to him, his memory, and his career!

4 Shots From 4 Peter Cushing Films

Hamlet (1948, dir by Laurence Olivier)

Doctor Who and the Daleks (1965, dir by Gordon Flemyng)

Frankenstein Must Be Destroyed (1969, dir by Terence Fisher)

Star Wars (1977, dir by George Lucas)