Lisa Marie’s Week In Review: 8/24/26 — 8/30/26


What a sad week.  We lost Dolly Parton and Tim Curry, not only in the same week but also the same day.  While we mourn losing them, let’s not forget to also celebrate their lives and the happiness that they brought to countless people.

Here’s what I watched this week:

Films I Watched:

  1. The Cat O’Nine Tails (1971)
  2. The French Connection (1971)
  3. Mutant Hunt (1987)
  4. Thank God It’s Friday (1978)
  5. Watch Your Back (2015)
  6. Whispering Ghosts (1942)

Television Shows I Watched:

  1. 1st & Ten
  2. Area 57
  3. Baywatch
  4. The Best Of Times
  5. Bette
  6. CHiPs
  7. Crime Story
  8. Big Brother 28
  9. Hunter
  10. Pacific Blue
  11. St. Elsewhere
  12. Saved By The Bell
  13. Sledge Hammer!
  14. Wiseguy

Live Tweets:

  1. Mutant Hunt
  2. Watch Your Back
  3. Thank God It’s Friday
  4. The French Connections
  5. Cat O’Nine Tails

4 Shots From 4 Films:

  1. Maureen O’Hara
  2. William Freidkin
  3. David Fincher
  4. Robert Richardson
  5. Tim Curry
  6. Sean Connery
  7. The Beach
  8. Dante Spinotti

Scenes I Love:

  1. Charles Bronson
  2. Bride of Frankenstein
  3. The French Connection
  4. Thank God It’s Friday
  5. Once Upon A Time In America
  6. Melancholia
  7. Pass The Ammo
  8. Clue
  9. Straight Talk
  10. Goldfinger
  11. Police Academy

Songs of the Day:

  1. Hans Zimmer
  2. Leith Stevens
  3. Jim Williams
  4. Baltimora
  5. Lydia
  6. Shirley Bassey
  7. Vincent and Pesci

Music Videos of the Day:

  1. Van Halen
  2. Wang Chung
  3. Robbie Robertson
  4. Tim Curry
  5. Dolly Parton
  6. Depeche Mode
  7. The Alarm

Artworks of the Day:

  1. Too Hot For Hell
  2. Line-Up Detective
  3. Country Club Cheat
  4. Western Adventures
  5. Back-Country Wench
  6. A Stranger In Town
  7. Ranch Romances

Heroes and Villains of the Day:

  1. Darkness (Legend)

Links From Last Week:

  1. A Visionary Artist Has Died…Yayoi Kusama’s Unique “Dot Art” Up Close…
  2. Tim Curry 1946-2026

News From Last Week:

  1. Dolly Parton Dies At 80
  2. Actor Tim Curry Dies At 80
  3. Singer Jaye P. Morgan Dies At 94
  4. Voice Actor Peter Cullen Dies At 85

Links From The Site:

  1. I reviewed Saved By The Bell: The New Class, The Love Boat, Juvenile Court, and Homicide!
  2. Arleigh reviewed 100 Bullets Vol. 4, Warhammer 40,000, Transformers, Legend, The Crow, and the original Crow!
  3. Brad took a look at Charles Bronson throughout the decades!

Retro Television Review: Homicide: Life On The Street 6.1 “Blood Ties, Part One”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC!  It  can be viewed on Peacock.

This week, we start season 6.

Episode 6.1 “Blood Ties: Part 1”

(Dir by Alan Taylor, originally aired on October 17th, 1997)

It’s a new season of Homicide and, while Pembleton and Bayliss have been off working in the robbery division, some changes have occurred.  Sgt. Howard has left Homicide to work in another division.  Brodie’s documentary won an Emmy and he’s moved to Los Angeles.  Melissa Leo and Max Perlich are no longer a part of the cast.

Instead, we have three new detectives.  Gharty and Falsone (ugh!) are now full-time members of the squad.  Joining them is Laura Ballard (Callie Thorne), a recent transfer from Seattle.  When Pembleton and Bayliss return to Homicide, the first that they see is Ballard and Gharty being given a commendation for solving “the Rico case.”  Meanwhile, Falsone is walking around the squad room like he owns the place.  Giardello praises the new detectives and basically acts as if Pembelton and Bayliss are useless.

And listen, as much as I dislike Falsone and Jon Seda’s mumbling performance in the role, I do think that Peter Gerety is well-cast as Gharty.  And Callie Thorne seems like she’ll do a good job as Ballard, even if this episode does spend a bit too much time trying to convince us that she’s the greatest detective since Frank Pembleton.  But, when it comes to Homicide, I want to follow detectives like Munch, Lewis, Pembleton, and Bayliss.  I want to watch as Kellerman battles his demons and Giardello battles his superiors.  My point is that I don’t care about these new people.  I don’t care that Ballard is a hotshot detective.  I don’t care that Gharty is a blue-collar guy who is looking to prove himself.  I can’t stand Falsone.  I don’t want any of these people to be the new lead characters on the show.  I want Melissa Leo with her weird accent.  What are we even doing here, Homicide?

This episode, however, seemed to be determined to force the new characters on me.  For instance, Georgia Mahoney (Hazel Goodman) is in town, looking to get revenge for the death of her brother Luther.  She’s got people shooting at Lewis, Kellerman, and Terri Stivers.  Needless to see, Lewis and Kellerman get involved in tracking down and arresting not only Georgia but also Junior Bunk (Mekhi Phifer), Luther’s incompetent nephew.  However, Falsone gets involved too.  This means that we have to sit through an entire scene of Falsone attempting to interrogate Kellerman about the Mahoney shooting and the inconsistencies in the statements given by Lewis, Stivers, and Kellerman..  Hey, Falsone — YOU’RE THE NEW GUY!  WE LIKE KELLERMAN!  LEAVE HIM ALONE, YOU MUMBLING DOUCHEBAG!

Meanwhile, at a banquet honoring distinguished businessman and civil right activist Felix Wilson (James Earl Jones), a young Haitian woman is found beaten to death in the men’s room.  Her name is Melia and she worked for the Wilsons.  Now, in this case, Pembleton and Bayliss are the primaries but Ballard and Gharty still come along to provide support and soon, Ballard and Pembleton are arguing about the best way to handle the investigation.  Ballard thinks that Pembleton is going easy on Felix Wilson because of Wilson’s standing in the black community.  Pembleton thinks that Ballard should remember who the primary investigator is.  And myself, I’m wondering why Pembleton and Ballard are having the type of conversations that Pembleton used to have with Bayliss.  Whenever Pembleton and Bayliss debate prejudice, it works because we know who Pembleton is and we know how Bayliss is.  We don’t know enough about Ballard for her debate with Pembleton to really mean anything.

Apparently, Homicide was nearly cancelled after the end of season 5.  When it was renewed, it was done on the condition that had to improve its rating and win its time slot.  This episode feature a lot of action.  A man on a motorcycle fires at Falsone and Lewis.  A sniper hits Kellerman in the arm.  The cops stop Georgia’s private plane from taking off and arrest her.  Visually, this episode is brightly lit and there’s none of the odd camera angles that dominated the previous few seasons.  Comparing this episode to the episodes that came before it creates a tonal whiplash that can only be compared to going from the Steve Carell-led Office to the Ed Helms version.  It’s not necessarily bad but it just doesn’t feel right.

This episode ends with Georgia in jail and Pembleton still investigating the death of Melia.  Season 6 is off to a start and I’m not really happy about how it’s going so far but we’ll see what happens.

Scenes That I Love: Elsa Lanchester as Mary Shelley in Bride of Frankenstein


The writer Mary Shelley was born on this date in 1797.  Shelley, of course, is best-known for writing Frankenstein, a book that some claim is the first science fiction novel.  (That’s debatable but it was still a major literary achievement.)

In this scene from 1936’s Bride of Frankenstein, Elsa Lanchester appears as Mary Shelley, continuing her story.  (Of course, Lanchester also played the Bride herself.)

4 Shots From 4 Films: Special Maureen O’Hara Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

These 4 Shots From 4 Films are dedicated to the memory of the great Maureen O’Hara.

4 Shots From 4 Maureen O’Hara Films

The Hunchback of Notre Dame (1939, dir by William Dieterle)

The Hunchback of Notre Dame (1939, dir by William Dieterle)

Dance, Girl. Dance (1940, dir by Dorothy Arzner)

Dance, Girl. Dance (1940, dir by Dorothy Arzner)

Miracle on the 34th Street (1947, dir by George Seaton)

Miracle on the 34th Street (1947, dir by George Seaton)

The Quiet Man (1952, dir by John Ford)

The Quiet Man (1952, dir by John Ford)

Sláinte!

Late Night Retro Television Review: Saved By The Bell 3.3 “The Glee Club”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Saved By The Bell, which ran on NBC from 1989 to 1993.  The entire show is currently streaming on Tubi!

This week, the gang joins the Glee Club!

Episode 3.3 “The Glee Club”

(Dir by Don Barnhart, originally aired on December 23rd, 1990)

When Zack learns that the winners of a nationwide glee competition will get a trip to Hawaii, he demands that all of his friends join the Bayside Glee Club. The only problem is that Jessie is the only one who can sing, and she refuses to take off her face mask because she thinks she’ll catch COVID Lisa’s cold.

Luckily, Screech’s girlfriend Violet (Tori Spelling) can sing, but she can only do it if Screech is present and supporting her. After Screech acts like an idiot meeting her parents (he mentions that Violet’s mother looks like Arnold Schwarzenegger), Violet is told she’s no longer allowed to spend time around him. Violet will have to quit the Glee Club. Good thing Jessie can sing! Oh no! Jessie took off her face mask and caught Lisa’s cold.

This episode firmly established that Zack is not only a liar but a terrible liar, one who succeeds only because of the exaggerated stupidity of everyone around him. When Mr. Belding demands that Mr. Tuttle whip the Glee Club into shape, Zack’s solution is to tape another glee club’s performance and have Bayside lip-sync to it. Somehow, neither Belding nor Tuttle notices. Later, when the Glee Club performs at the competition, Zack plays the tape again. This time it gets screwed up. At first everyone is singing too fast, then too slow. “That was our impression of a glee club tuning up!” Zack says, and everyone buys it. You can call Zack’s behavior borderline sociopathic and you’ll have a point. But seriously: how dumb is every adult in Zack’s life?

Violet does eventually sing. Screech steps up to support her when she falters. Bayside wins the competition, even though they really should have been disqualified for all of that “tuning up” nonsense. Violet’s parents are so impressed by Screech’s support that they decide he can date their daughter. If I remember correctly, Violet disappeared after one more episode.

This episode does have one truly funny moment. When Jessie says she caught Lisa’s cold, everyone glares at Lisa. “Sorry,” Lisa says, in a tone that suggests she’s not that sorry. Lark Voorhies delivers the line perfectly. Otherwise the episode suffers because it revolves around two of the worst actors to ever grace the halls of Bayside. Any episode that features Screech’s love life is destined for cringe.

Lisa Marie’s Week In Television: 8/23/26 — 8/29/26


I spent this week binging Crime Story, St. Elsewhere, and Baywatch.  My goal here is to write up three months worth of Retro Television Reviews over the next week so that I can devote all of September and October to horrorthon.

I also watched Big Brother 28.  Thursday was the 1,000th episode of Big Brother.  Since I’ve see every episode, I did the math and discovered that I have spent the equivalent of 43 days just watching Big Brother.  That left me feeling very depressed.

On Friday, my friend Pat McCurry put together a tribute for Tim Curry and Dolly Parton.  First, we watched a thoroughly forgettable 2000 sitcom called Bette.  As you can guess from the title, it starred Bette Midler as herself.  The episode that we watched featured Bette appearing on Dolly Parton’s Halloween special.  Dolly was charming.  The rest of the sitcom was pretty forgettable.  We followed this with an episode of a 90s crime show called Wiseguy.  Tim Curry played a crooked music producer.  The show was serialized so I really couldn’t follow the plot but Curry gave a typically magnetic preformance.

Along with my binging, I also watched and reviewed CHiPs, Pacific Blue, 1st & Ten, Hunter, Sledge Hammer, and Saved By The Bell.

And I also watched a Republican Presidential Primary Debate from 1996!  It was on YouTube.  I liked that Lamar Alexander.  Did he win?

Retro Television Review: Baywatch 2.17 “The Chamber”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be viewed on Tubi.

This week, Mitch gets the bends (snicker)!

Episode 2.17 “The Chamber”

(Dir by Gregory J. Bonann, originally aired on March 2nd, 1992)

Mitch has a lot to think about. Summer is nearly over, and Gayle wants Hobie to return to Ohio for school. Craig, now living in Connecticut, sends Mitch a letter offering to help him get a job as a salesman. It would mean more money, but also a lot of traveling — and no more lifeguarding.

Mitch takes to the ocean in a kayak to clear his head. When he comes across a panicked boy on a boat, he learns that the boy’s father was scuba diving and is trapped 90 feet underwater. Mitch free-dives to free the father. Both men reach the surface, but they’ve both got …. THE BENDS!

The bends may have a silly name, but it’s a real condition, and it can be fatal. Because the father is in worse shape, he goes into the decompression chamber first. Mitch isn’t doing well either, so Baywatch rushes him back to the mainland and puts him in their own chamber. Then everyone waits for Mitch to recover.

And Mitch has flashbacks. Flashback after flashback. That’s right: this is a clip show. This is Baywatch at its cheapest. This is Baywatch showing clips that featured a totally different actor playing Hobie. Eventually, once the show runs out of clips, Mitch has a brief out-of-body experience — and then he wakes up.

This is Baywatch at its silliest, but it’s also David Hasselhoff at his most earnest. Say what you will about the show, Hasselhoff always seemed to take it very seriously. Or at least he did until Baywatch Hawaii. Luckily, that’s several seasons away.

Clip shows always feel like a wasted episode, but they’re also incredibly easy to review. This episode has that going for it.

Live Tweet Alert: Watch The Cat O’Nine Tails With #ScarySocial!


 

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, I will be hosting Dario Argento’s The Cat O’Nine Tails!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime!   I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy!