Retro Television Review: St. Elsewhere 4.2 “Fathers and Sons”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Daily Motion.

This week, Dr. Craig’s son returns home.

Episode 4.2 “Fathers and Sons”

(Dir by Mark Tinker, originally aired on September 25th, 1985)

In this episode, we discover what Dr. Westphall did after he left St. Eligius.  After checking Tommy into a special school for autistic children, Westphall went to Africa and volunteered his time at a clinic.  Now that he’s returned to Boston, he wants St. Eligius and its residents to follow his example.  In fact, he’s requiring it.  He wants to set up a free clinic.  He wants to set up a charity.  He tells the residents that they will now be required to volunteer in the community.  He’s planning on shaking things up.  Auschlander tells Westphall that not all of his plans are practical.  Westphall says that he doesn’t care.

Westphall also proceeds to move back into his old house and he retrieves Tommy from the school.  (Tommy responds by hitting Westphall.)  It’s actually pretty easy to see what’s happening here.  At the end of the previous season, Westphall was determined to move on with his life.  He was going to leave his depressing house.  He was going to admit that he couldn’t raise Tommy by himself.  However, now that he’s returned to Boston, Westphall is returning to his old life while expecting St. Eligius to change.  Westphall is channeling his personal frustrations into the hospital.  I don’t think this is going to go well.

Speaking of change, Luther is training to become a paramedic.  In this episode, he rides around in an ambulance with two bickering paramedics who are also a couple (played by Adam Arkin and Melanie Chartoff).  This storyline allowed the action to move beyond the confines at the hospital and, at times, it almost played like a parody of a more traditional medical show.  Luther becomes a stand-in for the viewer, watching as the domestic drama unfolds in  between medical emergencies.

The majority of the episode revolves around Dr. Craig, who is not happy that his son, Stephen (Scott Paulin), is visiting with his very pregnant wife, Yvonne (Suzanne Lederer).  When we last saw Stephen, he was a hotshot Ivy League medical student with a bright future ahead of him.  Then he got busted for drug possession and Dr. Craig stopped speaking about him.  In this episode, we learn that Stephen is now a student at Ohio State.  Stephen claims that he’s no longer on drugs but it’s obvious that Dr. Craig is never going to be able to forgive Stephen for letting him down.  That said, Dr. Craig does soften a bit when he talks to Yvonne and she lets him feel the baby kicking.

At the end of the episode, Stephen is driving down a street in Boston.  He’s just had dinner with his parents.  Yvonne is in the passenger’s seat.  A quick shot of Stephen’s eyes reveal that he’s high on something.  Yvonne screams as Stephen crashes the car.  Yikes!  That’s a frightening way to end things!

This was a good episode.  It appears that, with the start of season four, the showrunners finally figured out that Dr. Craig was the most interesting character on the show.  William Daniels and Bonnie Bartlett are both excellent in this episode.

I just hope the baby will be okay.

Live Tweet Alert: Join #FridayNightFlix for My Science Project!


As some of our regular readers undoubtedly know, I am involved in a few weekly watch parties.  On Twitter, I host #FridayNightFlix every Friday and I co-host #ScarySocial on Saturday.  On Mastodon, I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, I will be hosting #FridayNightFlix!  The movie?  My Science Project!

If you want to join us this Friday, just hop onto twitter, find My Science Project on Prime, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  I’ll be there happily tweeting.  It’s a friendly group and welcoming of newcomers so don’t be shy.

See you there!

 

 

4 Shots From 4 Films: Special Tod Browning Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

 Tomorrow will be the 146th birthday of director is Tod Browning, who started his career during the silent era, ended it in the sound era, and was responsible for some of the most important horror and suspense films of both eras!

It’s time for….

4 Shots From 4 Tod Browning Films

West of Zanzibar (1928, dir by Tod Browning, DP: Percy Hilburn)

Dracula (1931, dir by Tod Browning. DP: Karl Freund)

Freaks (1932, dir by Tod Browning, DP: Merritt Gerstad)

The Devil-Doll (1936, dir by Tod Browning, DP: Leonard Smith)

Scenes That I Love: Dracula Meets Van Helsing


146 years ago, on July 11th in Kentucky, director Tod Browning was born.  Though Browning was a director who was comfortable working in any genre, he is today best remembered for the horror films that he directed for Universal studios.  Today’s scene that I love comes from Tod Browning’s 1931 adaptation of Dracula.

In this scene, Count Dracula (Bela Lugosi) is introduced to Prof. Van Helsing (Edward Van Sloan).  Van Helsing notes something interesting about Dracula’s reflection, namely that he doesn’t have one.  Needless to say, the Count is not amused.

Late Night Retro Television Review: Hunter 1.11 “The Garbage Man”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Hunter, which aired on NBC from 1984 to 1991.  The entire show is currently streaming on Tubi and several other services!

This week, Hunter and McCall deal with some familiar faces.

Episode 1.11 “The Garbage Man”

(Dir by Bruce Kessler, originally aired on January 11th, 1985)

This week’s episode is all about spotting the guest stars.

Hey, there’s Christopher McDonald as Sonny Dupree, a parolee who has been accused of murdering his parole officer.  He’s on the run but, when Hunter corners him, Sonny makes a convincing argument that he was set up.  It also turns out that someone doctored Sonny’s arrest record to make him look like a far more viscous criminal than he actually is.

Hey, there’s Nicholas Worth, playing a friend of Sonny’s.  Nicholas Worth might not be a household name but you’d recognize if you saw him.  He was big and bald and intimidating.

Oh my God, it’s Frances McDormand!  She plays a new parole officer named Nina and she develops a crush on Hunter!  At one point, McCall pretends to be Nina on the phone and does a fairly bad imitation of McDormand’s genuine Southern accent.

And wait, is that Ed O’Neill!?  Yes, it is.  A skinny Ed O’Neill plays Dan Colson, a parole officer who is determined to track down Sonny and who is even more violent than Hunter.  When Sonny explains that someone has been executing parolees, it doesn’t take a genius to guess who the killer is.

McDonald, Worth, McDormand, and O’Neill all give strong performances in this episode.  Fred Dryer and Stepfanie Kramer get to be their usual dependable selves while the guest cast runs off with all the drama.

As for the overall episode, it features a few plot twists that don’t really make much sense.  We’re asked to believe that Sonny Dupree, who is trying to straighten out his life and who has a wife and daughter, would agree to have his criminal record doctored just so he could serve as bait for the vigilante.  There’s also — and this was often the case with Hunter — absolutely no suspense about who the murderer is.  As soon as we meet Colson, we know he’s guilty.  Even if he was being played by as complete nobody, we would know that he was guilty.  Hunter is not exactly a subtle show.

That said, this episode had some good action sequences and it also showcased the chemistry between Fred Dryer and Stepfanie Kramer.  The scene where McCall and Hunter argue over who should chase Colson was a classic, with McCall sensibly pointing out that she didn’t want to dent up her new car.  Hunter’s car, naturally, was already covered in dents.

In the end, this episode worked.  The guest stars, the action, the comedy, it all added up to an enjoyable 48 minutes.

Retro Television Review: Decoy 1.37 “The Comeback”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958.  The show can be viewed on Tubi!

This week, Peter Falk guest stars!

Episode 1.37  “The Comeback”

(Dir by David Alexander, originally aired on June 23rd, 1958)

When a fire breaks out at the race track, someone steals two rolls of blank tickets.  The police think that the syndicate is planning on printing up counterfeit tickets that they can use to make a killing at the track.  Casey quickly figures out that track clerk Fred Dana (Peter Falk) was in the perfect position to steal the tickets during the fire.

Because Fred already saw (and flirted with) Casey at the police station, Casey can’t do her usual undercover shtick.  Instead, when she later approaches Fred, she tells him that she’s looking to make some extra money and she’s willing to help Fred and his bosses get away with their crime.  Fred introduces Casey to his boss and then that boss introduces Casey to another boss and soon, Casey is working her way to the top.

However, Fred is worried that Casey is getting in over her head and starts warning her that she shouldn’t get involved.  When Fred figures out that Casey is just pretending to be crooked, he doesn’t betray her.  Instead, he betrays the Syndicate and helps to save Casey’s life.

Why?

Fred says that Casey has “class.”

Casey looks at the camera and tells the viewers that Fred is the one with class.

Awwww!

So, this was a typical Casey-Gets-In-Over-Head storyline.  We’re only two episodes away from Decoy’s finale and it’s hard not to feel that, as the series progressed, the writers made Casey less-and-less competent.  She’s gone from being a smart, streetwise cop to someone whose cover is continually getting blown.  This time, it’s Peter Falk who steps up to save not only Casey but also this entire episode.  Falk was 30 when he appeared on Decoy but he already looked several years older.  He gives an intelligent and sensitive performance here, one that almost feels like it could come from an alternative universe where Columbo became a low-level mob associate instead of a detective.  His scenes with Garland are especially interesting to watch.  It wasn’t unusual for Decoy to feature men hitting on Casey.  But this is the only episode (at least so far) where there was a genuine romantic chemistry.

Indeed, Fred had class.

Reblog: Big Brother 28 — The Big Question


Don’t worry. The TSL is not turning into a Big Brother Blog. This is just my way of letting you know what I’ll be doing this summer when I’m not reviewing films over here! And if you happen to be a fan of the show, I’d love to hear from you over at RealityTVChatBlog. Thanks! — Lisa Marie

Join #TubiThursday For Over The Top!


Hi, everyone!  Tonight, on Mastodon, I will be hosting the #TubiThursday watch party!  Join us for 1987’s Over the Top!

You can find the movie on Tubi or YouTube and you can join us on Mastodon at 9 pm central time!  (That’s 10 pm for you folks on the East Coast.)  We will be using #TubiThursday hashtag!  See you then!

Scenes I Love: Shaft


Today would have been the birthday of Richard Roundtree so, of course, today’s scene that I love could only be the classic opening of 1971’s Shaft.

By doing something as simple as walking down a street in New York, Roundtree showed us exactly who Shaft was and why Shaft did what he did.  This is one of those scenes that’s been parodied so many times that it’s actually surprising to rewatch and see how just defiant and sexy Richard Roundtree’s confident strut actually was.

On another note, I enjoy seeing all of the names of the movies that were playing on 42nd Street when this scene was filmed.