4 Shots From 4 Films: Special John Wayne Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

John Wayne’s birthday is just a few days away!  Here’s 4 shots from the Duke’s unforgettable career.

4 Shots From 4 Films

Stagecoach (1939, directed by John Ford)

Sands of Iwo Jima (1949, directed by Allan Dwan)

The Searchers (1956, directed by John Ford)

The Man Who Shot Liberty Valance (1962, directed by John Ford)

 

 

4 Shots From 4 Films: Special James Stewart Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we celebrate the birthday of one of the greatest American actors of all time, the wonderful James Stewart!  It’s time for….

4 Shots From 4 James Stewart Films

Mr. Smith Goes To Washington (1939, dir by Frank Capra, DP: Joseph Walker)

It’s A Wonderful Life (1946, dir by Frank Capra, DP: Joseph Walker and Joseph Biroc)

Rear Window (1954, dir by Alfred Hitchcock, DP: Robert Burks)

The Man Who Shot Liberty Valance (1962, dir by John Ford. DP: William H. Clothier)

6 Shots From 6 Films: Special John Ford Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

John Ford was born 132 years ago today, in Maine.  Seeing as how John Ford is one of the most influential and important directors of all time, it was pretty much guaranteed that we were going to share a few shots from his filmography on the Shattered Lens.

In honor of John Ford, here are….

6 Shots From 6 Films: Special John Ford Edition

The Informer (1935, dir by John Ford, DP: Joseph August)

Stagecoach (1939, dir by John Ford, DP: Bert Glennon)

The Grapes of Wrath (1940, dir by John Ford. DP: Gregg Toland)

My Darling Clementine (1946, dir by John Ford, DP: Joseph MacDonald)

The Searchers (1956, dir by John Ford, DP: Winston C. Hoch)

The Man Who Shot Liberty Valance (1962, dir by John Ford. DP: William H. Clothier)

Scenes I Love: John Ford’s The Man Who Shot Liberty Valance


The legendary director John Ford was born 132 years ago today, in Maine of all places.  He may have been born in New England but few directors have done a better job of capturing, on film, the forces that shaped America.

He also directed one of my favorite films, The Man Who Shot Liberty Valance.  Today’s scene that I love comes from the end of that 1962 film and it features a line that would become a classic.  “Print the legend.”  That was a line that Ford clearly understood and I imagine it’s one that all great filmmakers eventually come to appreciate.

4 Shots From 4 Films: Remember Pearl Harbor


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Visiting Pearl Harbor and seeing the remains of the Arizona, still trapped underwater and serving as a tomb for many of its crew, was one of the most moving experiences of my life.  It’s not something that you’ll ever forget.  You really don’t understand the full tragedy of Pearl Harbor until you visit for yourself.  There have been several films made about Pearl Harbor, some better than others.  Here are shots from four of them.

4 Shots From 4 Films: Remembering Pearl Harbor

December 7th (1943, Dir. by John Ford)

From Here To Eternity (1953, Dir. by Fred Zinnemann)

Tora! Tora! Tora! (1970, Dir. by Richard Fleischer)

The Final Countdown (1980, Dir. by Don Taylor)

 

 

4 Shots From 4 Films: Special Maureen O’Hara Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

These 4 Shots From 4 Films are dedicated to the memory of the great Maureen O’Hara.

4 Shots From 4 Maureen O’Hara Films

The Hunchback of Notre Dame (1939, dir by William Dieterle)

The Hunchback of Notre Dame (1939, dir by William Dieterle)

Dance, Girl. Dance (1940, dir by Dorothy Arzner)

Dance, Girl. Dance (1940, dir by Dorothy Arzner)

Miracle on the 34th Street (1947, dir by George Seaton)

Miracle on the 34th Street (1947, dir by George Seaton)

The Quiet Man (1952, dir by John Ford)

The Quiet Man (1952, dir by John Ford)

Sláinte!

4 Shots From 4 Desert Films


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

It’s the summer and it’s hot!  Here are 4 shots from 4 films that represent just how hot it feels outside right now.

4 Shots From 4 Desert Films

The Searchers (1956, Dir. by John Ford)

Lawrence of Arabia (1962, Dir. by David Lean)

Star Wars: A New Hope (1977, Dir. by George Lucas)

Mad Max: Fury Road (2015, Dir. by George Miller)

 

4 Shots From 4 Beautiful Black-and-White Films


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Here are four shots in beautiful black-and-white!

4 Shots From 4 Beautiful Black-and-White Films

Rebecca (1940, Dir by Alfred Hitchcock)

The Grapes of Wrath (1940, Dir by John Ford)

The Southerner (1945, Dir by Jean Renoir)

Sunset Boulevard (1950, Dir by Billy Wilder)

4 Shots From 4 Films: Celebrating Beautiful Landscapes


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

As a photographer, I love movie that feature shots of beautiful landscape.  Here are four of my favorites!

4 Shots Of 4 Beautiful Landscapes

The Quiet Man (1952, Dir by John Ford)

Barry Lyndon (1975, Dir by Stanley Kubrick)

Days of Heaven (1978, Dir by Terrence Malick)

Nomadland (2020, dir by Chloe Zhao)

 

They Were Expendable (1945, directed by John Ford)


In December of 1941, Lt. John Brickley (Robert Montgomery) commands a squadron of Navy PT boats, based in the Philippines.  Brickley is convinced that the small and agile PT Boats could be used in combat but his superior officers disagree, even after viewing a demonstration of what they can do.  Brickley’s second-in-command, Rusty (John Wayne), is frustrated and feels that he will never see combat.  That changes when the Japanese attack Pearl Harbor and then turn their attention to the Philippines.  Brickley gets his chance to show what the PT boats can do but both he and his men must also deal with the terrible risks that come with combat.  Brickley and his men have been set up to fight a losing battle, only hoping to slow down the inevitable Japanese onslaught, because both they and their boats are considered to be expendable.  The hot-headed Rusty learns humility when he’s sidelined by blood poisoning and he also falls in love with a nurse, Sandy (Donna Reed).  However, the war doesn’t care about love or any other plans that its participants may have.  With the invasion of the Philippines inevitable, it just becomes a question of who will be sent with MacArthur to Australia and who will remain behind.

One of John Ford’s best films, They Were Expendable is a tribute to the U.S. Navy and also a realistic look at the realities of combat.  The movie features Ford’s trademark sentimentality and moments of humors but it also doesn’t deny that most of the characters who are left behind at the end of the movie will not survive the Japanese invasion.  Even “Dad’ Knowland (Russell Simpson), the fatherly owner of a local shipyard who does repair work on the PT boats, knows that he’s expendable.  He resolves to meet his fate with a rifle in hand and a jug of whiskey at his feet.  Rusty, who starts out thirty for combat, comes to learn the truth about war.  Ford was one of the many Hollywood directors who was recruited to film documentaries during World War II and he brings a documentarian’s touch to the scenes of combat.

Robert Montgomery had previously volunteered in France and the United Kingdom, fighting the Axis Powers before America officially entered the war.  After the war began, he entered the Navy and he was a lieutenant commander when he appeared in They Were Expendable.  Montgomery brought a hardened authenticity to the role of Brickley.  (Montgomery also reportedly directed a few scenes when Ford was sidelined with a broken leg.)  John Wayne is equally good in the role of the hot-headed Rusty, who learns the truth about combat and what it means to be expendable.  The cast is full of familiar faces, many of whom were members of the John Ford stock company.  Keep an eye out for Ward Bond, Cameron Mitchell, Leon Ames, Jack Holt, and Donald Curtis.

They Were Expendable is one of the best of the World War II movies.  It’s a worthy film for Memorial Day and any other day.