Retro Television Review: Baywatch 2.17 “The Chamber”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be viewed on Tubi.

This week, Mitch gets the bends (snicker)!

Episode 2.17 “The Chamber”

(Dir by Gregory J. Bonann, originally aired on March 2nd, 1992)

Mitch has a lot to think about. Summer is nearly over, and Gayle wants Hobie to return to Ohio for school. Craig, now living in Connecticut, sends Mitch a letter offering to help him get a job as a salesman. It would mean more money, but also a lot of traveling — and no more lifeguarding.

Mitch takes to the ocean in a kayak to clear his head. When he comes across a panicked boy on a boat, he learns that the boy’s father was scuba diving and is trapped 90 feet underwater. Mitch free-dives to free the father. Both men reach the surface, but they’ve both got …. THE BENDS!

The bends may have a silly name, but it’s a real condition, and it can be fatal. Because the father is in worse shape, he goes into the decompression chamber first. Mitch isn’t doing well either, so Baywatch rushes him back to the mainland and puts him in their own chamber. Then everyone waits for Mitch to recover.

And Mitch has flashbacks. Flashback after flashback. That’s right: this is a clip show. This is Baywatch at its cheapest. This is Baywatch showing clips that featured a totally different actor playing Hobie. Eventually, once the show runs out of clips, Mitch has a brief out-of-body experience — and then he wakes up.

This is Baywatch at its silliest, but it’s also David Hasselhoff at his most earnest. Say what you will about the show, Hasselhoff always seemed to take it very seriously. Or at least he did until Baywatch Hawaii. Luckily, that’s several seasons away.

Clip shows always feel like a wasted episode, but they’re also incredibly easy to review. This episode has that going for it.

Late Night Retro Television Review: Highway to Heaven 5.13 “Merry Christmas, From Grandpa”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

This week, we finish up Highway to Heaven.

Episode 5.13 “Merry Christmas from Grandpa”

(Dir by Michael Landon, originally aired on August 4th, 1989)

The final episode of Highway to Heaven is a sad one for a number of reasons.

First off, it’s a Christmas episode but, because NBC never really gave the final season a regular spot on the schedule and instead of just aired the final 13 episodes whenever they needed to fill a hole, the finale didn’t air until August.

Secondly, the episode features Mark and Jonathan going “thirty years into the future,” — in this case to 2018.  Mark is stunned to discover that he’s still alive in 2018.  Jonathan tells him that it’s because he finally stopped smoking.  In real life, Victor French died of lung cancer six months after filming this episode.  Again, because of the way NBC handled the final season, French did not live to see the final episode aired.

Finally, the final episode of Highway to Heaven is not one of its strongest episodes.  The strength of Highway to Heaven was that Jonathan and Mark spent their time helping ordinary people.  Even if you didn’t agree with the show’s theology, it was hard not be touched by the earnest sincerity that lay at the heart of the majority of the episodes.  Jonathan and Mark were do-gooders, in the best sense of the term.

That said, there were more than a few episodes that could be a bit preachy and that’s the case with this episode.  As was often the case with Highway to Heaven‘s weaker episodes, this episode was inspired by Landon’s own environmentalism.  On Christmas Eve, Jonathan and Mark visit three men — a businessman, a farmer, and the President (seriously!) — and bring with them visions of the future.  The businessman sees that he has to stop promoting nuclear power.  The farmer sees that he has to stop using insecticides.  And the President watches as all of his future grandchildren and great-grandchildren vanish from existence as a result of him not doing something to protect the environment.

It’s heartfelt, yes.  I don’t doubt Landon’s sincerity.  But I just wish the final episode had been a bit more of a traditional episode.  I wish that it had featured more of heart and the humor and the Landon/French chemistry that marked the show’s best moments.  Of course, again, Landon had no way of knowing that Victor French was going to die.  (Apparently, even though French does look noticeable thinner, he did not learn that he had lung cancer until after he filmed his last episode.)  If the show had been renewed for another season, it’s doubtful it would have worked without the chemistry between Landon and French.

I’ve enjoyed reviewing this show.  Originally, I didn’t think I would.  I expected this show would bring out my cynical side with a vengeance and there were a few episodes that did just that.  For the most part, though, this show won me over.  Watching it, one gets the feeling that Michael Landon truly did want to make the world a better place.  Who can’t be touched by that?

Next week, a new show will premiere here.

Late Night Retro Television Review: Highway to Heaven 4.19 “The Correspondent”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

This week, Jonathan is a dream warrior.

Episode 4.19 “The Correspondent”

(Dir by Michael Landon, originally aired on February 24th, 1988)

Journalist Hale Stoddard (Darren McGavin) sits in a South American prison cell and waits to be executed.  One-by-one, the other prisoners are dragged out of the cell and shot by the country’s new government.  Hale passes the time by writing a letter that he knows no one will ever read.

Suddenly, Hale is no longer in the cell.  Instead, he’s in the basement of his house.  And there’s Jonathan.  Jonathan explains that time has stopped and now, Hale is in his wife’s dream.  Martha (Patricia Smith) dreams of Hale never being at home.  She dreams of their son having both arms, even though he lost those arms in an accident when he was younger.  (She also dreams of their now-adult son as always being a child.)  Martha dreams about Hale’s former mistress, Eleanor (Eileen Barnett), standing around the house.  (Hale argues that Eleanor was never in the house but Jonathan explains that, in Martha’s dreams, she is.)  Hale comes to realize how often he deserted Martha because he couldn’t deal with settling down and raising a family.  And now, while Martha dreams of him, Hale is about to be shot and killed….

Except, he’s not.  It turns out that the South American prison was Hale’s dream.  When Hale wakes up, he’s still at home.  He tells Martha that he won’t be going to South American after all.

Awwww!  How sweet.

This was a bit of a weird episode but I liked it.  I appreciated how the show created Martha’s dream world by adding randomly weird details (like an oversized chair at the breakfast table, which was meant to represent Hale’s absence).  Darren McGavin gave a good performance as Hale and resisted the temptation to overact.  With the episode, the show tried to do something different and, for the most part, it succeeded.

Horror On TV: The Last Halloween (dir by Savage Steve Holland)


For tonight’s Halloween on television, we have the story of four aliens who came to Earth on Halloween and search for candy for their planet.  After an initial misunderstanding, two kids help the aliens in their search.  It’s sweet!

This was directed by Savage Steve Holland of Better Off Dead fame and it originally aired on October 28th, 1991.