Horror Film Review: House of Frankenstein (dir by Erle C. Kenton)


House of Frankenstein opens in a prison.  Dr. Gustav Neimann (Boris Karloff), the bother of one of Baron Frankenstein’s assistants, has been convicted of robbing graves and attempting to carry on the Baron’s work.  Dr. Neimann’s faithful assistant is the hunchback, Daniel (J. Carroll Naish).  Daniel is loyal to Neimann because Neimann has promised to someday place Daniel’s brain in a stronger body.

When a sudden earthquake allows Neimann and Daniel to escape, they waste no time in getting revenge on Neimann’s enemies.  First, they murder a traveling showman named Prof. Lampini (George Zucco) and steal both his identity and his mobile horror exhibit.  Included in the exhibit is a coffin that Lampini claimed held the skeleton of Dracula.  (There’s even a stake sticking out of the skeleton’s chest.)  When Neimann returns to his original hometown, he removes the stake from the skeleton so that he might use it on the Burgomaster, Hussman (Sig Ruman).  The skeleton transforms into Dracula (John Carradine).  Because he is relieved to have been brought back to life, Dracula does not attack Neimann but instead agrees to help Neimann get revenge on Hussman in return for Neimann looking after his coffin.  Dracula soon learns that he should have thought twice before trusting either Neimann or Daniel.

Neimann moves on, stopping off at Frankenstein’s village and recovering the bodies of both Frankenstein’s Monster (Glenn Strange) and Larry Talbot (Lon Chaney, Jr.) from the frozen chamber in which they were trapped at the end of Frankenstein Meets The Wolf Man.  Revived from suspended animation, Larry immediately starts whining about how much his life sucks.  (I love The Wolf Man but subsequent films turned Larry into the whiniest of the Universal monsters.)  Neimann promises to put Larry’s brain in a new body if he helps to revive the Monster.  Larry agrees.  Meanwhile, Daniel falls in love with a gypsy girl named Ilonka (Elena Verdugo) while Ilonka falls in love with Larry.  Daniel wants Neimann to put his brain in Larry’s body, Larry won’t stop whining about the approaching full moon, and the villagers are getting suspicious!

House of Frankenstein has never been a favorite of critics or horror historians and the film does have its share of flaws.  For instance, though it would have been fun to see Bela Lugosi return to his signature role, John Carradine seems like ideal casting for Dracula.  Unfortunately, Dracula is only in the film for about ten minutes and he comes to an end that really doesn’t feel worthy of a character of his stature.  The film reduces Larry Talbot to just being a dumb lug who won’t stop feeling sorry for himself.  Finally, Glenn Strange has the right physique for the Monster but, much as with John Carradine, he is underused.

That said, I still enjoyed House of Frankenstein.  A lot of that is because of Boris Karloff, who brings a lot of sly humor to his performance as the mad scientist.  (That said, Karloff himself later said that he did the role solely for the money and was bored with the whole thing.)  J. Carroll Naish turns Daniel into a rather sympathetic henchman, one who is so desperate to be “normal” that he’s willfully blinded himself to the fact that Neiman really doesn’t care about anyone other than himself.  (In many ways, he’s the equivalent of the hapless characters that Michael Ripper later played for Hammer Films.)  Finally, Elena Verdugo brings a lot of life to the stock role of the dancing gypsy girl who falls in love with Larry Talbot despite the fact that Larry is kind of a dumb lug.

For a modern viewer, the main appeal of House of Frankenstein is that it is one of the original Universal horror films, even if it came out long after the first Dracula and Frankenstein films.  As such, it has all the things that we associate with and love about those films.  There’s a ruined castle.  There’s angry villagers.  The cast is full of Universal horror mainstays, including Lionel Atwell and Anne Gwynne.  And, yes, the film features a mob descending on the castle with torches.  Flaws and all, House of Frankenstein is an enjoyable time capsule.  It’s a horror film from a far more innocent age and it’s one that remains a fun watch.

Previous Universal Horror Reviews:

  1. Dracula (1931)
  2. Dracula (Spanish Language Version) (1931)
  3. Frankenstein (1931)
  4. Island of Lost Souls (1932)
  5. The Mummy (1932)
  6. The Invisible Man (1933)
  7. The Bride of Frankenstein (1935)
  8. Dracula’s Daughter (1936)
  9. Son of Frankenstein (1939)
  10. The Wolf Man (1941)
  11. Ghost of Frankenstein (1942)
  12. Frankenstein Meets The Wolf Man (1943)
  13. Son of Dracula (1943)
  14. Creature From The Black Lagoon (1954)

Horror on the Lens: The Avenging Conscience (dir by D.W. Griffith)


Hi there and welcome to October!  This is our favorite time of the year here at the Shattered Lens because October is our annual horrorthon!  For the past several years (seriously, we’ve been doing this for a while), we have celebrated every October by reviewing and showing some of our favorite horror movies, shows, books, and music.  That’s a tradition that I’m looking forward to helping to continue this year.

This year, we’re getting things started with a movie that has been called “the first American horror film.”  In 1914, D.W. Griffith released The Avenging Conscience, a melodrama that was based on Edgar Allan Poe’s The Tell-Tale Heart and Annabel Lee.  In this film, The Nephew (Henry B. Walthall) falls in love with the Sweetheart (Blanche Sweet).  However, the Uncle (Spottiswoode Aiken) is opposed to the relationship, mostly because the Sweetheart is a “common” woman.  Despite having been raised by the Uncle, the Nephew snaps and murders him.  The Nephew then finds himself tortured not just by his own guilt and fear but also by vivid hallucinations.  This is a film that invites us to come for the murder and stay for the reminder that “Thou Shalt Not Kill.”

Like a lot of the films of the silent era, it will require a bit of patience on the part of modern viewers.  It takes a while to get going but the surreal imagery and Henry B. Walthall’s increasingly unhinged performance make it worth sticking with.  If nothing else, the film’s historical significance makes it one worthy to be seen by all serious horror fans.

Enjoy!

6 Trailers For The First Day Of Horrorthon


Today is the first day of our annual October Horrorthon!  In honor of our favorite time of the year, here is a special edition of Lisa Marie’s Favorite Grindhouse and Exploitation Film Trailers.

Enjoy and happy Horrorthon!

  1. House of Frankenstein (1944)

All of the great Universal monsters came together for this film from 1944!

2. House of Dracula (1945)

Everyone had so much fun during House of Frankenstein that it only makes sense that they would get back together a year later for House of Dracula!

3. Frogs (1972)

House of Frogs?  No, just ordinary but vengeful frogs.  Reportedly, this was one of Andy Warhol’s favorite films.

4. The Being (1983)

The frogs aren’t the only ones looking for revenge.

5. Waxwork (1988)

With all those monsters out there, perhaps it’s best to just hide out in the local wax museum….

6. Waxwork 2: Lost In Time (1992)

Seriously, the wax museum seems like the best place!

Happy October!  Happy Horrorthon!

8 Things To Which I Am Looking Forward In October


Welcome to October!  October is a big month here at the Shattered Lens.  It’s the month when we devote the majority of our time to the horror genre.  It’s time for our annual Horrorthon!  Last year, we had a record number of Horrorthon posts.  I’m hoping that we break that record this year but, even if we don’t, it should still be a lot of fun!

Here’s what I’m looking forward to in October!

  1. Killers of the Flower Moon — So, technically, it’s not a horror film, though it does deal with a horrific incident in American history.  That said, Martin Scorsese’s latest is the film that I have most anticipated getting to watch this year.  I know that I’m not alone in that.  We’ve all read the rapturous reviews.  We’ve seen the enigmatic trailers.  This month, on October 20th, we’ll finally get a chance to see it for ourselves!
  2. The Killer — One week after we get a new Scorsese film, we’ll be getting a new film from David Fincher!  Again, it may not be a horror film but it is a movie from one of our best filmmakers.
  3. The Holdovers — If you can’t get into David Fincher’s latest film, you can check out the latest from Alexander Payne, The Holdovers!  Along with Killers Of The Flower Moon, Barbie, and Oppenheimer, The Holdovers is expected to be an Oscar contender come awards season.
  4. Pain Hustlers — And if you can’t get into The Killer or The Holdovers, you can check out Pain Hustlers.  2023 is the year of Emily Blunt!
  5. The Caine Mutiny Court-Martial Trial — The final film from the great William Friedkin is scheduled to be released on Paramount Plus and Showtime on October 6th.
  6. Horror Movies, Horror Movies, and more Horror Movies! — If you can’t enjoy watching horror movies, classic and otherwise, in October, when can you enjoy watching them?
  7. The Fall Of The House of Usher — Mike Flanagan’s upcoming Netflix miniseries promises an update to Edgar Allan Poe’s classic tale of gothic horror!
  8. Halloween — It’s my favorite holiday!  I can’t wait to see all the decorations, all the parties, and all the costumes!

October’s going to be a great month and those of us at TSL can’t wait to celebrate it with you!  What are you looking forward to in October?

Horror Insomnia File #61: Replica (dir by James Nguyen)


What’s an Insomnia File? You know how some times you just can’t get any sleep and, at about three in the morning, you’ll find yourself watching whatever you can find on cable or streaming? This feature is all about those insomnia-inspired discoveries!

If you were having trouble getting to sleep last night, you could have logged onto Tubi and watched James Nguyen’s Replica.

Filmed in 2005 but not released until 2018, Replica tells the story of Joe Thomas (James David Braddock), a computer chip salesman who has been in a bit of a funk ever since he received a new kidney.  His sales are down.  His pet bird is mocking him by chirping loudly.  His morning drive is boring.  (We know this because, for some reason, the film shows us almost every mundane moment of that commute.)  He’s in danger of losing his job but then, while hanging out at the Golden Gate Bridge, he happens to spot Dr. Evelyn Tyler (Lana Dykstra) jogging by.  Evelyn is the same doctor who performed Joe’s kidney transplant!  Joe strikes up a conversation with her and soon, they’re dating!

(In this movie, dating means eating at a San Francisco theme restaurant, riding a carousel, and running along the beach before heading back home so that Evelyn can model a bikini for a slack-jawed Joe.)

Life is perfect!  Joe’s in love and he’s even managed to sell a gigantic amount of computer chips to Evelyn’s boss, Dr. G (Rick Camp)!  But then Evelyn is killed as the result of a very slow car collision.  Joe is in mourning.  Detective Le (David Nguyen) keeps popping up and suggesting that the car accident that took Evelyn’s life may not have been an accident at all.  (“We found semen in the body,” Detective Le earnestly says while speaking to Evelyn’s boyfriend.)  But then, one day, Joe happens to spot a woman who looks just like Evelyn, except for the fact that she has dark hair and tramp stamp that identifies her as not being Evelyn.  Quicker than you can say Vertigo, Joe is trying to get his new girlfriend to wear a blonde wig and dress just like Evelyn!

Director James Nguyen is best known for directing the Birdemic films.  Replica was actually filmed long before Birdemic but it shows that, even early in his career, Nguyen had his own definite aesthetic.  Everything that made Birdemic so memorable — the terrible sound quality, the pointless shots of people driving, the nonstop references to Hitchcock, the falling-in-love montages that suggest that Nguyen has never actually been on a date, and the suggestion that we’re supposed to take this film seriously — is present in Replica.  If Birdemic claimed to actually be about the dangers of harming the environment, Replica claims to be a film about the ethics of cloning.  While Birdemic featured the characters going out to see An Inconvenient Truth, Replica opens with Joe watching Christopher Reeve advocate for stem cell research.  Reeve is listed in the film’s credits, even though it’s obvious that Nguyen just taped an appearance that he made on a talk show.  Tippi Hedren and Kim Novak are also credited, even though both are only featured in archival footage that shows up on Joe’s television.

In typical Nguyen fashion, any attempt to say anything serious about cloning is negated by the fact that the film’s villain has invented something that he insists on calling “a clone-a-tron.”  (That said, the actor playing Dr. G overacts to such an extent that it’s hard not to appreciate his effort to bring a little life to the movie.)  The film comes out against cloning, despite the fact that Joe pretty much owes what little happiness he has to it.  All in all, it’s a pretty stupid movie but it’s also short so there’s something to be said for that.  In the end, for better or worse, this is a film that could have only been made by James Nguyen.  If you got a good laugh out of Birdemic, prepare for more of the same with Replica.

Previous Insomnia Files:

  1. Story of Mankind
  2. Stag
  3. Love Is A Gun
  4. Nina Takes A Lover
  5. Black Ice
  6. Frogs For Snakes
  7. Fair Game
  8. From The Hip
  9. Born Killers
  10. Eye For An Eye
  11. Summer Catch
  12. Beyond the Law
  13. Spring Broke
  14. Promise
  15. George Wallace
  16. Kill The Messenger
  17. The Suburbans
  18. Only The Strong
  19. Great Expectations
  20. Casual Sex?
  21. Truth
  22. Insomina
  23. Death Do Us Part
  24. A Star is Born
  25. The Winning Season
  26. Rabbit Run
  27. Remember My Name
  28. The Arrangement
  29. Day of the Animals
  30. Still of The Night
  31. Arsenal
  32. Smooth Talk
  33. The Comedian
  34. The Minus Man
  35. Donnie Brasco
  36. Punchline
  37. Evita
  38. Six: The Mark Unleashed
  39. Disclosure
  40. The Spanish Prisoner
  41. Elektra
  42. Revenge
  43. Legend
  44. Cat Run
  45. The Pyramid
  46. Enter the Ninja
  47. Downhill
  48. Malice
  49. Mystery Date
  50. Zola
  51. Ira & Abby
  52. The Next Karate Kid
  53. A Nightmare on Drug Street
  54. Jud
  55. FTA
  56. Exterminators of the Year 3000
  57. Boris Karloff: The Man Behind The Monster
  58. The Haunting of Helen Walker
  59. True Spirit
  60. Project Kill

Lisa Marie’s Week In Television: 9/24/23 — 9/30/23


Bleh!  I have been sick this entire week!  (And I don’t mean “sick” as in I had allergies or a headache. I mean I was seriously ill, with fevers and fatigue and everything else.)  I haven’t even gotten to watch the Survivor and The Amazing Race premieres yet!  Here’s a few thoughts on what I have watched:

All You Need Is Love (NightFlight Plus)

I watched an episode of this old music documentary series on Saturday morning.  It dealt with ragtime music and the tragic life of Scott Joplin.  It was interesting stuff.  Joplin was a fascinating character and it’s a shame that his final years were not happier ones.

Big Brother (24/7, Paramount Plus and CBS)

I wrote about Big Brother here!

Dr. Phil (YouTube)

Bleh.  I swore to myself that I would never watch this show again but I hate to admit but it does work well as background noise and watching it on YouTube does help me get my thoughts together.  I do make a point of only watching YouTube videos that were not uploaded by the show’s official account.  But basically, I’m a hypocrite.

Anyway, on Sunday, I watched (or, to be honest, listened) to an episode about a daughter that worried her mother was suffering from paranoid delusions that led her to believe that she was being stalked by a “hook-up” app.

On Monday, I watched an episode featuring an annoying guy named Anthony who claimed to be a millionaire rap star, despite the fact that he was homeless.  Anthony was obnoxious and rude to both the audience and Dr. Phil.  It’s always fun when someone tells Dr. Phil to go to Hell.

Gun (Tubi)

I watched the first episode of this Robert Altman-produced 90s anthology series on Thursday.  Look for my review this upcoming week!

Hell’s Kitchen (Thursday Night, FOX)

Hell’s Kitchen, one of the few classic reality shows to still retain its bite, is back!  The Quidditch player is definitely going to be a liability for the Blue Team but he’s so weird that I have a feeling that the show will find excuses to keep him around for at least a few weeks.

The Hitchhiker (YouTube)

I watched episodes of this anthology series throughout the week while preparing for Horrothon.

The Montel Williams Show (YouTube)

On Monday, I came across an episode of this show on YouTube.  Montel tried to understand goth kids and was shocked to discover that being rude and condescending is never a good way to win over a teenager.  It was good for a smile.

Night Flight (NightFlight Plus)

The episode that I watched on Friday night was all about animation in music videos.  The videos were pretty trippy.

Police Woman (Monday Morning, GetTV)

Police woman Angie Dickinson went undercover as a flight attendant to catch a smuggler played by Larry Hagman.  It was all very 70s.

Red Dwarf (Monday Morning, PBS)

I watched an episode of this British sci-fi satire on Monday morning.  A robot was briefly transformed into a human being and struggled to adjust.  The episode ended with the robot-turned-human once again being transformed and turning into a miniature version of Robocop.  It was amusing, though I get the feeling I would have gotten a lot more out of the show if I was a regular viewer.  As is, this was only my second time to watch an episode of Red Dwarf and I spent a lot of time trying to catch up with who everyone was and why they were in space.

Saved By The Bell (Sunday Morning, Me TV)

On Sunday morning, as I got ready for me day, I watched the episode where Lisa overspent on her credit card and was shocked when her father refused to punish her for being irresponsible.  Seriously, if you can avoid getting punished for being stupid, don’t question it.  Just go with the flow.

Yes, Prime Minister (Monday Morning, PBS)

This week’s episode featured one of the rare occurrences in which Prime Minister Hacker got the better of Sir Humphrey and I have to admit that, as much as I enjoy watched both this show and Yes, Minister, it just didn’t feel right.  I know that the point of the episode was that Hacker is finally learning how to use the self-importance of the civil service against itself (i.e., by threatening to take away Sir Humphrey’s key to Number 10) but I like Hacker more when he acts like a well-meaning incompetent than a Machiavellian game player.  By the end of last night’s episode, Sir Humphrey would probably agree.

Lisa Marie’s Oscar Predictions For September


Well, it’s that time of the month again!  Here are my Oscar predictions for September!  The festival season has brought along a host of new contenders.

For instance, American Fiction made a splash at the Toronto International Film Festival and it looks like both it and Jeffrey Wright are going to emerge as legitimate contenders come awards season.  In the past, a film like Dream Scenario would probably be considered too strange for the Academy but, after A24’s success with Everything Everywhere All At Once, it seems like anything’s possible.  If nothing else, A24 knows how to sell a film.

Personally, I’d love it if Richard Linklater’s Hit Man picked up a few nominations, even though I haven’t seen it yet and I’m not even sure when Netflix is going to release it.  (Linklater is the patron saint of Texas filmmaking, so I’ll always hope the best for anything he’s involved with.)

There’s still quite a ways to go until the year ends and the race is very much in flux but we are finally at the point where we can look at a few films and say, with more than a little confidence, “That’s going to be nominated.”

Below are my predictions for September.  Be sure to also check out my predictions for March and April and May and June and July and August!

Best Picture 

Air

American Fiction

Barbie

The Bikeriders

The Holdovers

Killers of the Flower Moon

Oppenheimer

Poor Things

Rustin

The Zone of Interest

Best Director

Greta Gerwig for Barbie

Jonathan Glazer for The Zone of Interest

Cord Jefferson for American Fiction

Christopher Nolan for Oppenheimer

Martin Scorsese for Killers of the Flower Moon

Best Actor

Leonardo DiCaprio in Killers of the Flower Moon

Colman Domingo in Rustin

Paul Giamatti in The Holdovers

Cillian Murphy in Oppenheimer

Jeffrey Wright in American Fiction

Best Actress

Jodie Comer in The Bikeriders

Natalie Portman in May December

Margot Robbie in Barbie

Cailee Spaeny in Priscilla

Kate Winslet in Lee

Best Supporting Actor

Willem DaFoe in Poor Things

Robert De Niro in Killers of the Flower Moon

Robert Downey, Jr. in Oppenheimer

Ryan Gosling in Barbie

Dominic Sessa in The Holdovers

Best Supporting Actress

Emily Blunt in Oppenheimer

Lily Gladstone in Killers of the Flower Moon

Sandra Huller in Zone of Interest

Julianne Moore in May December

Da’Vine Joy Randolph in The Holdovers

Retro Television Reviews: Welcome Back Kotter 2.11 “Sweathog Clinic for the Cure of Smoking” and 2.12 “Hark, The Sweatking”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC  from 1975 to 1979.  The entire show is currently streaming on Tubi!

This week, Epstein smokes and the Sweathogs learn the true meaning of Christmas!

Episode 2.11 “Sweathog Clinic for the Cure of Smoking”

(Dir by Bob LaHendro, originally aired on December 16th, 1976)

Gabe tells Julie a joke about his uncle, a doctor who used to trick his patients into sticking their tongue out and staring out his office window as a way to anger the people on the other side of the street.

At school, Horshack is stunned to see Epstein lighting up a cigarette in the boys room.  (Epstein hides his cigarettes in the paper towel dispenser.)  Horshack says that he is shocked and he points out that smoking is against the school rules.  (Since when do Sweathogs care about the school rules?)  Epstein responds by blowing smoke in Horshack’s face.  Then, Gabe and Woodman step into the restroom and Epstein desperately flushes his cigarette but not before everyone sees him exhaling a cloud of smoke.

Woodman takes Epstein to the office of the perpetually unseen Principal Lazarus.  Woodman tells Gabe that he can’t wait to see how Epstein gets punished but it turns out that Epstein is the only person at the school who Lazarus likes.  Disillusioned at the lack of punishment for Epstein, Woodman announces that he’s moving to Scarsdale and goes into his office.  Epstein, meanwhile, promises both Gabe and Barbarino (who just happens to be in the front office for some reason) that he’ll quit smoking.

However, the next day, Gabe again catches Epstein in the boys room, smoking.  Epstein confesses that he can’t quit smoking.  Gabe tells a story about how, when he was 12, he was addicted to potato knishes.  Gabe explains that his knish habit led him to moving onto harder junk food, like Twinkies.  In order to break his habit, Gabe says he went cold turkey.

“Cold turkey!?” Epstein says.

“That’s right.  For five days, I ate nothing but cold turkey!”

Gabe says that he and the Sweathogs will help Epstein break his smoking habit through aversion therapy.

“Oh yeah,” Barbarino nods, “Perversion therapy.  We’ll torture Juan until he quits smoking.”

The next day, Gabe, Epstein, Woodman, and the Sweathogs gather in Gabe’s classroom to make Epstein “unlearn” smoking.  After talking about his own struggle to quit smoking, Woodman leaves the classroom.  It’s probably for the best because one can imagine how Woodman would have reacted to Juan smoking a cigarette while Barbarino and Freddie walked in place on a red carpet in an attempt to generate enough static electricity to shock Epstein every time that he took a puff.

When shock therapy proves ineffective (for some reason, Gabe is the one who keeps getting shocked), Horshack comes into the classroom, dressed like a doctor.  While twirling his stethoscope, Horshack asks Epstein about his sex life because “I thought it would be fun to hear about.”  Gabe suggests that Horshack not ask anyone about their sex life until “you get one yourself.”  Freddie then says, “Hi, there,” and pretends to be someone who has been smoking for four years and can now only say a few words without coughing.  Gabe then forces Epstein to smell a cup full of soggy cigarettes.  They then force Epstein to smoke three cigarettes at once.

“Doesn’t taste so good, does it, Mr. Puff!?” Gabe shouts.

Epstein gives up cigarettes but, seven days later, he shows up at school with a pipe.  Gabe says that he’s disappointed in Epstein but then Epstein points out that Gabe is eating a knish.  Gabe agrees to give up knishes if Epstein gives up smoking.  Epstein agrees and he and Gabe dramatically toss all of the tobacco and knishes into the trash.  It turns out that Gabe had a knish hidden in every corner of the classroom.

Back at the apartment, a knish-free Gabe tells Julie about his uncle, who was a famous frontiersman.

This episode worked because it centered not on a guest star or a gimmick but instead on the Sweathogs acting like their usual goofy selves.  The second season has, so far, been a bit more uneven than the first but the chemistry between Robert Hegyes, Lawrence Hilton-Jacobs, Ron Pallilo, and John Travolta continues to be, along with John Sylvester White’s delightfully unhinged turn as Woodman, the show’s greatest strength.

Episode 2.12 “Hark, The Sweatking”

(Dir by Bob LaHendro, originally aired on December 23rd, 1976)

Gabe tells Julie about his uncle, who got drunk at the zoo.  “They don’t sell liquor at the zoo,” Julie replies.

It’s Christmas in Brooklyn!  Horshack is hoping that he’ll finally get a Marie Osmond doll from Santa.  The other Sweathogs are more interested in Angie (Michael V. Gazzo, who played Frankie Pentangelli in The Godfather Part II), the homeless man who is hanging out in the school’s courtyard and who claims that he was once a corporate executive.  Gabe reveals that Angie has been coming by the school ever since Gabe was a student at Buchanan himself.  After Gabe hears the Sweathogs making fun of Angie, he decides to invite Angie to come speak to the class.

“What’s he going to teach us?” Epstein asks, “Advanced vagrancy?”

Before Angie can start his speech, Woodman steps in the room and refers to Angie as being “our Christmas hobo.”  Gabe says that Woodman probably goes around from house-to-house on Christmas Eve and tells all the kids that there’s no Santa Claus.

“Someone has to do it,” Woodman says and, as always, John Sylvester White totally nails the line.  One of the underrated joys of this show is watching Woodman go progressively more and more insane.

Angie finally tells his story, explaining that he was a butcher with a wife and a family but he gambled away all of his money.  One night, coming home broke, Angie discovered that his wife and his kids had left.  Wiping away the tears, Angie leaves the classroom.

Feeling guilty, the Sweathogs want to do something for Angie.  Freddie suggests putting Angie on their “shop-lifting lists.”  Horshack makes a slightly more legal suggestion, saying that they should pool the money that they were going to use to buy each other gifts and instead, do something for Angie.

What do they do for Angie?  Barbarino gets him some fresh clothes.  Freddie gives him a haircut while Epstein shaves his beard and mustache.  And Gabe invites Angie to come to the Christmas party that Julie and he are throwing at the apartment.

The action cuts to the apartment, where Julie is complaining about having to spend Christmas Eve with Gabe’s students.  Julie then gives Gabe the Hanukkah bush that she bought for the holidays while Gabe explains that he has nothing for Julie because he spent all of his money on Angie.  Epstein, Freddie, Horshack, and Barbarino show up, complaining that they haven’t seen Angie since helping him out.  On cue, Angie shows up at the apartment, once again dressed like he was when the Sweathogs first saw him in the courtyard.  Angie thanks the Sweathogs for everything but says that, for now, he’s comfortable living on the streets.  Angie leaves and the Sweathogs are angry that they spent all of their money on someone who doesn’t appreciate it.  Gabe tells them that the important thing is that they tried to help another human being.  And then he reveals that he has presents for all of the Sweathogs.  Yay!  Merry Christmas!

After everyone leaves and Julie has fallen asleep on the couch, Gabe spots Santa Claus sitting in the kitchen and tells him about his cousin Eileen, who was so skinny that she had to wear snow shoes in the shower.

“Ho ho ho!” Santa replies.

This was a sweet episode, featuring good performances from not just the regulars but also from Michael V. Gazzo.  Gabe telling a joke to Santa was adorable and the perfect way to end the episode.  I love Christmas shows!

Guilty Pleasure No. 64: Karate Warrior (dir by Fabrizio De Angelis)


“Oh, come on,” I said last week, “this is a perfectly fine film.”

I was saying that because I was watching the 1987 film, Karate Warriors, with a group of friends.  They felt that it was a largely pointless film that didn’t really have much of a plot.  I felt that it was an interesting piece of history, seeing as how it was an Italian rip-off of The Karate Kid that was made by several associates of Lucio Fulci.  And while Fulci himself wasn’t involved with the film, the scene where the lead character, young Anthony Scott (Kim Rossi Stuart), is savagely beaten up with the bad guys is so unnecessarily bloody that it feels like an homage to Fulci if nothing else.  The scene, which makes this rip-off of The Karate Kid too graphic for the film’s target audience, really does epitomize everything that made the Italian exploitation industry so memorable.

Teenager Anthony Scott is in the Philippines so he can visit his father (Jared Martin, who starred in Fulci’s Warriors of the Year 2072), a journalist who is apparently in semi-hiding because of a series of articles that he wrote that exposed government corruption.  (Don’t worry too much about the father’s backstory because it doesn’t really play any sort of role in the film.)  Anthony runs afoul of the local teenage crime lord, Quino (Enrico Torralba).  Quino is not only running a protection racket but he’s also the local karate champion.  When Anthony stands up to Quino, he gets beaten up and Anthony’s girlfriend, Maria (Janelle Barretto), nearly loses her home when Quino’s gang sets it on fire.  The half-dead Anthony is discovered by Master Kimura (Ken Watanabe — no, not that Ken Watanabe).  Master Kimura takes Anthony into the forest and teaches him the “Stroke of the Dragon.”  One montage later, Anthony is ready to enter the local karate tournament and take on Quino.  For some reason, it never occurs to Anthony to let his father know that he’s now living with Master Kimura so, while Anthony is training, his father and his mother (Janet Agren, who co-starred in Fulci’s City of the Living Dead) are desperately searching for him in Manila.

Karate Warrior is only 84 minutes long and, for reasons that are not quite clear, Anthony’s training and the final tournament are all crammed into the film’s final 20 minutes.  Before that, the film is a travelogue of Anthony wandering around Manila, getting conned by nearly everyone that he meets, and trying to flirt with Maria.  So yes, the film is a bit plotless but I found the film’s meandering spirit to be a bit charming.  It’s rare to see a film that’s so honest about only having 20 minutes worth of plot.  The English language version also has the extra treat of some really bad dubbing.  At one point, it sounds as if a totally different actor took over dubbing Anthony.  The cheerful of ineptness of it all was rather likable.

The film was directed by Fabrizio De Angelis, who produced Fulci’s Beyond trilogy.  My friends may have disliked it but the film was a big enough of a success in Italy that it led to 6 sequels.  I can’t wait to watch every one of them!

Previous Guilty Pleasures

  1. Half-Baked
  2. Save The Last Dance
  3. Every Rose Has Its Thorns
  4. The Jeremy Kyle Show
  5. Invasion USA
  6. The Golden Child
  7. Final Destination 2
  8. Paparazzi
  9. The Principal
  10. The Substitute
  11. Terror In The Family
  12. Pandorum
  13. Lambada
  14. Fear
  15. Cocktail
  16. Keep Off The Grass
  17. Girls, Girls, Girls
  18. Class
  19. Tart
  20. King Kong vs. Godzilla
  21. Hawk the Slayer
  22. Battle Beyond the Stars
  23. Meridian
  24. Walk of Shame
  25. From Justin To Kelly
  26. Project Greenlight
  27. Sex Decoy: Love Stings
  28. Swimfan
  29. On the Line
  30. Wolfen
  31. Hail Caesar!
  32. It’s So Cold In The D
  33. In the Mix
  34. Healed By Grace
  35. Valley of the Dolls
  36. The Legend of Billie Jean
  37. Death Wish
  38. Shipping Wars
  39. Ghost Whisperer
  40. Parking Wars
  41. The Dead Are After Me
  42. Harper’s Island
  43. The Resurrection of Gavin Stone
  44. Paranormal State
  45. Utopia
  46. Bar Rescue
  47. The Powers of Matthew Star
  48. Spiker
  49. Heavenly Bodies
  50. Maid in Manhattan
  51. Rage and Honor
  52. Saved By The Bell 3. 21 “No Hope With Dope”
  53. Happy Gilmore
  54. Solarbabies
  55. The Dawn of Correction
  56. Once You Understand
  57. The Voyeurs 
  58. Robot Jox
  59. Teen Wolf
  60. The Running Man
  61. Double Dragon
  62. Backtrack
  63. Julie and Jack

Live Tweet Alert: Watch Tentacles With #ScarySocial!


 

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, I will be hosting 1977’s Tentacles!  I can’t wait to watch this Italian giant octopus film with everyone!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime and Tubi.  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.