Here Are The Golden Globe Winners!


Supporting Actor, Motion Picture — Daniel Kaluuya, Judas and the Black Messiah

Supporting Actor, Television — John Boyega, Small Axe

Actress, TV Music or Comedy — Catherine O’Hara, Schitt’s Creek

Motion Picture, Animated — Soul

Actor, TV Limited Series or Movie — Mark Ruffalo, I Know This Much Is True

Screenplay, Motion Picture — Aaron Sorkin, The Trial of the Chicago 7

Actress, TV Series, Drama — Emma Corrin, The Crown

Original Song, Motion Picture — lo Si, The Life Ahead

Original Score, Motion Picture — Trent Reznor, Atticus Ross, Jon Batiste, Soul

Actor, TV Series, Musical or Comedy — Jason Sudeikis, Ted Lasso

TV Series, Musical or Comedy — Schitt’s Creek

Actress. Musical or Comedy Film — Rosamund Pike, I Care A Lot

Actor, TV Series, Drama — Josh O’Connor, The Crown

Foreign Language Film — Minari

TV Series, Drama — The Crown

Supporting Actress, Film — Jodie Foster, The Mauritanian

Supporting Actress, TV Drama — Gillian Anderson, The Crown

Actress, TV Limited Series or Made-For-Television Film — Anya Taylor-Joy, The Queen’s Gambit

Limited Series or TV Movie — The Queen’s Gambit

Actor, Motion Picture Drama — Chadwick Boseman, Ma Rainey’s Black Bottom

Director, Motion Picture — Chloe Zhao, Nomadland

Motion Picture Comedy — Borat Subsequent Moviefilm

Actor, Motion Picture Comedy — Sacha Baron Cohen, Borat Subsequent Moviefilm

Actress, Motion Picture Drama — Andra Day, The United States vs. Billie Holliday

Motion Picture Drama — Nomadland

Film Review: The Little Things (dir by John Lee Hancock)


Rami Malek and Jared Leto In The Little Things

Since it’s due to leave HBOMax at the end of the day and since HBOMax isn’t exactly cheap, I decided that I should go ahead and watch The Little Things, the serial killer thriller that has been getting some unexpected Oscar buzz due to the performance of Jared Leto.

Taking place in the 90s, The Little Things follows two cops as they investigate a series of murders.  Deacon (Denzel Washington) is the former hotshot homicide detective who, back in the day, allowed his obsession with an unsolved murder to destroy his life. He lost not only his wife but also nearly his life.  Now, he’s a small town deputy who is still haunted by the cases that he didn’t solve.  Jim (Rami Malek) is the detective who has picked up where Deacon left off.  Deacon is haunted and unable to move on.  Jim is young and cocky and obviously doomed to repeat all of Deacon’s mistakes.  At first, Jim doesn’t want to work with Deacon and Deacon seems to be a little bit skeptical of Jim’s abilities.  Eventually, though, they bond over their mutual righteousness.  Jim is the type of who reminds the crime scene technicians that they’re working for the victim.  Deacon is the type who muses about whether or not God has abandoned humanity.  On the one hand, we should be thankful that they’re good at their job.  On the other hand, you wouldn’t necessarily want to invite either of them to a party.

Deacon and Jim’s investigation leads them to a suspect named Sparma (Jared Leto) and you know that he’s a bad dude as soon as you learn that his name is “Sparma.”  It sounds like too much of a mix of sperm and pharma for this guy to be anything other than dangerous.  Sparma is an appliance repairman with unwashed hair, a permanent smirk on his face, and a disconcerting history of confessing to crimes that he didn’t actually commit.  Jim and Deacon both think that Sparma is guilty but can they prove it?  How far will they go to take a possible killer off the streets?

Jared Leto is certainly creepy as Sparma.  In fact, I think you could probably argue that he’s a little bit too obviously creepy and unhinged in the role. Most real life serial killers — especially the ones who manage to kill for years without being detected — are able to blend in with society. Consider the cases of killers like Gary Ridgway, the Green River killer who avoided capture for nearly three decades, or Dennis Rader, the infamous BTK killer.  While it’s true that everyone in his hometown apparently thought Rader was a dick even before he was revealed to be a serial killer, he also still managed to hold down a respectable job while raising a family and fooling people into thinking that he was just a normal jerk as opposed to a homicidal one.  That ability to blend in and disguise their true selves is one of the things that makes real-life serial killers so frightening.  Sparma, however, might as well have the words “murderer” tattooed on his forehead.  I can understand why Jared Leto is getting Oscar buzz because it’s a showy role and it allows him to act up a storm.  But it’s still hard not to feel that the film, which tries to introduce the idea that Deacon and Jim’s obsession with this case has led to them developing a tunnel vision that has left them incapable of suspecting anyone other than Sparma, might have been a bit more effective if it had taken a slightly more ambiguous approach to the character.

That said, The Little Things is a well-made movie.  Though it’s bit overlong and occasionally meanders a bit too much for its own good, the film looks great and director John Lee Hancock does a good job of creating an effectively creepy atmosphere, providing the viewer with some wonderfully ominous images as Deacon and Jim search for the truth in the middle of the night.  For instance, the scene where Deacon imagines himself talking to the ghosts of the killer’s victims really shouldn’t work but it does because Washington gives such a committed performance and Hancock, as a director and writer, is smart enough to just let the scene develop naturally.  Even as he ages, Denzel Washington remains a compelling actor and he helps to carry The Little Things over more than few speed bumps on the way to the end credits. At its best, the film works as an examination of obsession and there is a haunting intensity to the film’s final moments that suggests the movie that The Little Things could have been if the film’s pace had been just a little bit tighter.

In the end, The Little Things is uneven but it has enough effective moments to be watchable.

Scenes That I Love: The Opening of Staying Alive


We’re still in the process of recovering from last week’s winter storm down here and I have to admit that, for me personally, it’s been a bit of a struggle to actually maintain my focus.  Last week’s combination of power outages and freezing weather threw me off of my usual rhythm and I’m still getting it back.

Fortunately, I have a little help from my friends.  Earlier tonight, a group of us watched the 1983 film, Staying Alive.  Staying Alive is the somewhat notorious sequel to Saturday Night Fever.  If Saturday Night Fever was actually a dark and gritty coming-of-age story disguised as a crowd-pleasing musical, Staying Alive is …. well, it’s something much different.  It’s a film about dancing and Broadway, directed and at least partially written by Sylvester Stallone.  Why exactly would anyone think that Sylvester Stallone was the right director to make a movie about dancing and Broadway?  Your guess is as good as mine but, in the end, the important thing is that Stallone wrote a key supporting role for his brother, Frank Stallone.  Frank not only performs several songs but he proves that he can glare with the best of them.

As for the film itself, it opens with Tony Manero (John Travolta) having left behind Brooklyn and the world of disco.  Now, he lives in Manhattan, he teaches a dance class, he humiliates himself looking for an agent, and he’s struggling to make it on Broadway.  (Basically, he’s turned into Joey from Friends.)  When Tony’s lucky enough to get cast in a lavish musical called Satan’s Alley, Tony has a chance to become a star but only if he can …. well, I was going to say control his ego but actually, his ego isn’t that much of a problem in Staying Alive.  Actually, there’s really nothing standing in Tony’s way, other than the fact that — in Staying Alive as opposed to Saturday Night Fever — he’s portrayed as kind of being an irredeemable idiot.  If Saturday Night Fever was all about revealing that Tony was actually smarter and more sensitive than he seemed, Staying Alive seems to be all about saying, “Whoops!  Sorry!  He’s just as obnoxious as you thought he was.”

Staying Alive is a notoriously ill-conceived film, though it’s also one of those films that’s just bad enough to be entertaining when viewed with a group of snarky friends.  That said, the opening credits montage — which features Tony dancing while Kurtwood Smith glares at him — is actually pretty good.  Travolta smolders with the best of them and the sequence does a good job of capturing Tony’s mix of desperation and determination.  It’s unfortunate that Kurtwood Smith pretty much disappeared from the film following the opening credits.  Judging from what little we see of him, Smith would have been pretty entertaining as a permanently annoyed choreographer.  Finally, how can you not love the neon credits?  This a scene that screams 80s in the best possible way.

So, while I continue to work on getting back to my usual prolific ways, why not enjoy this scene that I love from Staying Alive?

The Art Directors Guild nominates Palm Springs!!


The Art Directors Guild has announced their nominees for the best of 2020.  The guilds are one of the more reliable precursors when it comes to making your Oscar predictions, if just because the guilds — as opposed to the various regional critics groups — actually include members of the Academy.

My immediate thought, upon looking at these nominees, is that there’s a lot of them and I definitely forgot to take my ADD meds this morning.  That said, I’m glad Palm Springs was nominated.  Palm Springs was one of the best films of 2020 and, while it’ll probably be too strange and comedic to score a best picture nod, it would still be nice to see it score an Oscar nomination or two.

The winners will be announced on April 10th!  Here are the nominees:

PERIOD FEATURE FILM
Mank – Production Designer: Donald Graham Burt
Ma Rainey’s Black Bottom – Production Designer: Mark Ricker
Mulan – Production Designer: Grant Major
News of the World – Production Designer: David Crank
The Trial of the Chicago 7 – Production Designer: Shane Valentino

FANTASY FEATURE FILM
Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn – Production Designer: K.K. Barrett
Pinocchio – Production Designer: Dimitri Capuani
Tenet – Production Designer: Nathan Crowley
The Midnight Sky – Production Designer: Jim Bissell
Wonder Woman 1984 – Production Designer: Aline Bonetto

CONTEMPORARY FEATURE FILM
Da 5 Bloods – Production Designer: Wynn Thomas
I’m Thinking of Ending Things – Production Designer: Molly Hughes
Palm Springs – Production Designer: Jason Kisvarday
Promising Young Woman – Production Designer: Michael T. Perry
The Prom – Production Designer: Jamie Walker McCall

ANIMATED FEATURE FILM
A Shawn the Sheep Movie: Farmageddon – Production Designer: Matt Perry
Onward – Production Designer: Noah Klocek
Soul – Production Designer: Steve Pilcher
The Croods: A New Age – Production Designer: Nate Wragg
Wolfwalkers – Production Designers: Ross Stewart, Tomm Moore, Maria Pareja

ONE-HOUR PERIOD OR FANTASY SINGLE-CAMERA SERIES
Lovecraft Country: “I Am” – Production Designer: Kalina Ivanov
Perry Mason: “Chapter Three” – Production Designer: John Perry Goldsmith
The Crown: “War” – Production Designer: Martin Childs
The Mandalorian: “Chapter 13: The Jedi” – Production Designers: Andrew L. Jones, Doug Chiang
Westworld: “Parce Domine” – Production Designer: Howard Cummings

ONE-HOUR CONTEMPORARY SINGLE-CAMERA SERIES
Killing Eve: “Are You from Pinner?” – Production Designer: Laurence Dorman
Ozark: “Wartime” – Production Designer: David Bomba
The Flight Attendant: “After Dark” – Production Designer: Sara K. White
The Twilight Zone: “Among the Untrodden” – Production Designer: Michael Wylie
Utopia: “Just a Fanboy” – Production Designer: Steve Arnold

TELEVISION MOVIE OR LIMITED SERIES
Fargo – Production Designer: Warren Alan Young
Hollywood – Production Designer: Matthew Flood Ferguson
Little Fires Everywhere – Production Designer: Jessica Kender
The Alienist: Angel of Darkness – Production Designer: Ruth Ammon
The Queen’s Gambit – Production Designer: Uli Hanisch

HALF HOUR SINGLE-CAMERA SERIES
Dead to Me: “You Don’t Have to Go,” “It Had to Be You” – Production Designer: L.J. Houdyshell
Emily in Paris: “Emily in Paris” – Production Designer: Anne Seibel
Mythic Quest: Raven’s Banquet: “Pilot” – Production Designer: Mark Worthington
Space Force: “THE LAUNCH” – Production Designer: Susie Mancini
What We Do in the Shadows: “Resurrection,” “Collaboration,” “Witches” – Production Designer: Kate Bunch

MULTI-CAMERA SERIES
Ashley Garcia: Genius in Love: “Unintended Consequences” – Production Designer: Josee F. Lemonnier
Bob Hearts Abishola: “Randy’s a Wrangler,” “Paris is for Lovers, Not Mothers” “Straight Outta Lagos” – Production Designer: John Shaffner
Family Reunion: “Remember When Jade Was Down with the Swirl?” “Remember When Shaka Got Beat Up?” – Production Designer: Aiyana Trotter
The Neighborhood: “Welcome to the New Pastor,” “Welcome to the Hockey Game” – Production Designer: Wendell Johnson
Will & Grace: “Accidentally on Porpoise,” “We Love Lucy,” “It’s Time” – Production Designer: Glenda Rovello

SHORT FORMAT: WEB SERIES, MUSIC VIDEO OR COMMERCIAL
Adidas Originals: “Superstar – Change is a Team Sport” – Production Designer: Ruth De Jong
Apple: “Vertical Cinema” – Production Designer: Shane Valentino
Camila Cabello: “My Oh My” – Production Designer: François Audouy
Harry Styles: “Falling” – Production Designer: François Audouy
Taylor Swift: “Cardigan” – Production Designer: Ethan Tobman

VARIETY, REALITY OR COMPETITION SERIES
Earth to Ned: “Ned: The Musical” – Production Designer: Darcy Prevost
Saturday Night Live: “Host: John Mulaney + Music: David Byrne,” Host: Adele + Music: H.E.R.,” “Host: Dave Chappelle + Music: Foo Fighters” – Production Designers: Keith Raywood, Eugene Lee, Akira Yoshimura, N. Joseph De Tullio
The Masked Singer: “The Season Premiere – The Masks Return” – Production Designer: James Connelly
The Voice: “Live Finale Ep. 18,” “The Blind Auditions, Season Premiere Ep. 1,”The Battles Premiere Ep. 6” – Production Designers: Zeya Maurer, James Connelly, Anton Goss
Wheel of Fortune: “Consumer Cellular Secret Santa,” “Fabulous Food” – Production Designer: Renee Hoss-Johnson

VARIETY SPECIAL
Black Is King – Production Designers: Hannah Beachler, Carlos Laszlo, Susan Linss, Miranda Lorenz, Brandon Mendez, Rika Nakanishi, Ethan Tobman
Democratic National Convention 2020 – Production Designer: Bruce Rodgers
Super Bowl Half Time Show Starring Jennifer Lopez & Shakira – Production Designer: Bruce Rodgers
The Oscars – Production Designer: Jason Sherwood
Yearly Departed – Production Designer: Suzuki Ingerslev

Here Are The Nominations of the Online Association of Female Film Critics!


Well, it’s a new day during awards season and that means it’s time for a new group to announce their nominees for the best of 2020 and the first two months of 2021.  Today, the Online Association of Female Film Critics chimes in with their nominees.

Again, it’s the usual suspects.  It is nice to see First Cow getting mentioned, though.  I was a bit worried that people were starting to forget about the film.

Here the nominees.  The winners will be announced on March 1st!

Best Film
First Cow
Minari
Nomadland
One Night In Miami
Promising Young Woman

Best Director
Lee Isaac Chung – Minari
Emerald Fennell – Promising Young Woman
Regina King – One Night In Miami
Kelly Reichardt – First Cow
Chloe Zhao – Nomadland

Best Male Lead
Riz Ahmed – Sound Of Metal
Chadwick Boseman – Ma Rainey’s Black Bottom
Delroy Lindo – Da 5 Bloods
Mads Mikkelsen – Another Round
Steven Yeun – Minari

Best Female Lead
Viola Davis – Ma Rainey’s Black Bottom
Vanessa Kirby – Pieces Of A Woman
Frances McDormand – Nomadland
Elisabeth Moss – The Invisible Man
Carey Mulligan – Promising Young Woman

Best Supporting Male
Sacha Baron Cohen – The Trial Of The Chicago 7
Daniel Kaluuya – Judas And The Black Messiah
Bill Murray – On The Rocks
Leslie Odom Jr. – One Night In Miami
Paul Raci – Sound Of Metal

Best Supporting Female
Maria Bakalova – Borat Subsequent Moviefilm
Ellen Burstyn – Pieces Of A Woman
Dominque Fishback – Judas And The Black Messiah
Amanda Seyfried – Mank
Yuh-jung Youn – Minari

Best Acting Ensemble
Da 5 Bloods
Ma Rainey’s Black Bottom
Minari
One Night In Miami
The Trial Of The Chicago 7

Best Original Screenplay
Lee Isaac Chung – Minari
Emerald Fennell – Promising Young Woman
Eliza Hittman – Never Rarely Sometimes Always
Miranda July – Kajillionaire
Andy Siara – Palm Springs

Best Adapted Screenplay
Sarah Gubbin – Shirley
Christopher Hampton & Florian Zeller – The Father
Charlie Kaufman – I’m Thinking Of Ending Things
Kemp Powers – One Night In Miami
Chloe Zhao – Nomadland

Best Documentary
Collective
Dick Johnson Is Dead
The Mole Agent
The Painter And The Thief
Time

Best Animated Feature
Onward
Over The Moon
A Shaun The Sheep Movie: Farmageddon
Soul
Wolfwalkers

Best Cinematography
Christopher Blauvelt – First Cow
Stephane Fontaine – Ammonite
Matthew Libatique – Birds Of Prey
Erik Messerschmidt – Mank
Joshua James Richards – Nomadland

Best Breakthrough Filmmaker
Kitty Green – The Assistant
Emerald Fennell – Promising Young Woman
Radha Blank – The Forty-Year-Old Version
Channing Godfrey Peoples – Miss Juneteenth
Natalie Erika James – Relic

Best Breakthrough Performance
Kingsley Ben-Adir – One Night In Miami
Sidney Flanigan – Never Rarely Sometimes Always
Orion Lee – First Cow
Cristin Milioti – Palm Springs
Tahar Rahim – The Mauritanian

THE ROSIE
The OAFFC’s signature award celebrates the film that “best promotes women, their voices, and the female experience through cinema.”
The Assistant
The Forty-Year-Old Version
Never Rarely Sometimes Always
Nomadland
Promising Young Woman

Nomadland wins in Vancouver!


Love you, Canada!

The Vancouver Film Critics Circle announced their winners for the best of 2020 yesterday.  And here they are:

Best Picture
Mank
Nomadland
Promising Young Woman

Best Director
Thomas Vinterberg – Another Round
David Fincher – Mank
Chloe Zhao – Nomadland

Best Screenplay
Jack Fincher – Mank
Emerald Fennell – Promising Young Woman
Aaron Sorkin – The Trial of the Chicago 7

Best Actor
Anthony Hopkins – The Father
Gary Oldman – Mank
Chadwick Boseman – Ma Rainey’s Black Bottom
Riz Ahmed – Sound of Metal

Best Actress
Viola Davis – Ma Rainey’s Black Bottom
Frances McDormand – Nomadland
Carey Mulligan – Promising Young Woman

Best Supporting Actor
Daniel Kaluuya – Judas and the Black Messiah
Leslie Odom Jr. – One Night in Miami
Sacha Baron Cohen – The Trial of the Chicago 7

Best Supporting Actress
Maria Bakalova – Borat Subsequent Moviefilm
Amanda Seyfried – Mank
Yuh-jung Youn – Minari

Best Documentary
Athlete A
Collective
Totally Under Control

Best Foreign Language Film
Another Round
Dear Comrades
Minari

The Southern Eastern Film Critics Association Honors Nomadland!


The never-ending awards season continued yesterday with the Southern Eastern Film Critics Association (SEFCA) naming their picks for the best of 2020!  It was another round of victories for Nomadland, Chadwick Boseman, Frances McDormand, Sacha Baron Cohen, and Youn Yuh-jung.

Here are the winners:

Top 10 Films
1. Nomadland
2. Minari
3. The Trial of the Chicago 7
4. Promising Young Woman
5. Sound of Metal
6. One Night in Miami…
7. Da 5 Bloods
8. Ma Rainey’s Black Bottom
9. Soul
10. Mank

Best Actor
Winner: Chadwick Boseman – Ma Rainey’s Black Bottom
Runner-Up: Riz Ahmed – Sound of Metal

Best Actress
Winner: Frances McDormand – Nomadland
Runner-Up: Carey Mulligan – Promising Young Woman

Best Supporting Actor
Winner: Sacha Baron Cohen – The Trial of the Chicago 7
Runner-Up: Paul Raci – Sound of Metal

Best Supporting Actress
Winner: Youn Yuh-jung – Minari
Runner-Up: Maria Bakalova – Borat Subsequent Moviefilm

Best Ensemble
Winner: The Trial of the Chicago 7
Runner-Up: One Night in Miami…

Best Director
Winner: Chloé Zhao – Nomadland
Runner-Up: Regina King – One Night in Miami…

Best Original Screenplay
Winner: Lee Isaac Chung – Minari
Runner-Up: Emerald Fennell – Promising Young Woman

Best Adapted Screenplay
Winner: Chloé Zhao – Nomadland
Runner-Up: Kemp Powers – One Night in Miami…

Best Documentary
Winner: Time
Runner-Up: Dick Johnson Is Dead

Best Foreign-Language Film
Winner: Another Round
Runner-Up: Bacurau

Best Animated Film
Winner: Soul
Runner-Up: Wolfwalkers

Best Cinematography
Winner: Joshua James Richards – Nomadland
Runner-Up: Erik Messerschmidt – Mank

The Gene Wyatt Award
Winner: Minari
Runner-Up: One Night in Miami…

Lisa’s Week In Review: 2/15/21 — 2/21/21


Where to even begin with this week?

On Sunday night, I fell asleep thinking about how romantic it was to have snow on Valentine’s Day.  I knew that even more snow was coming.  I knew that the next week was going to be cold.  I knew that the temperature was not projected to get over freezing until the upcoming Friday.  I knew that it was going to be a difficult few days.  Before I fell asleep, I even saw a report that there would be rolling blackouts.  I knew this was all going to happen but still, nothing could prepare me for the experience of waking up at 3 in the morning on Monday, just to discover that the house had no power, the house had no heat, and it was 10 degrees outside!  (When I fell asleep, I was wearing socks and not much else.  So, at least my feet were protected from the cold.  The rest of me, not so much.)

Around 8 in the morning, the power did come back on.  And then, 90 minutes later it went back off and didn’t come back on for nearly 9 hours.  The problem was not just that there were rolling blackouts but also that some idiot crashed his car into a substation.  When the power did finally come back on, it was just in time for me to watch The Bachelor.  As soon as the show ended, the power went back out.

It didn’t come back on for most of Tuesday, despite the fact that it was 3 degrees outside!  And yet, as frustrating as it was, there was a strange beauty to the darkness.  At 3 in the morning on Wednesday, I found myself staring out the bedroom window and just marveling at how the snow seemed to glow in the dark.  When I read a book (Mickey Spillane’s One Lonely Night), I didn’t even have to grab a flashlight.  I read by the glow of the snow.  Call it snowlight.

On Wednesday, things started to improve.  Though it was a less than ideal time to start Lent, Erin and I still observed Ash Wednesday as well as we could.  It was on Wednesday that Erin pointed out that, even if not for the winter storm, Ash Wednesday would still have been strange because of the pandemic.  That was when I first realized that this was the first week in a year in which I’d had something other than COVID to worry about.  In fact, from the minute I woke up on Monday to find myself freezing and my teeth chattering, I pretty much forgot about COVID.

By Thursday, the power situation had stabilized.  The temperature was up to the 20s.  After spending three nights with freezing temperatures in an unheated house, 20 degrees sounded like paradise.  With the power situation stabilized, I realized how lucky we were.  We had power.  We had heat.  We had clean water.  Most importantly, Jeff made sure that we turned on all of the faucets at night, so the water didn’t freeze and we didn’t end up with any pipes bursting and flooding the house.  Even with my asthma, I had made it through two of the coldest nights of my life.

On Friday, the snow started to melt as the temperature zoomed up to 42.  By the end of Saturday, we were in the 50s.  By the end of today, we were in the 60s.  All of the snow is gone and I’m still struggling to figure out how to put this previous week into words.  It may have only been 7 days but it felt like 7 years.  It almost feels like it was just a very long dream.  Looking out at the neighborhood tonight, it’s hard to believe that it was just a few days ago that it was covered in snow and every house was dark.

I want to end on a positive note.  There’s a stray cat who lives in this neighborhood.  She’s a gray cat with dark stripes and white paws.  She’s very friendly and she’s also very …. well, fat.  Everyone feeds her.  She goes from house to house, eating whatever’s on the porch and always stopping long enough to rub up against anyone who happens to be outside at the time.  She’s the entire neighborhood’s cat and the collective love for her is the common bond that everyone who lives around here seems to share.  She’s cute and lovable and even Doc refuses to hiss when he sees her walking through our backyard.  When the snow started to fall on Sunday, I worried about whether or not she had found shelter.  By the time the temperature plunged to 3 degrees, I feared the worst.  As the days passed, I became more and more convinced that I would never see her again.  On Thursday, however, I looked outside and I saw her proudly walking down the snow-covered sidewalk as if she didn’t have a care in the world.   I’ve seen her everyday since.  I’ve never been more thankful to see a stray.

Here’s what I watched, read, and listened to this week.  Because of everything that went on, it’s a short list.

Films I Watched:

  1. Carrie (1976)
  2. The Fighter (2011)
  3. Mystery Liner (1934)
  4. Slugs (1988)
  5. Spellbinder (1988)
  6. Wildflower (2016)

Television Shows I Watched:

  1. ‘Allo ‘Allo
  2. American Idol
  3. The Bachelor
  4. Bar Rescue
  5. Court Cam
  6. The District
  7. Friends
  8. Hell’s Kitchen
  9. Hill Street Blues
  10. I Lived With A Killer
  11. The Masked Dancer
  12. Open All Hours
  13. Saved By The Bell
  14. Saved By The Bell: The College Years
  15. Seinfeld
  16. South Park
  17. Temptation Island
  18. Tough as Nails
  19. WandaVision
  20. Yes, Minister

Books I Read:

  1. One Lonely Night (1951) by Mickey Spillane

Music To Which I Listened:

  1. Adi Ulmansky
  2. Big Data
  3. Britney Spears
  4. Cage the Elephant
  5. The Chemical Brothers
  6. Daft Punk
  7. deadmua5
  8. Dua Lipa
  9. Fatboy Slim
  10. Haim
  11. Hans Zimmer
  12. Icona Pop
  13. Jake Bugg
  14. John Carpenter
  15. Joywave
  16. Kaskade
  17. Kedr Livanskiy
  18. The KLF
  19. M/A/R/R/S
  20. Muse
  21. Phantogram
  22. The Prodigy
  23. Public Service Broadcasting
  24. Saint Motel
  25. Sleigh Bells
  26. Tiesto
  27. Upsahl

Awards Season:

  1. The Satellite Awards
  2. WGA Nominations
  3. Seattle Film Critics Society Winners
  4. Black Reel Nominations
  5. Makeup Artists and Hair Stylist Guild Nominations
  6. Vancouver Film Critics Nominations
  7. Nevada Film Critics Winners
  8. Iowa Film Critics Winners

News From Last Week:

  1. Edgar Wright to Direct Adaptation of Stephen King’s ‘The Running Man’ for Paramount
  2. ‘Fortnite’ Is the First Video Game to Host a Film Festival, with a Potential Audience of 350 Million
  3. Kanye West and Kim Kardashian Are Getting a Divorce
  4. L.A. Sheriff’s Department Investigating Marilyn Manson Abuse Allegations
  5. Inside Hollywood’s Rush to Make the First GameStop Movie
  6. Prince Harry, Meghan Markle officially resign from all royal duties
  7. Half of all Brits don’t want to watch Oprah’s interview with Prince Harry, Meghan Markle
  8. Prince William ‘sad and shocked’ by Harry’s behavior toward the Queen: report
  9. Axed ‘Mandalorian’ actress Gina Carano: ‘I’m going to go down swinging’
  10. Living Dead Museum rises again to salute classic horror film
  11. ‘Silence of the Lambs’ Buffalo Bill house to become a bed and breakfast
  12. THE LINCOLN PROJECT’S IMPLOSION HAS DERAILED ITS FOUNDERS’ PLAN FOR A MEDIA EMPIRE
  13. Golden Globes voters in tumult: Members accuse Hollywood Foreign Press Assn. of self-dealing, ethical lapses

Links From Last Week:

  1. Are streaming algorithms really damaging film?
  2. Hey, Remember That Florida Grim Reaper Guy?
  3. Why Do Democrats Pretend Andrew Cuomo Did a Good Job With COVID?
  4. Media’s gushing promotion of Gov. Cuomo looks pretty bad now
  5. Andrew Cuomo and the Lincoln Project were media-created debacles. What now?
  6. The Real Lincoln Project Scandal: Political grifter Steve Schmidt used homophobia to distract from his own sins—and everyone just let him get away with it
  7. 20 Black filmmakers who have changed Hollywood in the last century
  8. Who Else Is Ready for a Horror Video Game from the Marvel Universe?
  9. Overlooked Moments of Terror in Classic Disney Animation
  10. Grave Marker and Monument For Charles R. Saunders

Links From The Site:

  1. I reviewed One Lonely Night and announced that the Texas offices were down.
  2. Case reviewed Prince of Darkness and COVID!
  3. Erin shared: Your Most Intimate Problems, Mardi Gras, Laypeople Distributing Ashes, The Green Man, Wandl The Invader, The Lost Eagles, and Sirens and Clouds!
  4. Jeff shared music videos from Natalie Merchant, Earth and Fire, INXS, R.E.M., Public Enemy, Live, and Lisa Loeb!
  5. Leonard shared the trailers for Cruella and Mortal Kombat!
  6. Ryan reviewed Death Plays A Mean Harmonica, Mothers Tales, and Spiny Orb Weaver!

More From Us:

  1. Ryan has a patreon!  You should definitely consider subscribing!
  2. At her photography site, Erin shared: Domain, Snow on the Roof, Snow in the Morning, Snow in the Morning 2, Snow In The Morning 3, Snow on the Patio, and Morning Birds!
  3. At my music site, I shared songs from Hans Zimmer, Haim, deadmau5 & Kaskade, Fatboy Slim, Queen and David Bowie, Upsahl, and Dua Lipa!

Want to see what I did last week?  (Last week feels like it was 8 years ago.)  Click here!

The Iowa Film Critics Association Honors Nomadland


Though we may never know who actually won the Iowa Caucus last year, we do know which films won with the Iowa Film Critics Association!  Here are their picks for the best of the year:

BEST FILM: “Nomadland”
Runners up: “Minari” and “Sound of Metal”

BEST DIRECTOR: Chloe Zhao – “Nomadland”
Runners up: Darius Marder – “Sound of Metal” and Florian Zeller – “The Father”

BEST ACTOR: Chadwick Boseman – “Ma Rainey’s Black Bottom”
Runners up: Anthony Hopkins – “The Father” and Riz Ahmed – “Sound of Metal”

BEST ACTRESS: Frances McDormand – “Nomadland”
Runners up: Viola Davis – “Ma Rainey’s Black Bottom” and Carey Mulligan – “Promising Young Woman”

BEST SUPPORTING ACTOR: Paul Raci – “Sound of Metal”
Runners up: Bill Murray – “On the Rocks” and Leslie Odom Jr. – “One Night in Miami”

BEST SUPPORTING ACTRESS: Yuh-jung Youn – “Minari”
Runners up: Olivia Colman – “The Father” and Amanda Seyfried – “Mank”

BEST ANIMATED FILM: “Soul”
Runners up: “Over the Moon” and “Wolfwalkers”

BEST DOCUMENTARY: “Dick Johnson is Dead”
Runners up: “Crip Camp” and “The Dissident”

BEST SCORE: Ludovico Einaudi – “Nomadland”
Runners up: James Newton Howard – “News of the World” and Trent Reznor and Atticus Ross – “Mank”

BEST SONG: “Speak Now” – “One Night in Miami”
Runners up: “Green” – “Sound of Metal” and “Rain Song” – “Minari”

The Nevada Film Critics Society Honors Promising Young Woman


Earlier today, The Nevada Film Critics Society announced their picks for the best of 2020–early 2021 and what’s interesting is that Nomadland didn’t win a thing.  Instead, Promising Young Woman took the awards for Best Film, Best Actress, Best Director, and Best Original Screenplay.

Meanwhile, in the supporting races, Daniel Kaluuya picked up another win for Judas and the Black Messiah while Glenn Close won for Hillbilly Elegy.  Kaluuya has been coming on strong during the latter half of this extended awards season, to the point where he’s now pretty much eclipsed other potential nominees like Paul Raci and Leslie Odom Jr..  Meanwhile, Glenn Close seems more and more likely to pick up her first Oscar with each passing day, regardless of what the overall critical response to Hillbilly Elegy may have been.

Here are the winners from Nevada:

Best Film – Promising Young Woman
Best Actor – Riz Ahmed for Sound of Metal & Anthony Hopkins for The Father (TIE)
Best Actress – Carey Mulligan – Promising Young Woman
Best Supporting Actor – Daniel Kaluuya – Judas and the Black Messiah
Best Supporting Actress – Glenn Close – Hillbilly Elegy
Best Director – Emerald Fennell – Promising Young Woman
Best Original Screenplay – Emerald Fennell – Promising Young Woman
Best Adapted Screenplay – Florian Zeller and Christopher Hampton – The Father
Best Documentary – The Dissident
Best Animated Movie – Soul
Best Production Design – Donald Graham Burt – Mank
Best Cinematography – Hoyte van Hoytenna – Tenet
Best Visual Effects – Tenet