Horror Film Review: Alien: Covenant (dir by Ridley Scott)


Why did Alien: Covenant fail?

It’s a legitimate question.  Alien itself is such an iconic horror film that, 38 years after it was first released, blatant rip-offs like Life are still being produced and, in many case, are still doing pretty well at the box office.  When John Hurt died earlier this year, he left behind a long and distinguished filmography but almost every obituary opened by discussing his role in Alien.  

Alien: Covenant received a good deal of pre-release publicity, mostly centering on the fact that Ridley Scott was not only the filming the latest installment of the franchise but that this was going to be a true Alien film, as opposed to a strange hybrid like Prometheus.  Personally, when I first saw the trailer, I thought it looked like something was a little off about it.  The spaceship looked way too clean and, for that matter, so did all the humans.  Whereas Alien and Aliens were all about sweaty, profane men and women stuck in dark and cramped locations, the humans in Alien: Covenant just looked too damn perky.  In at least one of the trailers, they were all smiling.  No one smiles in space, at least not in an Alien movie.  Still, everyone else seemed to be super excited about the trailer so I figured that maybe I was just being overly critical.

Then the movie came out.  It got some respectful but somewhat restrained reviews, though it did seem like quite a few critics were more interested in praising the longevity of the series as opposed to actually talking about the film itself.  At the box office, it performed a bit below expectations during the first week but then again, that’s pretty much been the story for almost every film that’s been released in 2017.  But then, during the second week, it plunged from being the number one movie in America to being the number four movie in America.  In the third week, it plunged again and, in the fourth week, it left first-run theaters and headed for the dollar cinemas.  When a widely anticipated film like that — especially one that is part of a historically popular franchise — heads to purgatory after only four weeks, the only thing you can blame is word of mouth.

Why did Alien: Covenant fail?

Well, there’s several reasons why this film failed to connect with audiences.

First off, the plot is rather familiar.  In the future, the crew of a spaceship picks up a radio transmission for a nearby planet and the captain (played, in this case, by Billy Crudup) sends down an expedition to investigate.  Of course, it turns out that the planet is full of facehuggers and xenomorphs and all the other stuff that audiences typically expect from an Alien film.  Also on the planet is David (Michael Fassbender), the replicant who is the sole survivor from Prometheus.  (Fassbender actually plays two roles in Covenant.  He also plays Walter, another replicant.  One is bad and one is good.)  Basically, Covenant takes the plots of Alien and Aliens and mashes them together.  But it never answers the question of why audiences wouldn’t be better off just watching the originals.

The humans themselves are rather blandly written and somewhat interchangeable.  There’s no one who is memorably quirky like Bill Paxton or Harry Dean Stanton.  Katherine Waterston makes for a bland substitute for both Sigourney Weaver and Noomi Rapace.  Usually, I like Danny McBride but he seems out of place in an Alien film.  Genuinely interesting actors, like James Franco, Amy Seimetz, and Carmen Ejogo, are all dispatched far too early.  Probably the best performance in the film comes from Michael Fassbender but, for anyone who has any knowledge of what usually happens with replicants in the Alien franchise, there’s no surprises to be found in either of his characters.

But ultimately, the main problem with Alien: Covenant is that it just wasn’t scary.  Some might say that this is due to the fact that we’re no longer shocked by the sight of aliens bursting out of people’s chests.  However, I recently watched Alien.  I watched it with the full knowledge that, as soon as John Hurt sat down to eat, that little bugger was going to burst out of his chest and that blood and bones were going to fly everywhere.  I also knew that Harry Dean Stanton was going to end up walking right underneath the alien.  I knew that Tom Skerritt’s radio was going to go dead.  I knew that the alien would be waiting for Sigourney Weaver in the escape pod.  I knew all of this and Alien still scared the Hell out of me, as it has every time that I’ve watched it.

And I also had the same reaction when I recently watched Aliens.  Yes, I knew that the space marines weren’t going to be able to fight the aliens.  I knew what was going to happen to Paul Reiser.  I knew that Bill Paxton was going to end up chanting, “Game over, man!”  I knew that aliens were going to be bursting off of chests all over the place.  I knew it was all going to happen and yet, turning out all the lights and watching Aliens still left me feeling shaken.

The difference between those two films and Alien: Covenant is that the first two films felt authentic.  The ships felt lived in.  The characters felt real.  Both films were full of rough edges and small details that invited you to try to look closer.  You could watch those films and imagine yourself on those ships and talking to those characters.  You got scared because you knew that there was no way you’d be one of the survivors.  Everyone pretends that they would be Sigourney Weaver but most of us know that, in reality, we’re going to be Veronica Cartwright, sobbing and useless.

Alien: Covenant, on the other hand, is a very slick movie.  Nothing about it feels real and there’s no real emotional impact when the aliens show up and start killing people.  You never feel as if you know the characters, beyond whatever feelings you may have toward the actors involved.  “Oh,” you say, “the alien just burst out of Billy Crudup’s chest.  Well, he’s got another movie coming out so he’ll be fine…”

For all of the technical skill that went into making it, Alien: Covenant has no soul.  And, for that reason, it’s never scary.  (Sadly, Life felt like a better Alien movie than Covenant did.)  Hopefully, if there is another Alien film, that soul will be rediscovered.

Here the official trailer for Alien: Covenant!


I kind of wish this trailer didn’t open with everyone grinning like a bunch of missionaries preparing to leave on their first trip to the Amazon rain forest but otherwise, Alien: Covenant is looking pretty promising.

In theory, no movie should be scarier than an Alien movie.  Hopefully, Ridley Scott will return this franchise to its former glory.

Scenes I Love: Alien


alien-chestburster

We found out tonight that the great Sir John Hurt passed away at the age of 77.

For some their memory of him was in the role of the Elephant Man. For the younger set it might be as Hellboy’s adopted father Professor Broom. Some might even remember him as Chancellor Sutler from V for Vendetta. They were all great roles, but my very first memory of him is from a film that helped shaped my love for horror and sci-fi. It was a film that was influenced the impressionable mind of a pre-teen.

This film is and will always be Ridley Scott’s haunted house in space sci-fi horror film, Alien.

Sir John Hurt as the doomed crew-member Kane would make such an impact in my impressionable mind as a child not when he first appears on-screen, but when the titular creature makes it’s first appearance in what I can only describe as an explosive birthing scene.

Rest In Peace good sir.

Have Yourself A Terrifying Little Christmas … With The Trailer for Alien: Covenant!


AGCK!

Ridley Scott returns to the Alien franchise and, if this trailer is any thing to judge by, it looks like 2017 is going to be a scary one indeed!

Alien Covenant will be in theaters on May 17th!

Here Are The DGA Nominations!


The Directors Guild of America announced their nominees today!  The DGA is usually one of the best of the Oscar precursors.  Getting a DGA nomination usually translates to a Best Picture nomination.

Here are the nominees.  There really aren’t any surprises among them, though, based on its strength with the other guilds, I did think that Steven Spielberg might sneak in there with Bridge of Spies.

Alejandro G. Inarritu for The Revenant

Tom McCarthy for Spotlight

Adam McKay for The Big Short

George Miller for Mad Max: Fury Road

Ridley Scott for The Martian

And here are the nominees for a new award that the DGA is giving out this year!

Outstanding Directorial Achievement for a First-Time Feature Film Director

The nominees are:

Fernando Coimbra, “A Wolf at the Door”
Joel Edgerton, “The Gift”
Alex Garland, “Ex Machina”
Marielle Heller, “The Diary of a Teenage Girl”
Laszlo Nemes, “Son of Saul”
The best thing about this new category?  Knowing that Sasha Stone is probably pissed off that Diary of a Teenage Girl received a nomination.

The PGA Gives New Life To Sicario and Straight Outta Compton!


Sicario_poster

The Producers Guild of America announced their nominees today and guess what?  Ex Machina, Sicario and Straight Outta Compton made the cut!  In general, the PGA is a good precursor for the actual Oscar nominations so that’s good news for both of those films.  (Among the films snubbed: Star Wars: The Force Awakens and Carol!)

Here are the nominees:

The Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures:

Ø  The Big Short

Producers: Brad Pitt & Dede Gardner, Jeremy Kleiner

Ø  Bridge of Spies

Producers: Steven Spielberg, Marc Platt, Kristie Macosko Krieger

Ø  Brooklyn

Producers: Finola Dwyer & Amanda Posey

Ø  Ex Machina

This film is in the process of being vetted for producer eligibility

Ø  Mad Max: Fury Road

Producers: Doug Mitchell & George Miller

Ø  The Martian

Producers: Simon Kinberg, Ridley Scott, Michael Schaefer, Mark Huffam

Ø  The Revenant

Producers: Arnon Milchan, Steve Golin, Alejandro G. Iñárritu, Mary Parent, Keith Redmon

Ø  Sicario

Producers: Basil Iwanyk, Edward L. McDonnell, Molly Smith

Ø  Spotlight

Producers: Michael Sugar & Steve Golin,

Straight Outta Compton

 

The Award for Outstanding Producer of Animated Theatrical Motion Pictures:

Ø  Anomalisa

Producers: Rosa Tran, Duke Johnson, Charlie Kaufman

Ø  The Good Dinosaur

Producer: Denise Ream

Ø  Inside Out

Producer: Jonas Rivera

Ø  Minions

Producers: Chris Meledandri, Janet Healy

Ø  The Peanuts Movie

Producers: Craig Schulz, Michael J. Travers

straightouttacompton

The Seattle Film Critics Survey Is Mad For Max! We Love You, Seattle!


MadMaxFuryRoad

The Seattle Film Critics Survey announced their nominees for the best of 2015 earlier today and I have to say, their nominations are pretty interesting!  (Also interesting to note is that they did not nominate Oscar front runner Spotlight.) Way to go, Seattle!

BEST PICTURE OF THE YEAR:

BEST DIRECTOR:

BEST ACTOR in a LEADING ROLE:

BEST ACTRESS in a LEADING ROLE:

  • Cate Blanchett – CAROL
  • Nina Hoss – PHOENIX
  • Brie Larson – ROOM
  • Rooney Mara – CAROL
  • Saoirse Ronan – BROOKLYN

BEST ACTOR in a SUPPORTING ROLE:

  • Benicio del Toro – SICARIO
  • Tom Hardy – THE REVENANT
  • Oscar Isaac – EX MACHINA
  • Mark Rylance – BRIDGE OF SPIES
  • Sylvester Stallone – CREED

BEST ACTRESS in a SUPPORTING ROLE:

  • Jennifer Jason Leigh – THE HATEFUL EIGHT
  • Kristen Stewart – CLOUDS OF SILS MARIA
  • Mya Taylor – TANGERINE
  • Alicia Vikander – EX MACHINA
  • Kate Winslet – STEVE JOBS

BEST ENSEMBLE CAST:

BEST ORIGINAL SCREENPLAY:

  • EX MACHINA – Alex Garland
  • THE HATEFUL EIGHT – Quentin Tarantino
  • INSIDE OUT – Pete Docter, Meg LeFauve, and Josh Cooley (screenplay); Pete Docter and Ronnie del Carmen (story)
  • SICARIO – Taylor Sheridan
  • SPOTLIGHT – Josh Singer & Tom McCarthy

BEST ADAPTED SCREENPLAY:

BEST ANIMATED FEATURE:

  • ANOMALISA – Charlie Kaufman and Duke Johnson, directors
  • INSIDE OUT – Pete Docter, director
  • THE PEANUTS MOVIE – Steve Martino, director
  • SHAUN THE SHEEP MOVIE – Mark Burton, Richard Starzak, Julie Lockhart and Paul Kewley, directors
  • WHEN MARNIE WAS THERE – Hiromasa Yonebayashi, director

BEST DOCUMENTARY FEATURE:

  • AMY – Asif Kapadia, director
  • CARTEL LAND – Matthew Heineman, director
  • GOING CLEAR: SCIENTOLOGY AND THE POWER OF BELIEF – Alex Gibney, director
  • KURT COBAIN: MONTAGE OF HECK – Brett Morgen, director
  • THE LOOK OF SILENCE – Joshua Oppenheimer, director

BEST FOREIGN LANGUAGE FILM:

  • THE ASSASSIN – Hou Hsiao-Hsien, director
  • MUSTANG – Deniz Gamze Ergüven, director
  • PHOENIX – Christian Petzold, director
  • SON OF SAUL – László Nemes, director
  • WHITE GOD – Kornél Mundruczó, director

BEST CINEMATOGRAPHY:

  • CAROL – Edward Lachman
  • THE HATEFUL EIGHT – Robert Richardson
  • MAD MAX: FURY ROAD – John Seale
  • THE REVENANT – Emmanuel Lubezki
  • SICARIO – Roger Deakins

BEST COSTUME DESIGN:

BEST FILM EDITING:

BEST MAKEUP & HAIRSTYLING:

  • CAROL – Patricia Regan, Jerry DeCarlo
  • MAD MAX: FURY ROAD – Lesley Vanderwalt, Damian Martin, Elka Wardega
  • THE REVENANT – Graham Johnston, Robert Pandini

BEST ORIGINAL SCORE:

BEST ORIGINAL SONG:

  • CREED – “Grip”, Ludwig Göransson, Sam Dew, Tessa Thompson (composers)
  • FIFTY SHADES OF GREY – “Earned It (Fifty Shades of Grey)”, Abel Tesfaye, Stephan Moccio, Jason  Quenneville, Ahmad Balshe (composers)
  • FURIOUS 7 – “See You Again”, Justin Franks, Andrew Cedar, Charlie Puth, Cameron Thomaz (composers)
  • THE HUNTING GROUND – “Til It Happens To You”, Lady Gaga, Diane Warren (composers)
  • SPECTRE – “Writing’s On The Wall”, Sam Smith, James Napier (composers)

BEST PRODUCTION DESIGN:

  • CAROL – Judy Becker (production design); Heather Loeffler (set decorator)
  • CRIMSON PEAK – Tom Sanders (production design); Shane Vieau, Jeffrey A. Melvin (set decorator)
  • MAD MAX: FURY ROAD – Colin Gibson (production design); Lisa Thompson (set decorator)
  • THE REVENANT – Jack Fisk (production design); Hamish Purdy (set decorator)
  • STAR WARS: THE FORCE AWAKENS – Rick Carter and Darren Gilford (production design); Lee Sandales (set decorator)

BEST SOUND DESIGN:

  • MAD MAX: FURY ROAD – Ben Osmo, Chris Jenkins, Gregg Rudloff (sound mixing); Scott Hecker, Mark Mangini, David White (sound editing)
  • THE MARTIAN – Mac Ruth, Paul Massey, Mark Taylor (sound mixing); Oliver Tarney (sound editing)
  • THE REVENANT – Chris Duesterdisk, Jon Taylor, Frank A. Moñtano, Randy Thom (sound mixing); Martin Hernandez, Randy Thom, Lon Bender (sound editing)
  • SICARIO – John Reitz, Tom Ozanich, William Sarokin (sound mixing); Alan Robert Murray (sound editing)
  • STAR WARS: THE FORCE AWAKENS – Andy Nelson, Christopher Scarabosio, Stuart Wilson (sound mixing); Matthew Wood, David Acord (sound editing)

BEST VISUAL EFFECTS:

The Central Ohio Film Critics Have Announced Their Nominations!


Here are the Central Ohio Film Critics Nominations!

Best Film

-The Big Short
–Ex Machina
–Inside Out
–Mad Max: Fury Road
–The Martian
-The Revenant
-Room
–Sicario
-Spotlight
–Star Wars: Episode VII – The Force Awakens

Best Director

-Alejandro González Iñárritu, The Revenant
-Todd Haynes, Carol
-Tom McCarthy, Spotlight
-George Miller, Mad Max: Fury Road
-Ridley Scott, The Martian
-Denis Villeneuve, Sicario

Best Actor

-Matt Damon, The Martian
-Johnny Depp, Black Mass
-Leonardo DiCaprio, The Revenant
-Michael Fassbender, Steve Jobs
-Jacob Tremblay, Room

Best Actress

-Cate Blanchett, Carol
-Brie Larson, Room
-Saoirse Ronan, Brooklyn
-Charlize Theron, Mad Max: Fury Road
-Alicia Vikander, The Danish Girl

Best Supporting Actor

-Benicio Del Toro, Sicario
-Tom Hardy, The Revenant
-Oscar Isaac, Ex Machina
-Mark Ruffalo, Spotlight
-Sylvester Stallone, Creed

Best Supporting Actress

-Jennifer Jason Leigh, The Hateful Eight
-Rooney Mara, Carol
-Rachel McAdams, Spotlight
-Alicia Vikander, Ex Machina
-Kate Winslet, Steve Jobs

Best Ensemble

-The Big Short
–Ex Machina
-The Hateful Eight
-Spotlight
–Steve Jobs

Actor of the Year (for an exemplary body of work)

-Cate Blanchett (Carol, Cinderella, and Truth)
-Michael Fassbender (Macbeth, Slow West, and Steve Jobs)
-Domhnall Gleeson (Brooklyn, Ex Machina, The Revenant, and Star Wars: Episode VII – The Force Awakens)
-Tom Hardy (Child 44, Legend, Mad Max: Fury Road, and The Revenant)
-Alicia Vikander (Burnt, The Danish Girl, Ex Machina, The Man from U.N.C.L.E., Seventh Son, and Testament of Youth)

Breakthrough Film Artist

-Sean Baker, Tangerine – (for producing, directing, screenwriting, film editing, cinematography, camera operation, and casting)
-Joel Edgerton, The Gift – (for producing, directing, and screenwriting)
-David Robert Mitchell, It Follows – (for producing, directing, and screenwriting)
-Daisy Ridley, Star Wars: Episode VII – The Force Awakens – (for acting)
-Jacob Tremblay, Room – (for acting)
-Alicia Vikander, Burnt, The Danish Girl, Ex Machina, The Man from U.N.C.L.E., Seventh Son, and Testament of Youth – (for acting)

Best Cinematography

-Roger Deakins, Sicario
-Emmanuel Lubezki, The Revenant
-Robert Richardson, The Hateful Eight
-John Seale, Mad Max: Fury Road
-Dariusz Wolski, The Martian

Best Film Editing

-Maryann Brandon and Mary Jo Markey, Star Wars: Episode VII – The Force Awakens
-Tom McArdle, Spotlight
-Stephen Mirrione, The Revenant
-Margaret Sixel, Mad Max: Fury Road
-Joe Walker, Sicario

Best Adapted Screenplay

-Emma Donoghue, Room
-Drew Goddard, The Martian
-Nick Hornby, Brooklyn
-Charles Randolph and Adam McKay, The Big Short
-Aaron Sorkin, Steve Jobs

Best Original Screenplay

-Pete Docter, Meg LeFauve, and Josh Cooley, Inside Out
-Alex Garland, Ex Machina
-Taylor Sheridan, Sicario
-Josh Singer and Tom McCarthy, Spotlight
-Quentin Tarantino, The Hateful Eight

Best Score

-Carter Burwell, Carol
-Michael Giacchino, Inside Out
-Jóhann Jóhannsson, Sicario
-Junkie XL, Mad Max: Fury Road
-Ennio Morricone, The Hateful Eight

Best Documentary

-Amy
-Best of Enemies
–Going Clear: Scientology and the Prison of Belief
-The Look of Silence
-The Wolfpack

Best Foreign Language Film

-The Assassin (Nie yin niang)
-Goodnight Mommy (Ich seh, ich sech)
-Phoenix
-The Tribe (Plemya)
-Timbuktu
-Wild Tales (Relatos salvajes)

Best Animated Film

-Anomalisa
-The Good Dinosaur
–Inside Out
-The Peanuts Movie
–Shaun the Sheep Movie

Best Overlooked Film

-The End of the Tour
–The Gift
-Me and Earl and the Dying Girl
-Mistress America
-Slow West
-The Tribe (Plemya)

The North Carolina Film Critics Association Have Announced Their Nominees For The Best of 2015


Here are the nominees from the North Carolina Film Critics Association!

BEST NARRATIVE FILM
Carol
Inside Out
Mad Max: Fury Road
The Martian
Spotlight

BEST DOCUMENTARY FILM
Amy
Finders Keepers
Kurt Cobain: Montage of Heck
Listen to Me Marlon
The Look of Silence

BEST ANIMATED FILM
Anomalisa
The Good Dinosaur
Inside Out
The Peanuts Movie
Shaun the Sheep Movie

BEST FOREIGN LANGUAGE FILM
The Assassin
Mustang
Phoenix
A Pigeon Sat on a Branch Reflecting on Existence
Son of Saul

BEST DIRECTOR
Lenny Abrahamson (Room)
Todd Haynes (Carol)
Tom McCarthy (Spotlight)
George Miller (Mad Max: Fury Road)
Ridley Scott (The Martian)

BEST ACTOR
Bryan Cranston (Trumbo)
Matt Damon (The Martian)
Leonardo DiCaprio (The Revenant)
Michael Fassbender (Steve Jobs)
Ian McKellen (Mr. Holmes)

BEST SUPPORTING ACTOR
Paul Dano (Love & Mercy)
Benicio del Toro (Sicario)
Mark Ruffalo (Spotlight)
Mark Rylance (Bridge of Spies)
Sylvester Stallone (Creed)

BEST ACTRESS
Elizabeth Banks (Love & Mercy)
Cate Blanchett (Carol)
Brie Larson (Room)
Charlotte Rampling (45 Years)
Saoirse Ronan (Brooklyn)

BEST SUPPORTING ACTRESS
Jennifer Jason Leigh (The Hateful Eight)
Rooney Mara (Carol)
Rachel McAdams (Spotlight)
Helen Mirren (Trumbo)
Alicia Vikander (Ex Machina)

BEST ORIGINAL SCREENPLAY
Matt Charman, Ethan Coen, and Joel Coen (Bridge of Spies)
Pete Docter, Meg LeFauve, and Josh Cooley (Inside Out)
Alex Garland (Ex Machina)
Josh Singer, Tom McCarthy (Spotlight)
Quentin Tarantino (The Hateful Eight)

BEST ADAPTED SCREENPLAY
Emma Donoghue (Room)
Drew Goddard (The Martian)
Phyllis Nagy (Carol)
Nick Hornby (Brooklyn)
Charles Randolph and Adam McKay (The Big Short)
Aaron Sorkin (Steve Jobs)

TAR HEEL AWARD
(To an artist or film with a special connection to North Carolina.)
Ramin Bahrani (99 Homes)
Finders Keepers
Peyton Reed (Ant-Man)

Lisa’s Oscar Predictions For December!


For the final time this year, here are my monthly Oscar predictions.  Usually, the critic groups and the guilds help to make it a bit more clear what is going to be nominated.  That’s not so much the case this year.  It’s been a very good year for film and let’s hope the actual Oscar nominations reflect that.

You can also check out my predictions for January, February, March, April, May, June, July, August, September, October, and November.

Best Picture

Beasts of No Nation

The Big Short

Carol

Mad Max: Fury Road

The Martian

The Revenant

Room

Spotlight

Star Wars: The Force Awakens

Trumbo

Best Director

Tom McCarthy for Spotlight

Adam McKay for The Big Short

George Miller for Mad Max: Fury Road

Jay Roach for Trumbo

Ridley Scott for The Martian

Best Actor

Bryan Cranston in Trumbo

Johnny Depp in Black Mass

Leonardo DiCaprio in The Revenant

Michael Fassbender in Steve Jobs

Eddie Redmayne in The Danish Girl

Best Actress

Cate Blanchett in Carol

Brie Larson in Room

Charlotte Rampling in 45 Years

Saoirse Ronan in Brooklyn

Sarah Silverman in I Smile Back

Best Supporting Actor

Idris Elba in Beasts of No Nation

Mark Rylance in Bridge of Spies

Michael Shannon in 99 Homes

Sylvester Stallone in Creed

Jacob Tremblay in Room

Best Supporting Actress

Jennifer Jason Leigh in The Hateful Eight

Rooney Mara in Carol

Helen Mirren in Trumbo

Kristen Stewart in Clouds of Sils Maria

Alicia Vikander in Ex Machina