The Directors Guild Honors The Daniels


With each passing day, it becomes more and more likely that Everything Everywhere All At Once is going to win Best Picture.  Last night, the DGA named the film the best of 2022.  Traditionally, The Directors Guild is one of the most reliable precursors out there.

Here are the DGA winners:

NARRATIVE FEATURE FILM
Daniel Kwan & Daniel Scheinert – Everything Everywhere All At Once
Todd Field – Tár
Joseph Kosinski – Top Gun: Maverick
Martin McDonagh – The Banshees of Inisherin
Steven Spielberg – The Fabelmans

FIRST-TIME FEATURE FILM
Alice Diop – Saint Omer
Audrey Diwan – Happening
John Patton Ford – Emily The Criminal
Antoneta Alamat Kusijanovic – Murina
Charlotte Wells – Aftersun

OUTSTANDING DIRECTORIAL ACHIEVEMENT IN DOCUMENTARY
Sara Dosa – Fire of Love
Matthew Heineman – Retrograde
Laura Poitras – All the Beauty and the Bloodshed
David Rohde – Navalny
Shaunak Sen – All That Breathes

OUTSTANDING DIRECTORIAL ACHIEVEMENT IN DRAMATIC SERIES
Jason Bateman – Ozark, “A Hard Way to Go”
Vince Gilligan – Better Call Saul, “Waterworks”
Sam Levinson – Euphoria, “Stand Still Like the Hummingbird”
Aoife McCardle – Severance, “Hide and Seek”
Ben Stiller – Severance, “The We We Are”

OUTSTANDING DIRECTORIAL ACHIEVEMENT IN COMEDY SERIES
Tim Burton – Wednesday, “Wednesday’s Child is Full of Woe”
Bill Hader – Barry, “710N”
Amy Sherman-Palladino – The Marvelous Mrs. Maisel, “How Do You Get to Carnegie Hall?”
Christopher Storer – The Bear, “Review”
Mike White – The White Lotus, “BYG”

OUTSTANDING DIRECTORIAL ACHIEVEMENT IN MOVIES FOR TELEVISION AND LIMITED SERIES
Eric Appel – Weird: The Al Yankovic Story
Deborah Chow – Obi-Wan Kenobi
Jeremy Podeswa – Station Eleven, “Unbroken Circle”
Helen Shaver – Station Eleven, “Who’s There?”
Tom Verica – Inventing Anna, “The Devil Wore Anna”

OUTSTANDING DIRECTORIAL ACHIEVEMENT IN VARIETY/TALK/NEWS/SPORTS – SPECIALS
Ian Berger – The Daily Show with Trevor Noah Presents: Jordan Klepper Fingers the Globe Hungary for Democracy
Hamish Hamilton – Super Bowl LVI Halftime Show 2022
James Merryman – Norman Lear: 100 Years of Music and Laughter
Marcus Raboy – Mark Twain Prize 2022: Celebrating Jon Stewart
Glenn Weiss – The 75th Annual Tony Awards

OUTSTANDING DIRECTORIAL ACHIEVEMENT IN VARIETY/TALK/NEWS/SPORTS – REGULARLY SCHEDULED PROGRAMMING
Paul G. Casey – Real Time With Bill Maher, “Episode #2010”
Jim Hoskinson – The Late Show with Stephen Colbert, “Episode #1333”
David Paul Meyer – The Daily Show with Trevor Noah, “Brandi Carlile Discusses Her New Deluxe Album and Performs “You and Me on the Rock”
Liz Patrick – Saturday Night Live, “Host and Musical Guest Jack Harlow”
Paul Pennolino – Last Week Tonight with John Oliver, “Afghanistan”

OUTSTANDING DIRECTORIAL ACHIEVEMENT IN REALITY PROGRAMS
Joseph H. Guidry – The Big Brunch, “Carb Loading Brunch”
Carrie Havel – The Go Big Show, “Only One Can Win”
Rich Kim – Lego Masters, “Jurassbrick World”
Michael Shea – FBoy Island, “Do You Like Cats?”
Ben Simms – Running Wild with Bear Grylls, “Florence Pugh in the Volcanic Rainforests of Costa Rica”

OUTSTANDING DIRECTORIAL ACHIEVEMENT IN CHILDREN’S PROGRAMS
Tim Federle – Better Nate Than Ever
Bonnie Hunt – Amber Brown, “I, Amber Brown”
Dean Israelite – Are You Afraid of the Dark?, “The Tale of Room 13”
Michael Lembeck – Snow Day The Musical
Anne Renton – Best Foot Forward, “Halloween”

Here Are the 2022 Nominations of the Makeup Artists & Hair Stylists Guild, The Director’s Guild, and the Screen Actors Guild!


I had a doctor’s appoint early this morning so I was not home when three of the guilds announced their nominations for the best of 2022.  However, I am home now and I am looking over the nominations of the DGA, the SAG, and MUAHS.

Instead of splitting these into three separate posts, I’m just going to post them all here.  And I’m also only going to post the film-related nominations because, to be honest, that’s pretty much what we’re all interested in around here.

First off, from the Makeup Artists and Hair Stylists Guild:

Best Contemporary Make-Up, Feature-Length Motion Picture
“The Batman” (Naomi Donne, Doone Forsyth, Norma Webb, Jemma Carballo)
“Everything Everywhere All At Once” (Michelle Chung, Erin Rosenmann, Dania A. Ridgway)
“The Menu” (Deborah LaMia Denaver, Mazena Puksto, Donna Cicatelli, Deb Rutherford)
“Nope” (Shutchai Tym Buacharern, Jennifer Zide-Essex, Eleanor Sabaduquia, Kato De Stefan)
“Spirited” (Monica Huppert, Autumn J. Butler, Vivian Baker)

Best Period and/or Character Make-Up, Feature-Length Motion Picture
“Amsterdam” (Nana Fischer, Miho Suzuki, Jason Collins)
“Babylon” (Heba Thorisdottir, Shaunna Bren Chavez, Jean Black, Mandy Artusato)
“Blonde” (Tina Roesler Kerwin, Elena Arroy, Cassie Lyons)
“Elvis” (Shane Thomas, Angela Conte)
“Till” (Denise Tunnell, Janice Tunnell, Ashley Langston)

Best Special Make-Up Effects, Feature-Length Motion Picture
“The Batman” (Michael Marino, Mike Fontaine, Yoichi Art Sakamoto, Göran Lundström)
“Black Panther: Wakanda Forever” (Joel Harlow, Kim Felix)
“Elvis” (Mark Coulier, Jason Baird)
“Roald Dahl’s Matilda the Musical” (Barrie Gower, Emma Faulkes, Chloe Muton-Phillips)
“The Whale” (Adrien Morot, Kathy Tse, Chris Gallaher)

Best Contemporary Hair Styling, Feature-Length Motion Picture
“The Batman” (Zoe Tahir, Melissa Van Tongeran, Paula Price, Andrea Lance Jones)
“Black Panther: Wakanda Forever” (Camille Friend, Evelyn Feliciano, Marva Stokes, Victor Paz)
“Everything Everywhere All At Once” (Anissa E. Salazar, Meghan Heaney, Miki Caporusso)
“Glass Onion: A Knives Out Mystery” (Jeremy Woodhead, Tracey Smith, Leslie D. Bennett)
“The Menu” (Adruitha Lee, Monique Hyman, Kate Loftis, Barbara Sanders)

Best Period Hair Styling and/or Character Hair Styling, Feature-Length Motion Picture
“Amsterdam” (Adruitha Lee, Lori McCoy-Bell, Cassandra L. Russek, Yvette Shelton)
“Babylon” (Jaime Leigh McIntosh, Ahou Mofid, Aubrey Marie)
“Blonde” (Jaime Leigh McIntosh, Lynnae Duley, Ahou Mofid, Robert Pickens)
“Elvis” (Shane Thomas, Louise Coulston)
“The Woman King” (Louisa Anthony, Jamika Wilson, Plaxedes Kelias, Charity Gwakuka)

To be honest, there’s nothing particularly surprising here.  These are the films that you would expect to see nominated by the Markup Artists and Hair Stylists.  I’m a little surprised at the strength of The Batman.  I don’t think you’ll see it nominated in the major categories but it does look like it will be remembered as far as the technical awards are concerned.  The same seems to be true of Blonde.

Now, let’s move on to the Screen Actors Guild:

OUTSTANDING PERFORMANCE BY A CAST IN A MOTION PICTURE
Babylon
The Banshees Of Inisherin
Everything Everywhere All At Once
The Fabelmans
Women Talking

OUTSTANDING PERFORMANCE BY A FEMALE ACTOR IN A LEADING ROLE
Cate Blanchett – TAR
Viola Davis – The Woman King
Ana de Armas – Blonde
Danielle Deadwyler – Till
Michelle Yeoh – Everything Everywhere All At Once

OUTSTANDING PERFORMANCE BY A MALE ACTOR IN A LEADING ROLE
Austin Butler – Elvis
Colin Farrell – The Banshees Of Inisherin
Brendan Fraser – The Whale
Bill Nighy – Living
Adam Sandler – Hustle

OUTSTANDING PERFORMANCE BY A FEMALE ACTOR IN A SUPPORTING ROLE
Angela Bassett – Black Panther: Wakanda Forever
Hong Chau – The Whale
Kerry Condon – The Banshees Of Inisherin
Jamie Lee Curtis – Everything Everywhere All At Once
Stephanie Hsu – Everything Everywhere All At Once

OUTSTANDING PERFORMANCE BY A MALE ACTOR IN A SUPPORTING ROLE
Paul Dano – The Fabelmans
Brendan Gleeson – The Banshees Of Inisherin
Barry Keoghan – The Banshees Of Inisherin
Ke Huy Quan – Everything Everywhere All At Once
Eddie Redmayne – The Good Nurse

OUTSTANDING ACTION PERFORMANCE BY A STUNT ENSEMBLE IN A MOTION PICTURE
Avatar: The Way Of Water
The Batman
Black Panther: Wakanda Forever
Top Gun: Maverick
The Woman King

The big news with the SAG nominations is that Top Gun: Maverick only received a nomination for its stunt ensemble, which would seem to suggest that, while the film may receive a nomination for best picture, the actors branch is looking elsewhere.  The actors branch is the biggest branch in the Academy, which is one reason why the SAG awards are typically seen as being such a strong precursor.  Not surprisingly, the actors branch tends to respond to films about actors.  That perhaps explains Babylon’s ensemble nomination and Ana de Armas’s nod for Blonde.  Adam Sander got some good notices for Hustle but he hasn’t really been a big awards season factor, until now.  As a result of being snubbed for his award-worthy work in Uncut Gems, Funny People, and the Meyerowtiz Stories, Sandler can actually make a case that he’s due for his first nomination.  Who would have expected that ten years ago?

Finally, here are the Directors Guild of America nominations.  The DGA is a big deal.  It’s rare that a film receives a DGA nomination without also receiving a best picture nomination.  Here are the DGA nominees:

NARRATIVE FEATURE FILM
Daniel Kwan & Daniel Scheinert – Everything Everywhere All At Once
Todd Field – Tár
Joseph Kosinski – Top Gun: Maverick
Martin McDonagh – The Banshees of Inisherin
Steven Spielberg – The Fabelmans

FIRST TIME NARRATIVE FEATURE FILM
Alice Diop – Saint Omer
Audrey Diwan – Happening
John Patton Ford – Emily The Criminal
Antoneta Alamat Kusijanović – Murina
Charlotte Wells – Aftersun

So, despite being snubbed by the SAG, Top Gun still receives a DGA nomination.  Not nominated was James Cameron, whose Avatar: The Way of the Water is defying the naysayers and is on its way to being as big a hit as the first film.

So, taking in all of these nominations and last night’s Golden Globes, it really does appear that the Oscar race is going to be between The Fabelmans and Everything Everywhere All At Once with the Banshess of Inisherin as a possible spoiler.  Much like Mad Max: Fury Road, Top Gun: Maverick appears to be poised to win a lot of technical awards.  Much as what happened with Fury Road, Maverick‘s supporters will probably get their hopes up early in the ceremony, just to have them crushed once the major awards are handed out.  And it looks like the Academy might like both Blonde and Babylon more than the critics.  We’ll see what happens!

The DGA Honors Jane Campion


Last night, the Directors Guild of America awarded their top prize to Jane Campion and The Power of the Dog.  This is definitely good news for the film, as far as the Oscars are concerned.  With West Side Story now on HBO and so many people rediscovering how important a director Steven Spielberg really is, it seemed as if the momentum may have been shifting.  But, thanks to the DGA and the recent controversy over Sam Elliott’s comments about the film, The Power of the Dog is once again the front runner.

(To be honest, as far as Spielberg is concerned, it wouldn’t surprise me if a lot of Academy voters are currently of the “In just a few month, he’s going to get another chance with The Fabelmans” mindset.)

Here are the film winners from the DGA:

NARRATIVE FEATURE FILM
Paul Thomas Anderson – Licorice Pizza
Kenneth Branagh – Belfast
Jane Campion – The Power of the Dog
Steven Spielberg – West Side Story
Denis Villeneuve – Dune

FIRST TIME NARRATIVE FEATURE FILM
Maggie Gyllenhaal – The Lost Daughter
Rebecca Hall – Passing
Tatiana Huezo – Prayers For The Stolen
Lin Manuel-Miranda – Tick, Tick…BOOM!
​Michael Sarnoski – Pig
Emma Seligman – Shiva Baby

DOCUMENTARY
Jessica Kingdon – Ascension
Stanley Nelson – Attica
Raoul Peck – Exterminate All The Brutes
Questlove – Summer of Soul
Elizabeth Chai Vasarhelyi & Jimmy Chin – The Rescue

The Directors Guild Honors Nomadland


The Directors Guild has announced their winners for 2020 and there’s really no surprises to be found below.  Chloe Zhao won for Nomadland.  Darius Marder won for Sound of Metal.  Documentary went to the directors of The Truffle Hunters.  I’m sure we’ll be hearing a lot from them in the future.

Here are the film nominees and winners.  (They also honored some TV folks but who cares about them?)

NARRATIVE FEATURE FILM
Lee Isaac Chung – Minari
Emerald Fennell – Promising Young Woman
David Fincher – Mank
Aaron Sorkin – The Trial of the Chicago 7
Chloe Zhao – Nomadland

FIRST TIME NARRATIVE FEATURE FILM
Radha Blank – The Forty-Year-Old Version
Fernando Frías de la Parra – I’m No Longer Here
Regina King – One Night in Miami
Darius Marder – Sound of Metal
Florian Zeller – The Father

DOCUMENTARY
Michael Dweck & Gregory Kershaw – The Truffle Hunters
Pippa Ehrlich & James Reed – My Octopus Teacher
David France – Welcome to Chechnya
Amanda Mcbaine & Jessie Moss – Boys State
Benjamin Ree – The Painter and the Thief

Here’s Who Won At The DGA (or The Unexpected Virtue of Making History)


The_Revenant_2015_film_poster

The Director’s Guild of America handed out their awards tonight and history was made!  (And the Oscar race got a little bit more complicated.)  First off, Alex Garland won the award for Best First-Time Feature Director for Ex Machina.  Then Cartel Land somehow defeated Amy for Best Documentary Direction.

And then Alejandro G. Inarritu was named Best Director for The Revenant!  This makes Inarritu the first film director to ever win back-to-back awards from the Director’s Guild.  As you may remember, he previously won for Birdman and when was the last time anyone thought about that damn movie?  (For the record, I thought the Revenant was far superior to Birdman.)

So, to recap, the Production Guild gave its top award to The Big Short.

The SAG gave its top award for Spotlight.

And now, the DGA — which is traditionally the most reliable of all the precursors — gave its top award to The Revenant!

In other words, for the first time in my lifetime, there are three films that seem to have a legitimate shot at winning best picture when the Oscars are awarded later this month.

Of the 8 films that were nominated, my personal favorite would be Brooklyn, which realistically has no chance of winning the top prize.  (Carol was my favorite film of the year but it was not nominated.)  However, there’s a part of me that still hopes that — despite not winning at the PGA or the DGA — Mad Max: Fury Road will pull off an upset.  Sadly, that probably won’t happen.  Not only would a Mad Max victory be a nice (and popular) surprise but it would completely redefine the stodgy old assumptions about what type of films qualify for Oscar consideration.

If The Big Short wins, it will be the biggest travesty since the victory of Crash.

Here Are The DGA Nominations!


The Directors Guild of America announced their nominees today!  The DGA is usually one of the best of the Oscar precursors.  Getting a DGA nomination usually translates to a Best Picture nomination.

Here are the nominees.  There really aren’t any surprises among them, though, based on its strength with the other guilds, I did think that Steven Spielberg might sneak in there with Bridge of Spies.

Alejandro G. Inarritu for The Revenant

Tom McCarthy for Spotlight

Adam McKay for The Big Short

George Miller for Mad Max: Fury Road

Ridley Scott for The Martian

And here are the nominees for a new award that the DGA is giving out this year!

Outstanding Directorial Achievement for a First-Time Feature Film Director

The nominees are:

Fernando Coimbra, “A Wolf at the Door”
Joel Edgerton, “The Gift”
Alex Garland, “Ex Machina”
Marielle Heller, “The Diary of a Teenage Girl”
Laszlo Nemes, “Son of Saul”
The best thing about this new category?  Knowing that Sasha Stone is probably pissed off that Diary of a Teenage Girl received a nomination.

Here are the DGA winners!


The Director’s Guild Awards were given out today and Alfonso Cuaron was named best director for Gravity.  For those of you looking for some guidance while trying to predict the closest Oscar race in history, Gravity has now won honors from the DGA and the PGA, American Hustle took top honors at the SAG Awards, and 12 Years A Slave was honored by the PGA (where it tied for best picture with Gravity).

So does Gravity have the momentum now?  Perhaps.  However, Cuaron’s victory isn’t exactly a surprise.  In fact, since before the Oscar nominations were first announced two weeks ago, a lot of Oscar watchers have been predicting that Gravity would win best director while 12 Years A Slave or American Hustle took best picture.

Or perhaps, even more intriguingly, perhaps American Hustle, Gravity, and 12 Years A Slave could end up splitting the vote and allow one of the other 6 nominees to somehow win a totally unexpected victory.*

Anything’s possible but, for now, here are the DGA winners:

FILM AWARDS

FEATURE FILM 
X — Alfonso Cuarón – “Gravity”
Paul Greengrass – “Captain Phillips”
Steve McQueen – “12 Years a Slave”
David O. Russell – “American Hustle”
Martin Scorsese – “The Wolf of Wall Street”

DOCUMENTARY FEATURE
Zachary Heinzerling – “Cutie and the Boxer”
X — Jehane Noujaim – “The Square”
Joshua Oppenheimer – “The Act of Killing”
Sarah Polley -–”Stories We Tell”
Lucy Walker – “The Crash Reel”

TELEVISION AWARDS 

DRAMA SERIES
Bryan Cranston – “Breaking Bad” (“Blood Money”)
David Fincher – “House of Cards” (“Chapter 1”)
X — Vince Gilligan – “Breaking Bad” (“Felina”)
Lesli Linka Glatter – “Homeland” (“The Star”)
David Nutter – “Game of Thrones” (“The Rains of Castamere”)

COMEDY SERIES

Mark Cendrowski – “The Big Bang Theory” (“The Hofstadter Insufficiency”)
Bryan Cranston – “Modern Family” (“The Old Man & the Tree”)
Gail Mancuso – “Modern Family” (“My Hero”)
X — Beth McCarthy-Miller – “30 Rock” (“Hogcock!/Last Lunch”)
Anthony Rich – “The Big Bang Theory” (“The Love Spell Potential”)

MOVIE/MINISERIES
Stephen Frears – “Muhammad Ali’s Greatest Fight”
David Mamet – “Phil Spector”
Beth McCarthy-Miller and Rob Ashford – “The Sound of Music”
Nelson McCormick – “Killing Kennedy”
X — Steven Soderbergh – “Behind the Candelabra”

VARIETY/TALK/NEWS/SPORTS – SERIES
Dave Diomedi – “Late Night with Jimmy Fallon” (#799)
Andy Fisher – “Jimmy Kimmel Live” (#13-1810)
Jim Hoskinson – “The Colbert Report” (#10004)
X — Don Roy King – “Saturday Night Live” (“Host: Justin Timberlake”)
Chuck O’Neil – “The Daily Show with Jon Stewart” (#19018)

VARIETY/TALK/NEWS/SPORTS – SPECIALS
Louis CK – “Louis CK: Oh My God”
Joel Gallen – “2013 Rock and Roll Hall of Fame Induction Ceremony”
Louis J. Horvitz – “55th Annual Grammy Awards”
Don Mischer – “85th Annual Academy Awards”
X — Glenn Weiss – “67th Annual Tony Awards”

REALITY
Matthew Bartley – “The Biggest Loser” (“1501”)
X — Neil P. DeGroot – “72 Hours” (“The Lost Coast”)
Paul Starkman – “Top Chef” (“Glacial Gourmand”)
J. Rupert Thompson – “The Hero” (“Teamwork”)
Bertram van Munster – “The Amazing Race” (“Beards in the Wind”)

CHILDREN’S PROGRAMS
Stephen Herek – “Jinxed”
Jeffrey Hornaday – “Teen Beach Movie”
Jonathan Judge – “Swindle”
X — Amy Schatz – “An Apology to Elephants”
Adam Weissman – “A.N.T. Farm” (“influANTces”)

COMMERCIALS
Fredrik Bond
John X. Carey
Noam Murro
X — Martin de Thurah
Matthijs van Heijningen

—–

*However, the best film of the year remains the unnominated Upstream Color.