Late Night Retro Television Review: Freddy’s Nightmares 2.16 “Interior Loft”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Tubi!

This week, a husband and a wife live in a loft and obsess on sex and death.

Episode 2.16 “Interior Loft”

(Dir by Ken Wiederhorn, originally aired on January 28th, 1990)

Kim Lewis (Elizabeth Keifer) has quit her job so that she can work on her novel.  Her husband, David (Kip Gilman), is a lazy grad student who doesn’t bring in much money to the household.  David suggests that Kim could record a message for a sex line.  Kim agrees but, when a serial killer becomes obsessed with the message, she finds herself being stalked.  Fortunately, the killer dies before he can harm Kim.  But Kim is so traumatized and mentally shaken by her stalker’s bloody death that David comes to worry that she might be plotting to become a killer herself.  And, of course, she is.

There was nothing supernatural about this episode, other than Freddy popping up for the host segments.  Apparently, even in his Hellish afterlife, Freddy tries to keep up with all the latest novels.  This episode was instead an attempt at neo-noir and director Ken Weiderhorn manages to create an appropriately ominous atmosphere.  Elizabeth Keifer gives a strong performance as Kim so it’s unfortunate that the rest of the cast isn’t as memorable.  This was not a bad episode but it was hard not to feel that it could have been even better.

In the end, I appreciated the fact that this episode actually did have something on its mind.  David fears that Kim is a potential killer because of the book that she writes.  That’s something to which any creative person in the horror field can relate.  Audiences often seem to assume that a morbid imagination is linked to a morbid personality whereas the opposite is often the case.  I’ve been lucky enough to meet a few horror people.  They’re nice!

Late Night Retro Television Review: Hunter 1.5 “Legacy”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Hunter, which aired on NBC from 1984 to 1991.  The entire show is currently streaming on Tubi and several other services!

This week, Hunter and McCall investigate a mob hit!

Episode 1.5 “Legacy”

(Dir by Ron Satlof, originally aired on November 2nd, 1984)

Gangster John Vincent (Tony Girogio) has been gunned down in his own mansion.  Detective Bernie Terwilliger thinks that it’s a case of burglary gone wrong.  Rick Hunter thinks that it was a mob hit and that one of John’s sons is responsible.  He and McCall search for Sandy Newton (Mary-Margaret Humes), the woman who was with Michael Vincent (Vincent Baggetta) the night that his father was killed.

I have to admit that I had totally forgotten that Rick Hunter was supposed to be the son of a mobster.  This episode featured Rick associating with his childhood buddies and, if nothing else, it showed just how unconvincing Fred Dryer was as the scion of a mob family.  Don’t get me wrong.  Fred Dryer was great when he was gunning down a suspect and then saying, “Works for me.”  And Fred Dryer had a fun chemistry with Stepfanie Kramer.  But there was absolutely nothing about Fred Dryer that, in any way, said, “Mobster.”  Surrounding Dryer with a bunch of tough-looking Italian-American character actors did nothing to change the fact that Dryer essentially looked like a former football player from sunny California.

This episode had a predictable story but it also had two good action scenes: a fight on a pier and a mob hit in a warehouse.  It also introduced John Amos as Captain Dolan, who is the new police captain but who appears to dislike Hunter and McCall just as much as the previous captain.  It’s hard not to feel that Amos will be entertaining as he yells at Hunter for not following regulations and costing the city money.

We’ll see how it goes!

Late Night Retro Television Review: Highway to Heaven 2.4 “Cindy”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Freevee and several other services!

This week, Jonathan and Mark travel to Hollywood …. again.

Episode 2.4 “Cindy”

(Dir by Michael Landon, originally aired on October 23rd, 1985)

Vincent DeGeralimo (Bill Macy) is a fast-talking, good-hearted talent agent who is still trying to sell acts that were out-of-style during Vaudeville.  He wants to get a booking for a lion tamer but Jonathan appears to him and says that Vincent’s main concern should be helping out his daughter.

Cindy DeGeralimo (Hallie Todd) is an aspiring actress who is currently working as a waitress in a diner.  Her evil boss (Alice Ghostley) has three untalented daughters who all want to be actresses as well.  Cindy’s newest coworker, Mark Gordon, just wants to meet a movie star.

Pretending to work in the mailroom of a major Hollywood studio, Jonathan convinces producer Maxim Prince (Kip Gilman) that the best way to find a star for his new picture would be to hold a ball and invite every aspiring actress in town to attend.

Can you see where this is going?  Yep, it’s a remake of Cinderella, except this time Cinderella has a pushy father who keeps trying to change her before she goes to the ball.  Cindy finally gets fed up and says that she wants to be a star but she also doesn’t want to be some sort of Hollywood phony.  Vincent accepts Cindy’s feelings and everything works out in the end.

Usually, I’m pretty lenient when it comes to reviewing this show but this episode just annoyed me.  Even by the standards of Highway to Heaven, it was overly sentimental and heavy-handed.  Bill Macy gave such a frantic performance as Vincent that it was hard to watch him.  As well, Mark was so excited about being in Hollywood that I found myself wondering if he forgot about all the time he spent in Hollywood during the first season.

Indeed, this is not the first episode of Highway to Heaven to feature Jonathan dealing with the entertainment industry and I imagine it won’t be the last.  Considering how much control Michael Landon had over this show, I always get the feeling that the Hollywood episodes were personal for him, especially as they always seemed to deal with parents regretting the fact that they put work ahead of their families.  That said, the portrayal of Hollywood in this episode was so old-fashioned and idealized that I get the feeling that it was Landon’s way of showing what he wished Hollywood was like as opposed to what it actually was.  Landon’s Hollywood is a town where anyone can be a star and anyone can find a happiness.

As for this episode, it was a bit too corny for its own good.  Next week, though, Jonathan battles the Devil for Mark’s soul!  That should be fun.