Here They Are! Lisa’s Final 2014 Oscar Predictions!


Hey!  It's the picture from Boyhood that we've used a few dozen times over the past two months!

Hey! It’s that picture from Boyhood that we’ve used a few dozen times since November!

Well, it’s been a long and tortured road since I first started this monthly series of Oscar predictions way back in March.  Some contenders have faded.  Some have come out of nowhere.  And some — like Boyhood and J.K. Simmons in Whiplash — have remained consistently strong for the entire year.

Here are my final 2014 Oscar predictions.  The actual Oscar predictions will be announced on Thursday.

(You can check out my predictions of March, April, May, June, July, AugustOctober, November, and December by clicking on the links in this sentence!)

Best Picture

American Sniper

Birdman

Boyhood

The Grand Budapest Hotel

The Imitation Game

Nightcrawler

Selma

The Theory of Everything

Whiplash

Best Actor

Bradley Cooper in American Sniper

Benedict Cumberbatch in The Imitation Game

Jake Gyllenhaal in Nightcrawler

Michael Keaton in Birdman

Eddie Redmayne in The Theory of Everything

(Where’s David Oyelowo?  Originally, I did list him but I don’t know.  With the guild awards, it seems like Selma is losing momentum and American Sniper is gaining it.  I know that a lot of watchers are saying this is due to the Selma screeners being sent out late and that could well be true.  Hopefully, I’ll get to see both Selma and American Sniper this weekend but, until then, I can’t offer an opinion on whether either one deserves to be nominated.  But it’s hard not to feel as if Selma is not shaping up to be quite the Oscar powerhouse that a lot of us were expecting it to be.  We’ll see.)

Best Actress

Jennifer Aniston in Cake

Felicity Jones in The Theory of Everything

Julianne Moore in Still Alice

Rosamund Pike in Gone Girl

Reese Witherspoon in Wild

Best Supporting Actor

Robert Duvall in The Judge

Ethan Hawke in Boyhood

Edward Norton in Birdman

Mark Ruffalo in Foxcatcher

J.K. Simmons in Whiplash

(I still have a hard time believe that Robert Duvall is going to be nominated for The Judge because Duvall was good but not great and the movie kind of sucked.  But, honestly, who else are they going to nominate?  Josh Brolin deserves the spot for Inherent Vice but the film is probably a little bit too odd for a lot of voters.  Maybe if Unbroken‘s Miyavi or Gone Girl‘s Tyler Perry had a little more screen time, they could make a case.  But ultimately, that fifth spot does seem to be Duvall’s.)

Best Supporting Actress

Patrica Arquette in Boyhood

Jessica Chastain in A Most Violent Year

Keira Knightley in The Imitation Game

Emma Stone in Birdman

Naomi Watts in St. Vincent

(I’m going to go out on a limb and predict Watts over Meryl Streep.  Why not?  There always seems to be at least one surprise acting nominee.)

Best Director

Wes Anderson for The Grand Budapest Hotel

Clint Eastwood for American Sniper

Alejandro G. Inarritu for Birdman

Richard Linklater for Boyhood

Morten Tyldum for The Imitation Game

So there they are!  My final “for real” predictions.  Tomorrow, I’ll be posting my annual “If Lisa Had All The Power” post, which will be my personal nominations, the films and performances that I would nominate if I had all the power.  And then, on Thursday, the Oscar nominations will be announced!

Need to kill some time?  Look through all the posts since November and count up how many times this picture has appeared on the site!

Need to kill some time? Look through all the posts since November and count up how many times this picture has appeared on the site!

Film Review: Inherent Vice (dir by Paul Thomas Anderson)


Inherent-Vice-poster

One of the best things about Paul Thomas Anderson’s latest film, Inherent Vice, is that Doc Sportello, the private detective played by Joaquin Phoenix, is a real stoner.  He’s not one of those weekend smokers, who gets high on Saturday, brags about it on Sunday, and then spends the rest of the week interning at Vox.  For the entire 2 hour and 20 minute running time of Inherent Vice, Doc is stoned.  From the minute we first meet him to the end of the film, there is never one moment where Doc is not stoned.  Most stoner comedies feature a scene where the main character shocks everyone by turning down a hit because he’s dealing with something so important that he has to “keep his mind straight.”

Not so with Doc!

And, in Doc’s case, it definitely helps him out.  Inherent Vice tells a story that is so full of paranoia, conspiracy, and random connections that only a true stoner could follow it.  Much like Doc, the film often seems to be moving in a haze but occasionally, out of nowhere, it will come up with a scene or a line of dialogue or a detail that is so sharp and precise that it will force you to reconsider everything that you had previously assumed.

To be honest, if you are one of the people who watched Inherent Vice this weekend and could actually follow the film’s plot, then you’ve got a leg up on me.  (That said, I’ve still got pretty good legs so it all evens out.)  But, that’s not necessarily a complaint.  As befits a film based on a novel by Thomas Pynchon and directed by one of the most idiosyncratic filmmakers around, the twists and turns of Inherent Vice are deliberately meant to be obscure and confusing.  Characters appear and then vanish.  Clues are discovered and then forgotten.  Connections are hinted at but then never confirmed.  Inherent Vice ultimately serves a tribute to stoner’s paranoia and, as a result, the plot’s incoherence leads to a certain contact high.

The film takes place in California in the 1970s.  Doc is both a hippie and a private detective. His current girlfriend (Reese Witherspoon) works for the district attorney’s office and doesn’t seem to like him much.  His ex-girlfriend, Shasta (Katherine Waterston), reenters his life and asks him to help protect her new boyfriend, real estate developer Mickey Wolfman (Eric Roberts).  Mickey has disappeared.  Shasta disappears.  As Doc investigates, he wanders through a psychedelic Los Angeles and deals with an ever growing collection of eccentrics.

For instance, there’s Hope Harlingen (Jena Malone), a former heroin addict who now runs a group that aims to promote “responsible drug use” among children.  She believes that her husband, Coy (Owen Wilson), is dead but actually Coy is a government informant who keeps popping up in the strangest places.

There’s Rudy Blatnoyd (Martin Short), a decadent dentist who may or may not be responsible for all of the heroin entering California.

There’s Sauncho Smilax (Benicio Del Toro), Doc’s lawyer who specializes in maritime law.

There are Nazi bikers, new age doctors, a formerly blacklisted actor turned right-wing spokesman, a black revolutionary whose best friend was a member of the Aryan brotherhood, three FBI agents who keep picking their noses, the decadent rich, and, of course, the endlessly clean-cut and bullying officers of the LAPD.

And then there’s Detective “Big Foot” Bjornsen (Josh Brolin), a celebrity cop and occasional television extra who seems to admire Doc, except for when he’s trying to frame Doc for everything from murder to drug smuggling.  Bjornsen is probably the most interesting character in the entire film and Brolin plays the character perfectly.  His scenes with Phoenix crackle with a comedic energy that bring the film to life.

As for the movie itself, it’s not for everyone.  A lot of very smart people are going to dislike it, much as many of them did with The Master.  In some ways, Inherent Vice truly is an endurance test.  Speaking as someone who enjoyed the film, even I occasionally found myself saying, “Okay, does everyone have to have a silly name?”  Inherent Vice is a long, rambling, and occasionally frustrating film but, for me, it still worked because of the strong cast and Anderson’s attention to detail.

Unbroken is a film that seems to take place in an entirely different world from Inherent Vice but these two films do have one big thing in common.  Both of them have been victims of the expectation game.  Many of the same people who thought Unbroken would be a surefire Oscar nominee also assumed, sight unseen, that Inherent Vice would be right there with it.  Much as how Unbroken has suffered for merely being good as opposed to great, Inherent Vice is also suffering for failing to live up to the expectations that were thrust upon it.  Inherent Vice is not an awards movie.  Instead, it’s a fascinatingly idiosyncratic film that was made by a director who has never shown much concern with playing up to the audience.  While Unbroken is enough of a crowd pleaser to still have a shot at some Oscar glory, Inherent Vice is the type of film that will probably never get nominated.  (I do have some hope that Brolin will get a supporting actor nomination but, even there, it appears likely that Brolin’s spot will be given to The Judge‘s Robert Duvall.)

Well, no matter!  Flaws and all, Inherent Vice will be a film that people will still be debating and watching years from now.

Here Are The Central Ohio Film Critics Nominees!


Birdman

Yesterday, the Central Ohio Film Critics announced their nominees for the best of 2014 and they really liked Birdman!  I wonder if the Central Ohio Film Critics ever have fights with the Southwestern Ohio Film Critics or the Ohio/Kentucky Border Critics…

Here are the nominees!

Best Film

  • Birdman or (The Unexpected Virtue of Ignorance)
  • Boyhood
  • Gone Girl
  • The Grand Budapest Hotel
  • The Imitation Game
  • A Most Violent Year
  • Nightcrawler
  • Selma
  • Snowpiercer
  • Whiplash

Best Director

  • Wes Anderson – The Grand Budapest Hotel
  • Damien Chazelle – Whiplash
  • Ava DuVernay – Selma
  • Alejandro González Iñárritu – Birdman or (The Unexpected Virtue of Ignorance)
  • Richard Linklater – Boyhood

Best Actor

  • Ralph Fiennes – The Grand Budapest Hotel
  • Jake Gyllenhaal – Nightcrawler
  • Michael Keaton – Birdman or (The Unexpected Virtue of Ignorance)
  • David Oyelowo – Selma
  • Eddie Redmayne – The Theory of Everything

Best Actress

  • Essie Davis, The Babadook
  • Scarlett Johansson, Under the Skin
  • Felicity Jones, The Theory of Everything
  • Rosamund Pike, Gone Girl
  • Reese Witherspoon, Wild

Best Supporting Actor

  • Josh Brolin – Inherent Vice
  • Ethan Hawke – Boyhood
  • Edward Norton – Birdman or (The Unexpected Virtue of Ignorance)
  • Mark Ruffalo – Foxcatcher
  • J.K. Simmons – Whiplash

Best Supporting Actress

  • Patricia Arquette – Boyhood
  • Jessica Chastain – A Most Violent Year
  • Keira Knightley – The Imitation Game
  • Emma Stone – Birdman or (The Unexpected Virtue of Ignorance)
  • Tilda Swinton – Snowpiercer

Best Ensemble

  • Birdman or (The Unexpected Virtue of Ignorance)
  • Foxcatcher
  • Gone Girl
  • The Grand Budapest Hotel
  • Guardians of the Galaxy

Actor of the Year (for an exemplary body of work)

  • Jessica Chastain (The Disappearance of Eleanor Rigby, Interstellar, Miss Julie, and A Most Violent Year)
  • Benedict Cumberbatch (The Hobbit: The Battle of the Five Armies and The Imitation Game)
  • Jake Gyllenhaal (Enemy and Nightcrawler)
  • Chris Pratt (Guardians of the Galaxy and The LEGO Movie)
  • Tilda Swinton (The Grand Budapest Hotel, Only Lovers Left Alive, Snowpiercer, and The Zero Theorem)

Breakthrough Film Artist

  • Damien Chazelle – Whiplash – (for directing and screenwriting)
  • Ava DuVernay – Selma – (for directing)
  • Jennifer Kent – The Babadook – (for directing and screenwriting)
  • Gugu Mbatha-Raw – Belle and Beyond the Lights – (for acting)
  • Justin Simien – Dear White People – (for directing and screenwriting)

Best Cinematography

  • Benoît Delhomme – The Theory of Everything
  • Hoyte Van Hoytema – Interstellar
  • Daniel Landin – Under the Skin
  • Emmanuel Lubezki – Birdman or (The Unexpected Virtue of Ignorance)
  • Robert Yeoman – The Grand Budapest Hotel

Best Film Editing

  • Sandra Adair – Boyhood
  • Spencer Averick – Selma
  • Kirk Baxter – Gone Girl
  • Douglas Crise and Stephen Mirrione – Birdman or (The Unexpected Virtue of Ignorance)
  • Tom Cross – Whiplash

Best Adapted Screenplay

  • Paul Thomas Anderson – Inherent Vice
  • Bong Joon-ho and Kelly Masterson – Snowpiercer
  • Gillian Flynn – Gone Girl
  • Nick Hornby – Wild
  • Graham Moore – The Imitation Game

Best Original Screenplay

  • Wes Anderson – The Grand Budapest Hotel
  • J.C. Chandor – A Most Violent Year
  • Damien Chazelle – Whiplash
  • Alejandro González Iñárritu, Nicolás Giacobone, Alexander Dinelaris, and Armando Bo – Birdman or (The Unexpected Virtue of Ignorance)
  • Paul Webb – Selma

Best Score

  • Alexandre Desplat – The Grand Budapest Hotel
  • Jóhann Jóhannsson – The Theory of Everything
  • Trent Reznor and Atticus Ross – Gone Girl
  • Antonio Sanchez – Birdman or (The Unexpected Virtue of Ignorance)
  • Hans Zimmer – Interstellar

Best Documentary

  • Citizenfour
  • Dinosaur 13
  • Finding Vivian Maier
  • Jodorowsky’s Dune
  • Life Itself

Best Foreign Language Film

  • Force Majeure (Turist)
  • A Girl Walks Home Alone at Night
  • Ida
  • Two Days, One Night (Deux jours, une nuit)
  • We Are the Best! (Vi är bäst!)

Best Animated Film

  • Big Hero 6
  • The Book of Life
  • The Boxtrolls
  • How to Train Your Dragon 2
  • The LEGO Movie

Best Overlooked Film

  • The Babadook
  • Blue Ruin
  • Edge of Tomorrow
  • Enemy
  • Locke

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For Your Consideration #10: Guardians of the Galaxy (dir by James Gunn)


GuardiansoftheGalaxy

As of right now, as far as I’m concerned, Guardians of the Galaxy is the best film of 2014.

Now please understand, I live in fly-over country and that means that there’s still quite a few films that I need to see.  Next week and through the new year, I plan to see Foxcatcher, Inherent Vice, Into the Woods, Wild, and quite a few other films.  And any one of those films could, potentially, become my new favorite of 2014.

But, as of right now, Guardians of the Galaxy is my favorite.

Of course, Guardians of the Galaxy is not the type of film that will ever get a major Oscar nomination.  It’s unfairly dismissed as being pure entertainment or just a summer blockbuster.  A few critics group have been nice enough to mention it but, for the most part, Guardians of the Galaxy is not the type of film that’s going to be given serious consideration for the big awards.

Except, of course, by me.

Below are ten reasons why I think Guardians of the Galaxy deserves serious consideration:

we_are_groot_by_aktheneroth-d7tsk7n

1) Never underestimate the importance of escapism.

Usually, when a film is described as being “escapist entertainment,” it’s a back-handed compliment.  The implication is that the film may be entertaining but it has nothing to do with real world issues and therefore, it’s not as important as other films.  We’re allowed to enjoy it but we’re supposed to feel guilty about it.

But you know what?

Sometimes, we need to be able to escape.  That was certainly true this year.  2014 will not be remembered as a great year for humanity.  From January to December, it’s been an endless parade of cruelty and intolerance.  And no, we should never pretend that we live in a perfect world.  We need to be aware of what’s happening outside of our own little corner of the world.

But that doesn’t mean that we haven’t earned the right to escape for 122 minutes.  In fact, I would argue that 122 minutes of pure entertainment is something that we need to make time for if we are going to remain strong enough to face and perhaps change the realities of the world.

In short, when I walked out of the theater after watching Guardians of the Galaxy, I felt better than when I had first taken my seat.  I felt happy.  I felt enthusiastic.  I felt ready to face this fucked up world of ours.

There is a place for pure, unadulterated escapism in cinema.

Not every film has to be a somber, self-important mess like Man of Steel.

Thank God.

2) The unappreciated subtext of Ronan

However, Guardians of the Galaxy is not pure escapism.  Much as in this case of The Purge Anarchy and Capt. America: The Winter Soldier, there is a deeper subtext to the film.  You just have to be willing to look for it.

One of the more frequent complaints about Guardians of the Galaxy is that the villain, Ronan (Lee Pace), isn’t particularly interesting and it is true that, when compared to Tom Hiddleston’s Loki or Iron Man’s villains, Ronan does seem to be a bit bland.  His goals and his motivation are pretty simple.  He destroys stuff and he kills people.  Why?  Because he’s the bad guy.

But, let’s take a closer look at Ronan.  Ronan is a fanatic who believes that only his way is the correct way and only his beliefs are pure.  Anyone who has different beliefs must be unpure and therefore, if they don’t agree to convert to his way of believing, Ronan is justified in destroying them.

Does that sound familiar to anyone?

For all the complaints that Ronan was a one-dimensional villain, the same can be said of Joseph Kony, Kim Jong-un, and Jihadi John, and Fred Phelps.  The same can be said about a lot of evil people but that does not make them any less evil or dangerous.  Ronan may be a simple villain but he’s also the type of villain that we can find all over the world.

The one thing that all Ronan-style fanatics have in common is a complete lack of imagination and humor.  When Peter Quill stood up to Ronan by dancing, it was more than just a crowd-pleasing scene in a big action movie.  It was a call-to-arms to not allow ourselves to be held hostage by the Ronans of the world.  It was a plea to not let the fanatics among us steal our imagination and our right to find joy in our own individual way.

In short, it was a lesson that the entire world needs to learn.

Guardians_of_the_Galaxy_43350

3) I Am Groot

Yes, yes, I know.  At this point, we’ve all had to listen to hundreds of friends, relatives, and strangers who have gotten it into their heads that they can perfectly imitate Vin Diesel saying, “I am Groot.”  But, seriously — there’s a reason why everyone fell in love with that catch phrase and that’s because both Diesel and the film do more with those three words that most actors can do with a four-page monologue.

And if you didn’t tear up when you heard, “We are Groot,” then I’m sorry.  You may be too cynical for your own good.

4) Introducing … James Gunn!

If you’ve read my review of Super or Arleigh’s review of Slither, then you know that James Gunn has long been a favorite of ours.  One of the joys of the success of Guardians of the Galaxy has been watching him become a favorite of everyone else as well.  And he deserves every bit of that success.  Working within the confines of the summer blockbuster genre, Gunn has created a film that works as both a superior action movie and as a quirky comedy.  With Guardians, James Gunn proved that it is possible to make a mainstream film without selling out your own individual style.

5) Introducing … Chris Pratt!

Even before he played Peter Quill, Chris Pratt was one of those actors who I have always been happy to see on screen.  He just has such a naturally likable presence.  But nothing he had done previously had prepared me for the pure joi de vivre that he brought to the role of Peter Quill.  Whether he was trying to convince people to call him Star-Lord or hilariously attempting to “rally the troops” or daring Ronan to a dance-off, Chris Pratt was a joy to watch.  If nothing else, Guardians of the Galaxy is the film that proves that Chris Pratt is a star (perhaps even a Star-Lord).

6) And let’s not forget Michael Rooker and Benicio Del Toro

Michael Rooker and Benicio Del Toro are both such quirky and unpredictable actors that I’m always happy to see either one of them on screen.  Having both of them in one movie is even better.  Rooker is perhaps the only actor alive who could not only be believable as a blue-skinned alien with an Alabama accent but who could also make that character into one of the most compelling in the film.  As for Del Toro, I know that his defiantly eccentric performance was controversial but personally, I loved the strange energy he brought to all of his scenes.

GuardiandoftheGalaxy

7) And …. everyone else!

One thing that I really loved about Guardians of the Galaxy is that there were no wasted roles.  Every character — from Peter to Zoe Saldana’s Gamora to John C. Reilly’s upright military guy to the people who only had a line or two — felt real.  For a lot of viewers (including me), Rocket Raccoon (voiced by Bradley Cooper) was an easy favorite.

Guardians-of-the-Galaxy-rocket-with-gun

However, if I had to pick a best performance, I’d go with Dave Bautista as Drax.  Bautista did so much with so little.  As written, Drax is a physical dynamo with a need for revenge and absolutely no sense of humor.  That’s a pretty standard character for a film like this.  However, Bautista did so much with that character that poor, literal-minded Drax ultimately became one of the most intriguing characters in the film.  My favorite Drax moment came when, in response to hearing that everything goes over his head, he explained that nothing could go over his head because he would reach up and grab it.

8) That soundtrack

I have to admit that I didn’t care as much for Interstellar as some people did.  One of my big problems with the film came down to Hans Zimmer’s score.  It was so loud and overbearing that I actually found myself covering my ears.  But what really bothered me was how unnecessary it was.  Whenever Matthew McConaughey or Anne Hathaway made a profound statement or the spaceship started to shake, the music would suddenly blast in my ear.  It was like having Hans Zimmer in my head, repeatedly shouting, “IMPORTANT!  IMPORTANT!  EXCITING!  EXCITING!”

BLEH!

And it made me appreciate how much I loved the soundtrack of Guardians of the Galaxy.  By using songs that you would never expect to see in a science fiction epic, that soundtrack both mocked the genre’s natural tendency towards self-importance and also forced us to take another look at familiar scenes.  From the minute Peter started dancing to Come and Get Your Love, I knew that I was watching a special movie.

9) The Prison Break

From planning to execution, this was without a doubt one of the best action sequences of the year.  From Rocket laying out his overly complicated plan while Groot tries a much simpler method in the background to Peter asking for the guy’s leg to the use of The Pina Colada Song, this was a perfect scene.

10) And finally … Dancing Groot!

Dance

And those are just a few reasons why I think Guardians of the Galaxy is the best film I’ve seen this year so far.

Guardians-of-the-Galaxy-gang

(For a differing opinion, check out Ryan’s review here.)

 

Here’s What Won In Toronto! Love you, Canada!


Love you, Canada!

Love you, Canada!

Here are the Toronto Film Critics Awards.

BEST PICTURE
“Boyhood” (Mongrel Media)
Runners-up
“The Grand Budapest Hotel” (Fox Searchlight)
“Inherent Vice” (Warner Bros.)

BEST ACTOR
Tom Hardy, “Locke”
Runners-up
Ralph Fiennes, “The Grand Budapest Hotel”
Jake Gyllenhaal, “Nightcrawler”

BEST ACTRESS
Marion Cotillard, “The Immigrant”
Runners-up
Julianne Moore, “Still Alice”
Reese Witherspoon, “Wild”

BEST SUPPORTING ACTOR
J.K. Simmons, “Whiplash”
Runners-up
Josh Brolin, “Inherent Vice”
Edward Norton, “Birdman Or (The Unexpected Virtue of Ignorance)”

BEST SUPPORTING ACTRESS
Patricia Arquette, “Boyhood”
Runners-up
Tilda Swinton, “Snowpiercer”
Katherine Waterston, “Inherent Vice”

BEST DIRECTOR
Richard Linklater, “Boyhood”
Runners-up
Paul Thomas Anderson, “Inherent Vice”
Wes Anderson, “The Grand Budapest Hotel”

BEST SCREENPLAY, ADAPTED OR ORIGINAL
“The Grand Budapest Hotel”, screenplay by Wes Anderson
from a story by Wes Anderson & Hugo Guinness
Runners-up
“Boyhood”, written by Richard Linklater
“Inherent Vice”, screenplay by Paul Thomas Anderson
based on the novel by Thomas Pynchon

BEST FIRST FEATURE
“The Lunchbox”, directed by Ritesh Batra
Runners-up
“John Wick”, directed by Chad Stahelski
“Nightcrawler”, directed by Dan Gilroy

BEST ANIMATED FEATURE
“The Tale of the Princess Kaguya” (GKids)
Runners-up
“Big Hero 6″ (Walt Disney Studios)
“How to Train Your Dragon 2″ (20th Century Fox)
“The Lego Movie” (Warner Bros.)

BEST FOREIGN-LANGUAGE FILM
“Force Majeure” (filmswelike)
Runners-up
“Ida” (filmswelike)
“Leviathan” (Mongrel Media)

BEST DOCUMENTARY
“The Overnighters” (filmswelike)
Runners-up
“Citizenfour” (Entertainment One)
“Manakamana” (filmswelike)

JAY SCOTT PRIZE FOR AN EMERGING ARTIST
Albert Shin, director of “In Her Place”

Here Are The Houston Film Critics Nominations!


houston_skyline

I love it when groups from my home state make their voice known.  Here are the Houston Film Critics nominations!

Best Picture
A Most Violent Year, A24 Films
Birdman, Fox Searchlight Pictures
Boyhood, IFC Films
Guardians of the Galaxy, Marvel
Inherent Vice, Warner Bros.
Nightcrawler, Open Road Films
Selma
The Grand Budapest Hotel, Fox Searchlight Pictures
The Imitation Game, The Weinstein Compaany
Whiplash, Sony Pictures Classics

Director
Alejandro G. Iñárritu, Birdman
Damien Chazelle, Whiplash
Paul Thomas Anderson, Inherent Vice
Richard Linklater, Boyhood
Wes Anderson, The Grand Budapest Hotel

Actor
Bendict Cumberbatch, The Imitation Game
Eddie Redmayne, Theory Of Everything
Jake Gyllenhaal, Nightcrawler
Michael Keaton, Birdman
Tom Hardy, Locke

Actress
Essie Davis, The Babadook
Felicity Jones, The Theory of Everything
Julianne Moore, Still Alice
Marion Cotillard, Two Days, One Night
Reese Witherspoon, Wild

Supporting Actor
Andy Serkis, Dawn of the Planet of the Apes
Edward Norton, Birdman
Ethan Hawke, Boyhood
J.K. Simmons, Whiplash
Josh Brolin, Inherent Vice
Mark Ruffalo, Foxcatcher

Supporting Actress
Emma Stone, Birdman
Jessica Chastain, A Most Violent Year
Kiera Knightley, The Imitation Game
Patricia Arquette, Boyhood
Tilda Swinton, Snowpiercer

Screenplay
Alejandro González Iñárritu, Nicolas Giacobone, Alexander Dinelaris Jr., Armando Bo; Birdman
Damien Chazelle, Whiplash
Dan Gilroy, Nightcrawler
Richard Linklater, Boyhood
Wes Anderson, The Grand Budpest Hotel

Animated
Big Hero 6
How to Train Your Dragon 2
The Book of Love
The Boxtrolls
The Lego Movie

Cinematography
Emmanuel Lubezki, Birdman
Hoyte van Hoytema, Interstellar
Robert Elswit, Nightcrawler
Robert Yeoman, The Grand Budapest Hotel
Roger Deakins, Unbroken

Documentary
Citizenfour
Glen Campbell: I’ll Be Me
Jodorowsky’s Dune
Life Itself
The Overnighters

Foreign
Force Majeure
Ida
Leviathan
The Raid 2
Two Days, One Night

Original Score
Alexander Desplat, The Imitation Game
Alexandre Desplat, The Grand Budapest Hotel
Antonio Sánchez, Birdman
Hans Zimmer, Interstellar
Johann Johannson, The Theory of Everything

Original Song
Big Eyes, Big Eyes
Everything is Awesome, The Lego Movie
Glory, Selma
I’m Not Going to Miss You, Glen Campbell: I’ll Be Me
Lost Stars, Begin Again

Texas Independent Film Award
Above All Else
Boyhood
Hellion
Joe
No No: A Dockumentary
Stop the Pounding Heart

Best Poster
Birdman
Godzilla, IMAX
Guardians of the Galaxy, Primary Theatrical
Inherent Vice
The Grand Budapest Hotel

Technical Achievement
Birdman – Creation of single long take for bulk of film
Boyhood – Filming over 12 years
Dawn of the Planet of the Apes – creation of ape characters

Worst Film of the Year
Blended
Dumb and Dumber To
Left Behind
The Identical
Transformers: Age of Extinction

Here are the Critics Choice Nominations!


BFCA

This morning, the Broadcast Film Critics Association announced their nominations for the best of 2014!  No sooner had I started to dismiss Unbroken as a contender then the BFCA nominated not only the film for best picture but Angelina Jolie for best director as well.

As opposed to a lot of critics group, the BFCA is considered to be a pretty strong and influential precursor.  So, if anyone should be worried by today’s nominations, it might be those hoping to see Foxcatcher and Steve Carell nominated in January.

The BFCA awards will be broadcast on A&E on January 15th.

Best Picture
“Birdman”
“Boyhood”
“Gone Girl”
“The Grand Budapest Hotel”
“The Imitation Game”
“Nightcrawler”
“Selma”
“The Theory of Everything”
“Unbroken”
“Whiplash”

Best Director
Wes Anderson, “The Grand Budapest Hotel”
Ava DuVernay, “Selma”
David Fincher, “Gone Girl”
Alejandro González Iñárritu, “Birdman”
Angelina Jolie, “Unbroken”
Richard Linklater, “Boyhood”

Best Actor
Benedict Cumberbatch, “The Imitation Game”
Ralph Fiennes, “The Grand Budapest Hotel”
Jake Gyllenhaal, “Nightcrawler”
Michael Keaton, “Birdman”
David Oyelowo, “Selma”
Eddie Redmayne, “The Theory of Everything”

Best Actress
Jennifer Aniston, “Cake”
Marion Cotillard, “Two Days, One Night”
Felicity Jones, “The Theory of Everything”
Julianne Moore, “Still Alice”
Rosamund Pike, “Gone Girl”
Reese Witherspoon, “Wild”

Best Supporting Actor
Josh Brolin, “Inherent Vice”
Robert Duvall, “The Judge”
Ethan Hawke, “Boyhood”
Edward Norton, “Birdman”
Mark Ruffalo, “Foxcatcher”
J.K. Simmons, “Whiplash”

Best Supporting Actress
Patricia Arquette, “Boyhood”
Jessica Chastain, “A Most Violent Year”
Keira Knightley, “The Imitation Game”
Emma Stone, “Birdman”
Meryl Streep, “Into the Woods”
Tilda Swinton, “Snowpiercer”

Best Adapted Screenplay
“Gone Girl”
“The Imitation Game”
“Inherent Vice”
“The Theory of Everything”
“Unbroken”
“Wild”

Best Original Screenplay
“Birdman”
“Boyhood”
“The Grand Budapest Hotel”
“Nightcrawler”
“Whiplash”

Best Art Direction
“Birdman”
“The Grand Budapest Hotel”
“Inherent Vice”
“Interstellar”
“Into the Woods”
“Snowpiercer”

Best Cinematography
“Birdman”
“The Grand Budapest Hotel”
“Interstellar”
“Mr. Turner”
“Unbroken”

Best Editing
“Birdman”
“Boyhood”
“Gone Girl”
“Interstellar”
“Whiplash”

Best Costume Design
“The Grand Budapest Hotel”
“Inherent Vice”
“Into the Woods”
“Maleficent”
“Mr. Turner”

Best Hair & Makeup
“Foxcatcher”
“Guardians of the Galaxy”
“The Hobbit: The Battle of the Five Armies”
“Into the Woods”
“Maleficent”

Best Score
“Birdman”
“Gone Girl”
“The Imitation Game”
“Interstellar”
“The Theory of Everything”

Best Song
“Lost Stars” from “Begin Again”
“Big Eyes” from “Big Eyes”
“Yellow Flicker Beat” from “The Hunger Games: Mockingjay – Part 1″
“Everything is Awesome” from “The LEGO Movie”
“Glory” from “Selma”

Best Visual Effects
“Dawn of the Planet of the Apes”
“Edge of Tomorrow”
“Guardians of the Galaxy”
“The Hobbit: The Battle of the Five Armies”
“Interstellar”

Best Animated Feature
“Big Hero 6″
“The Book of Life”
“The Boxtrolls”
“How to Train Your Dragon 2″
“The LEGO Movie”

Best Foreign Language Film
“Force Majeure”
“Ida”
“Leviathan”
“Two Days, One Night”
“Wild Tales”

Best Documentary Feature
“CITIZENFOUR”
“Glen Campbell: I’ll Be Me”
“Jodorowsky’s Dune”
“Last Days in Vietnam”
“Life Itself”
“The Overnighters”

Best Acting Ensemble
“Birdman”
“Boyhood”
“The Grand Budapest Hotel”
“The Imitation Game”
“Into the Woods”
“Selma”

Best Young Actor/Actress
Ellar Coltrane, “Boyhood”
Ansel Elgort, “The Fault in Our Stars”
Mackenzie Foy, “Interstellar”
Jaeden Lieberher, “St. Vincent”
Tony Revolori, “The Grand Budapest Hotel”
Quvenzhane Wallis, “Annie”
Noah Wiseman, “The Babadook”

Best Action Movie
“American Sniper”
“Captain America: The Winter Soldier”
“Edge of Tomorrow”
“Fury”
“Guardians of the Galaxy”

Best Actor in an Action Movie
Bradley Cooper, “American Sniper”
Tom Cruise, “Edge of Tomorrow”
Chris Evans, “Captain America: The Winter Soldier”
Brad Pitt, “Fury”
Chris Pratt, “Guardians of the Galaxy”

Best Actress in an Action Movie
Emily Blunt, “Edge of Tomorrow”
Scarlett Johansson, “Lucy”
Jennifer Lawrence, “The Hunger Games: Mockingjay – Part 1″
Zoe Saldana, “Guardians of the Galaxy”
Shailene Woodley, “Divergent”

Best Comedy
“Birdman”
“The Grand Budapest Hotel”
“St. Vincent”
“Top Five”
“22 Jump Street”

Best Actor in a Comedy
Jon Favreau, “Chef”
Ralph Fiennes, “The Grand Budapest Hotel”
Michael Keaton, “Birdman”
Bill Murray, “St. Vincent”
Chris Rock, “Top Five”
Channing Tatum, “22 Jump Street”

Best Actress in a Comedy
Rose Byrne, “Neighbors”
Rosario Dawson, “Top Five”
Melissa McCarthy, “St. Vincent”
Jenny Slate, “Obvious Child”
Kristen Wiig, “The Skeleton Twins”

Best Sci-Fi/Horror Movie
“The Babadook”
“Dawn of the Planet of the Apes”
“Interstellar”
“Snowpiercer”
“Under the Skin”

Here Are The Chicago Film Critics Association Nominations!


Happy Valentine's Day!

Finally, from the former hometown of Al Capone and President Obama, here are the Chicago Film Critic Associations Nominations!

BEST PICTURE
Birdman
Boyhood
The Grand Budapest Hotel
Under the Skin
Whiplash

BEST DIRECTOR
Wes Anderson, The Grand Budapest Hotel
David Fincher, Gone Girl
Alejandro Gonzalez Inarritu, Birdman
Richard Linklater, Boyhood
Christopher Nolan, Interstellar

BEST ACTOR
Benedict Cumberbatch, The Imitation Game
Jake Gyllenhaal, Nightcrawler
Michael Keaton, Birdman
David Oyelowo, Selma
Eddie Redmayne, The Theory of Everything

BEST ACTRESS
Marion Cotillard, Two Days, One Night
Scarlett Johannson, Under the Skin
Julianne Moore, Still Alice
Rosamund Pike, Gone Girl
Reese Witherspoon, Wild

BEST SUPPORTING ACTOR
Josh Brolin, Inherent Vice
Ethan Hawke, Boyhood
Edward Norton, Birdman
Mark Ruffalo, Foxcatcher
J.K. Simmons, Whiplash

BEST SUPPORTING ACTRESS
Patricia Arquette, Boyhood
Jessica Chastain, A Most Violent Year
Laura Dern, Wild
Agata Kulesza, Ida
Emma Stone, Birdman

BEST ORIGNAL SCREENPLAY
Birdman, Alejandro Gonzalez Inarritu, Nicolas Giacobone, Alexander Dinelaris and Armando Bo
Boyhood, Richard Linklater
Calvary, John Michael McDonagh
The Grand Budapest Hotel, Wes Anderson
Whiplash, Damien Chazelle

BEST ADAPTED SCREENPLAY
Gone Girl, Gillian Flynn
The Imitation Game, Graham Moore
Inherent Vice, Paul Thomas Anderson
Under the Skin, Walter Campbell
Wild, Nick Hornby

BEST FOREIGN-LANGUAGE FILM
Force Majeure
Ida
Mommy
The Raid 2
Two Days, One Night

BEST DOCUMENTARY
Citizenfour
Jodorowsky’s Dune
Last Days in Vietnam
Life Itself
The Overnighters

BEST ANIMATED FEATURE
Big Hero 6
The Boxtrolls
How to Train Your Dragon 2
The Lego Movie
The Tale of the Princess Kaguya

BEST ART DIRECTION/PRODUCTION DESIGN
The Grand Budapest Hotel
Interstellar
Into The Woods
Only Lovers Left Alive
Snowpiercer

BEST CINEMATOGRAPHY
Birdman
The Grand Budapest Hotel
Ida
Inherent Vice
Interstellar

BEST EDITING
Birdman
Boyhood
Gone Girl
The Grand Budapest Hotel
Whiplash

BEST ORIGINAL SCORE
Birdman
The Grand Budapest Hotel
The Imitation Game
Interstellar
Under the Skin

MOST PROMISING PERFORMER
Ellar Coltrane, Boyhood
Gugu Mbatha-Raw, Belle/Beyond the Lights
Jack O’Connell, Starred Up/Unbroken
Tony Revolori, The Grand Budapest Hotel
Jenny Slate, Obvious Child
Agata Trzebuchowska, Ida

MOST PROMISING FILMMAKER
Damien Chazelle, Whiplash
Dan Gilroy, Nightcrawler
Jennifer Kent, The Babadook
Jeremy Saulnier, Blue Ruin
Justin Simien, Dear White People

Here Are The Detroit Film Critics Nominations!


Under the Skin

And here are the Detroit Film Critics Nominees for 2014!  I’m happy to see that they had some love for one of my favorite films of the year, Under the Skin!

(h/t to awards circuit)

BEST FILM

Boyhood
Birdman
The Grand Budapest Hotel
Under the Skin
Whiplash

BEST DIRECTOR

Wes Anderson, The Grand Budapest Hotel
Damien Chazelle, Whiplash
Jonathan Glazer, Under the Skin
Alejandro González Iñárritu, Birdman
Richard Linklater, Boyhood

BEST ACTOR

Benedict Cumberbatch, The Imitation Game
Brendan Gleeson, Calvary
Jake Gyllenhaal, Nightcrawler
Michael Keaton, Birdman
Tom Hardy, Locke
Eddie Redmayne, The Theory of Everything

BEST ACTRESS

Essie Davis, The Babadook
Scarlett Johansson, Under the Skin
Julianne Moore, Still Alice
Rosamund Pike, Gone Girl
Reese Witherspoon, Wild

BEST SUPPORTING ACTOR

Josh Brolin, Inherent Vice
Ethan Hawke, Boyhood
Edward Norton, Birdman
Mark Ruffalo, Foxcatcher
JK Simmons, Whiplash

BEST SUPPORTING ACTRESS

Patricia Arquette, Boyhood
Laura Dern, Wild
Rene Russo, Nightcrawler
Emma Stone, Birdman
Tilda Swinton, Snowpiercer

BEST ENSEMBLE

Birdman
Boyhood
Guardians of the Galaxy
The Grand Budapest Hotel
Into the Woods

BREAKTHROUGH

Damien Chazelle, Whiplash (director, screenplay)
Jennifer Kent, The Babadook (director, screenplay)
Gugu Mbatha-Raw, Belle, Beyond the Lights (actress)
Chris Pratt, Guardians of the Galaxy (actor)
Dan Stevens, The Guest (actor)

BEST SCREENPLAY

Wes Anderson, The Grand Budapest Hotel
Damien Chazelle, Whiplash
Nicolas Giacobone and Alejandro González Iñárritu, Birdman
Richard Linklater, Boyhood
John Michael McDonagh, Calvary

BEST DOCUMENTARY

CitizenFour
Finding Vivian Maier
Jodorowsky’s Dune
Keep On Keepin’ On
Life Itself

(It’s interesting to note that, despite the fact that they clearly appreciate independent visions, the Detroit Film Critics totally snubbed Only Lovers Left Alive, a film that is, in many ways, a love letter to Detroit.)

968full-only-lovers-left-alive-screenshot

Here Are the St. Louis Film Critics Nominations!


Birdman

The Golden Globes weren’t the only precursors to be announced today!  Here are the St. Louis Film Critics Nominations.  One thing that I like about the St. Louis Film Critics is that they give out an award for “best scene.”  Personally, I would vote for the prison break from Guardians of the Galaxy.

Here are the nominees:

(h/t to awards circuit)

BEST PICTURE 
Birdman
Boyhood
Gone Girl
The Grand Budapest Hotel
The Imitation Game

BEST DIRECTOR
Wes Anderson, “The Grand Budapest Hotel”
David Fincher, “Gone Girl”
Alejandro Inarritu, “Birdman”
Richard Linklater, “Boyhood”
Morten Tyldum, “The Imitation Game”

BEST ACTOR
Benedict Cumberbatch, “The Imitation Game”
Jake Gyllenhaal, “Nightcrawler”
Tom Hardy, “Locke”
Michael Keaton, “Birdman”
Eddie Redmayne, “The Theory of Everything”

BEST ACTRESS
Marion Cotillard, “Two Days, One Night”
Felicity Jones, “The Theory of Everything”
Julianne Moore, “Still Alice”
Rosamund Pike, “Gone Girl”
Reese Witherspoon, “Wild”

BEST SUPPORTING ACTOR
Josh Brolin, “Inherent Vice”
Ethan Hawke, “Boyhood”
Edward Norton, “Birdman”
Tony Revolori, “The Grand Budapest Hotel”
Mark Ruffalo, “Foxcatcher”
J.K. Simmons, “Whiplash”

BEST SUPPORTING ACTRESS
Patricia Arquette, “Boyhood”
Jessica Chastain, “A Most Violent Year”
Carrie Coon, “Gone Girl”
Mackenzie Foy, “Interstellar”
Kiera Knightley, “The Imitation Game”
Emma Stone, “Birdman”

BEST ORIGINAL SCREENPLAY
Birdman
Boyhood
Locke
The Grand Budapest Hotel
Nightcrawler
Whiplash

BEST ADAPTED SCREENPLAY
Gone Girl
Guardians of the Galaxy
The Imitation Game
The Theory of Everything
Unbroken

BEST CINEMATOGRAPHY
Birdman
Gone Girl
The Grand Budapest Hotel
Interstellar
Nightcrawler
Unbroken

BEST VISUAL EFFECTS 
Birdman
Dawn of the Planet of the Apes
The Grand Budapest Hotel
Guardians of the Galaxy
Interstellar
Noah

BEST ART DIRECTION
Gone Girl
The Grand Budapest Hotel
Mr. Turner
Nightcrawler
Snowpiercer
Under the Skin

BEST MUSIC SCORE
Birdman
Gone Girl
The Grand Budapest Hotel
Inherent Vice
Interstellar
Under the Skin

BEST MUSIC SOUNDTRACK
Begin Again
Boyhood
Get On Up
Guardians of the Galaxy
Into the Woods
Whiplash

BEST FOREIGN FILM 
Force Majeure
Gloria
Human Capital
Ida
Two Days, One Night

BEST ANIMATED FILM
Big Hero 6
The Book of Life
The Boxtrolls
How to Train Your Dragon 2
The Lego Movie
Penguins of Madagascar

BEST DOCUMENTARY
Citizenfour
Finding Vivian Maier
Jodorowsky’s Dune
Life Itself
Red Army
Rich Hill

BEST COMEDY
22 Jump Street
The Grand Budapest Hotel
Guardians of the Galaxy
Obvious Child
St. Vincent

BEST ARTHOUSE
Boyhood
Calvary
Frank
The Grand Budapest Hotel
Locke
Whiplash

BEST SCENE 
22 Jump Street – End Credits
Birdman – Times Square
The Guardians of the Galaxy – Prison Break
Selma – Church Bombing
Whiplash – Finale drum solo
X-Men: Days of Future Past – Quicksilver Pentagon Escape

Guardians-of-the-Galaxy-rocket-with-gun