Retro Television Review: Baywatch 2.18 “Sharks Cove”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be viewed on Tubi.

This week, we meet Eddie’s never-before mentioned brother.

Episode 2.18 “Sharks Cove”

(Dir by Monte Markham, originally aired on April 20th, 1992)

Shauni’s friend Debbie Kent (Monica Lacy) throws a party on the beach with her boyfriend, Zack (Spencer Rochfort). When Debbie and Zack get in the water, Debbie suddenly yells out Zack’s name and is then apparently pulled below the surface by something. Zack runs back to the beach and says that a shark got Debbie.

Shauni, who is still haunted by Jill’s shark-related death in season one, insists on investigating this one on her own. She quickly figures out that Debbie faked her death because her father (Ernie Lively) was putting too much pressure on her to become a competitive, Olympic-class swimmer. It turns out that Debbie has just been hiding out in Zack’s trailer for the past few hours.

Meanwhile, Eddie decides to bring his older half-brother, Bobby (Blake Gibbons), to the beach. Bobby is schizophrenic and lives on a ranch, but his therapist thinks it would be a good idea for Bobby to spend the weekend with Eddie. Bobby ends up stealing a lifeguard outfit and running off. When Eddie eventually finds him, Bobby is on the edge of the pier, trying to rescue someone who isn’t really there. Bobby plunges into the ocean. Eddie saves his life, and hopefully he pays to get Bobby a new therapist, because this one obviously had no idea what she was talking about.

This was a strange episode. Baywatch previously established Eddie as a former juvenile delinquent from Philadelphia who came to Malibu to get away from the gang life. This episode features flashbacks of Eddie and his brother growing up in California, and Eddie is presented as the one who pays for Bobby to stay at the ranch, despite the fact that Eddie was previously portrayed as having come to California without a dime to his name.  (Eddie even slept in his lifeguard tower until Gina and Craig agreed to take him in.)  The first season also established that Eddie had a younger sister who drowned.  In this episode, he has an older half-brother who was schizophrenic and, in the flashbacks, there’s no sign of a sister.  Baywatch is not exactly a monument to continuity.

As for Debbie, she returns home and is forgiven by her father. Considering that lifeguards and police officers have been spending the last day or so searching for her, I assumed she would be in a bit more trouble than she was. Faking your own death is not something that I would recommend.

The Hoff was barely in this episode. Maybe it was his week off.

Review: Predator 2 (dir. by Stephen Hopkins)


Predator 2

Like any successful genre film, Predator would remain in the consciousness of filmgoers during the late 80’s. The film was that popular and successful. This also meant that the studio who produced and released the film were more than happy to try and replicate what made them a lot of money.  So, a sequel was quickly greenlit within the halls of 20th Century Fox.

Yet, despite the success the first film was able to garner despite some major production problems, this time around luck wasn’t with Predator 2. The follow-up film would have different production issues than the first but they would affect the film in the long run.

First off, John McTiernan wouldn’t be on-board to direct the sequel. His back-to-back successes with Predator and Die Hard has suddenly made him a coveted action director. His schedule would keep him from directing Predator 2 as his slate was already full with The Hunt for Red October being his next film. In comes Stephen Hopkins to helm the sequel.

Yet, the biggest blow to the production would be not being able to get Arnold Schwarzenegger to return in the role of Dutch, the sole survivor of the elite rescue team from the first film. As with most stars and sequels, this time it would be over a salary dispute that would keep Arnold from returning so in comes Danny Glover to take on the sequel’s lead role.

Now, Danny Glover has more than pulled his own action film weight with two Lethal Weapon films already under his belt, but in terms of on-screen charisma he would be a major downgrade from the presence Schwarzenegger provided the first film. But Glover was more than game to take on the role of Lt. Harrigan of the LAPD as the setting for the sequel moves from the steaming jungle canopy of Central America to the blistering asphalt and concrete jungle of gang-ridden Los Angeles.

This change in location made for an interesting take as it helped establish some world building that showed these Predators have visited Earth many times in the past and not just in the faraway jungles but more towards areas and places rife with conflict. We learn that it hunts those who have survived the conflicts of the area they’re in. Only the strongest for these extraplanetary hunters.

Unlike, the original film, Predator 2 fails in not having a cast of characters that the audience could empathize and root for. This follow-up is mostly about action and even more gore than the first. Even the opening sequence tries to one-up the jungle shooting scene from the first film, yet instead of shock and awe the sequence just seems loud and busy,

Predator 2 suffers from a lot of that as the film feels more than just a tad bit bloated. The Thomas brothers (Jim and John) who wrote the original film return for the sequel but were unable to capture lightning in a bottle a second time around. Where the first film was very minimalist in it’s narrative and plot, the sequel goes for the throw everything in but the kitchen sink approach. We have warring drug gangs, inept police leadership, secretive government agencies with their own agendas.

What does work with Predator 2 and has made it into a cult classic as years passed was the very worldbuilding I mentioned earlier. We learn a bit more of this predator-hunter. While some comes as exposition from Gary Busey’s special agent role Peter Keyes, the rest comes from just seeing the new look of this particular Predator courtesy of special effects master Stan Winston.

The biggest joy for fans of the films comes in an all-too-brief scene showcasing the trophy case of the Predator inside it’s spacecraft. Within this trophy case are the skulls of the prey it’s hunted and killed. One skull in particular would ignite the imagination of scifi action fans worldwide. It’s a skull of a xenomorph from the Alien franchise. It made fans wonder if the two films were part of a larger tapestry. Both properties were owned by 20th Century Fox, so there was a chance and hope that the two meanest and baddest alien creatures on film would crossover together.

It would be many, many years before such a team-up would happen. Even when it finally did fans of the franchises would be let down with what they get after waiting for over a decade.

Predator 2 could be seen as trying to make lightning hit the same patch twice or it could be seen as a quick cash grab by a studio seeing a potential franchise. Both are true and without its two biggest stars, Arnold Schwarzenegger and John McTiernan, returning to reprise their roles for the sequel the film was already behind the eight-ball before filming began.

While the follow-up had some interesting new ideas that helped round out the Predator as one of film’s greatest onscreen villains, it also failed to capitalize on those ideas in a creative way. There’s some good in Predator 2, but way too much baggage and too much bad to have it live up to the success and popularity of the original.

It Was A Very Good Year: LOST, LONELY, AND VICIOUS (Howco 1958)


gary loggins's avatarcracked rear viewer

lost-lonely-and-vicious-movie-poster-1958-1020488598

Happy birthday to me! Yes, I share my birthday with such luminaries as Charlie Chaplin, Christine McIntyre, Peter Ustinov, Henry Mancini, and coach Bill Belichick! Seeing as how we here in Massachusetts have a three-day weekend (Patriot’s Day on Monday), I’ll be pretty busy. But before I step away from the blogosphere for a few days, I thought I’d try to find something to share from the year I was born (yes, I’m THAT old!!).

What I stumbled upon was LOST, LONELY, AND VICIOUS, a fictional retelling of the James Dean mystique, right down to the two leads (superficially) resembling Dean and his REBEL WITHOUT A CAUSE co-star, Natalie Wood. It’s the story of Johnny Dennis (initials JD, get it?), a young actor “obsessed with death” on the cusp of stardom. Despite by awful acting and wretched dialogue, I kind of enjoyed it. No accounting for taste, I guess! There aren’t any…

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Embracing the Melodrama Part II #83: Bad Influence (dir by Curtis Hanson)


Bad_Influence_Film_PosterThough it may seem like a lifetime ago, it’s only been 6 weeks since I started on my latest series of reviews.  I am currently in the process of reviewing, in chronological order, 126 cinematic melodramas.  I started with the 1927 classic Sunrise and now, 82 reviews later, I have finally reached the 1990s.

(Of course, when I started this series of reviews, I somehow managed to convince myself that it would only take me 3 weeks to review 126 films.  Instead, it looks like it’s going to take two months.  So, I was only off by 5 weeks.)

Let’s start the 90s by taking a quick look at a 1990 film called Bad Influence.  I have to admit that, when I made out my list of films to review, Bad Influence was not even on my radar.  I was planning on launching my look at the 90s with a review of Ghost.  But then I saw The Avengers: Age of Ultron and I was so taken with James Spader’s performance as Ultron that  I decided to add a few James Spader films to Embracing the Melodrama.

In Bad Influence, James Spader is cast somewhat against type.  He plays Michael, who has a good job and is engaged to marry the wealthy and overbearing Ruth (who, I was surprised to learn from the end credits, was played by a pre-Desperate Housewives Marcia Cross).  Michael should be happy but instead, he feels oddly dissatisfied with his life.  He’s shy and meek and spends all of his time trying to do the right thing and conform to the petty demands of society.

One day, as he’s sitting in a bar, Michael makes the mistake of trying to flirt with a woman who is obviously having a bad day.  When the woman’s boyfriend shows up, he tells Michael to leave.  When Michael mutters that it’s a free country, the man responds by grabbing Michael.  However, before the fight can go any further, handsome and charming Alex (played, somewhat inevitably, by Rob Lowe) pops up out of nowhere, smashes a bottle, and scares the man off.

Michael and Alex become fast friends, with Michael viewing the extroverted and confident Alex as being everything that he wants to be.  (Meanwhile, Alex seems to appreciate the fact that Michael has money and a nice apartment.)  Under the influence of Alex, Michael starts to stand up for himself and even manages to get a big promotion at work.  At the same time, he also ends up cheating on his fiancée (while Alex films them) , helping Alex hold up a series of convenience stores, and beating up an obnoxious co-worker.

Ultimately, Bad Influence is a lot of sordid fun.  It’s a bit like Fight Club, minus the satire and the big identity twist.  (Michael and Alex are differently separate characters.)  Director Curtis Hanson (who is perhaps best known for L.A. Confidential) brings a lot of style to the film’s tawdry fun and keeps the action moving quickly enough that you don’t have too much time to obsess over what doesn’t make sense.

Finally, James Spader and Rob Lowe are just a lot of fun to watch.  Spader turns Michael into a sympathetic protagonist and Rob Lowe seems to be having a blast going full psycho in his role.

Bad Influence is a well-made B-movie and it’s a lot of fun.  You can watch it below!