Retro Television Review: Baywatch 2.15 “Big Monday”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be viewed on Tubi.

This week, Mitch and Hobie scared!

Episode 2.15 “Big Monday”

(Dir by Gregory J. Bonnan, originally aired on February 10th, 1992)

Hobie has a problem.  A huge tropical wave is scheduled to hit the beach on Monday and all of his friends are looking forward to surfing it.  His friends all say that Hobie is “chicken” because he won’t take the big waves.  Hobie goes to Shauni for advice.  Shauni offers to help him learn how to be a better surfer.  Hobie wonders why he can’t be more like his dad.  Mitch isn’t scared of anything.

Actually, Mitch is terrified of that big wave.  Every time that someone mentions it, Mitch flashes back to watching a friend get washed away by a giant wave in 1961.  With a new wave approaching, Mitch is scared that the same thing will happen again.  Luckily, a visiting Hawaiian surfer just happens to be around to give Mitch an enchanted necklace.

Kaye, Mitch’s little-seen girlfriend, befriends a deaf girl on the beach.  She tries to convince the girl’s mother to allow her to enroll Kaye in a sign language class.  The girl’s mother is scared that her daughter will always be an outsider unless she learns how to read lips.  (One of the teachers at the school is played by future Oscar nominee Paul Raci.)

Will Hobie prove that he can handle the waves?

Will Mitch overcome his guilt over his friend’s death?

Will Kaye convince the mother to enroll her daughter in sign language class?

Yes, yes, and yes.  This is Baywatch.  Other than that lifeguard getting killed by a shark, there are no unhappy endings.

As for this episode, I’ll give it some credit for having one unifying theme.  All of the stories are connected by the theme of conquering your fears.  Actually having a narrative theme is definitely a step forward for this show.  That said, it’s still Baywatch.  Everything happens a bit too easily in this episode.  Yes, this episode says, fear is real.  But, if you stick around for 40 minute, your fears will magically disappear in time for the end credits to roll.

This was a silly episode but at least its heart was in the right place.

 

Retro Television Review: Baywatch 2.4 “Money, Honey”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be viewed on Tubi.

This week is pretty pointless.

Episosde 2.4 “Money, Honey”

(Dir by Monte Markham, originally aired on October 7th, 1991)

When Mitch and Eddie are hired to serve as lifeguards at a Hollywood party, film producer Dita (Leslie Easterbrook) is impressed when she sees Mitch respond to a boating accident.  She decides to make Mitch into a movie star.  Everyone knows that Mitch can swim and run in slow motion but can he deliver scripted lines?  Dita doesn’t care.  She just wants to sleep with him.  That goes against Mitch’s ethics so his film career ends before it even begins.  Meanwhile, Shauni puts together a benefit to protect a sea lion habitat.  At first, it looks like Shauni won’t be able to raise the money but then Mitch donates his movie paycheck to the cause.

This was a montage episode of Baywatch.  There really wasn’t much of a plot but there certainly were a lot of montages.  Watch as Mitch nervously sits in the makeup chair.  Watch as a bunch of bikini-clad beachgoers gather for Shauni’s benefit.  Listen to the music.  Watch the images.  Don’t worry about a thing….

In short, this was a pretty pointless episode.  That said, the sea lions were cute and the scene where Captain Thorpe tried to teach Mitch how to audition did make me smile.  It’s interesting that it took only four episodes for the syndicated version of Baywatch to fall into the pattern that would definite it for the next ten years.