Song of the Day: Main Theme From The Terminator by Brad Fiedel

Posted on April 10, 2026 by Lisa Marie Bowman

Today’s song of the day comes from tonight’s #FridayNightFlix.

Late Night Retro Television Review: Highway to Heaven 5.13 “Merry Christmas, From Grandpa”

Posted on April 9, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989. The entire show is currently streaming on Tubi and several other services!

This week, we finish up Highway to Heaven.

Episode 5.13 “Merry Christmas from Grandpa”

(Dir by Michael Landon, originally aired on August 4th, 1989)

The final episode of Highway to Heaven is a sad one for a number of reasons.

First off, it’s a Christmas episode but, because NBC never really gave the final season a regular spot on the schedule and instead of just aired the final 13 episodes whenever they needed to fill a hole, the finale didn’t air until August.

Secondly, the episode features Mark and Jonathan going “thirty years into the future,” — in this case to 2018. Mark is stunned to discover that he’s still alive in 2018. Jonathan tells him that it’s because he finally stopped smoking. In real life, Victor French died of lung cancer six months after filming this episode. Again, because of the way NBC handled the final season, French did not live to see the final episode aired.

Finally, the final episode of Highway to Heaven is not one of its strongest episodes. The strength of Highway to Heaven was that Jonathan and Mark spent their time helping ordinary people. Even if you didn’t agree with the show’s theology, it was hard not be touched by the earnest sincerity that lay at the heart of the majority of the episodes. Jonathan and Mark were do-gooders, in the best sense of the term.

That said, there were more than a few episodes that could be a bit preachy and that’s the case with this episode. As was often the case with Highway to Heaven‘s weaker episodes, this episode was inspired by Landon’s own environmentalism. On Christmas Eve, Jonathan and Mark visit three men — a businessman, a farmer, and the President (seriously!) — and bring with them visions of the future. The businessman sees that he has to stop promoting nuclear power. The farmer sees that he has to stop using insecticides. And the President watches as all of his future grandchildren and great-grandchildren vanish from existence as a result of him not doing something to protect the environment.

It’s heartfelt, yes. I don’t doubt Landon’s sincerity. But I just wish the final episode had been a bit more of a traditional episode. I wish that it had featured more of heart and the humor and the Landon/French chemistry that marked the show’s best moments. Of course, again, Landon had no way of knowing that Victor French was going to die. (Apparently, even though French does look noticeable thinner, he did not learn that he had lung cancer until after he filmed his last episode.) If the show had been renewed for another season, it’s doubtful it would have worked without the chemistry between Landon and French.

I’ve enjoyed reviewing this show. Originally, I didn’t think I would. I expected this show would bring out my cynical side with a vengeance and there were a few episodes that did just that. For the most part, though, this show won me over. Watching it, one gets the feeling that Michael Landon truly did want to make the world a better place. Who can’t be touched by that?

Next week, a new show will premiere here.

Retro Television Review: Decoy 1.26 “Earthbound Satellites”

Posted on April 9, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958. The show can be viewed on Tubi!

This week, Casey investigates an underground gambling syndicate.

Episode 1.26 “Earthbound Satellites”

(Dir by Michael Gordon, aired on April 7th, 1958)

After a man shoots himself in the head over a $20,000 gambling debt, Casey goes undercover as a flighty socialite with a gambling problem. She meets George Courtney (Whitfield Connor), a rather dapper man who runs an underground casino. Courtney drives Casey to the casino but, along the way, he switches cars which makes it difficult for the police to tail him.

Later, at a debriefing, Casey expresses frustration that we can launch satellites into space but we can’t follow a car in Manhattan. Her boss is inspired to put a transmitter in her purse so that the police can follower her in Manhattan.

This episode was made at a time when transmitters and satellites were relatively new ideas and, as a result, a lot of time is spent on establishing the reality of technology that viewers today take for granted. That makes for somewhat slow episode and it also means that Casey doesn’t really get to do as much as usual in this episode. If anything, Casey almost comes across as being a bit incompetent, allowing the bad guys to get their hands on both the transmitter and her gun.

This wasn’t the most exciting episode of Decoy but Whitefield Connor did a good job in the role of the charming but amoral George Courtney. Casey seemed to be truly sad at the end of the episode. George had so much going for him but, in the end, he sacrificed his freedom for his own greed.

The Eric Roberts Collection: Story of Eva (dir by Tom Woodbeck)

Posted on April 9, 2026 by Lisa Marie Bowman

“Jakey, Jakey, big mistakey,” the bad guy says at one point during 2015’s Story of Eva and if that doesn’t tell you everything you need to know about this film, I don’t know what to tell you.

Eva (Nicole Rio) is the mother of teenage Amber (Chelsea London Lloyd). After Amber is murdered by a serial killer who also works as a human trafficker, Eva decides to get revenge. First, however, she has to train herself to not only inflict pain but to also handle it. She finds Amber’s stash and starts smoking it. She wears a ball gag. She whips herself. She learns how to handle pain. She uses Amber’s college fund to buy a membership at the gym and takes boxing lessons. And she builds her own little dungeon. Whenever Eva captures a criminal, she turns into Evil Eva and is even played by a different actress, Shawn Craig. Eva is one of those vigilantes who can’t punish an evil-doer without delivering an endless monologue. The script is talky in the way that scripts written by first-timers determined to prove their cleverness often are.

“No child should ever suffer!” Eva — in “good” form — announces before then adding, “What kind of God would allow that?” Thunder rumbles in the background and it’s not for the first or the only time in the movie as Eva views herself as having become a vengeful God. I have to admit that I appreciated the fact that the film was so shamelessly overwrought and overdone. Everything about the the move is over-the-top and yet, oddly, it’s still rather dull. Some of it is that fact that we live in a post-Hostel world. Torture chambers just don’t carry the same jolt that they once did.

Eric Roberts plays a detective who is investigating all of the murders. He is named Detective Wood. His partner (Rico Ross) is named Detective Grind and the fact that there was no one named Detective Bump seems like a missed opportunity. Roberts appears in a handful of scenes and brings some welcome wit to the role.

Previous Eric Roberts Films That We Have Reviewed:

Song of the Day: Kokomo by The Beach Boys

Posted on April 9, 2026 by Lisa Marie Bowman

I’ll be watching Cocktail later tonight so why not?

The Eric Roberts Collection: Cyclops (dir by Declan O’Brien)

Posted on April 8, 2026 by Lisa Marie Bowman

Behold the glory that was Rome!

In 2008’s Cyclops, Ancient Rome is a bad CGI village that is being menaced by an even worse CGI cyclops. (The height of the Cyclops literally changes from scene to scene.) After the Cyclops is captures, it’s forced to fight in the gladiatorial games of the decadent Emperor Tiberius (Eric Roberts). Marcus (Kevin Stapleton), a centurion-turned-gladiator, eventually launches his own revolution against the Empire. When you’re fighting against the 15 members of the fearsome Roman army, it helps to a have a monster from Greek mythology on your side. Long live the Roman Republic!

This is an extremely silly movie but it’s hard not to admire the chutzpah it takes to try to recreate the glory of Rome on a tiny budget. It’s not just that the city of Rome looks like a medieval village. It’s also that there appears to only be about fifty citizens of Rome and most of them look like they wandered over from Monty Python and the Holy Grail. The film doesn’t work but kudos to the filmmakers for trying in the first place. Not surprisingly, this was a Roger Corman production.

Eric Roberts as a Roman emperor is something that simply needs to be seen to believed. Eric has the haircut and the sinful smile and he gives the thumbs up symbol with the proper theatrical flourish. In the film, Tiberius turns on Marcus after the latter demands that he be given a land grant along with his promotion and I’m on Tiberius’s side as far as that goes. Marcus should have just accepted the promotion without making demands. Tiberius had every right to be miffed and no one plays miffed quite as well as Eric Roberts. Tiberius goes on to plan the state dinner that will celebrate the capture of the Cyclops. Tiberius and his friends will have half-a-boar. Marcus will be given “eggs and greens.” Oh, Tiberius!

Previous Eric Roberts Films That We Have Reviewed:

Late Night Retro Television Review: 1st & Ten 3.9 “Call to the Hall”

Posted on April 8, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

Uh-oh. This episode features OJ Simpson doing the real acting.

Episode 3.9 “Call For The Hall”

(Directed by Bruce Seth Green, originally aired on November 4th, 1987)

TD Parker (played by OJ Simpson) has a lot to deal with this week!

The team’s running back has been injured. Buffalo is willing to trade their running back in return for Bubba Kincaid! Nobody wants to say goodbye to Bubba. He’s the heart of the team. He’s the team “poobah,” which means that he gets to wear a stupid horned helmet whenever he’s at that team bar. But the Bulls need a running back. TD is the one who has to tell Bubba that he’s been traded. Jethro is named the new team poobah. Bubba’s wife is not happy about moving to Buffalo because it’s too cold up north. Fortunately, it turns out that Buffalo’s running back has also been injured and the trade is canceled. Bubba is staying!

TD has also been voted into the football hall of fame. Should he take his wife and son to the ceremony or should he bring his mistress? TD can’t decide, even though it seems like kind of an obvious decision. Still, TD has to go to the team owner for advice and he is shocked when she reveals that she and everyone else know about TD’s new relationship.

Sorry, TD — everyone knows!

The team owner says that he should probably bring his wife, if just for the sake of appearances. TD then plays basketball with his son and apologizes for not being a better father. This leads to a line of dialogue that so totally epitomizes how much times have changed that it really should be put in a museum.

OJ Simpson apologizes for not being more like Bill Cosby. I think that pretty much sums up this show’s entire third season.

In the end, TD does not take his mistress to the Hall of Fame. But it doesn’t appear that his family attends either. TD gives a speech, thanking his wife and son. Awwww.

This episode features a lot of OJ Simpson acting. As an actor, OJ was mild, bland, and likable. He delivered his lines smoothly but with little sincerity. Of course, nowadays, it’s impossible to listen to him speak without searching for a hidden meaning between the lines. As I watched this episode, I found myself thinking, “Do not make him mad, do not make him mad….”

There was one other storyline in this episode. Dr. Death and Mad Dog stole Coach Grier’s pet mouse. The mouse died. Dr. Death and Mad Dog had to run up and down the stadium stairs as a punishment. The laugh track insists that all of this is funny but I had to disagree. Killing pets is never a good look.

This episode was a lot like OJ’s acting — mild and bland. Unlike OJ, it won’t be getting voted into the Hall of Fame anytime soon.

Retro Television Review: The Love Boat 7.14 “The Last Case/Looking for Mr. Wilson/Love on Strike”

Posted on April 8, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!

Come aboard, we’re expecting you….

Episode 7.14 “The Last Case/Looking for Mr. Wilson/Love on Strike”

(Dir by Richard A. Wells, originally aired on December 17th, 1983)

This week, an old high school friend of Julie’s is on the cruise. Whenever anyone from Julie’s past shows up, it means drama. Five years ago, when Jan Maddox (Jeanine Wilson) told her boyfriend, Michael, that she was pregnant, he ran out on her. Jan lied to her father, the rigid Colonel Maddox (Claude Akins), and told him that she and Michael had gotten married. For five years, Jan has been telling her father that she’s married. When Colonel Maddox boards the ship and meets his grandson Richie (R.J. Williams) for the first time, Jan continues to lie. She says that Michael got called away on business.

However, when Jan meets a charming single passenger (Tony Dow) and starts to fall for him, she decides to tell her father the truth.

“My grandson is illegitimate?” Maddox says, in a tone more worthy of 1883 than 1983.

Colonel Maddox says that he never wants to see his daughter or his grandson again. Seriously? Okay, good riddance. Colonel Maddox is a terrible person and Jan seems to be doing fine without him. However, Julie mentions to Maddox that Michael walked out on Jan and now the Colonel is doing the same thing. And then Richie tracks him down and yells, “You’re a mean old man and I hate you!” Colonel Maddox sees the error of his ways and that magically fixes everything. Jan forgives him. Richie forgives him. I would not have forgiven him. Then again, I also wouldn’t have lied about being married in the first place.

While this is going on, Jenny (Didi Conn) boards the ship and spends the cruise harassing her ex-boyfriend (Grant Goodeve) and his new girlfriend (Wendy Schaal). Jenny boards with two signs, each declaring that her ex is a louse. She follows him around the ship, chanting about what a louse he is. When she sees him dancing with his new girlfriend, she grabs a microphone and starts to talk about him to all the other passengers. Jenny probably should have been taken into custody and kicked off the boat at the next port-of-call. Instead, everyone acts as if Jenny’s actions are cute. It’s a weird story.

Finally, a mysterious woman known as the Contessa has disappeared from her cabin. Stubing convinces an old friend, retired detective Manfred Benusse (John Hillerman), to investigate. (I would think that the Captain would be required — by law and company policy — to report a missing passenger as soon as it was discovered that she was missing but whatever.) It turns out that there never was a Contessa. The whole thing was a set up, engineered by Benusse’s secretary, Liliane Pendergrast (Allyn Ann McLerie). Lillian didn’t want Benusse to retire and she thought that, if she gave him an unsolvable case, he would change his mind and I presume spend the rest of his days searching for a non-existent human being. I’m not sure how that would have been a good thing but, once Benusse figures it all out, he falls in love with Ms. Pendergrast. When you consider the fact that he could have easily been fired if Benusse hadn’t figured out what his secretary was doing, the Captain is surprisingly forgiving.

This was a really weird episode but the detective storyline was kind of charming in its nonsensical way. Hillerman did such a good job as the detective that it made up for the fact that the other two stories were kind of annoying. The end result was a pleasant cruise.

Song of the Day: Surfin’ Bird by The Trashmen

Posted on April 8, 2026 by Lisa Marie Bowman

Today’s song of the day was used to surprisingly good effect in Stanley Kubrick’s 1987 Vietnam war film, Full Metal Jacket.

Late Night Retro Television Review: Pacific Blue 3.20 “With This Ring”

Posted on April 7, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network! It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, infedility is in the air.

Episode 3.20 “With This Ring”

(Dir by Michael Levine, originally aired on April 5th, 1998)

When Cory and Victor find a dead man on the beach, all of the evidence seems to indicate that he was killed as a result of an extramarital affair. His widow previously hired a detective agency to test his fidelity. His killer forced his own wedding ring down his throat. Someone is killing cheaters.

So, of course, Palermo has Cory and Victor go undercover as a married couple.

This isn’t the first episode of Pacific Blue to feature the bike cops going undercover. It’s actually something that has happened fairly frequently during the third season. On the one hand, it gets the characters off of those stupid bicycles. On the other hand, why would a bunch of bike cops be investigating crimes? Bicycle cops are like any other uniformed cop. Their job is to keep general order, issue tickets, and secure crime scenes until the actual detectives can show up. The bicycle cops are police officers but they’re not detectives. At least, that’s the way it works in the real world. In the world of Pacific Blue, the Malibu PD apparently doesn’t have a plainclothes department and all of the work is done by the same 5 bicycle cops.

While Cory and Victor go undercover, TC tries to deal with the fact that his parents are splitting up, He really struggles with the news of their upcoming divorce. TC is also in his mid-30s. Once you’re closer to 40 than 30, you should be able to handle your parents splitting up with a modicum of maturity. The only good thing about this storyline is that wonderful Andy Buckley made one of his far-too infrequent appearances as TC’s older brother.

This episode ended with TC and Chris promising each other that, in 35 years, they would still be together. Those will probably be the 35 most boring years of anyone’s lives.

This was another forgettable episode. At least there’s only two episodes left this season. And starting with season 4, Mario Lopez arrives as a new member of Pacific Blue! It can’t happen soon enough.