4 Shots From 4 Films: Special Dennis Hopper Edition


Dennis Hopper (1936–2010)

4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

88 years ago, Dennis Hopper was born in Dodge City, Kansas.

It seems rather appropriate that one of America’s greatest cinematic outlaws was born in a town that will be forever associated with the old west. Dennis Hopper was a rebel, back when there were actual consequences for being one. He started out acting in the 50s, appearing in films like Rebel Without A Cause and Giant and developing a reputation for being a disciple of James Dean. He also developed a reputation for eccentricity and for being difficult on set and he probably would have gotten completely kicked out of Hollywood if not for a somewhat improbable friendship with John Wayne. (Wayne thought Hopper was a communist but he liked him anyways. Interestingly enough, Hopper later became a Republican.) Somehow, Hopper managed to survive both a raging drug addiction and an obsession with guns and, after a mid-80s trip to rehab, he eventually became an almost universally beloved and busy character actor.

Hopper, however, always wanted to direct. He made his directorial debut with 1969’s Easy Rider, a film that became a huge success despite being an infamously chaotic shoot. The success of Easy Rider led to the Hollywood studios briefly trying to produce counter-culture films of their own. Hopper was given several million dollars and sent to Peru to make one of them, the somewhat dangerously titled The Last Movie. Unfortunately, The Last Movie, was such a bomb that it not only temporarily derailed Hopper’s career but it also turned Hollywood off of financing counter culture films. Hopper spent a decade in the Hollywood wilderness, giving acclaimed performances in independent films like Tracks and The American Friend, even while continuing to increase his reputation for drug-fueled instability. Hopper would eventually return to directing with his masterpiece, 1980’s Out of the Blue. (Out of the Blue was so controversial that, when it played at Cannes, Canada refused to acknowledge that it was a Canadian production. It played as a film without a country. Out of the Blue, however, is a film that has stood the test of time.) Unfortunately, even after a newly cleaned-up Hopper was re-embraced by the mainstream, his directorial career never really took off. He directed 7 films, of which only Easy Rider and Colors were financially successful. Contemporary critics often didn’t seem to know what to make of Dennis Hopper as a director. In recent years, however, Hopper’s directorial efforts have been reevaluated. Even The Last Movie has won over some new fans.

Today, on his birthday, we honor Dennis Hopper’s directorial career with….

4 Shots From 4 Dennis Hopper Films

Easy Rider (1969, dir by Dennis Hopper, DP: Laszlo Kovacs)
The Last Movie (1971, dir by Dennis Hopper, DP: Laszlo Kovacs)
Out of the Blue (1980, dir by Dennis Hopper, DP: Marc Champion)
The Hot Spot (1990, dir by Dennis Hopper, DP: Ueli Steiger)

7 Shots From 7 Films: Special Dennis Hopper Edition


Dennis Hopper (1936–2010)

4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

85 years ago, Dennis Hopper was born in Dodge City, Kansas.

It seems rather appropriate that one of America’s greatest cinematic outlaws was born in a town that will be forever associated with the old west. Dennis Hopper was a rebel, back when there were actual consequences for being one. He started out acting in the 50s, appearing in films like Rebel Without A Cause and Giant and developing a reputation for being a disciple of James Dean. He also developed a reputation for eccentricity and for being difficult on set and he probably would have gotten completely kicked out of Hollywood if not for a somewhat improbable friendship with John Wayne. (Wayne thought Hopper was a communist but he liked him anyways. Interestingly enough, Hopper later became a Republican.) Somehow, Hopper managed to survive both a raging drug addiction and an obsession with guns and, after a mid-80s trip to rehab, he eventually became an almost universally beloved and busy character actor.

Hopper, however, always wanted to direct. He made his directorial debut with 1969’s Easy Rider, a film that became a huge success despite being an infamously chaotic shoot. The success of Easy Rider led to the Hollywood studios briefly trying to produce counter-culture films of their own. Hopper was given several million dollars and sent to Peru to make one of them, the somewhat dangerously titled The Last Movie. Unfortunately, The Last Movie, was such a bomb that it not only temporarily derailed Hopper’s career but it also turned Hollywood off of financing counter culture films. Hopper spent a decade in the Hollywood wilderness, giving acclaimed performances in independent films like Tracks and The American Friend, even while continuing to increase his reputation for drug-fueled instability. Hopper would eventually return to directing with his masterpiece, 1980’s Out of the Blue. (Out of the Blue was so controversial that, when it played at Cannes, Canada refused to acknowledge that it was a Canadian production. It played as a film without a country. Out of the Blue, however, is a film that has stood the test of time.) Unfortunately, even after a newly cleaned-up Hopper was re-embraced by the mainstream, his directorial career never really took off. He directed 7 films, of which only Easy Rider and Colors were financially successful. Contemporary critics often didn’t seem to know what to make of Dennis Hopper as a director. In recent years, however, Hopper’s directorial efforts have been reevaluated. Even The Last Movie has won over some new fans.

Today, on his birthday, we honor Dennis Hopper’s directorial career with….

7 Shots From 7 Dennis Hopper Films

Easy Rider (1969, dir by Dennis Hopper, DP: Laszlo Kovacs)
The Last Movie (1971,dir by Dennis Hopper, DP: Laszlo Kovacs)
Out of the Blue (1980, dir by Dennis Hopper, DP: Marc Champion)
Colors (1988, dir by Dennis Hopper, DP: Haskell Wexler)
The Hot Spot (1990, dir by Dennis Hopper, DP: Ueli Steiger)
Backtrack (1990, dir by Dennis Hopper, DP: Edward Lachman)
Chasers (1994, dir by Dennis Hopper, DP: Ueli Steiger)

6 Good Films That Were Not Nominated For Best Picture: The 1980s


Rob Lowe and Snow White perform at the 1989 Oscars

Continuing our look at good films that were not nominated for best picture, here are 6 films from the 1980s.

Out of the Blue (1980, dir by Dennis Hopper)

After spending several years in the cultural wilderness, Dennis Hopper directed his best film, this downbeat study of a young girl, her junkie mother, and her irresponsible father.  From the film’s first scene, in which Hopper crashes his truck into a school bus to the film’s explosive ending, Out of the Blue is a fascinating trip into the heart of American darkness.  It was definitely too dark for the Academy.

Fast Times At Ridgemont High (1982, dir by Amy Heckerling)

Fast Times would appear to take place in a totally different universe from Out of the Blue.  Still, it’s an unexpectedly intelligent look at growing up in the suburbs and it’s influenced practically every high school film that’s come after.  Plus, this may be the only movie in which Sean Penn was intentionally funny.  Despite good reviews and a cast full of future stars, Fast Times At Ridgemont High received not a single nomination.

Once Upon A Time In America (1984, dir by Sergio Leone)

Sergio Leone’s final film, this epic gangster film might be a look at how America grew and changed over the first half of the 20th Century.  It might be a trenchant critique of capitalism.  It might be an homage to the classic gangster films of the 30s.  Or it might just be a hallucination that Robert De Niro is having while visiting an opium den.  That critics are are still debating just watch exactly this film actually means says a lot about the power of Once Upon A Time In America.  However, because the film was originally released in a severely edited form, Once Upon A Time In America received not one nomination.

Brazil (1985, dir by Terry Gilliam)

Much like Once Upon A Time In America, Brazil is a brilliant film that was betrayed by the studio that distributed it.  Convinced that Terry Gilliam’s satire was too strange for American audiences, Universal Pictures initially released the film in a severely edited version.  Fortunately, Gilliam’s version was eventually released but the controversy undoubtedly hurt Brazil when it came time for the members of the Academy to select their nominees for Best Picture.

The Breakfast Club (1985, dir by John Hughes)

Perhaps the Academy understood just how unfair it was that Anthony Michael Hall had to write the essay while everyone else got either a makeover or a new romance.  For whatever reason, this classic high school film — perhaps the classic high school film — received not a single nomination.

Blue Velvet (1986, dir by David Lynch)

David Lynch was nominated for Best Director but the film itself proved to be just a bit too controversial for the Academy to give it a Best Picture nomination.  David Lynch described this film as being “the Hardy Boys In Hell” and it would have been an uncoventional, though very worthy, nominee for Best Picture.

Up next, in an hour or so, the 90s!

 

Embracing the Melodrama Part II #64: Out of the Blue (dir by Dennis Hopper)


Out_of_the_Blue_Film“Subvert normality.”

— Cebe (Linda Manz) in Out of the Blue (1980)

The 1980 Canadian film Out of the Blue opens with a terrifying scene.  Don Barnes (Dennis Hopper), drinking a beer and playing with his daughter while driving a truck, crashes into a school bus.  The bus is full of children, many of whom are seen being thrown into the air as the truck literally splits the bus in half.

Don is sent to prison.  His wife, Kathy (Sharon Farrell), becomes a drug addict.  His daughter, Cebe (Linda Manz), grows up to be an angry and alienated teenager.  Cebe spends her time either aimlessly wandering around her economically depressed hometown or else ranting about the phoniness of society to anyone who will listen (and quite a few who won’t).  Much like the killer cops in Magnum Force, all of her heroes are dead.  Occasionally, she sees a pompous therapist (Raymond Burr) whose liberal humanism turns out to be just as empty as the reactionary society that Cebe is striking out against.  Cebe’s heroes are Elvis, Sid Vicious, and her father.

When Don is finally released from prison, he returns home and he announces that he’s straightened out his life.  He promises that he’ll stay sober and he’ll be a good father.  That, of course, is all bullshit.  Soon, Don is struggling to hold down a job and spending his time drinking with his friend Charlie (Don Gordon).  Anyone who has ever had to deal with an alcoholic father will be able to painfully relate to the scenes where Don goes from being kind and loving to demonic in a matter of seconds.

Eventually, it all leads to a violent ending, one that is powerful precisely because it is so inevitable.

Out of the Blue is one of my favorite films, one that I relate to more than I really like to admit.  Directed in a raw and uncompromising manner by Dennis Hopper, Out of the Blue is a look at life on the margins of society.  And while some would argue that not much happens in the film between the explosive opening and the equally explosive ending, nothing needs to happen.  The power of the film comes not from its plot and instead from the perfect performances of Linda Manz, Dennis Hopper, Sharon Farrell, and Don Gordon.  Only Raymond Burr feels out of place but there’s a reason for that.

As much as I love Out of the Blue as a movie, I love the story of its production as well.  Originally, Out of the Blue was to be your typical movie about a rebellious teen who is saved by a patient and compassionate counselor.  Dennis Hopper was originally just supposed to co-star.  However, after the shooting started to run behind schedule, the film’s original director was fired.  Hopper talked the producers into letting him take over as a director.

This was the first film that Hopper was allowed to direct since the 1971 release of the infamous flop, The Last Movie.  Hopper, who was then best known for his drug use and his alcoholism, promised to be on his best behavior.  However, he then proceeded to secretly rewrite the entire film.

When Raymond Burr showed up to shoot his scenes, he was under the impression that he was still the star of the film.  Hopper essentially proceeded to shoot two separate films.  One film followed the original script and starred Raymond Burr.  The other was Hopper’s vision.  When it came time to take all of the footage and edit together the film that would be called Out of Blue, only two of Burr’s scenes made it into final cut and, in both of those scenes, Burr’s character is portrayed as being clueless.

Out of the Blue is not a happy film but it’s a good one.  More people need to see it.

I Love You, Canada! And here’s six trailers to prove it…


 I think I’ve been a little bit too hard on Canada as of late.  I mean, sure — our northern neighbor did give us Paul Haggis and Vermont.  However, Canada also gave us Degrassi: The Next Generation, Jason Reitman, Atom Egoyan, David Cronenberg, Denys Arcand, and my friend Lindsay Dianne.  So, I’m here to say right now: I love Canada!  And in order to show that love, this week’s edition of Lisa Marie’s Favorite Grindhouse and Exploitation Trailers is dedicated to films produced up in Canada.

1) Sudden  Fury (1975)

I’ve never seen this movie and I don’t know much about it beyond the fact that it was made in Canada.  Looking at the cast list at the end of the trailer, I don’t see any familiar names.  But the trailer fascinates me because it somehow manages to be intriguing and dull at the same time. 

2) Rats (1982)

I haven’t actually seen  this one either and I’m kind of glad for that because seriously, I am scared to death of rats.  I remember this one time when I was little, I was visiting my grandpa’s place in Arkansas and he lived in this big  three-story house out in the country.  And I was sitting out back in this swing when suddenly, this rat jumped out of  a  third story window and it landed right next to the swing and broke its neck and died with its tail twitching as I watched.  I still have nightmares about that.  Anyway, this film is apparently not to be confused with Bruno Mattei’s Rats: The Nights of Terror. 

3) Humongous (1983)

This is one of the several million slasher films that ended up being made in Canada by American film companies looking for a tax shelter.  Just imagine how much shorter the trailer would have been in the movie had simply been called Huge.  Incidentally, the film was directed by Paul Lynch, the same guy who did the original Prom Night.

4) Fast Company (1979)

Arleigh would never let me live it down if I did a post and didn’t include a trailer for a David Cronenberg film.  So, here you go.  Now, to be honest, this trailer is only interesting if you know that 1) it’s for a film directed by David Cronenberg and that 2) he made this in between making Rabid and The Brood.  Now I know that this trailer probably screams out, “David Cronenberg just needed the work,” but Cronenberg has actually spoken with a good deal of fondness about  this film.  I personally haven’t seen it but I guess if anyone could somehow make a movie about drag racing exciting, it would be David  Cronenberg.

5) Videodrome (1983)

Here’s a more representative example of what we think about when  we think about Cronenberg.

6) Out of the Blue (1980)

Originally, I was going to end this with the 2 Cronenberg films but then I remembered that Dennis Hopper’s Out Of The Blue was a Canadian production and there were simply no way I couldn’t end with that film.  Out of the Blue is, quite simply put, one of the greatest films ever made.  I’ve been meaning to write a review of it for a while now but it’s been difficult for me to know where to begin because, in many ways, viewing Out of the Blue was as much of a personal experience for me as watching Black Swan.Â