Awards seasons continues as, earlier today, the Detroit Film Critics announced their nominations for the best of 2015! Like almost all the other film critics groups, Detroit showed a lot of love to Spotlight. However, unlike previous groups, Detroit did not nominate Michael Keaton, Mark Ruffalo, or Rachel McAdams. Instead, they nominated Liev Schrieber who, up until this point, had not really figured into the awards race.
If nothing else, the current confusion over who, if anyone, should be nominated for Spotlight might inspire someone to ask why the Academy doesn’t give an award for Best Ensemble.
Another question raised by Detroit: why does the Academy only allow actors to be nominated for one performance per category. Detroit nominated Alicia Vikander twice for best supporting actress, for both The Danish Girl and Ex Machina. And why not? As we saw with Jessica Chastain in 2011, sometimes one performer delivers several great performances in one year.
Well, no, actually it’s not. It’s a very serious film that has a few comedic moments. Matt Damon makes a few jokes but that’s largely because he’s trying not to lose his mind and commit suicide. However, The Martian was submitted to the Golden Globes as a comedy. Why? Probably because the producers realized that it would be easier for them to win if their film was the only big-budget drama nominated in the comedy category. It’s dishonest, it’s unethical, and it totally worked. This morning, when the Golden Globe nominations were announced, The Martian was nominated for Best Picture, Comedy or Musical.
I was not a particularly huge fan of The Martian to begin with. The fact that it has now been nominated for Best Comedy while Inside Out was not does not help matters.
Anyway, as for the rest of the Golden Globe nominations … actually, I like a lot of them. Mad Max: Fury Road was nominated for Best Picture, Drama and that should help it regain whatever momentum it may have lost after not being nominated by the SAG. The Big Short was also nominated for Best Picture, Comedy so I guess I really will have to see it, despite having no desire to do so. Trumbo was not nominated for Best Picture but it did pick up nominations for Bryan Cranston and Helen Mirren. Spotlight was naturally nominated for best picture but received no acting nominations, which means that either all the actors are splitting the votes among themselves or maybe Spotlight, while remaining the front-runner, is not as universally loved as some are thinking. It’s impossible for me to say because I haven’t seen Spotlight yet but I have noticed that a lot of critics seem to be more respectful than enthusiastic about it.
(At the same time, my friend, the sportswriter Jason Tarwater, was quite enthusiastic after seeing Spotlight and I usually trust his opinion on these things.)
Anyway, here are the Golden Globe Film nominations!
It probably sounds like I’m really excited that the final Hunger Games adaptation has been released. It may sound like I’m happy that the saga of Katniss Everdeen and her life in Panem has finally come to an end. And, to a certain extent, I am. After everything that Katniss has been through, she deserves some peace and, fortunately, the series has ended before Jennifer Lawrence got bored with playing the role. (To see what happens when actor gets bored with an iconic role, check out Daniel Craig in Spectre.) Even though I think it can be argued that Mockingjay Part Two is the weakest of all the Hunger Games films, it still allows both Katniss and the actress who brought her to life to go out on a high note.
There’s a part of me that cringes a little when I think about all of the films that were released as a direct result of the success of The Hunger Games. The Giver, The Maze Runner, Divergent, Tomorrowland, the list goes on and on. I’ve reached the point where I can now say that I am officially sick of sitting through adaptations of Young Adult dystopian fiction. And yet, I was still excited to see The Hunger Games: Mockingjay Part Two (even if that title is way too long and unwieldy). Regardless of the number of mediocre films that it may have inspired, The Hunger Games franchise has always remained compelling.
So, how was Mockingjay Part Two? Obviously, it doesn’t work as a stand-alone film. The pacing is totally off, characters appear and disappear almost at random, and it’s all rather confusing. If you haven’t seen the film that came before Mockingjay Part Two, I imagine that you would be totally confused by this film. But, when viewed as the fourth part of one gigantic epic story, the whole thing is rather brilliant.
When the film opens, Katniss is still being used a prop in Alma Coin’s (Julianne Moore) revolution. The majority of the film deals with her journey into and through the capital. She wants to track down and assassinate President Snow (the wonderfully evil Donald Sutherland) whereas Coin just wants to use her as a symbol to solidify her authority. As Katniss quickly realizes, there’s not much difference between Snow and Coin. However, it takes one great tragedy for Katniss to truly understand the truth about the Alma Coin and her revolution. If you’ve read the book, you’ll already know about and be prepared for that tragedy but it’s still a heart-breaking moment.
It’s also the most important moment in the franchise, one that reminds us that The Hunger Games has always been far more politically sophisticated (and thematically darker) than all of the films, books, and fan fic that has been inspired by it. This is a seriously dark and, some would say, cynical movie and, as a student of history, I appreciated that. I appreciated that Mockingjay didn’t try to force a happy ending on us and I also appreciated the fact that Mockingjay didn’t buy into the simplistic Manichaen worldview that is currently ruining worlds both real and cinematic. The film’s final scene may be hopeful but it’s never naive.
It’s a bit unfortunate that Mockingjay had to be split into two separate films. Mockingjay Part Two is full of exciting moments but there’s also a lot of scenes that feel like filler. You get the feeling they were included to make sure that Mockingjay Part Two’s running team was equal to the other films in the franchise. This is a film that features a lot of genuinely exciting action and some truly emotional moments. It’s also a film that features a lot of speeches. If only both parts of Mockingjay could have been released as one six hour film. I would have watched it!
The film also features the final performance of Philip Seymour Hoffman, playing the rule of Plutarch. Hoffman is not in many scenes and reportedly, he died before filming two of his biggest scenes. Those scenes were rewritten and his dialogue given to other actors. At one point, Woody Harrelson starts to read a letter that was written by Plutarch and it’s a sad scene because you’re aware that, originally, Hoffman was meant to deliver those lines in his trademark style. As it is, Hoffman only appears in a few minutes of Mockingjay Part Two and he doesn’t do much. But, when the film briefly features his bemused smile, you’re reminded of what a great actor the world lost when Philip Seymour Hoffman died.
Of course, the entire Hunger Games franchise has been full of great actors. Jennifer Lawrence brought Katniss to wonderful and empowering life and one of the joys of Mockingjay Part Two is getting to see her bring the character’s story to a close. But even beyond Jennifer Lawrence’s rightly acclaimed work, the entire cast of the franchise deserves a lot of credit. I’ve always loved Donald Sutherland’s interpretation of President Snow and he’s at his best here.
For that matter, if there ever is another Hunger Games film or a Hunger Games spin-off, why not make it about Jena Malone’s Johanna Mason? The way that Malone delivered her angry and frequently sarcastic dialogue was definitely one of the film’s highlights.
Regardless of whether there are any future films, The Hunger Games: Mockingjay Part Two is a worthy conclusion to a great story.
(By the way, as you may have guessed from the title of this post, December is science fiction month here at the Shattered Lens! We hope you enjoy it!)
Have you heard the news? Apparently, Steve Jobs is shaping up to the be one of the biggest box office bombs of all time! Over this past weekend, it went from playing in 2,000 theaters to playing in 424.
Myself, I have to wonder why anyone thought Steve Jobs was going to be a huge financial success in the first place. Isn’t this the third Steve Jobs biopic to be released in as many years? None of them have made in money. It may be time for people of a certain age and certain economic class to admit that not everyone is as fascinated by Steve Jobs as they are. I haven’t seen Steve Jobs yet so I better get out to a theater this week or else I’ll have to see it in a dollar theater and I always seem to have a bad experience at those places. In the mean time, be sure to check out Leonard’s review!
Anyway, with Steve Jobs crashing and burning, I’m dropping it from my list of Oscar predictions. Sorry, Steve Jobs. Sorry, Danny Boyle and Kate Winslet. Don’t worry, Michael Fassbender — you’re still on my list.
Here’s the latest trailer for David O. Russell’s upcoming Oscar contender, Joy! The first trailer was pretty much all Jennifer Lawrence. This trailer gives a few members of the supporting cast a chance to shine.
(That said, we all know that the main selling point of this film will always be Jennifer Lawrence and that shotgun…)
(According to some early rumors that I’ve heard, the film’s best performance might not come from Jennifer Lawrence, Robert De Niro, or even Bradley Cooper. I’m hearing that Isabella Rossellini steals every scene in which she appears.)
No, not that time! I mean that it’s time for me to, once again, attempt to guess which films and performers will receive Oscar nominations next January!
This year’s Oscar race is shaping up to be an interesting one. Even though some favorites have finally started to emerge, there doesn’t yet seem to be any true consensus choices. For instance, last year, from the moment the film premiered at Sundance, we all knew that J.K. Simmons was going to win an Oscar for Whiplash. There was never any doubt. This year, however, has yet to see any such certainty.
Up until a few days ago, I thought a best picture nomination for Carol was about as close to a sure thing as we could hope for. But now, word is coming in that American audiences are not reacting quite as enthusiastically to the film as the audiences at Cannes. Much like last year’s Foxcatcher, it’s starting to sound as if Carol might be a film that people respect more than they like.
Meanwhile, Steven Spielberg’s Bridge of Spies has been getting positive but not exactly rapturous reviews, which is pretty much what I was expecting. Spotlight seems to be becoming more and more of a certainty. A lot of self-appointed award divas are going crazy over Cate Blanchett in Truth, a film that looks incredibly tedious. Myself, I’m hoping that Suffragette turns out to be great and gets all sorts of nominations. Unfortunately, this means that I’m now in the rare position of actually agreeing with Sasha “I am the game” Stone of AwardsDaily.
And who would have thought that The Room would suddenly emerge as an Oscar front runner!? Way to go, Tommy Wiseau! Oh, wait. It’s a different Room?
Well, never mind then.
Anyway, below you can find my predictions for October and no, I’m still not hopping on the Revenant bangwagon, I don’t care how great the damn trailer is! (Actually, the trailer is really good…but I made my choices for this month and I’ll live with them.)
The upcoming release of The Scorch Trials (and my total apathy to it, along with my reactions to Divergentand Insurgent) only serves to remind me how much I’m looking forward to the final installment in The Hunger Games saga and how much I’m going to miss it all when it’s over.
(And, after you watch the trailer, why not check out some of our past Hunger Games reviews — like this one or this one or this one or maybe this one.)
However, it might be nice if they had been. It would certainly put a lot less pressure on me. Here we are — it’s September and the Oscar race is still largely up in the air. Hopefully, the picture will start to become a bit more clear over the next few weeks. For instance, Beasts of No Nation was just acclaimed at the Venice Film Festival and, as I write this, we are just a few days into the Toronto Film Festival.
But for now, it still looks like it is anyone’s race to win!
Below are my predictions for September! If you want to see just how confused I’ve been (and how random my predictions have occasionally been) for the majority of the year, be sure to check out my predictions for January, February, March, April, May, June, July, and August!
Well, here we are. The year is more than halfway over. The fall movie season is approaching. And yet, not a single true Oscar front-runner has yet to emerge. Could this be the year that a true populist hit, like Mad Max: Fury Road, or an unexpected art house wonder, like Ex Machina, manages to secure a spot?
Well, probably not. But still, it’s fun to speculate!
(Are Oscar pundits being too quick to dismiss Straight Outta Compton? I have not seen it yet but look at those reviews and look at that box office. It’s an interesting question.)
Anyway, here are my prediction for August! To see how my thinking has evolved over the year, check out my predictions of January, February, March,April, May, June, and July!
Below, you’ll find the last Hunger Games trailer ever!
The Hunger Games Mockingjay Part 2 comes to theaters on November 20th and I can tell you already that tears will flow from my mismatched, heterochromatic eyes when it’s all over. Much like Sharknado, The Hunger Games has truly become a part of our shared culture and it’s hard to imagine a world with no new installments on the horizon.
Through the Shattered Lens 