Constantine, Review by Case Wright


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Can one act stain your soul for all eternity? It turns out that if you attempt suicide, you’re going to Hell.  Anywho, Constantine was a comic by Alan Moore (Watchmen) long before Keanu Reeves played the demon fighter.  Full disclosure, I have purchased, but not read the comic. It’s long and I’m not sure if I can get through it for this horrorthon, but I WILL TRY!

Constantine was born with a “gift” that he could see demons among us.  This drives him out of his mind; so, he commits suicide and is sent promptly to Hell. He’s tormented for what seems like an eternity, but in our time was just two minutes. He returns to Earth because paramedics revive him.  Because he attempted to kill himself, he’s condemned to Hell when he dies.  How do I know this?The “Half-Angel” Gabriel tells it to us in really clunky exposition.  It turns out that Heaven and Hell are basically in a Cold War and can’t directly fight on Earth.

Constantine REALLY doesn’t want to go back to Hell.  His solution is to fight demons for a living to get into heaven. He does an exorcism here and there and fights evil, but this isn’t his ticket back to heaven- as I was told by MORE exposition.  Constantine is kind of a depressive and a little whiny at times.  I guess that’s why I kept getting annoyed by him.  Yeah, Yeah, your life sucks, but there’s no reason to do this all the time:

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There’s a lot of these “I’m so broody Boohoo” moments in this film.

Like this one: broody 3.jpg

This one was a long trip to bummer time with a soupçon of anger:

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Between the complaining, Constantine uncovers a plot that Lucifer’s son Mammon is trying to break into earth and cause a lot of trouble.  Trouble….Trouble….that starts with M …. and ends with N, which stands for Mammon!

Constantine was entertaining, but it seems kinda all over the place at times.  The parts that had him hot on the trail of Mammon and his evil plans were fun, but all the side plots and side characters were a mixture of goofy and dull.  Overall, it was a good burgers and fries flick.  Not to say that the comics or the cartoon (yep, there’s a cartoon, I know because of Google) aren’t awesome, but if they are the same quality as the movie, they are beach reads or I’m stuck on public transportation reading.  There might be sequel.  Will I watch it? Yes, because despite my snark, I’m basically 14.

 

Music Video of the Day: Circus by Britney Spears (2008, dir by Francis Lawrence)


“There’s two types of persons in the world.  The ones that entertain and the ones that observe.”

Ten years ago, this song helped me get through the most difficult December of my life and, for that reason, it is today’s music video of the day.

To be honest, despite the fact that this is one of my favorite Britney songs, I nearly didn’t pick Circus for music video of the day because the song was co-written and produced by the infamous Dr. Luke.  But you know what?  The song may have been written by him but Britney makes it her own and this video isn’t about him.  Instead, it’s about the circus that is everyone’s life.  When Britney emerges in control, it’s a reminder that we all have it in us to put on the top hat and take control of the circus.  It’s a slightly silly video but that’s what makes it so great. It’s a fun video and Britney appears to be happy, which was a huge relief back in 2008.

This video was directed by Francis Lawrence, who is today best known for directing all of the Hunger Games film, with the exception of the first one.  He also directed Red Sparrow but we’ll forgive him for that.  (Speaking of circuses, he also directed Water For Elephants.)

Enjoy!

Film Review: Red Sparrow (dir by Francis Lawrence)


God, this film was a mess.

Red Sparrow is a spy thriller that features a lot of spies but not many thrills.  Jennifer Lawrence plays Dominika Ergova, a Russian ballerina whose career with the Bolshoi is ended when another dancer drops her on stage.  Fortunately, Dominka’s sleazy uncle Ivan (Matthias Schoenaerts) has a new career in mind!  Maybe Dominka could be a sparrow, a spy who seduces the enemy!  Just in case Dominka doesn’t want to spend the rest of her life seducing westerners, Ivan arranges for her to witness a murder and then informs her that she’ll be eliminated as a witness unless she does what he tells her.  This, of course, leads to Dominkia attending State School 4, where she is schooled in the arts of seduction by Matron (Charlotte Rampling).  Upon graduation, Dominka is sent to Budapest, where she falls in love with a CIA agent named Nash (Joel Edgerton) and a lot of predictable spy stuff happens.  Despite all of the sex and violence, it’s just not much fun.

Red Sparrow has all the ingredients to be an enjoyably trashy 90-minute spy flick but instead, it’s a slowly paced, 140-minute slog that just seems to go on forever.  Throughout the film, director Francis Lawrence (no relation to the film’s star) struggles to maintain a steady pace.  Too much time is spent on Dominka’s life before she suffers the injury that should have opened the film.  Meanwhile, the only interesting part of the film — Dominka’s education at State School 4 — goes by far too quickly and, despite the fact that she was giving one of the few interesting performances in Red Sparrow, Charlotte Rampling vanishes from the film early on.  Once Dominkia gets to Budapest, the film really slow down to a crawl.  Joel Edgerton’s a good actor and an even better director but he gives an overly grim and serious performance in Red Sparrow and he and Jennifer Lawrence have next to no romantic chemistry.

(That lack of romantic chemistry petty much dooms the final forty minutes of the film.  It’s easy to imagine a much better version of Red Sparrow in which Bradley Cooper played the role of Nash.  True, that would have been like the 100th time that Cooper and Jennifer Lawrence starred opposite each other but why not?  It worked for William Powell and Myrna Loy.)

As for Jennifer Lawrence, her performance is okay.  It’s not one of her best and there’s a few moments where it seems as if she’s more concerned with maintaining her Russian accent than with what’s actually going on in the scene but, for the most part, it’s a good enough performance.  That said, you do have to wonder how long she can go without having another hit film.  Despite being heavily hyped, Passengers, Mother!, and Red Sparrow all underperformed at the box office.  (In defense of Mother!, it was never going to be a box office hit, regardless of who starred in it.)  As talented as she is, it’s sometimes hard not to feel that, as an actress, Jennifer Lawrence has lost some of the natural spark that took viewers by surprise in Winter’s Bone, launched a whole new genre of dystopian YA adaptations with The Hunger Games, and which previously elevated unlikely films like The House At The End Of The Street.  She was a far more interesting actress before she became J Law.

Here’s hoping that she finally gets another role worthy of her talent!

Sci-Fi Film Review: The Hunger Games: Mockingjay — Part 2 (dir by Francis Lawrence)


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It’s finally over!

It probably sounds like I’m really excited that the final Hunger Games adaptation has been released.  It may sound like I’m happy that the saga of Katniss Everdeen and her life in Panem has finally come to an end.  And, to a certain extent, I am.  After everything that Katniss has been through, she deserves some peace and, fortunately, the series has ended before Jennifer Lawrence got bored with playing the role.  (To see what happens when actor gets bored with an iconic role, check out Daniel Craig in Spectre.)  Even though I think it can be argued that Mockingjay Part Two is the weakest of all the Hunger Games films, it still allows both Katniss and the actress who brought her to life to go out on a high note.

There’s a part of me that cringes a little when I think about all of the films that were released as a direct result of the success of The Hunger Games.  The Giver, The Maze Runner, Divergent, Tomorrowland, the list goes on and on.  I’ve reached the point where I can now say that I am officially sick of sitting through adaptations of Young Adult dystopian fiction.  And yet, I was still excited to see The Hunger Games: Mockingjay Part Two (even if that title is way too long and unwieldy).  Regardless of the number of mediocre films that it may have inspired, The Hunger Games franchise has always remained compelling.

So, how was Mockingjay Part Two?  Obviously, it doesn’t work as a stand-alone film.  The pacing is totally off, characters appear and disappear almost at random, and it’s all rather confusing.  If you haven’t seen the film that came before Mockingjay Part Two, I imagine that you would be totally confused by this film.  But, when viewed as the fourth part of one gigantic epic story, the whole thing is rather brilliant.

When the film opens, Katniss is still being used a prop in Alma Coin’s (Julianne Moore) revolution.  The majority of the film deals with her journey into and through the capital.  She wants to track down and assassinate President Snow (the wonderfully evil Donald Sutherland) whereas Coin just wants to use her as a symbol to solidify her authority.  As Katniss quickly realizes, there’s not much difference between Snow and Coin.  However, it takes one great tragedy for Katniss to truly understand the truth about the Alma Coin and her revolution.  If you’ve read the book, you’ll already know about and be prepared for that tragedy but it’s still a heart-breaking moment.

It’s also the most important moment in the franchise, one that reminds us that The Hunger Games has always been far more politically sophisticated (and thematically darker) than all of the films, books, and fan fic that has been inspired by it.  This is a seriously dark and, some would say, cynical movie and, as a student of history, I appreciated that.  I appreciated that Mockingjay didn’t try to force a happy ending on us and I also appreciated the fact that Mockingjay didn’t buy into the simplistic Manichaen worldview that is currently ruining worlds both real and cinematic.  The film’s final scene may be hopeful but it’s never naive.

It’s a bit unfortunate that Mockingjay had to be split into two separate films.  Mockingjay Part Two is full of exciting moments but there’s also a lot of scenes that feel like filler.  You get the feeling they were included to make sure that Mockingjay Part Two’s running team was equal to the other films in the franchise.  This is a film that features a lot of genuinely exciting action and some truly emotional moments.  It’s also a film that features a lot of speeches.  If only both parts of Mockingjay could have been released as one six hour film.  I would have watched it!

The film also features the final performance of Philip Seymour Hoffman, playing the rule of Plutarch.  Hoffman is not in many scenes and reportedly, he died before filming two of his biggest scenes.  Those scenes were rewritten and his dialogue given to other actors.  At one point, Woody Harrelson starts to read a letter that was written by Plutarch and it’s a sad scene because you’re aware that, originally, Hoffman was meant to deliver those lines in his trademark style.  As it is, Hoffman only appears in a few minutes of Mockingjay Part Two and he doesn’t do much.  But, when the film briefly features his bemused smile, you’re reminded of what a great actor the world lost when Philip Seymour Hoffman died.

Of course, the entire Hunger Games franchise has been full of great actors.  Jennifer Lawrence brought Katniss to wonderful and empowering life and one of the joys of Mockingjay Part Two is getting to see her bring the character’s story to a close.  But even beyond Jennifer Lawrence’s rightly acclaimed work, the entire cast of the franchise deserves a lot of credit.  I’ve always loved Donald Sutherland’s interpretation of President Snow and he’s at his best here.

For that matter, if there ever is another Hunger Games film or a Hunger Games spin-off, why not make it about Jena Malone’s Johanna Mason?  The way that Malone delivered her angry and frequently sarcastic dialogue was definitely one of the film’s highlights.

Regardless of whether there are any future films, The Hunger Games: Mockingjay Part Two is a worthy conclusion to a great story.

(By the way, as you may have guessed from the title of this post, December is science fiction month here at the Shattered Lens!  We hope you enjoy it!)

Previous Hunger Games Reviews:

  1. Quick Review: The Hunger Games (dir by Gary Ross)
  2. Review: The Hunger Games
  3. 44 Days of Paranoia: The Hunger Games: Catching Fire
  4. For Your Consideration: Jennifer Lawrence in The Hunger Games Mockingjay Part One

For Your Consideration #6: Jennifer Lawrence in The Hunger Games: Mockingjay Part One


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Of the three The Hunger Games films released so far, Mockingjay Part One is definitely the weakest.  That does not, however, mean that it’s a bad film.  It’s just that it doesn’t quite reach the grandeur of the first film, nor does it have the same political immediacy as the second one.  However, there’s a lot of good things to be said about Mockingjay.  Julianne Moore is perfectly cast as the charismatic but faintly sinister Alma Coin.  Philip Seymour Hoffman’s performance reminds us of what a towering talent we lost earlier this year.  Donald Sutherland continues to transform President Snow into a villain for the ages.  Even though he’s only in the film for a few minutes, Stanley Tucci is perfectly vapid as Caesar Flickerman.

In fact, the only real problem with Mockingjay is that it’s so obviously a prologue to something bigger.  Much as with The Maze Runner, we watch Mockingjay with the knowledge that it’s only part one and that the majority of the issues raised by the film will not be settled until next year.  The film itself knows this as well and, as such, it lacks the immediacy and much of the excitement of the first two Hunger Games films.

But yet, with all those flaws in mind, Mockingjay still works and it’s largely because of Jennifer Lawrence’s performance as Katniss Everdeen.  Whereas the first two Hunger Games films featured a Katniss who was always at the center of the action and always taking charge of any situation that she found herself in, Mockingjay features a Katniss who has far less control over her fate.  (One of the neater ironies of the series is that Katniss was actually more independent as a prisoner of President Snow than as a “guest” of Alma Coin.)  In Mockingjay, Katniss finds herself forced — with more than a little reluctance — to become the figurehead for the entire revolution and the film’s best moments are the ones in which others debate how to best “market” her.  These scenes are all about how Katniss — who is now not only a celebrity but a political icon as well — deals with losing control over her own public image.  Considering that Jennifer Lawrence’s rise to fame and acclaim occurred just as abruptly as Katniss’s, it’s probable that — even more so than in the previous films — the actress brought a lot of herself to the character.

So, yes, I would argue that Jennifer Lawrence does perhaps deserve some awards consideration for her performance in Mockingjay.  However, she truly deserves it for the consistent quality of her performance throughout the entire Hunger Games franchise.  From the very first film, Jennifer Lawrence’s performance has been iconic.  Fiercely independent without giving into the usual cinematic clichés that come with that, Katniss Everdeen has provided an alternative role model for a generation of girls who, otherwise, might have only had the likes of Bella Swan to look up to.

If that’s not worthy of being honored, then I don’t know what is.

Trailer: The Hunger Games: Catching Fire


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I am currently in the process of catching up on all of the news that I missed out on during last week’s unplanned vacation from posting.  Indeed, one of the biggest events last week was the release of this trailer for The Hunger Games: Catching Fire.  The Hunger Games was one of the best films of 2012 and Jennifer Lawrence provided a role model for girls who, otherwise, might be tempted to mistake Bella Swan for a strong woman.

Is it any wonder that Catching Fire is one of the most anticipated films of 2013?

Catching Fire, starring Jennifer Lawrence and directed by Francis Lawrence, is scheduled to be released on November 22nd.

Trailer: The Hunger Games: Catching Fire (Exclusive Teaser)


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The next installment in The Hunger Games series, Catching Fire, looks to return later this year with a new director taking over the reins. Gary Ross began the series as director of the first film and the film enjoyed massive success and very positive reception from the critics-at-large. So, it was surprising news that Ross wouldn’t be returning to continue the series and instead Lionsgate replacing him with Francis Lawrence (Constantine, I Am Legend).

This sequel brings back everyone who survived the first film and adds some new faces in the cast such as Philip Seymour Hoffman, Toby Jones, Jena Malone and Jeffrey Wright.

The Hunger Games: Catching Fire is set for a November 22, 2013 release date.