Watching this video makes me want to learn how to play the violin.
My favorite credit for this video reads: “Thanks to the Dyer Family for letting me use their driveway for the water scene.”
Enjoy!
Watching this video makes me want to learn how to play the violin.
My favorite credit for this video reads: “Thanks to the Dyer Family for letting me use their driveway for the water scene.”
Enjoy!
There’s no big reason behind why I picked this video for today’s music video of the day. This song just makes me happy and it’s a fun video. If you don’t like the music, you can concentrate on the dancing. If you don’t like the dancing, you can look at the mountains. If you don’t care about mountains, you can try to read all the graffiti behind Lindsey. Seriously, this video has something for everyone.
Enjoy!
Hi, everyone!
I have to admit that one reason why I picked this video for today’s music video of the day is because there’s really not a whole much to say about it. I’m running a bit behind tonight, which tends to happen during the holidays. I still haven’t even watched the latest episode of The Walking Dead! So, by necessity, I have to pick a video that’s fairly straight-forward.
I also have to admit that this is definitely a case where I like the song a lot more than video. Along with Jakalope, Coldplay, The Chemical Brothers, and Sleigh Bells, Muse is one of my go-to bands whenever I need writing music. I’ll be listening to Muse tonight as I try to get caught up. I love this song but the video hurts my eyes. The infrared filter is effective when used sparingly but, after five minutes of it, my eyes start to water.
Enjoy!
Awards season continues with the Los Angeles Film Critics Association. Here are their picks for the best of 2017!
PICTURE: “Call Me by Your Name”
Runner-up: “The Florida Project”
DIRECTOR: Guillermo del Toro, “The Shape of Water” and Luca Guadagnino, “Call Me by Your Name” (tie)
ACTOR: Timothée Chalamet, “Call Me by Your Name”
Runner-up: James Franco, “The Disaster Artist”
ACTRESS: Sally Hawkins, “The Shape Of Water”
Runner-up: Frances McDormand, “Three Billboards Outside Ebbing, Missouri”
SUPPORTING ACTOR: Willem Dafoe, “The Florida Project”
Runner-up: Sam Rockwell, “Three Billboards Outside Ebbing, Missouri”
SUPPORTING ACTRESS: Laurie Metcalf, “Lady Bird”
Runner-up: Mary J. Blige, “Mudbound”
SCREENPLAY: Jordan Peele, “Get Out”
Runner-up: Martin McDonagh, “Three Billboards Outside Ebbing, Missouri”
ANIMATION: “The Breadwinner”
Runner-up: “Coco”
FOREIGN LANGUAGE FILM: “BPM” (Beats Per Minute) and “Loveless” (tie)
DOCUMENTARY / NON-FICTION FILM: “Faces Places”
Runner-up: “Jane”
NEW GENERATION: Greta Gerwig
FILM EDITING: Lee Smith, “Dunkirk”
Runner-up: Tatiana S. Riegel, “I, Tonya”
CINEMATOGRAPHY: Dan Laustsen, “The Shape of Water”
Runner-up: Roger Deakins, “Blade Runner 2049”
PRODUCTION DESIGN: Dennis Gassner, “Blade Runner 2049”
Runner-up: Paul D. Austerberry, “The Shape of Water”
MUSIC/SCORE: Jonny Greenwood, “Phantom Thread”
Runner-up: Alexandre Desplat, “The Shape of Water”
DOUGLAS E. EDWARDS INDEPENDENT/EXPERIMENTAL FILM/VIDEO: “Purge This Land” from director Lee Anne Schmitt
CAREER ACHIEVEMENT: Max von Sydow
Hi everyone! Lisa here with today’s music video of the day.
Lust for Life, which was co-written by David Bowie, was originally released in 1977 but it didn’t become a hit until it was used in the 1996 film Trainspotting. The director of Trainspotting, Danny Boyle, also directed this video, which is basically scenes from the movie mixed in with footage of Iggy Pop performing.
Appropriately for a song that would become the theme to Trainspotting, Lust For Life is a song about heroin addiction. (The majority of the song is told through the eyes of Johnny Yen, a character created by noted heroin aficionado, William S. Burroughs.) Because of the song’s rousing chorus, it has regularly been used in advertisements for things that have absolutely nothing to do with heroin. For instance, it was used to promote Royal Caribbean Cruises.
The recent Trainspotting sequel featured The Prodigy’s remix of Lust for Life. Sadly, this one doesn’t come with a music video but you can listen to it below:
Enjoy!
For the record, I like snow, too. I especially love snow in December and January but, as of right now, I have my doubts as to whether it will happen during this particular holiday season. It’s a shame. Next year, I’ll do Christmas in Canada.
As for this video …. well, I like this video. It’s trippy and weird and kinda disturbing and it’s got two dancing wolves. Dancing wolves are always a good thing.
It was directed by Vadim Mechona, who was also one of the directors on the previous Lara Snow video that I shared.
Enjoy!
What’s an Insomnia File? You know how some times you just can’t get any sleep and, at about three in the morning, you’ll find yourself watching whatever you can find on cable? This feature is all about those insomnia-inspired discoveries!
If you were having trouble getting to sleep last night around midnight, you could have turned over to Showtime and watched Arsenal, a film that had a brief theatrical run in January and which has now made its way to cable.
Arsenal tells the story of two brothers. When we first meet them, they’re kids and they’re living with their uncle. But then their uncle kills himself and the two brothers find themselves going down very different paths. JP (who is played, as an adult, by Adrian Grenier) turns a part-time job mowing lawns into a full-time job as the owner of a construction company. Meanwhile, Mikey (played, as an adult, by Jonathon Schaech) stumbles across gangster Eddie King (Nicolas Cage) while Eddie is busy killing a man. JP heads for a life of respectability. Mikey heads for a life of crime. Much like the Bulger brothers, they remain close despite their differing lifestyles.
But who cares about the brothers? Adrian Grenier and Jonathon Schaech both do the best that they can with these two underwritten parts but ultimately, neither JP nor Mikey is that interesting. If anything, they’re like the guys who you keep around as backups in case the guy you really like never works up the courage to talk to you. Instead, let’s discuss about Eddie King.
As I said before, Eddie King is played by Nicolas Cage. As you can probably guess, Cage does not exactly show anything resembling restraint when he plays King. That may not be surprising but what is surprising that, after twenty years or going totally overboard in almost every role that he’s played, Cage can still surprise audiences by just how far he’s willing to go. Every time that you think Cage’s performances can’t get any more bizarre, something like Arsenal comes out and proves you wrong.
There is so much to love about Cage’s batshit crazy performance as Eddie King. For one thing, it makes absolutely no sense. If you look at real-life mobsters, one thing that becomes clear very quickly is that the best ones may have been sadistic but they were usually smart enough to know when to lay low. Eddie, on the other hand, never lays low. He’s so crazy that he might as well be wearing a shirt that reads, “I kill people and then laugh about it.” So, not only do you have Cage giving one of his most over-the-top performances but, for some reason, he’s also wearing this extremely fake nose and the movie doesn’t really make much of an effort to disguise the fact that it’s a fake nose. I mean, you can literally see the glue that’s holding the fake nose over the old nose. And then there’s Cage’s haircut, which would appear to suggest that Eddie King shares a barber with every pervy humorist who has ever had a job working for Minnesota public radio. When we first see Eddie, he’s gruesomely killing a man and Cage gets so into it and there’s so much blood flying that I was half-expecting Eddie to then turn into Pennywise the clown. Eddie gets another scene where he writes a letter to his dead brother. Cage acted the Hell out of that scene. It’s as if he was saying, “You thought my Left Behind performance was strange? CHECK THIS OUT, DAMN YOU!”
Of course, Cage isn’t the only good actor acting weird in Arsenal. John Cusack plays a cop. He always wears sunglasses and a cap and he also keeps his shoulder slouched. Was it a character thing or was Cusack sincerely hoping no one would recognize him in the movie? I’m not really sure but it’s still fun to try to figure out.
Anyway, Arsenal is your typical low-budget gangster film, where there’s a lot of yelling and people getting shot and tortured and all the rest of the usual crap. There are thousands of these films and they tend to blend together into one tedious mass of pointless mass of sadism. One of the brothers gets kidnapped. The other one has to shoot a lot of people. Bleh. Boring. Outside of the people who need something to watch while at the Russian mafia sleepover, who cares? WAKE ME WHEN THE BULLETS HAVE STOPPED FLYING AND IT’S ALL OVER! But at least Cage and Cusack are around to keep things kind of interesting.
Previous Insomnia Files:
For today’s music video of the day, we have the video for Lara Snow’s Sometimes It’s Enough.
Why do I like this video? To a certain extent, I relate to it. Abandoned buildings have always fascinated me, just the idea that a structure that was once full of life can suddenly be so … dead. It’s hard to resist. Just a few years ago, my sister and I had a lot of fun when we came across an abandoned house with an open door. I mean, on the one hand, it was the perfect set-up for a horror movie. On the other hand, that kind of made it fun. That may or may not make sense to most people but it makes perfect sense to me.
This video also reminds me of the films of Jean Rollin. That’s always a good thing.
Anyway, enjoy and welcome to December!
On Thursday, the New York Film Critics Circle announced their picks for the best of 2017! For best picture, they selected Lady Bird. If nothing else, that’s a relief to those of us who were scared the entire precursor season would be dominated by The Post.
Here are the winners:
Best Film – “Lady Bird”
Best Director – Sean Baker, “The Florida Project”
Best Actor – Timothee Chalamet, “Call Me by Your Name”
Best Actress – Saoirse Ronan, “Lady Bird”
Best Supporting Actor – Willem Dafoe, “The Florida Project”
Best Supporting Actress – Tiffany Haddish, “Girls Trip”
Best Screenplay – Paul Thomas Anderson, “Phantom Thread”
Best Animated Feature – “Coco”
Best Non-Fiction Film – “Faces Places”
Best Foreign Language Film – “BPM (Beats Per Minute)”
Best Cinematography – Rachel Morrison, “Mudbound”
Best First Film – Jordan Peele, “Get Out”
Special Achievement Award – Molly Haskell
Well, it’s that time again! It’s time for me to update my predictions for what will be Oscar-nominated in January.
This is also the point of the year when, for better or worse, the Oscar race starts to get a bit clearer. I guess it’s time for me to stop pretending that either It or Wonder Woman is going to be nominated for best picture. *Sigh* That said, there still might be a few surprises.
(At least, I hope there will be…)
Be sure to check out my predictions for January, February, March, April, May, June, July, August, September, and October!
Best Picture
Call Me By Your Name
The Disaster Artist
Dunkirk
The Florida Project
Get Out
Lady Bird
Phantom Thread
The Post
Three Billboards Outside Ebbing, Missouri
Best Director
Sean Baker for The Florida Project
Greta Gerwig for Lady Bird
Christopher Nolan for Dunkirk
Jordan Peele for Get Out
Steven Spielberg for The Post
Best Actor
Timothée Chalamet in Call Me By Your Name
Daniel Day-Lewis in Phantom Thread
James Franco in The Disaster Artist
Tom Hanks in The Post
Gary Oldman in Darkest Hour
Best Actress
Judi Dench in Victoria and Abdul
Frances McDormand in Three Billboards Outside Ebbing, Missouri
Margot Robbie in I, Tonya
Saorise Ronan in Lady Bird
Meryl Streep in The Post
Best Supporting Actor
Willem DaFoe in The Florida Project
Armie Hammer in Call Me By Your Name
Woody Harrelson in Three Billboards Outside Ebbing, Missouri
Sam Rockwell in Three Billboards Outside Ebbing, Missouri
Mark Rylance in Dunkirk
Best Supporting Actress
Tiffany Hadish in Girl Trip
Holly Hunter in The Big Sick
Allison Janney in I, Tonya
Melissa Leo in Novitiate
Laurie Metcalf in Lady Bird