This is the song that gave it’s title to one of the best films ever made.
My my, hey hey Rock and roll is here to stay It’s better to burn out Than to fade away My my, hey hey.
Out of the blue and into the black They give you this, but you pay for that And once you’re gone, you can never come back When you’re out of the blue and into the black.
The king is gone but he’s not forgotten This is the story of a Johnny Rotten It’s better to burn out than it is to rust The king is gone but he’s not forgotten.
Hey hey, my my Rock and roll can never die There’s more to the picture Than meets the eye. Hey hey, my my.
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing Saved By The Bell, which ran on NBC from 1989 to 1993. The entire show is currently streaming on Tubi!
This week, Zack goes to war! Actually, now that I think about it, he really doesn’t. This title makes no sense.
Episode 2.2 “Zack’s War”
(Dir by Don Barnhart, originally aired on September 15th, 1990)
Bayside High School is now home to a Cadet Corps program. Led by Lt. Chet Adams (Cylk Cozart), the Cadet Corps appears to be the same thing as the ROTC but it’s called the Cadet Corps and despite all of the attention that it receives here, it’s never mentioned again after this episode.
Slater’s dad is in the army so he can’t wait to join the Cadet Corps. Zack jokes about never joining the Cadet Corps so Belding gives him 30 Saturday detentions …. unless, Zack joins the Cadet Corps and talks all of his friends into joining. Soon, Zack, Slater, Kelly, Jessie, Lisa, Screech, Butch, and Louise are all members of the Cadet Corps. That’s …. 8 people. Wow, that’s a really weak turn-out. Zack has a lot more friends than that! Seriously, if only 8 people show up to one of my watch parties, I usually end up depressed for a week.
Anyway, you may notice some new names there. Louise is the unathletic belle of the school nerds. Butch is an apparently sociopathic bully who doesn’t want Screech talking to his girlfriend. For this episode, I guess we’re just supposed to forget that Screech has always, in the past, been in love with Lisa.
The second day of Cadet Corps, Lt. Adams announces that it’s time for an athletic competition. He allows Zack to pick the teams. Zack puts Screech, Lisa, and Louise on one team. The other team is made up of Butch, Kelly, and Jessie. Zack says Slater can lead the team with Screech, Lisa, and Louise. Lt. Adams says, “Nope,” and he puts Zack in charge of the unathletic team.
That’s the short version of this dumb episode. This is another one of those weird episodes where an authority figure — in this case, Lt. Adams — tells Zack that, if he wins an arbitrary competition, he’ll be allowed to skip class for the rest of the year. Zack wins the competition but, when Adams says he won’t be seeing Zack anymore, Zack replies, “Why? Are you quitting?” No, Zack, you prick — you’re quitting! Except Zack doesn’t quit for some reason. He’s proud to be in the Cadet Corps.
Needless to say, the Cadet Corps are never mentioned again.
The latest episode of Hollywood Demons took a rather superficial look at life behind the scenes at Saved By The Bell. The formerly reclusive Lark Voorhies was interviewed and it was good to see her looking healthy and happy. As well, Max Battimo, from Good Morning Miss Bliss, was also interviewed and talked about what it was like to not be invited to join the cast of Saved By The Bell.
The majority of the episode focused on Dustin Diamond and his years after Saved By The Bell. The episode tried to generate some sympathy for Diamond and I have to admit that I’ve always felt that it wasn’t right to cast him as a high school student when he was barely 12 and had so little in common with the rest of the cast. That said, in this documentary, Dustin Diamond also came across as being mentally unhinged. One crew member told a story about Diamond threatening a Saved By The Bell: The New Class actor with a knife. The name of the actor was not given, though from the details provided (the incident occurred while Diamond’s mother was dying of cancer and Diamond threatened to get the actor fired), it seems that the incident took place in 1996, during the film of the New Class‘s Fourth Season. Assuming Diamond didn’t pull the knife on any of the female cast members or Dennis Haskins, that leaves Richard Lee Jackson, Ben Gould, and Anthony Harrell. Jackson was in his second season on the show and was the lead actor so I don’t think Diamond would have threatened to get him fired. Gould and Harrell were new. On twitter, I found a tweet from 2014 of someone mentioning that they had been given a tour of Hollywood by someone who Dustin Diamond pulled a knife on. Since Harrell has been busy with his musical career, that would leave Gould as the probable target of Diamond’s abuse. Of course, that’s all speculation on my part. The important thing is that Dustin Diamond didn’t come across as being particularly sympathetic, despite the documentary’s best efforts.
Unfortunately, while Lark, Max, and Ed Alonzo were all interviewed, Mark-Paul, Mario, Tiffani, Elizabeth, and Dennis Haskins were not. I’m not surprised. When you’ve actually got a career going, you don’t want to taint it by being interviewed by a tabloid television show. Still, considering that they were the stars of the show, not interviewing them seemed like a missed opportunity.
Kyōryū Sentai Zyuranger (Shout TV)
I watched three more episodes of this odd series on Friday night. The monsters were trippy!
Night Flight (NightFlight+)
I watched an episode on Friday night. John Cougar Mellencamp talked about his career.
Saved By The Bell (Tubi)
My review of Saved By The Bell will be dropping soon, assuming I don’t fall asleep before I can write it.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001. The entire show can be viewed on Tubi.
This week, you can do anything in a montage!
Episode 2.3 “The One That Got Away”
(Dir by Gus Trikonis, originally aired on September 30th, 1991)
After Megan (Vanessa Angel), a lifeguard who we’ve never seen before, is attacked by a maniac (Rick Dean), she has to conquer her fears of being attacked again so that she can lure him out of hiding so that he can be arrested.
Meanwhile, Shauni is burned out on being a lifeguard so she and Eddie spend a weekend just enjoying the beach and presumably ignoring anyone who might be drowning.
This is pretty much the epitome of a syndicated episode of Baywatch and it’s interesting to see that the formula was pretty much determined and locked in even this early into the show’s syndicated run. There’s a serious storyline about a maniac attacking women on the beach but the cameraman spends as much time leering at Vanesa Angel as the man stalking her. Shauni is tired of doing her job and instead of telling her to find a new job, it’s suggested that she just spend a weekend looking at the sunset with her boyfriend.
But the most important thing is that, regardless of the beach maniac and Shauni’s depression, there’s plenty of time for endless musical montages. That’s what this episode is really all about. Shauni gets a frustration montage. She gets a happy montage. Lifeguard Harvey gets an acting like a jackass montage. Each montage takes up about five minutes of screentime so that probably definitely helped when it came to writing the script for this episode.
David Hasselhoff, oddly enough, is barely in this episode. It’s only the second episode of the show’s syndicated run and the Hoff was already taking the week off? I guess you can do that when you’re syndicated.
As I continue revisiting various movies that feature Chow Yun-Fat during his birthday month of May, I decided I would revisit his work in the COLD WAR franchise, specifically COLD WAR II from 2016. The problem is that I hadn’t watched COLD WAR (2012) since it was released on Blu ray well over a decade ago, so I couldn’t remember much about it. And when you consider that another sequel, COLD WAR 1994 (2026), was released to boffo box office in China just last week, now seemed like a perfect time for another viewing of the original.
Set in Hong Kong, Asia’s “safest big city,” COLD WAR begins with the disappearance of a police emergency response van, as well as all five officers on board. We soon meet deputy commissioners Sean Lau (Aaron Kwok) and M.B. Lee (Tony Leung Ka-fai) who have vastly different ideas of how the situation should be handled. Lau wants to take a calm, measured, and analytical approach that prioritizes public safety, while Lee wants to take a bulldozer to the city and stop at nothing to find the officers and punish those responsible. Admittedly, Lee’s motivation is clouded by the fact that his only son Joe (Eddie Peng) is one of the missing officers. This setup kicks off a battle between dedicated cops, ambitious politicians, and motivated terrorists in a world where saying the wrong thing could cost you your career. Depending on which side you’re on, it could even cost you your life.
Aaron Kwok and Tony Leung Ka-fai are excellent as the rival deputy commissioners trying to manage the crisis while also outmaneuvering each other. Kwok plays the colder and more procedural Sean Lau, who sparingly shows the cracks in his armor. It’s a nicely controlled performance by Kwok, making the scenes where we see his humanity that much stronger. Leung’s M.B. Lee is more old-school, driven by instincts and results. His intense performance provides life to the film, and he was rewarded for his work with that year’s Hong Kong Film Award for Best Actor.
The primary intrigue of the film is provided by the tense meetings and phone calls between these men and their teams, as well as the political fallout of those standoffs. It’s strange for a Hong Kong crime film, but the actual retrieval of the missing cops comes across as secondary, and it still works. First time directors Sunny Luk and Longman Leung really like their dialogue scenes and trust the audience enough to let these moments carry the suspense for large chunks of time. Imagine that happening in a Hollywood action film?!!
Even with all the dialogue and posturing, the action scenes in COLD WAR are exciting when they do come. There’s a freeway shootout where we get to see that agent Lau has some incredible shooting and survival skills to go along with stoic demeanor. The final action sequences hit hard, featuring a step up in the graphic violence in comparison to what we’d seen up to that point in the film. The players and the stakes had been firmly established, so when violence does erupt, I was invested in its outcome, whether it be good or bad.
COLD WAR gets an easy recommendation from me. I thought it was well acted and well directed, with enough meaningful action to remind me why I like Hong Kong movies in the first place. It was also fun to see so many familiar faces in important roles, including cameos from the likes of Andy Lau and Michael Wong. A word of warning though, you will need to pay attention to the film if you want to enjoy it. So much of the fun comes from the tension created by the situations and the dialogue, so this is not a viewing experience designed to co-exist with a lot of other distractions.
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Tubi!
Guess who is making trouble …. again.
Episode 2.12 “It’s My Party And You’ll Die If I Want You To”
(Dir by Tom DeSimone, originally aired on December 24th, 1989)
This aired when?
Wow! Happy Christmas Eve!
Freddy takes center stage in this week’s episode. First, he possesses a phony psychic (Gwen Banta) and uses her to kill a bunch of people because …. well, why not? He’s Freddy. It’s kind of what he does. The second story features Freddy seeking revenge on the woman who stood him up for prom and it features an occasionally clever subplot about a man attempting to write a film about Freddy’s life. Freddy complains that the script doesn’t have a heart. That’s because Freddy ripped it out of the screenwriter.
This was not a bad episode. Director Tom DeSimone does a good job of keeping the action moving and he allows Freddy to be genuinely menacing. This entire season has pretty much been a reminder of the fact that Freddy isn’t just an undead spirit who makes joke He’s also very scary. If the first season treated Freddy like a quip machine, the second season has gone out of its way to show that Freddy is pure evil and you’re better off not being in his presence.
This week’s stories were tied together by the presence of Oliver Michaels (Richard Speight), a spacey young man who previously appeared in Photo Finish. Oliver does his best to warn people in this episode but no one’s willing to listen until it’s too late.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988. The show can be found on Daily Motion.
St. Elsewhere gets political!
Episode 3.19 “Red White Black and Blue”
(Dir by Eric Laneuville, originally aired on February 13th, 1985)
This week, on St. Elsewhere!
The First Lady is coming to Boston! Though she’s going to be visiting Boston General, St. Eligius has been designated as a backup hospital. While she’s in the area, the Emergency Room will be closed to everyone but her. As well, some members of the hospital staff have been flagged as security risks — including Dr. Craig!
Dr. Craig is not happy about that but eventually, he’s cleared. It turns out that his wife was the security risk because she once defended the Black Panther Party.
Betty White plays Captain Gloria Neal, a doctor who is on the First Lady’s security team. She is an old friend of Dr. Westphall’s. At first, it seems like she and Westphall might pursue a romance but it doesn’t happen. I’m going to guess this is because Gloria realized that Dr. Westphall is the most depressing man on the planet.
When a severely injured man is rushed to St. Eligius, Neal refuses to open the Emergency Room. So, Dr. Craig takes it upon himself to overrule her. The man dies on the table.
Dr. Jacqueline Wade (Sagan Lewis) follows Captain Neal around, complaining about the president’s policies. In fact, the entire hospital seems to be full of Democrats! Wow, this President sure must have been unpopular. Let’s see who it is …. hey, Ronald Reagan! Three months before this episode aired, Reagan was reelected with 58% of the vote. He carried 49 states, including Massachusetts. Apparently, everyone who voted for Walter Mondale worked at the same hospital.
Mrs. Hufnagle is back at the hospital. She is having heart problems. Dr. Westphall glumly tells the doctors that they have been neglecting her because of her terrible personality. However, not even Westphall can handle talking to her. He passes the case over to Dr. Craig.
Fiscus has dinner with Shirley Daniels, who says that she hopes she goes to prison for shooting Dr. White. The next day, Shirley is admitted to the hospital with appendicitis.
Victor Ehrlich wrong believes that a child has been abused by his mother. He gets social services involved. Later, Westphall sighs with regret and tells Victor that he did the wrong thing. Westphall is being kind of a prick here. Legally, if Ehrlich thinks that there’s been abuse, he’s required to report it. Westphall seems to be upset that Ehrlich can’t read minds.
Finally, chronic homewrecker Nurse Rosenthal has to spend the day at the hospital so her lover, Richard, spends the day with her annoying children. Well, I guess he certainly wasn’t going to spend it with his wife. I will never understand why this show felt it was necessary to spend so much time with this particular family. They were all annoying, every single one of them.
This episode opened with a homeless man using an American flag as a blanket and then went on to feature a man selling American flags getting attacked. That’s about as subtle as things got. It’s interesting that the show previously established Dr. Craig as being a Republican but apparently, with this episode, viewers were expected to believe that he was not a fan of Ronald Reagan’s.
In other words, this was not a great episode. This felt like the medical equivalent of one of those Law & Order episodes where all of the salt of the Earth cops start talking about how they never miss Morning Joe.
Finally, I feel bad for Mrs. Hufnagle, Even annoying people deserve good medical treatment!
Ringo Lam’s CITY ON FIRE is one of the first movies starring Chow Yun-Fat that I really wanted to see after I had made my way through the John Woo films. Chow worked with Ringo on a total of 5 films from 1987 – 1992, and they’re a gold mine. I have previously reviewed PRISON ON FIRE and FULL CONTACT, so I decided now was a good time to take a fresh look at this one.
Opening with an awesomely 80’s, neon-drenched saxophone solo from Teddy Robin Kwan, CITY ON FIRE tells the story of undercover cop Ko Chow (Chow Yun-Fat). He’s practically forced by his handler on the force, Inspector Lau (Sun Yueh), to infiltrate a violent gang of jewel thieves. The problem is that he has a history of getting in way too deep, so deep that he forgets where the job ends and his real life begins. It happens again when he’s able to get close to the leader of the thieves, Fu, played by his KILLER co-star, Danny Lee. When the gang hits a jewelry store with Chow in tow, and with the cops on their trail, everything goes to hell. Some store employees are killed, some gang members are taken out, and Chow even takes one in the gut. As the survivors meet back up at the warehouse, it becomes clear that there’s a mole in their midst, even though not everyone wants to admit it.
Does that premise sound familiar to you? If you’re a big fan of Quentin Tarantino and RESERVOIR DOGS, you can’t help but recognize how strongly his film was influenced by CITY ON FIRE. The influence is clear, especially in the broad strokes of the plotline and at the famous finale, but these are two very different crime films in execution, and they’re both excellent in their own ways.
In the late 80’s, some of the best action and crime films in the world were being made in Hong Kong. So many of the films had a reckless energy, which seems to be especially evident in director Lam’s works. In contrast to John Woo’s stylish action scenes, Lam’s scenes aren’t polished. They’re more grounded, they’re chaotic, and they’re not “cool” at all. For example, the film opens with an undercover named Chan Kam-Wah (Elvis Tsui) being called out and murdered in the middle of a busy market. Stabbed multiple times with a big butcher knife while desperately fighting for his life, the scene plays out in a realistic, clumsy, and very bloody way. In other words, it’s painful to watch without a slow-mo tracking shot in sight. We know immediately that no one is safe, and there’s a palpable tension as the undercover cop / criminal drama plays out that really works for the film.
Chow Yun-fat is fantastic, with his performance winning him his 2nd consecutive Hong Kong Film Award for Best Actor. He’s not the impossibly cool heroic bloodshed hero of the prior year’s A BETTER TOMORROW. Rather, while he’s charming in certain early scenes with his girlfriend Hung (Carrie Ng), when he starts his new assignment, you can see that he’s completely exhausted with his life as an undercover cop, a life that seems to have broken him emotionally. You can almost feel an impending doom with his character that lingers over the film, turning it into something different than your average cops and robbers story. In the other major lead of the film, Danny Lee is so good as the leader of the gang of jewel thieves, Fu. He’s very professional, and once he’s accepted Chow into their ranks, he’s very friendly and personable to him. In these moments, you can see how the two men could bond. But Fu’s also shown that he will kill anyone who gets in his way, so you know it’s inevitable that the two will collide head-on at the end. When it comes, it hits hard.
I highly recommend CITY ON FIRE to any person who enjoys gritty crime films. The action is brutal, the lead performances are excellent, and the drama of the story will leave you emotionally drained as the end credits roll. I can see why it would have had a major impact on a lover of Hong Kong cinema like a young Tarantino!
CITY ON FIRE is currently streaming on Prime Video, PlutoTV, Tubi, and Plex.
Today’s song of the day comes to us from the soundtrack of the 1983 film, Revenge of the Ninja. Composed by Robert J. Walsh, this soundtrack will definitely leave you prepared to defeat all of your enemies, ninja-style!
(Actually, don’t try to do that without getting some training once. I speak with the experience who sprained her ankle multiple times as a result of trying to duplicated Kate Beckinsale’s Underworld moves.)
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Hunter, which aired on NBC from 1984 to 1991. The entire show is currently streaming on Tubi and several other services!
This episode makes the mistake of pretending to leave California.
Episode 1.4 “A Long Way From L.A.”
(Dir by Arnold Laven, originally aired on October 26th, 1984)
Bleh. This episode annoyed me.
Wally Wallerstein (Paul Eiding), a pickpocket wanted in Los Angeles, is arrested in Texas. Because he needs a break from them, Captain Cain sends Hunter and McCall to retrieve him. Wally turns out to be a nice guy but, when Hunter’s car breaks down in Wilson County, Texas, Wally is accused of attacking a local waitress and is then killed by a sniper. The real culprit is pretty obviously Sheriff Jake Cutter (Bo Svenson), who is the stepson of Chuck Easterland (Morgan Woodward), the richest man in town.
Not a single small town stereotype went unused in this episode. As a Texan, I was annoyed by the fact that everyone had a Southern (as opposed to a Southwestern) accent. And while I understand that the show probably didn’t have the budget or the time to shoot on location, it was still hard not to smirk at the sight of a very California mountain range in the background. This is the flatlands, folks. We don’t have mountains like that in Texas.
Through the Shattered Lens 