Tag Archives: review

Retro Television Review: Decoy 1.30 “The Gentle Gun-Man”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958.  The show can be viewed on Tubi!

In this episode, Casey goes after a gun dealer.

Episode 1.30 “The Gentle Gun-Man”

(Dir by Michael Gordon, originally aired on May 5th, 1958)

After a man is shot dead while committing a liquor store robbery, Casey goes undercover as his widow.  The police don’t just want the man’s accomplice.  They want to know where the man got his specially-modified gun.  The accomplice turns out to be a rather gentle deli owner named “Knish” Levin (Ludwig Donath).  And the gun dealer turns out to be Mr. Johnson (James O”Rear), the same gun dealer who sold Casey her first gun.  (This episode implies that members of the police force have to buy their own guns, which sounds a bit odd.)  Needless to say, when Casey convinces Knish to introduce her to his dealer, Johnson immediately recognizes her.

This episode had a lot of New York location footage.  The scene where Knish leads Casey to Johnson took us from Wallstreet to the waterfront.  Indeed, the locations shots were the best thing about this episode.  The acting in this episode was, by Decoy standards, subpar, with even the usually reliable Beverly Garland struggling to sell her lines.  Unfortunately, this episode’s plot required Casey to make a lot of foolish mistakes, like going to see the gun dealer without proper backup.  I liked the fact that Knish wasn’t portrayed as being a typical thug but otherwise, this episode just didn’t work.

Brad reviews PROJECT GUTENBERG (2018), starring Chow Yun-Fat & Aaron Kwok!

Posted on by Bradley Crain

There was a time when Chow Yun-Fat was one of the hardest working actors in show business. He had 11 different films come out in 1987 alone, and his dedication to making movies would eventually lead him to superstardom all around the world by the turn of the century. Alas, even the greats must eventually slow down and by the end of the 2010’s, it felt like he had practically retired. He only starred in one film between 2017 and 2019. That film was 2018’s PROJECT GUTENBERG, and to say I was looking forward to the film would be quite the understatement. The filmmakers knew how to draw me in as the trailer recreated Chow’s famous scene from A BETTER TOMORROW where he lights his cigarette with a counterfeit $100 bill. The movie promised to play up his most iconic on-screen images, and I was down for it!

PROJECT GUTENBERG introduces us to an artist named Lee Man (Aaron Kwok), who’s been arrested in Thailand and taken to Hong Kong. The local police interrogate him for information about a ruthless counterfeiter known as “Painter.” Reluctant to talk at first due to fear, Lee is convinced that he must provide some information, or he could spend the rest of his life in jail. He eventually begins to tell the story of his time with the elusive criminal mastermind, played by Chow Yun-fat, through a series of flashbacks. Director Felix Chong (writer of the INFERNAL AFFAIRS and OVERHEARD trilogies) has crafted a story that seems like the confession of small fish being used to bait a big fish, before eventually turning into something much more sinister and fascinating. I won’t say anything else about the plot as there’s much fun to be had in watching it unravel!

I’m going to state right up front that Chow Yun-Fat is in prime form. Some actors age with grace, and then there’s the 63-year-old Chow of this film, who’s managed to age with almost a mythic gravitas. This film masterfully highlights his incredible charisma, recreates iconic images of his past gunplay, and then turns it all on its head by making Painter into one of the most evil bastards he’s ever played on screen! It’s an incredible use of his legendary career to provide levels of depth that no words on paper ever could.

Even with the iconic images of Chow Yun-Fat, PROJECT GUTENBERG would not work nearly as well if it wasn’t also a captivating crime thriller. Its counterfeit money operations, double-crosses, gun battles and international intrigue pulled me in, and I found myself on the edge of my seat at times as the story unfolded. The last 30 minutes of the film made me question everything I’d seen up to that point, but in a way that did not take away one moment of my enjoyment. It’s not a completely unique ending, as film lovers will certainly notice, but it works.  

Aaron Kwok’s character of Lee Man is weak in comparison to Painter, but the actor navigates the tightrope of showing just enough emotional desperation that we understand why he’s doing what he does. When the plot starts taking some crazy twists and turns, I was still right there with him. I’ve always liked Aaron Kwok, and even with his bad haircut in the film, I still thought he did a fine job. I also want to shoutout actress Zhang Jingchu (RUSH HOUR 3, OVERHEARD), who plays the woman that Lee Man loves. Her character drives a lot of Lee’s actions in the film, and I found her very beautiful and compelling. Last, but not least, Liu Kai Chi (KILL ZONE, CALL OF HEROES) gets one of the best supporting roles in the film as a vital member of the counterfeiting team who befriends Lee before making an unforgivable mistake.    

PROJECT GUTENBERG was a critical and box office smash when it was released in China in the fall of 2018. It won Best Picture, Director, Screenplay, Cinematography and Editing at the 2019 Hong Kong Film Awards. On a budget of around $40 million dollars, it would bring in over $150 million in China alone, on its way to around $200 million worldwide. It’s a slick crime thriller that serves as a reminder that in the right role, Chow Yun-fat is still one of the great movie stars on the planet. This film understands that, bet the house, and won big.

PROJECT GUTENBERG is currently streaming on the free “Fawesome” streaming service.

Late Night Retro Television Review: 1st & Ten 3.13 “Championship Jinx”

Posted on by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, season 3 comes to an end.

Episode 3.13 “Championship Jinx”

(Dir by Bruce Seth Green, originally aired on December 16th, 1987)

Things have a way of working themselves out on 1st & Ten, especially when the season ends and a lot of plotlines need to be hastily wrapped up.

Last week, TD Parker (OJ Simpson) was arrested under suspicion of ticket scalping.  This episode, it turned out that 1) ticket scalping isn’t illegal and 2) TD’s ex-mistress quickly figured out that her boyfriend was trying to frame him.  Someone trying to frame OJ Simpson!?  Like anyone would ever buy that.  Anyway, the main theme here seemed to be that it was a good thing TD cheated on his wife because otherwise, no one would have been around to exonerate him.

Last week, Yinessa was letting fame go to his head.  This week, his father died and the funeral was a media circus.  Yinessa decided to focus on playing football. That’s a good thing, seeing as how the Bulls had yet another championship game coming up.

Zagreb was concerned that he was a jinx after he appeared on the cover of Sports Illustrated.  (Yinessa told him that players who appeared on the cover often lost the spark afterwards.) Luckily, Cliff and Jethro brought in a voodoo priestess (Roxie Roker) to exorcise the jinx.

Before the game, Jill told the team that they weren’t only playing for themselves.  They were playing for the memory of Tom Yinessa’s father.  Unfortunately, the Bulls lost the game at the last minute when Billy Cooper’s game-winning catch was reviewed by the booth and declared to be out of bounds.  So, I guess Yinessa’s father is in Hell now.

And so ends the rather odd third season.  Coach Denardo left after the first episode.  Delta Burke left about halfway through the season, just to be replaced by a new female owner who gave a pre-game speech that referred to all of the previous times she had gone to the Championship Game with the Bulls just to see them lose, despite the fact that she wasn’t even a part of the show’s cast during the previous two seasons.  The season began with a player dying of steroid abuse and ended with OJ Simpson proving his innocence.  Oh!  And Zagreb discovered his father was a CIA agent and then he got married.

Was it a good season?  Not really.  This isn’t a good show.  But season 3 was definitely a lot stranger than the previous two seasons and that’s definitely a point in 1st & Ten‘s favor.

Next week, we start season 4!

Retro Television Review: The Love Boat 7.18 “Ace in the Hole/Uncle Joey’s Song/Father in the Cradle”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, the Love Boat gets a new photographer!

Episode 7.18 “Ace in the Hole/Uncle Joey’s Song/Father in the Cradle”

(Dir by Richard Kinon, originally aired on January 28th, 1984)

This episode featured the usual three story structure.  One story I was indifferent too.  One story kept me entertained.  And one story made me cry.

The story made me cry featured Barnard Hughes as Joseph Stobble, a former kids’s show host who has retired because he feels too old for kids to relate to.  Isaac grew up watching Uncle Joey and even gives Uncle Joey a replica of Flapjack, the sock puppet that served as Uncle Joey’s sidekick.  Uncle Joey meets Scott Russell (David Faustino), a child who has recently lost his father.  Uncle Joey helps Scott deal with his emotions by assuring him that it’s okay to cry.

I cried!  Hell, I’m crying just typing this up.  Now, I should clarify that I have a reason for crying.  The end of May will also be the two-year anniversary of the auto accident that eventually led to my father’s passing on August 19th, 2024.  To  be honest, there hasn’t been a day over the past two weeks that I haven’t cried at some point.  When my father died, I threw myself into taking care of my aunt.  After  my aunt died (and she died exactly one year after my father), I threw myself into trying to make the holidays perfect for my sisters.  And, after that, I threw myself into cleaning the house.  Looking back, I understand that I kept throwing myself into new activities because I was trying to outrun just how sad I was.  It’s only now that it’s finally all hitting me.

Would I have cried over Uncle Joey’s story if I wasn’t currently feeling sad?  I think I would have.  It was a sweet story featuring good work from Hughes, Faustino, and the always reliable Ted Lange.

As for the indifferent story, it featured Larry (Michael Spound) getting upset when he meets his mother’s (Lee Meriwether) new husband (Dean-Paul Martin).  It turns out the son and the stepdad are both the same age!  It was kind of boring, to be honest.

Finally, the third story featured Ted McGinley — yay! — as Ashley “Ace” Covington Evans, the new ship’s photographer!  Gopher hired him but he soon regrets it when all the women on board fall for Ave instead of Doc and Gopher.  However, Ace has a problem.  He’s a good photographer but he doesn’t know how to develop film!   (My first thought was that surely someone on the ship had to have a laptop and a printer but then I realized that this was apparently before the age of even digital cameras.)  The ship’s passengers and Stubing are curious as to why Ace hasn’t put up any of the pictures that he’s taken.  Vicki and Julia help out by putting up a bunch of pictures from a past cruise….

(Uhmm, how would that help?  I would assume that the passengers would expect to see pictures of themselves.)

Ace comes clean to the Captain and offers to spend three weeks learning how to develop film.  “Then we shall see you in three weeks,” a very understanding Stubing replies.  (Stubing perhaps knows that Vicki would never forgive him for firing Ace.)

Why did this story work so well?  Ted McGinley, that’s why!  And now, apparently, Ted’s a new cast member.  YAY!  The Love Boat is going to be better than ever!

Brad reviews THE STORY OF WOO VIET (1981), starring Chow Yun-Fat!

Posted on by Bradley Crain

When I became obsessed with Chow Yun-Fat in the latter half of the 1990’s, I would constantly search for his movies at the Suncoast Video Store in the Park Plaza Mall whenever we’d go to Little Rock. Unfortunately, I’d run into cheap looking DVDs with titles like “God of Killers,” but I’d buy them anyway. That’s the title under which I first attempted to watch THE STORY OF WOO VIET, starring a young Chow-Yun-Fat and directed by Hong Kong legend Ann Hui. Whoever distributed the film was making a blatant cash grab on Chow Yun-Fat’s worldwide popularity at the time, and the DVD was terrible. I turned it off after a little while because the print was so dark you could barely see it, and the subtitles were illegible, constantly falling off the screen. I had not attempted to watch the film again until very recently. My friends on “Podcast on Fire” devoted an episode to THE STORY OF WOO VIET, which piqued my interest again. Lo and behold, I found a fine print with English subtitles streaming on Tubi!

As the story starts, we meet Woo Viet (Chow Yun-Fat) on a boat full of starving refugees. We learn that he’s a former Vietnamese soldier escaping to Hong Kong in hopes of making his way to the United States. It’s a tough start as we see a baby die of malnourishment and an old man murdered by Vietnamese special agents, which leads to Woo Viet fighting off and killing those same agents, all within the first 15 minutes. On the run for murder, he’s lucky that his Hong Kong pen pal, social worker Lap-Quan (Cora Miao), can help him get fake papers for his escape to the United States. As he’s getting ready to leave, he meets the beautiful Shum Ching (Cherie Chung), who’s also using fake documents to get to the U.S. Unfortunately, the Hong Kong trafficker who’s supposed to be helping them, has sold Shum Ching to a powerful gangster in the Philippines with plans to turn her into a prostitute. When she’s taken away from the Manila airport, Woo Viet goes after her. Unable to kick enough ass to save her, he ends up working as a hired gun for her kidnapper in hopes of buying her freedom. Throw in Shaw Brothers legend Lo Lieh as Sarm, Woo Viet’s partner in crime in Manila, and the stage is set for an escape to a better tomorrow or loneliness and a quick death.

After viewing the film, it’s probably best that I couldn’t watch THE STORY OF WOO VIET back in the late 1990’s. At that time, I wanted Chow Yun-Fat as the honorable gangster of films like A BETTER TOMORROW and THE KILLER, or the badass cop of HARD-BOILED. I could not have appreciated director Ann Hui’s work here, the second film in her “Viet Nam trilogy.” Gritty and downbeat, it’s about as far away from John Woo’s stylish films as you can get. When the violence comes, it lands with a painful thud as nails enter heads, knives slash bodies, and even toothbrushes are shoved through cheeks. This is Ann Hui working within a genre film plotline while infusing it with something akin to bleak realism. She would go on to develop her legendary career with the next year’s BOAT PEOPLE, and she would use Chow a couple of more times in films like LOVE IN A FALLEN CITY and THE POSTMODERN LIFE OF MY AUNT. This is not peak Ann Hui, but she still brings something interesting to this early effort.

As far as the performances go, Chow may have been 5 years away from the superstardom of A BETTER TOMORROW, but he already had what it took to be a film lead. Even in a film like this, without his heroic bloodshed honor, he has a way of making it look easy. Cherie Chung is appealing as Shum Ching, and she was soon on her way to film stardom in Hong Kong hits like PEKING OPERA BLUES, AN AUTUMN’S TALE (with Chow), and John Woo’s ONCE A THIEF (also with Chow). Like many Hong Kong actresses before her, after a string of successful films she would get married and retire in 1991. I like Cora Miao early in the film as the kind social worker, but she fades as the film progresses. Miao would work with Chow and Ann Hui frequently throughout the 80’s. Like Chung, she retired in 1991 and married director Wayne Wang (THE JOY LUCK CLUB). Finally, I wanted to give a shoutout to Lo Lieh as Woo Viet’s one friend, Sarm. While he may be known best for his classic work with Shaw Brothers in films like the FIVE FINGERS OF DEATH and THE 36TH CHAMBER OF SHAOLIN, he gives a solid character performance here and would go on to work in Hong Kong for another two decades.

THE STORY OF WOO VIET is not at the top of the list of films that Hong Kong legends Chow Yun-Fat and Ann Hui would work on, but it’s still an important watch to see their obvious talent at this point in their careers. I’m glad I finally watched the film in 2026. After all the life I’ve lived since those days digging through the DVDs at the Park Plaza Mall, there’s no way it could have hit me the same way then that it does now.

Late Night Retro Television Review: Pacific Blue 4.2 “Treasure Hunt”

Posted on by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, cliffhangers are abandoned and emotions run wild.

Episode 4.2 “Treasure Hunt”

(Dir by Terence H. Winkless, originally aired on August 2nd, 1998)

When last we checked in with Pacific Blue, we had a bit of cliffhanger going on.  Bobby Cruz was still considering whether or not to become a bicycle cop.  Detective Monica Harper was preparing to go back to her usual department.  And TC had just announced to Strickland and Granger that he wasn’t sure whether or not they would be continuing as bike cops.

Well, apparently, that all got worked out between episodes.  Strickland and Graner are still bike cops and they no longer appear to be living in that funky loft they were occupying during the previous episode.  Bobby is now a bike cop.  And Monica is a bike cop too because apparently, she got transferred to Pacific Blue.  She explains to Bobby that she goes wherever she’s sent but she’s not real happy about being a bike cop.  Hey, Monica, we’ve already got a whiny character on this show.  We don’t need another.

That whiny character — and yes, it is Chris Kelly — wants to be a sergeant.  So does Cory.  Both Chris and Cory take the sergeant’s exam.  Chris scores higher, though only by five points.  However, TC offers the sergeant’s position to Cory.  Chris, of course, whines about his decision.  TC replies that Cory’s been with the department longer and, unlike Chris, she’s never been written up for having a bad attitude.  TC feels that Cory will be a better role model for the new recruits and he’s probably right.  I mean, one of the few consistent things about Pacific Blue has been that Chris is generally thin-skinned and fairly rude to the people that citizens that she’s supposed to be protecting.  Chris is the bike cop who always seemed to be annoyed whenever she actually has to talk to anyone who doesn’t ride a bicycle.

One reason that is not mentioned for TC not promoting Chris is that Chris and TC are now married and I have to wonder how it would look if TC’s first action as commander was to promote his wife.  Honestly, how are TC and Chris even working together now?  This seems like a textbook case of conflict of interest.

As for the rest of the show, Strickland killed her first bad guy.  Shaken after shooting a convenience store robber, Strickland goes to a bar and gets drugged!  It turns out that someone is slipping GHB into the drinks on the boardwalk.  Could it have something to do with two obnoxious radio hosts who are broadcasting from the pier?  Bobby Cruz is not happy when he discovers that his 15 year-old sister is apparently a fan of their program….

Yes, Bobby Cruz is a Mexican-American bicycle cop from a tough neighborhood who is very protective of his younger sister.  Wasn’t that Victor Del Toro’s character as well?  Being from Texas, I’ve always been very aware of how television has always stereotyped any character who happens to have a Spanish last name.  With Pacific Blue, it looks like they just crossed out Victor Del Toro’s name in their scripts and wrote in Bobby Cruz instead.

Finally, Monica is looking for a new apartment.  Cory tries to keep Monica from finding out that there’s an apartment available in her building because …. Cory’s a bitch, maybe?  I don’t know.  It’s very out-of-character for Cory.  How is Cory going to be a sergeant if she gets this upset and petty over a new person being assigned to Pacific Blue?

Oh!  Also, Cory’s pregnant!  So far, only Chris knows.  Why would anyone tell Chris anything?  Chris is like hella mean….

Wow, a lot happened in this episode!  In fact, I’d say almost too much happened in this episode.  One got the feeling that the show’s writers wanted to focus on the newer members of the squad but, at the same time, they knew they had to come up with something for Chris to whine about.  In the past, Pacific Blue often felt understuffed.  This episode was definitely overstuffed.

Something is going to have to give.

Retro Television Review: Saved By The Bell: The New Class 2.1 “The Return of Screech”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing Saved By The Bell: The New Class, which ran on NBC from 1993 to 2o00.  The show is currently on Prime.

This week, we start the 2nd season of Saved By The Bell: The New Class!

Episode 2.1 “The Return of Screech”

(Dir by Don Barnhart, originally aired on September 10th, 1994)

After the disappointing reviews and ratings of the first season, Saved By The Bell: The New Class rebooted itself for the second season.  Robert Sutherland Telfer, Isaac Lidsky, and Bonnie Russavage were all fired and the characters of Scott, Weasel, and Vicky were dropped from the show. (No mention was ever made of where they had gone.  They just vanished.)

Suddenly, Megan and Lindsay’s best friend was Rachel Meyers (played by Sarah Lancaster, who appeared once during the first season).  Meanwhile, Swiss exchange student Brian Keller (played by a German actor named Christian Oliver) became the new head schemer while Bobby Wilson (Spankee Rodgers) became the new annoying sidekick with a crush on Megan.  From the start of the second season, everyone acted as if Brian and Bobby had always been there.  As for Lindsay and Tommy D, they continued to date.  And because Brian had a crush on Rachel, there was no longer anyone around trying to break the two of them up.

Mr. Belding was still the principal but now, he had a much bigger office with a window.  He also got a new administrative assistant, an education major who was on a work/study program with Cal U.  As you probably already guessed from this episode’s title, that administrative assistant turned out to be Screech Powers (Dustin Diamond).

Now, to give credit where credit is due, neither Screech nor Diamond are quite as annoying in this episode as they would eventually become.  By the end of the series, Diamond was giving such a broad performance as Screech that it almost came across as being deliberately self-destructive.  In this episode, though, Diamond just plays Screech as being overly earnest and too eager to please.  He may get on everyone’s nerves but at least he’s not doing the weird voices or the twisted facial expressions that would later come to typify his performance.

As for the plot of this episode, it’s dumb.  Rachel needs $700 so she can replace the jacket that she borrowed (without permission) from her mother.  Brian throws a party and sells tickets to help her raise the cash but when it turns out that Bobby’s house is not available for the party, Brian tricks Screech into unlocking the gym and allowing the party to be held in there.  When Belding shows up and demands to know what’s happening, Screech takes the blame and decides that he should return to Cal U.  And, really, he probably should have.  I mean, after all the years he spent with Zack, Screech should have been able to see that he was being manipulated.  What a moron.

But Brian does the right thing and tells the truth to Belding.  Brian and the Gang all get two-weeks detention.  Belding tells Screech that the students respect him and that he taught them an important lesson about the telling the truth.  I’m not sure how accurate any of that is but the important thing is that Screech stays at Bayside.

This episode was actually not as bad as I was expecting it to be.  Brian is a bit more likable than the first season’s Scott and this episode didn’t feature any of the mean-spiritedness that seemed to typify so much of the first season.  Even Screech was tolerable!

Don’t get used to it, though.  The season’s just getting started.

 

Brad reviews THE LAST TYCOON (2012), starring Chow Yun-Fat!

Posted on by Bradley Crain

When fans of Hong Kong cinema think of high-quality film craftsmanship, the name Wong Jing doesn’t immediately come to mind. Sure, he directed one of my all-time favorite films, GOD OF GAMBLERS (1989), and he’s had his share of box office success over the years, but he’s also churned out a lot of crap. His name is not often the stamp of quality on a film production, but there’s something about working with Chow Yun-Fat that will sometimes bring out his best.

THE LAST TYCOON tells the story of Shanghai crime boss Cheng Daqi, portrayed here in two separate timelines by actor Huang Xiaoming in his younger years, and by the legendary Chow Yun-Fat in his older years. When we meet young Cheng, he seems like an awfully nice guy and then fate places him in a jail cell with the shady Mao Zai (Francis Ng). To escape and save his own life, and with a little help from Mao, Cheng commits his first murder. Forced to flee, Cheng aligns himself with a gang led by Hong Shouting (Sammo Hung). A natural leader, and as badass as it gets, Cheng rises rapidly in the ranks. The narrative isn’t as straight forward as this sounds so far, because it leaps frequently back and forth between younger Cheng and older Cheng. When the film finally settles in with Chow Yun-Fat for its latter half, we have seen how Cheng rose to become one of the most powerful men in Shanghai. We also understand how he has found himself in an extremely difficult wartime position with the Japanese that will test his loyalty to his country, as well as to the people he loves.

Right out of the gate, I want to give kudos to Wong Jing for putting together a highly entertaining film, set against an incredible 30-year backdrop of historical Shanghai! I don’t mention it in the summary above, but THE LAST TYCOON finds time to feature an abundance of romance between Cheng and the two loves of his life. We’re talking about grand melodrama done right, offset periodically with awesome action sequences, whether they be hand-to-blade street brawls, heroic bloodshed shoot-outs, or explosive wartime bombing raids. The emotions and the blood flow very strongly in this one!

The role of Cheng Daqi fits Chow Yun-Fat like a glove. He emotes early and often, and when he takes a break from that, it’s usually to pick up a pistol that he’s able to wield with maximum precision and efficiency. For a long-time fan like me, it’s high-quality fan service that fits seamlessly into the pulpiness of the story. As the younger version of Cheng, Huang Xiaoming does a fine job with the romance and the action. It seems perfectly natural that he’d eventually turn into the legend. Huang gets a lot of screentime, and without his solid portrayal, I don’t think the film would have worked nearly as well.

I did want to mention some of the notable supporting performances in THE LAST TYCOON. Veteran Francis Ng is as reliable as ever as we see his character go from a mystery lifesaver at the beginning to an evil villain by the end. The role may be underdeveloped, but Ng makes it work. I’m going to be looking for more from actor Gao Hu, who’s a total badass in his role as Cheng’s loyal soldier Lin Huai. Present over the entire 30-year timeline of the film, the man’s expert switchblade skills and gun-handling abilities are crucial to Cheng’s safety! Yolanda Yuan and Monica Mok are very good as the two women in Cheng’s life. They are very different, but it’s easy to see why he loves them both, and I think the movie ultimately gets the ending right where the romance is concerned. Finally, I did want to mention that I was somewhat disappointed in the character of Hong Shouting, played by the legendary Sammo Hung. Even though he was a powerful boss, I don’t think he comes across very strongly in the film. For someone of his stature, I see this as one of the few missteps from writer / director Wong Jing.

Small quibbles aside, I recommend THE LAST TYCOON without any reservations. Fans of Chow Yun-Fat and Hong Kong cinema can’t go wrong!

THE LAST TYCOON is currently available for streaming on Amazon Prime, Tubi, PlutoTV, and Plex.