Late Night Retro Television Review: Hunter 1.4 “A Long Way From L.A.”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Hunter, which aired on NBC from 1984 to 1991.  The entire show is currently streaming on Tubi and several other services!

This episode makes the mistake of pretending to leave California.

Episode 1.4 “A Long Way From L.A.”

(Dir by Arnold Laven, originally aired on October 26th, 1984)

Bleh.  This episode annoyed me.

Wally Wallerstein (Paul Eiding), a pickpocket wanted in Los Angeles, is arrested in Texas.  Because he needs a break from them, Captain Cain sends Hunter and McCall to retrieve him.  Wally turns out to be a nice guy but, when Hunter’s car breaks down in Wilson County, Texas, Wally is accused of attacking a local waitress and is then killed by a sniper.  The real culprit is pretty obviously Sheriff Jake Cutter (Bo Svenson), who is the stepson of Chuck Easterland (Morgan Woodward), the richest man in town.

Not a single small town stereotype went unused in this episode.  As a Texan, I was annoyed by the fact that everyone had a Southern (as opposed to a Southwestern) accent.  And while I understand that the show probably didn’t have the budget or the time to shoot on location, it was still hard not to smirk at the sight of a very California mountain range in the background.  This is the flatlands, folks.  We don’t have mountains like that in Texas.

Hunter and McCall need to stay in Los Angeles.

Madhouse (1990, directed by Tom Ropelewski)


Mark (John Larroquette) and Jessa Bannister (Kirstie Alley) have a perfect yuppie lifestyle going until their respective family members show up at their California home and refuse to leave.  First, it’s Mark cousin (John Diehl) and his wife (Jessica Lundy).  Then it’s Jessa’s sister, Claudia (Alison LaPlaca), who has just left her husband and now has to find a new man to support her lifestyle.  Mark and Jessa just want some time alone but instead, they have to deal with a cat who is frequently mistaken for dead, broken marriages, a shipment of cocaine, and a neighbor (Robert Ginty) who builds weird bed frames.  Mark has a big contract to land and Jessa is trying to succeed as a television news reporter but it’s not easy when you’re living in a madhouse.

There are some films that you just like despite yourself and that’s the way I feel about Madhouse.  It’s very much an 80s film, with its emphasis on material goods and achieving the perfect lifestyle.  (The appearance of Dennis Miller as Mark’s co-worker only reminds us of just how much a product of its era that Madhouse is.)  There are a lot of jokes that don’t work and some, like the cat that is continually mistaken for dead, that shouldn’t work but do.  It’s a sitcom transferred to the movies and the humor rarely rises above that level.  It ever stars two of the decade’s biggest sitcom stars, John Larroquette and Kirstie Alley.  Larroquette shows us why he was better suited for television while Alley shows how tragic it was that she didn’t have a bigger film career.  Kirstie Alley gives such a dedicated and fearless performance as someone who has been driven to the end of her rope that it keeps you interested in the film.  Alley, like the great comedic actresses of Hollywood’s golden age, was an actress who could mix physical comedy with barbed one-liners and who was undeniably appealing as she moved from one disaster to the next.  In Madhouse, she was beautiful, frantic, sexy, neurotic, relatable, and funny all at the same time.  By the end of this movie, you really do wish she had gotten more and better opportunities to show off her talents in the years after Cheers went off the air.

Madhouse is nothing special.  It’s a generic comedy about unwanted family guests.  But I’ll always appreciate it for Kirstie Alley.