Lisa’s Too Early Oscar Predictions for May


Be sure to check out my predictions for April, March, February, and January!

Best Picture

Battles of the Sexes

Blade Runner 2049

Call Me By Your Name

Darkest Hour

The Disaster Artist

Downsizing

Dunkirk

The Glass Castle

Mudbound

Wonderstruck

 

Best Director

Luca Guadagnino for Call Me By Your Name

Alexander Payne for Downsizing

Dee Rees for Mudbound

Denis Villeneuve for Blade Runner 2049

Joe Wright for Darkest Hour

 

Best Actor

Chadwick Boseman in Marshall

Tom Cruise in American Made

Matt Damon in Downsizing

Gary Oldman in Darkest Hour

Miles Teller in Thank You For Your Service

 

Best Actress

Judi Dench in Victoria and Abdul

Kirsten Dunst in Woodshock

Brie Larson in The Glass Castle

Carey Mulligan in Mudbound

Emma Stone in Battle of the Sexes

 

Best Supporting Actor

Steve Carell in Battle of the Sexes

James Franco in The Disaster Artist

Armie Hammer in Call Me By Your Name

Woody Harrelson in The Glass Castle

Jason Mitchell in Mudbound

 

Best Supporting Actress

Holly Hunter in The Big Sick

Melissa Leo in Novitiate

Julianne Moore in Wonderstruck

Kristin Scott Thomas in Darkest Hour

Naomi Watts in The Glass Castle

Trailer – Kingsman: The Golden Circle


Oh, yes, it’s on!!! Has it been three years already?

Matthew Vaughn’s (Layer Cake, Kick-Ass, X-Men: First Class) MARV Films and 20th Century Fox has released the trailer for Kingsman: The Golden Circle. This time around, it looks like Eggsy (Taron Egerton) is out to solve another global incident with the help of (or is being opposed by) the Statesman. Are they the American version of the Kingsman?

Kingsman: The Golden Circle also stars Julianne Moore, Jeff Bridges (both from The Big Lebowski), Mark Strong (a Vaughn favorite), Halle Berry, Channing Tatum, and Colin Firth.

Enjoy!

Lisa’s Too Early Oscar Predictions For April


Check out my previous predictions for March, February, and January!

Best Picture

Battles of the Sexes

Call Me By Your Name

Darkest Hour

Downsizing

Dunkirk

The Glass Castle

The Leisure Seeker

Logan

Mudbound

Wonderstruck

 

Best Director

James Mangold for Logan

Luca Guadagnino for Call Me By Your Name

Alexander Payne for Downsizing

Dee Rees for Mudbound

Joe Wright for Darkest Hour

 

Best Actor

Chadwick Boseman in Marshall

Tom Cruise in American Made

Gary Oldman in Darkest Hour

Miles Teller in Thank You For Your Service

Donald Sutherland in The Leisure Seeker

 

Best Actress

Judi Dench in Victoria and Abdul

Brie Larson in The Glass Castle

Helen Mirren in The Leisure Seeker

Carey Mulligan in Mudbound

Emma Stone in Battle of the Sexes

 

Best Supporting Actor

James Franco in The Masterpiece

Armie Hammer in Call Me By Your Name

Woody Harrelson in The Glass Castle

John Hurt in Darkest Hour

Patrick Stewart in Logan

 

Best Supporting Actress

Holly Hunter in The Big Sick

Melissa Leo in Novitiate

Julianne Moore in Wonderstruck

Kristin Scott Thomas in Darkest Hour

Naomi Watts in The Glass Castle

Lisa’s Too Early Oscar Predictions For March


2013 oscars

It’s that time of month!  Here are my Oscar predictions from March.  As you can tell by comparing this month’s predictions to my predictions for January and February, I’ve learned a bit more about the films that will be coming out over the next few months and I’ve changed my mind on quite a few of the early contenders.

That said, at this time last year, no one had even heard of Moonlight.  At this point, almost all of these predictions are the result of wishful thinking, random guesses, and gut instinct.

Best Picture

Battles of the Sexes

Call Me By Your Name

Darkest Hour

Downsizing

Dunkirk

The Glass Castle

The Leisure Seeker

Logan

Mudbound

Wonderstruck

I went back and forth on whether or not to include Logan in my predictions.  On the one hand, I think it could be nominated.  On the other hand, regardless of how acclaimed it may be, it is also a comic book movie that came out in March.  In the end, since these predictions are mostly just for fun at this point, I decided to imagine a situation where — like Mad Max: Fury Road two years ago — the film’s box office carries it through the summer and it gets some needed support from the precursors in December.

(For the record, if I had decided not to include Logan, I would have replaced it with Blade Runner 2049.)

 

Best Director

James Mangold for Logan

Luca Guadagnino for Call Me By Your Name

Alexander Payne for Downsizing

Dee Rees for Mudbound

Joe Wright for Darkest Hour

If Logan were to get a best picture nomination, I imagine that James Mangold would get a nomination along with it.

 

Best Actor

Chadwick Boseman in Marshall

Tom Cruise in American Made

Gary Oldman in Darkest Hour

Miles Teller in Thank You For Your Service

Donald Sutherland in The Leisure Seeker

The two additions here are Teller and Sutherland.  Teller seems destined to be nominated some day, assuming that he spends more time making films like Whiplash and less time on stuff like Fantastic Four.  Despite a long and distinguished career, Sutherland has never been nominated.  In The Leisure Seeker, he plays a man suffering from Alzheimer’s.  It sounds like a role for which he could not only be nominated but for which he could also win.

 

Best Actress

Judi Dench in Victoria and Abdul

Brie Larson in The Glass Castle

Helen Mirren in The Leisure Seeker

Carey Mulligan in Mudbound

Emma Stone in Battle of the Sexes

The two new contenders here are Mirren and Larson.  Mirren always has to be considered to be a contender and Larson’s upcoming film, The Glass Castle, sounds like pure Oscar bait.

 

Best Supporting Actor

James Franco in The Masterpiece

Armie Hammer in Call Me By Your Name

Woody Harrelson in The Glass Castle

John Hurt in Darkest Hour

Patrick Stewart in Logan

Yes, I’m still predicting that James Franco will be nominated for playing Tommy Wiseau.  It may be wishful thinking on my part but so be it.  Every year, Armie Hammer seems to be on the verge of being nominated for something.  Harrelson is included as a part of The Glass Castle package.  Stewart is overdue for a nomination.  As for John Hurt, he was nominated but never won an Oscar during his lifetime.  Darkest Hour could provide the Academy with a chance to honor the man’s distinguished career, in much the same way that The Dark Knight allowed them to honor Heath Ledger.

 

Best Supporting Actress

Holly Hunter in The Big Sick

Melissa Leo in Novitiate

Julianne Moore in Wonderstruck

Kristin Scott Thomas in Darkest Hour

Naomi Watts in The Glass Castle

I don’t know much about Moore’s role in Wonderstruck but the film is directed by Todd Haynes, a filmmaker who previously directed Moore in her finest performance in Safe.

Oscar1

Here Are the Reliably Boring Razzie Nominations!


Yawn!  The Razzies are always so boring!  Here are this year’s predictable nominations.  Talk about them on twitter and impress your friends.

Worst Picture
Fantastic Four
Fifty Shades of Grey
Jupiter Ascending
Paul Blart Mall Cop 2
Pixels

Worst Director
Andy Fickman, Paul Blart Mall Cop 2
Tom Six, Human Centipede 3
Sam Taylor-Johnson, Fifty Shades of Grey
Josh Trank, Fantastic Four
Andy and Lana Wachowski, Jupiter Ascending

Worst Actor
Johnny Depp, Mortdecai
Jamie Dornan, Fifty Shades of Grey
Kevin James, Paul Blart Mall Cop 2
Adam Sandler, The Cobbler and Pixels
Channing Tatum, Jupiter Ascending

Worst Actress
Katherine Heigl, Home Sweet Hell
Dakota Johnson, Fifty Shades of Grey
Mila Kunis, Jupiter Ascending
Jennifer Lopez, The Boy Next Door
Gwyneth Paltrow, Mortdecai

Worst Supporting Actor
Chevy Chase, Hot Tub Time Machine 2 and Vacation
Josh Gad, Pixels and The Wedding Ringer
Kevin James, Pixels
Jason Lee, Alvin and the Chipmunks: Road Chip
Eddie Redmayne, Jupiter Ascending

Worst Supporting Actress
Kaley Cuoco-Sweeting, Alvin and the Chipmunks: Road Chip and The Wedding Ringer
Rooney Mara, Pan
Michelle Monaghan, Pixels
Julianne Moore, Seventh Son
Amanda Seyfried, Love the Coopers and Pan

Worst Screenplay
Simon Kinberg, Jeremy Slater and Josh Trank, Fantastic Four
Kelly Marcel, Fifty Shades of Grey
Andy and Lana Wachowski, Jupiter Ascending
Kevin James and Nick Bakay, Paul Blart Mall Cop 2
Tim Herlihy and Timothy Dowling, Pixels

Worst Remake or Sequel
Alvin and The Chipmunks: The Road Chip
Fantastic Four
Hot Tub Time Machine 2
Human Centipede 3
Paul Blart Mall Cop 2

Worst Screen Combo
Miles Teller, Michael B. Jordan, Kate Mara and Jamie Bell, Fantastic Four
Johnny Depp and his glued-on mustache, Mortdecai
Jamie Dornan and Dakota Johnson, Fifty Shades of Grey
Kevin James and either his Segway or glued-on mustache, Paul Blart Mall Cop 2
Adam Sandler and any pair of shoes, The Cobbler

Razzies Redeemer Award
Elizabeth Banks
M. Night Shyamalan
Will Smith
Sylvester Stallone

Sci-Fi Film Review: The Hunger Games: Mockingjay — Part 2 (dir by Francis Lawrence)


Mj

It’s finally over!

It probably sounds like I’m really excited that the final Hunger Games adaptation has been released.  It may sound like I’m happy that the saga of Katniss Everdeen and her life in Panem has finally come to an end.  And, to a certain extent, I am.  After everything that Katniss has been through, she deserves some peace and, fortunately, the series has ended before Jennifer Lawrence got bored with playing the role.  (To see what happens when actor gets bored with an iconic role, check out Daniel Craig in Spectre.)  Even though I think it can be argued that Mockingjay Part Two is the weakest of all the Hunger Games films, it still allows both Katniss and the actress who brought her to life to go out on a high note.

There’s a part of me that cringes a little when I think about all of the films that were released as a direct result of the success of The Hunger Games.  The Giver, The Maze Runner, Divergent, Tomorrowland, the list goes on and on.  I’ve reached the point where I can now say that I am officially sick of sitting through adaptations of Young Adult dystopian fiction.  And yet, I was still excited to see The Hunger Games: Mockingjay Part Two (even if that title is way too long and unwieldy).  Regardless of the number of mediocre films that it may have inspired, The Hunger Games franchise has always remained compelling.

So, how was Mockingjay Part Two?  Obviously, it doesn’t work as a stand-alone film.  The pacing is totally off, characters appear and disappear almost at random, and it’s all rather confusing.  If you haven’t seen the film that came before Mockingjay Part Two, I imagine that you would be totally confused by this film.  But, when viewed as the fourth part of one gigantic epic story, the whole thing is rather brilliant.

When the film opens, Katniss is still being used a prop in Alma Coin’s (Julianne Moore) revolution.  The majority of the film deals with her journey into and through the capital.  She wants to track down and assassinate President Snow (the wonderfully evil Donald Sutherland) whereas Coin just wants to use her as a symbol to solidify her authority.  As Katniss quickly realizes, there’s not much difference between Snow and Coin.  However, it takes one great tragedy for Katniss to truly understand the truth about the Alma Coin and her revolution.  If you’ve read the book, you’ll already know about and be prepared for that tragedy but it’s still a heart-breaking moment.

It’s also the most important moment in the franchise, one that reminds us that The Hunger Games has always been far more politically sophisticated (and thematically darker) than all of the films, books, and fan fic that has been inspired by it.  This is a seriously dark and, some would say, cynical movie and, as a student of history, I appreciated that.  I appreciated that Mockingjay didn’t try to force a happy ending on us and I also appreciated the fact that Mockingjay didn’t buy into the simplistic Manichaen worldview that is currently ruining worlds both real and cinematic.  The film’s final scene may be hopeful but it’s never naive.

It’s a bit unfortunate that Mockingjay had to be split into two separate films.  Mockingjay Part Two is full of exciting moments but there’s also a lot of scenes that feel like filler.  You get the feeling they were included to make sure that Mockingjay Part Two’s running team was equal to the other films in the franchise.  This is a film that features a lot of genuinely exciting action and some truly emotional moments.  It’s also a film that features a lot of speeches.  If only both parts of Mockingjay could have been released as one six hour film.  I would have watched it!

The film also features the final performance of Philip Seymour Hoffman, playing the rule of Plutarch.  Hoffman is not in many scenes and reportedly, he died before filming two of his biggest scenes.  Those scenes were rewritten and his dialogue given to other actors.  At one point, Woody Harrelson starts to read a letter that was written by Plutarch and it’s a sad scene because you’re aware that, originally, Hoffman was meant to deliver those lines in his trademark style.  As it is, Hoffman only appears in a few minutes of Mockingjay Part Two and he doesn’t do much.  But, when the film briefly features his bemused smile, you’re reminded of what a great actor the world lost when Philip Seymour Hoffman died.

Of course, the entire Hunger Games franchise has been full of great actors.  Jennifer Lawrence brought Katniss to wonderful and empowering life and one of the joys of Mockingjay Part Two is getting to see her bring the character’s story to a close.  But even beyond Jennifer Lawrence’s rightly acclaimed work, the entire cast of the franchise deserves a lot of credit.  I’ve always loved Donald Sutherland’s interpretation of President Snow and he’s at his best here.

For that matter, if there ever is another Hunger Games film or a Hunger Games spin-off, why not make it about Jena Malone’s Johanna Mason?  The way that Malone delivered her angry and frequently sarcastic dialogue was definitely one of the film’s highlights.

Regardless of whether there are any future films, The Hunger Games: Mockingjay Part Two is a worthy conclusion to a great story.

(By the way, as you may have guessed from the title of this post, December is science fiction month here at the Shattered Lens!  We hope you enjoy it!)

Previous Hunger Games Reviews:

  1. Quick Review: The Hunger Games (dir by Gary Ross)
  2. Review: The Hunger Games
  3. 44 Days of Paranoia: The Hunger Games: Catching Fire
  4. For Your Consideration: Jennifer Lawrence in The Hunger Games Mockingjay Part One

Lisa’s Oscar Predictions for September!


Maybe next year kitties...

Maybe next year kitties…

No, the predictions below were not made by cats!

However, it might be nice if they had been.  It would certainly put a lot less pressure on me.  Here we are — it’s September and the Oscar race is still largely up in the air.  Hopefully, the picture will start to become a bit more clear over the next few weeks.  For instance, Beasts of No Nation was just acclaimed at the Venice Film Festival and, as I write this, we are just a few days into the Toronto Film Festival.

But for now, it still looks like it is anyone’s race to win!

Below are my predictions for September!  If you want to see just how confused I’ve been (and how random my predictions have occasionally been) for the majority of the year, be sure to check out my predictions for January, February, March, April, May, June, July, and August!

Best Picture

Beasts of No Nation

Black Mass

Brookyln

Carol

The Danish Girl

Joy

Sicario

Spotlight

Steve Jobs

Straight Outta Compton

Best Actor

Michael Caine in Youth

Bryan Cranston in Trumbo

Johnny Depp in Black Mass

Michael Fassbender in Steve Jobs

Eddie Redmayne in The Danish Girl

Best Actress

Cate Blanchett in Carol

Jennifer Lawrence in Joy

Julianne Moore in Freeheld

Saoirse Ronan in Brooklyn

Lily Tomlin in Grandma

Best Supporting Actor

Robert De Niro in Joy

Benicio Del Toro in Sicario

Idris Elba in Beasts of No Nation

Paul Giamatti in Straight Outta Compton

Kurt Russell in The Hateful Eight

Best Supporting Actress

Jennifer Jason Leigh in The Hateful Eight

Diane Ladd in Joy

Rooney Mara in Carol

Ellen Page in Freeheld

Kate Winslet in Steve Jobs

Best Director

Danny Boyle for Steve Jobs

John Cowley for Brooklyn

Todd Haynes for Carol

David O. Russell for Joy

Denis Villenueve for Sicario

Lisa’s Early Oscar Predictions for August!


everest-jake-gyllenhaal

Well, here we are.  The year is more than halfway over.  The fall movie season is approaching.  And yet, not a single true Oscar front-runner has yet to emerge.  Could this be the year that a true populist hit, like Mad Max: Fury Road, or an unexpected art house wonder, like Ex Machina, manages to secure a spot?

Well, probably not.  But still, it’s fun to speculate!

(Are Oscar pundits being too quick to dismiss Straight Outta Compton?  I have not seen it yet but look at those reviews and look at that box office.  It’s an interesting question.)

Anyway, here are my prediction for August!  To see how my thinking has evolved over the year, check out my predictions of January, February, March, April, May, June, and July!

Best Picture

Black Mass

Brookyln

Carol

The Danish Girl

Everest

Inside Out

Joy

Sicario

Suffragette

Youth

Best Actor

Michael Caine in Youth

Don Cheadle in Miles Ahead

Johnny Depp in Black Mass

Michael Fassbender in Steve Jobs

Eddie Redmayne in The Danish Girl

Best Actress

Cate Blanchett in Carol

Jennifer Lawrence in Joy

Julianne Moore in Freeheld

Saoirse Ronan in Brooklyn

Lily Tomlin in Grandma

Best Supporting Actor

Robert De Niro in Joy

Benicio Del Toro in Sicario

Tom Hardy in The Revenant

Harvey Keitel in Youth

Kurt Russell in The Hateful Eight

Best Supporting Actress

Helena Bonham Carter in Suffragette

Jennifer Jason Leigh in The Hateful Eight

Rooney Mara in Carol

Ellen Page in Freeheld

Julie Walters in Brooklyn

Best Director

John Cowley for Brooklyn

Todd Haynes for Carol

David O. Russell for Joy

Paolo Sorrentino for Youth

Denis Villenueve for Sicario

sicario-emily-blunt-trailer

Here’s The Trailer for Potential Oscar Nominee Freeheld!


So, here we are.  Nearly halfway through the year and we’re still waiting for a major Oscar contender to emerge.  There’s been a lot of speculation about films such as Carol, Bridge of Spies, and Suffragette.  However, this month, two new contenders have emerged.

One of those contenders is David O. Russell’s latest tribute to Jennifer Lawrence, Joy.

The other contender is Freeheld, which is based on a true story about lesbian homicide detective (Julianne Moore) who, after being diagnosed with cancer, fought a legal battle to allow her pension benefits to be left to her domestic partner (played by Ellen Page, who is due another Oscar nomination and probably should have won for both Juno and Super).  Along with Page, both Julianne Moore and Steve Carell have been mentioned as possible nominees.

Check out the trailer below.

Embracing the Melodrama #124: Maps to the Stars (dir by David Cronenberg)


Maps_to_the_Stars_posterI have to admit that, for the most petty of reasons, I was dreading the 2014 release of David Cronenberg’s Maps to the Stars.  

This was despite the fact that I happen to be a big fan of just about everyone in the cast and David Cronenberg as a director.  (I still say that Cosmopolis is one of the best films of the decade and I don’t care who disagrees.)

My initial issue with Maps to the Stars — and again, I admit this is really petty — was that Sasha Stone, over the Awards Daily web site, was so damn fanatical about singing the film’s praises.  I have a theory that Sasha tends to overpraise certain films specifically so she can have an excuse to get angry and go off on a rant when they don’t receive any Oscar nominations.  Ever since Sasha went batshit crazy over The King’s Speech beating The Social Network, Awards Daily has pretty much gone from being a site about the Oscars to being a site about Sasha screaming in the wilderness like a biblical prophet (and not one of the interesting biblical prophets, like Elijah.  We’re talking about Haggai here.)  From what I had read about Maps To The Stars and judging from the response that it got at Cannes (where, despite mixed reviews, it did win an award when Julianne Moore was named best actress), this film seemed like the epitome of another deliberate lost cause.

Fortunately, the release date of Maps To The Stars was moved to 2015 and civilization was spared from having to deal with a thousand “If Cronenberg doesn’t get an Oscar, society is doomed!” rants.  Instead, we had to deal with a thousand “If Hillary Swank doesn’t win for The Homesman, society is doomed!” rants.

“Okay,” you’re saying, “that’s great Lisa.  Thank you for whatever all that was.  But what about the movie itself!?  Is it any good?”

Eh … I guess.

I mean, Maps to The Stars isn’t a bad movie.  It’s not bad at all.  It’s just maddeningly uneven.

One of my favorite up-and-coming stars, Mia Wasikowska, has a great role in it.  She plays a schizophrenic, named Agatha, who comes to Hollywood.  Agatha’s arms and the back of her neck are covered with burn scars and she is always taking pills.  She is also obsessed with a vile teen star named Benjie Weiss (Evan Bird).  There’s more to her obsession than you might originally think.

Benjie, meanwhile, has just gotten out of rehab and he is literally one of the worst characters ever.  The film does try to build up some sympathy for him by revealing just how fucked up his home life is.  His fragile mother (Olivia Williams) always seems to be on the verge of collapse.  His father (John Cusack) is a glib and shallow psychologist.  Benjie serves as a stand-in for every child star who has been destroyed by Hollywood.  Unfortunately, the film devotes so much time to Benjie being a monster that it never really allows us to see why Benjie’s a star in the first place.  Evan Bird gives such a boring, uninteresting, and flat performance that you never really buy the idea of Benjie could be a success.  (Say what you will about Justin Bieber, he does at least have a cute smile.  Evan Bird can’t even claim that.)

Agatha meets a lot of people in Hollywood, including a limo driver (Robert Pattinson) who is an aspiring screenwriter.  She eventually gets a job working for actress Havana Segrand (Julianne Moore).  Havana, herself the daughter of a legendary and self-destructive actress, is a monster but — unlike, Benjie — she’s a sympathetic monster.  She’s a talented actress who grew up in Hollywood and now, because she’s no longer in her 20s, is being discarded by Hollywood.  Havana is as much a victim as a victimizer.

Anyway, the film kinda wanders about.  Along with all the other stuff going on, the characters are regularly visited by ghosts.  Secrets are revealed.  Hearts are broken.  Lives are lost.  And yes, relevant points about Hollywood are made but … well, so what?   There’s nothing in Maps to the Stars that you couldn’t learn from rewatching Sunset Boulevard and Sunset Boulevard is a lot less pretentious.  Plus, William Holden was a much better actor than Evan Bird.

As for Cronenberg’s direction — well, Maps to the Stars is definitely David Cronenberg on autopilot.  It’s filled with identifiable Cronenberg touches.  The emphasis placed on Agatha’s scars, for instance, is trademark Cronenberg.  But still, Cronenberg’s direction often just seems to be going through the motions.  Unlike his work in the far more interesting and challenging Cosmopolis (not to mention Eastern Promises), Cronenberg doesn’t really seem to care that much about the story that he’s telling.

Maps to the Stars is worth watching for the performances of Julianne Moore and Mia Wasikowska.  Otherwise, it’s just another well-made but only occasionally interesting Hollywood melodrama.