Back to School #68: Juno (dir by Jason Reitman)



Even though he’s a likable actor and has appeared in several films that I enjoyed, I am always a little bit uneasy whenever I see Jason Bateman on screen.  To me, he will always be Mark, the seemingly perfect husband from the 2007 best picture nominee Juno.  Mark and his wife Vanessa (Jennifer Garner) are unable to conceive so they agree to adopt the unborn child of pregnant teenager Juno (Ellen Page).

At first, Mark seems like the nicest guy on the planet.  Unlike his wife, Mark appears to be laid back and friendly.  Whereas Vanessa tries to maintain a polite distance between herself and Juno, Mark quickly befriends her.  It’s a familiar dynamic.  Vanessa is the one who keeps the household running.  Mark is the one who keeps the household fun.  Vanessa is the adult and Mark is the guy who is young at heart.  It’s not surprising that Juno finds herself feeling closer to Mark than to his wife.

Much like Juno, those of us in the audience are initially fooled into preferring Mark to his wife.  For me, the first indication that Mark was not quite the great guy he seemed to be came when he attempted to convince Juno that Herschell Gordon Lewis was a better director than Dario Argento.  But even that could be forgiven because, as Mark made his arguments, he revealed that he had a pretty good library of DVDs from Something Weird Video.

(Seriously, at that moment, I really hoped that the movie would just spend five minutes letting us see every title in Mark’s movie collection.)

But then there was that moment.  After telling Juno that he was planning on leaving his wife, he looked at her and asked, “How do you think of me?”  And I have to give Jason Bateman a lot of credit.  He delivered that line with just the right amount of needy selfishness.  It’s rare that you see an actor — especially one who has essentially built a career out of being likable — so fully commit to playing a reprehensible character.  When Mark reveals his true nature, it’s shocking because we were so ready to like Mark.  With that one line, we’re forced to re-examine the entire film and we realize that, much like Juno, we allowed ourselves to be fooled by Mark.

Juno is a film about growing up.  Vanessa is a grown up.  Mark refuses to grow up.  And, by the end of the film, Juno has grown up enough to know that she’s not ready to be a mother but Vanessa is.  Juno has grown up enough that she can allow herself to get close to the baby’s father, sweet-natured track star Paulie (played by Michael Cera).

For many people, Juno seems to be a love-it-or-hate-it type of movie.  There rarely seems to be a middle ground.  It seems that for every person who appreciates Ellen Page’s sardonic line readings, there’s another one who finds her character to be abrasive.  For every one who enjoys Diablo Cody’s script, there seems to be another one who finds it to be overwritten.  The same holds true for Jason Reitman’s direction.  Viewers either respond to his quirky vision or else they dismiss him as being far too showy for the film’s own good.

As for me, I’m firmly and unapologetically pro-Juno.  I think Juno is one of the best films of the past ten years and I think that, eventually, both the character of Juno and Ellen Page’s performance will be viewed as being iconic.  When future historians are watching movies for clues as to what it was like to be alive during the first decade of the 21st Century, Juno is one of the films that they will watch.

And when they do, hopefully, they will understand that Jason Bateman was just an actor giving a good performance as a bad person.

16 responses to “Back to School #68: Juno (dir by Jason Reitman)

  1. Pingback: Back to School #72: Fish Tank (dir by Andrea Arnold) | Through the Shattered Lens

  2. Ooh, tough one. I guess I can see giving Argento the better director nod because he has the technical skills, but his product is never a tenth as amusing/entertaining as Lewis’. Lewis also created the gore film, which earns him points as giallos were already established when Argento helped to codify them. Argento has Goblin, Lewis has the Cramps and their love of “She-Devils On Wheels” in his corner.

    Christ, I think my head’s going to explode.


  3. Pingback: Back to School #75: The Spectacular Now (dir by James Ponsoldt) | Through the Shattered Lens

  4. Pingback: Film Review: St. Vincent (dir by Theodore Melfi) | Through the Shattered Lens

  5. Pingback: Here! It’s a Gift! | Through the Shattered Lens

  6. Pingback: Embracing the Melodrama Part II #110: Atonement (dir by Joe Wright) | Through the Shattered Lens

  7. Pingback: Here’s The Trailer for Potential Oscar Nominee Freeheld! | Through the Shattered Lens

  8. Pingback: Film Review: The Gift (dir by Joel Edgerton) | Through the Shattered Lens

  9. Pingback: Horror Book Review: A Taste of Blood: The Films of Herschell Gordon Lewis by Christopher Curry | Through the Shattered Lens

  10. Pingback: Cleaning Out The DVR: Story of a Girl (dir by Kyra Sedgwick) | Through the Shattered Lens

  11. Pingback: Here’s The Trailer For The Front Runner! | Through the Shattered Lens

  12. Pingback: Lisa Reviews An Oscar Nominee: Up in the Air (dir by Jason Reitman) | Through the Shattered Lens

  13. Pingback: Through the Shattered Lens

  14. Pingback: The Best Picture Race In Review: The 2000s | Through the Shattered Lens

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.