Well, the time has arrived! It’s time for the list that you’ve all been waiting for! Here are my top 30 films of 2015!
Now, as some of you may know, I am currently in the process of playing catch up as far as all of my reviews are concerned. Sadly, I haven’t posted a review for every film listed below. However, as I continue to post reviews tonight and tomorrow, I will be sure to add links to this list!
Finally, I have only considered and listed 2015 films that I have actually seen. Unfortunately, Anomalisa has not opened in my part of the world yet and neither has Son of Saul. So, I could not consider either one of them for the list below. However, I have seen every other “prestige” picture to have been released over the past few weeks. So, if you look at this list below and wonder if I actually saw Spotlight, The Hateful Eight, and The Big Short, rest assured that I did. And none of them made my list.
With all that in mind, here are my picks for the 30 best films of 2015!
The Costume Designers Guild Nominations were announced today and here they are! Ex Machinareceived a nomination, which would seem to be another indication that it’s popular with Academy voters. (Then again, remember how excited we were last year when Nightcrawler kept getting love from the guilds?)
The Seattle Film Critics Survey announced their nominees for the best of 2015 earlier today and I have to say, their nominations are pretty interesting! (Also interesting to note is that they did not nominate Oscar front runner Spotlight.) Way to go, Seattle!
BEST ACTOR
Bryan Cranston – Trumbo
Paul Dano – Love and Mercy
Leonardo DiCaprio – The Revenant
Michael Fassbender – Steve Jobs
Eddie Redmayne – The Danish Girl
BEST ACTRESS
Cate Blanchett – Carol
Brie Larson – Room
Charlotte Rampling – 45 Years
Saoirse Ronan – Brooklyn
Charlize Theron – Mad Max: Fury Road
BEST SUPPORTING ACTOR
Oscar Isaac – Ex Machina
Mark Ruffalo – Spotlight
Mark Rylance – Bridge of Spies
Michael Shannon – 99 Homes
Sylvester Stallone – Creed
BEST SUPPORTING ACTRESS
Elizabeth Banks – Love and Mercy
Jennifer Jason Leigh – The Hateful Eight
Rooney Mara – Carol
Kristen Stewart – Clouds of Sils Maria
Alicia Vikander – Ex Machina
BEST DIRECTOR
Todd Haynes – Carol
Alejandro G. Iñárritu – The Revenant
George Miller – Mad Max: Fury Road
Tom McCarthy – Spotlight
Ridley Scott – The Martian
BEST ENSEMBLE
The Big Short
Mistress America
Spotlight
Straight Outta Compton
Tangerine
BEST ORIGINAL SCREENPLAY Ex Machina
The Hateful Eight Inside Out
Mistress America
Spotlight
FFCC BREAKOUT AWARD
Bel Powley – Diary of a Teenage Girl
Daisy Ridley – Star Wars: The Force Awakens
Kitana Kiki Rodriguez – Tangerine
Jacob Tremblay – Room
Alicia Vikander – Ex Machina and The Danish Girl
The Chicago Film Critics Society announced their nominations for the best of 2015 yesterday and it’s pretty much the usual suspects, with a few unexpected names tossed in as well! Check them out below and try not to get on the Mayor’s bad side because I hear he’s one scary guy.
BEST ACTOR
Christopher Abbott–James White
Leonardo DiCaprio–The Revenant
Michael Fassbender–Steve Jobs
Eddie Redmayne–The Danish Girl
Jason Segel–The End of the Tour
BEST ADAPTED SCREENPLAY
Anomalisa–Charlie Kaufman The Big Short–Adam McKay & Charles Randolph Brooklyn–Nick Hornby Room–Emma Donoghue Steve Jobs–Aaron Sorkin
MOST PROMISING PERFORMER
Christopher Abbott–James White
Bel Powley–The Diary of a Teenage Girl
Geza Rohrig–Son of Saul
Amy Schumer–Trainwreck
Jacob Tremblay–Room
MOST PROMISING FILMMAKER
Alex Garland–Ex Machina
Marielle Heller–The Diary of a Teenage Girl
Josh Mond–James White
Laszlo Nemes–Son of Saul
Bill Pohlad–Love & Mercy
And finally, to wrap up today’s excursion into awards season, here are the Phoenix Film Critics Nominations! As soon as you look over these nominations and see if your favorite film made the list, be sure to go back and read Patrick’s review of Santa and the Ice Cream Bunny and Jedadiah Leland’s review of Star Wars Episode 1: The Phantom Menace!
Cate Blanchett, Carol
Marion Cotillard, Macbeth
Jennifer Lawrence, Joy
Brie Larson, Room
Saoirse Ronan, Brooklyn
BEST SUPPORTING ACTOR
Tom Hardy, The Revenant
Richard Jenkins, Bone Tomahawk
Michael Keaton, Spotlight
Mark Rylance, Bridge of Spies
Michael Shannon, 99 Homes
Sylvester Stallone, Creed
Jacob Tremblay, Room
The fact that Crimson Peak, Guillermo Del Toro’s wonderful new film, is only getting mixed or grudgingly positive reviews tells you everything that you need to know about the sorry state of modern film criticism.
Taking place at the turn of the 19th Century, Crimson Peak tells the story of Edith Cushing (Mia Wasikowska). The daughter of industrialist Carter Cushing (Jim Beaver), Edith is haunted by a childhood memory, in which her mother’s ghost appeared to her and told her to never go to Crimson Peak. Edith grows up to be an aspiring writer. She writes stories about ghosts, though she is always quick to point out that the ghosts are just meant to be a “metaphor for the past.” Her publishers tell her that no one wants to read a ghost story written by a woman and they recommend that she concentrate on writing a nice romance.
Following the violent death of her father, Edith marries the charming inventor Sir Thomas Sharpe (Tom Hiddleston) and moves to his family home in England. Still in shock over the death of her father, Edith struggles to make things work in England. Tom is nearly penniless and seems to be more interested in his inventions than with her. (Not only did they not consummate the marriage during the honeymoon but Tom sleeps in a separate bedroom.) Meanwhile, Tom’s older sister, Lucille (Jessica Chastain), does little to hide the disdain that she feels towards her new sister-in-law.
As for the house itself, it is on the verge of collapsing. At one point, Tom mentions that, because of the red clay that sits underneath the mansion, their new home is sometimes called Crimson Peak. If that wasn’t enough to panic Edith, she keeps seeing mysterious figures wandering through the halls. Edith swears that she is seeing ghosts and that they are trying to tell her something. Tom and Lucille tells her that she’s imagining things and continue to insist that she drink a special tea. Could that tea be the reason why Edith finds herself coughing up blood?
(Actually, there’s a lot of blood spilled over the course of Crimson Peak. It’s not just the clay that makes the ground red. If Edith Wharton had written a horror movie, the end result would probably be a lot like Crimson Peak.)
And let’s just get this out of the way right now — Crimson Peak is an absolutely brilliant movie. Those critics who have complained that Crimson Peak doesn’t have any of the expected “shock” scares are totally missing the point. Crimson Peak is not about cheap scares. Del Toro is not looking to make you jump by having a cat jump out of a closet. Instead, Crimson Peak is all about atmosphere. Del Toro maintains an atmosphere of consistent unease throughout the entire film. The scares come less from what is shown and more from what is implied. In that way, Crimson Peak pays homage to the great gothic horror films of the past.
And remember when I complained about how terrible Jessica Chastain was in The Martian? Well, she absolutely brilliant in Crimson Peak. The role of Lucille is not one that demands a lot of subtlety and Chastain appears to be having a great time getting to play such a menacing character. If anything, this is one of Chastain’s best performances. (One need only consider how overly mannered Meryl Streep would have been in the role to realize just how great an actress Jessica Chastain truly is.) Mia Wasikowska is the epitome of fragile loveliness as Edith and Tom Hiddleston is perfectly cast as a handsome, slightly decadent aristocrat with a secret. In fact, all three of them are perfectly cast. Taking their roles too seriously would have been a mistake but so would have not taking the movie seriously enough. The entire cast strikes a perfect balance, embracing the melodrama without going too far over the top.
So, why are so many film critics having such a hard time embracing Crimson Peak? It’s pretty much for the same reason that a lot of them had a hard time with Pacific Rim. Guillermo Del Toro’s films are masterpieces of the pulp imagination. As such, he exposes the condescending attitude that most contemporary critics take towards “genre” films. When mainstream critics dismiss Crimson Peak as just being “a horror film that isn’t scary enough,” all they’re really doing is revealing how ignorant they are of the horror genre.
So, in other words, don’t listen to those mainstream critics. They are not worth your trouble. CrimsonPeak is a wonderfully acted and visually gorgeous gothic romance and it needs to be seen on the big screen.
Reportedly, Crimson Peak struggled at the box office this weekend.
Well, you know what?
If you haven’t seen Crimson Peak, you need to go out and see it this week. It’s a great film and what good are we if we let the great ones go unseen?
Guillermo Del Toro has become the one filmmaker who seems to excite both the elitist cinephiles and the geek community whenever he comes out with a new film. He’s done both pop-friendly extravaganzas (Pacific Rim, Hellboy) to critically-acllaimed arthouse fares (Pan’s Labyrinth, The Devil’s Backbone). His name has been attached to so many projects of all stripe that one wonders if he ever gets time to rest.
Most of these projects never get past the concept stage, but when one does and he goes all out in directing such projects we get something that excites the fanbase like his upcoming gothic horror film Crimson Peak. It looks to be Del Toro’s love letter to gothic horror of the past with his own visual flair for the morbid and the beautiful in one package.
The film stars a who’s who of powerful performers from Jessica Chastain and Tom Hiddleston to Mia Wasikowska and Charlie Hunnam.
Crimson Peak is set to haunt the public this coming October 16, 2015