Here Are The 20 Semi-Finalists From The Best Visual Effects Oscar


For those of you trying to perfect your Oscar nominations before they’re announced in January, here are the 20 semi-finalists for the Best Visual Effects Oscar!  So, if you were planning on predicting a nomination for Godzilla or Shazam!, drop them from your list because they didn’t make it.  Instead, the nominees will come from the list below:

  • “Ad Astra”
  • “The Aeronauts”
  • “Aladdin”
  • “Alita: Battle Angel”
  • “Avengers: Endgame”
  • “Captain Marvel”
  • “Cats”
  • “Dumbo”
  • “Fast and Furious Presents: Hobbs & Shaw”
  • “Ford v Ferrari”
  • “Gemini Man”
  • “The Irishman”
  • “Jumanji: The Next Level”
  • “The Lion King”
  • “Men in Black: International”
  • “Midway”
  • “1917”
  • “Spider-Man: Far from Home”
  • “Star Wars: The Rise of Skywalker”
  • “Terminator: Dark Fate”

James Bond returns in the No Time to Die Trailer


Daniel Craig’s final outing as James Bond is almost upon us. With True Detective’s Cary Fukunaga taking over the direction this time, No Time to Die brings a mix of new faces and returning favorites. Though not much is truly known of the story, it looks like Bond’s relationship with Madeleine (Lea Seydoux) may be on a rocky road, enough to bring him back into service.

Rami Malek is also on board as the villain, which I’m personally excited for, and Ana de Armas (Knives Out) teams up again with Craig, though we’re not exactly sure who’s side she’s on. Lashana Lynch (Captain Marvel) looks to be a new member of the Double O ranking. Coming back are Christoph Waltz, Ralph Fiennes, Ben Whishaw, Rory Kinnear, Jeffrey Wright, and Naomie Harris.

No Time to Die opens in cinemas in April 2020.  Enjoy!

Here Are The Gotham Award Winners


The Gotham Awards, which honor the best in independent film making, were handed out last night and it was a very good night for Marriage Story.

Here’s the nominees and winners!

Best Feature

“The Farewell”
“Uncut Gems”
“Waves”
“Marriage Story” (WINNER)
“Hustlers”

Best Documentary

“American Factory” (WINNER)
“Apollo 11”
“The Edge of Democracy”
“Midnight Traveler”
“One Child Nation”

Bingham Ray Breakthrough Director Award

Laure De Clermont-Tonnerre, “The Mustang” (WINNER)
Kent Jones, “Diane”
Joe Talbot, “The Last Black Man in San Francisco”
Olivia Wilde, “Booksmart”
Phillip Youmans, “Burning Cane”

Best Screenplay

Lulu Wang, “The Farewell”
Tarell Alvin McCraney, “High Flying Bird”
Jimmie Fails, Joe Talbot, and Rob Richert, “The Last Black Man in San Francisco”
Noah Baumbach, “Marriage Story” (WINNER)
Ari Aster, “Midsommar”

Best Actor

Adam Driver, “Marriage Story” (WINNER)
Aldis Hodge, “Clemency”
Adam Sandler, “Uncut Gems”
Willem Dafoe, “The Lighthouse”
Andre Holland, “High Flying Bird”

Best Actress

Florence Pugh, “Midsommar”
Awkwafina, “The Farewell” (WINNER)
Mary Kay Place, “Diane”
Alfre Woodard, “Clemency”
Elisabeth Moss, “Her Smell”

Breakthrough Actor

Taylor Russell, “Waves” (WINNER)
Julia Fox, “Uncut Gems”
Aisling Franciosi, “The Nightingale”
Jonathan Majors, “The Last Black Man in San Francisco”
Noah Jupe, “Honey Boy”
Chris Galust, “Give Me Liberty”

Breakthrough Series – Long Form

“Chernobyl”
“David Makes Man”
“My Brilliant Friend”
“Unbelievable”
“When They See Us” (WINNER)

Breakthrough Series – Short Form

“Pen15” (WINNER)
“Ramy”
“Russian Doll”
“Tuca & Bertie”
“Undone”

Audience Award — “Marriage Story”

The 2019 selected short films and filmmakers include “Mizaru” (Sudarshan Suresh, Columbia University), “Darling” (Saim Sadiq, Columbia University), “Bob and Dale” (David Melvin Rosfeld, CUNY Brooklyn College), “Keeper of Earth and Time” (Tiantian Wang, School of Visual Arts), and “Youth” (Farida Zahran, NYU Tisch).

The Satellites Really Like Ford V Ferrari


The Satellite Nominations were announced earlier today and they appear to really, really like Ford v. Ferrari.

Now, you may be asking yourself, “Who gives out the Satellites?”  They are awarded by the International Press Academy.  They should not be mistaken for the Golden Globes, which are given out the Hollywood Foreign Press Association.  Instead, the Satellites should probably be considered the Golden Globes’s less popular cousins.  Unlike the Globes, they haven’t really proven themselves to be reliable as a precursor.

Anyway, here are the Satellite Film Nominations.  If you want to see their television nominations, click here!

ACTRESS IN A MOTION PICTURE DRAMA

  • Alfre Woodard, “Clemency”
  • Charlize Theron, “Bombshell”
  • Cynthia Erivo, “Harriet”
  • Helen Mirren, “The Good Liar”
  • Renee Zellweger, “Judy”
  • Scarlett Johansson, “Marriage Story”

ACTOR IN A MOTION PICTURE DRAMA

  • Adam Driver, “Marriage Story”
  • Antonio Banderas, “Pain and Glory”
  • Christian Bale, “Ford v Ferrari”
  • George MacKay, “1917″
  • Joaquin Phoenix, “Joker”
  • Mark Ruffalo, “Dark Waters” 

ACTRESS IN A MOTION PICTURE, COMEDY OR MUSICAL

  • Awkwafina, “The Farewell”
  • Ana De Armas, “Knives Out”
  • Constance Wu, “Hustlers”
  • Julianne Moore, “Gloria Bell”

ACTOR IN A MOTION PICTURE, COMEDY OR MUSICAL

  • Adam Sandler, “Uncut Gems”
  • Daniel Craig, “Knives Out”
  • Eddie Murphy, “Dolemite Is My Name”
  • Leonardo DiCaprio, “Once Upon a Time in Hollywood”
  • Taron Egerton, “Rocketman”
  • Taika Waititi, “Jojo Rabbit”

ACTRESS IN A SUPPORTING ROLE

  • Jennifer Lopez, “Hustlers”
  • Laura Dern, “Marriage Story”
  • Margot Robbie, “Bomshell”
  • Penelope Cruz, “Pain and Glory”
  • Nicole Kidman, “Bombshell”
  • Zhao Shuzhen, “The Farewell”

ACTOR IN A SUPPORTING ROLE

  • Anthony Hopkins, “The Two Popes”
  • Brad Pitt, “Once Upon a Time in Hollywood”
  • Joe Pesci, “The Irishman”
  • Tom Hanks, “A Beautiful Day in The Neighborhood”
  • Willem Dafoe, “The Lighthouse”
  • Wendell Pierce, “Burning Cane”

MOTION PICTURE, DRAMA

  • 1917 Universal Pictures
  • Bombshell Lionsgate
  • Burning Cane Array Releasing
  • Ford v Ferrari Twentieth Century Fox
  • Joker Warner Bros.
  • The Lighthouse A24
  • Marriage Story Netflix
  • Two Popes Netflix

MOTION PICTURE, COMEDY OR MUSICAL

  • Hustlers STX Entertainment
  • Knives Out Lionsgate
  • Once Upon a Time in Hollywood Columbia Pictures
  • Rocketman Paramount
  • The Farewell A24
  • Uncut Gems A24

MOTION PICTURE, INTERNATIONAL

  • Atlantics, Senegal
  • Beanpole, Russia
  • Les Miserables, France
  • Pain and Glory, Spain
  • Parasite, Korea
  • Truth and Justice, Estonia
  • Portrait of a Lady on Fire, France
  • The Painted Bird, Czech Republic

MOTION PICTURE, ANIMATED OR MIXED MEDIA

  • A Shaun the Sheep Movie: Farmageddon Netflix
  • Alita: Battle Angel Twentieth Century Fox
  • Buñuel in the Labyrinth of the Turtles GKIDS
  • How to Train Your Dragon 2: The Hidden World Universal Pictures
  • The Lion King Walt Disney Studios Motion Pictures
  • Toy Story 4 Walt Disney Studios Motion Pictures
  • Weathering With You GKIDS

MOTION PICTURE, DOCUMENTARY

  • 63 Up BritBox
  • Apollo 11 Neon
  • Citizen K Greenwich Entertainment
  • Honeyland KJ Films
  • One Child Nation Amazon Studios
  • The Apollo HBO Documentary
  • The Cave National Geographic Documentary Films
  • FOR SAMA PBS

DIRECTOR

  • Bong Joon Ho, “Parasite”
  • James Mangold, “Ford v Ferrari”
  • Noah Baumbach, “Marriage Story”
  • Pedro Almodóvar, “Pain and Glory”
  • Sam Mendes, “1917″
  • Quentin Tarantino, “Once Upon a Time… in Hollywood”

SCREENPLAY, ORIGINAL

  • Bong Joon Ho, “Parasite”
  • Jez Butterworth, John-Henry Butterworth, and Jason Keller, “Ford v Ferrari”
  • Lulu Wang, “The Farewell”
  • Noah Baumbach, “Marriage Story”
  • Pedro Almodóvar, “Pain and Glory”
  • Quentin Tarantino, “Once Upon a Time… in Hollywood”

SCREENPLAY, ADAPTED

  • Anthony McCarten, “The Two Popes”
  • Edward Norton, “Motherless Brooklyn”
  • Matthew Michael Carnahan, Mario Correa, Nathaniel Rich, “Dark Waters”
  • Steven Zaillian, “The Irishman”
  • Taika Waititi, “Jojo Rabbit”
  • Todd Phillips & Scott Silver, “Joker”

ORIGINAL SCORE

  • Thomas Newman, “1917″
  • Marco Beltrami & Buck Sanders, “Ford v Ferrari”
  • Randy Newman, “Marriage Story”
  • Robbie Robertson, “The Irishman”
  • Terence Blanchard, “Harriet”
  • Hildur Guonadottir, “Joker”

ORIGINAL SONG

  • Don’t Call Me (Angel), “Charlie’s Angels”
  • Into the Unknown, “Frozen II”
  • (I’m Gonna) Love Me Again, “Rocketman”
  • Spirit, “Lion King”
  • The Ballade of the Lonesome Cowboy, “Toy Story 4”
  • Swan Song, “Alita: Battle Angel”

CINEMATOGRAPHY

  • Dick Pope, “Motherless Brooklyn”
  • George Richmond, “Rocketman”
  • Lawrence Sher, “Joker”
  • Phedon Papamichael, ASC, GSC, “Ford v Ferrari”
  • Rodrigo Prieto, “The Irishman”
  • Roger Deakins, “1917”

FILM EDITING

  • 1917
    Lee Smith, ACE
  • Ford v Ferrari
    Michael McCusker, ACE
    Andrew Buckland
  • Joker
    Jeff Groth
  • Marriage Story
    Jennifer Lame, ACE
  • Rocketman
    Chris Dickens
  • The Irishman
    Thelma Schoonmaker

SOUND (EDITING AND MIXING)

  • 1917
    Oliver Tarney
    Stuart Wilson
    Scott Millan
    Mark Taylor
  • Avengers: Endgame
    Shannon Mills
    Daniel Laurie
    Tom Johnson
    Juan Peralta
    John Pritchett, CAS
  • Ford v Ferrari
    Donald Sylvester
    Paul Massey
    David Giammarco
    Steven A. Morrow, CAS
  • Joker
    Alan Robert Murray
    Tom Ozanich
    Dean Zupancic
  • Once Upon a Time in Hollywood
    Wylie Stateman
    Mark Ulano, CAS
    Michael Minkler, CAS
    Christian P. Minkler, CAS
  • Rocketman
    Matthew Collinge
    John Hayes

VISUAL EFFECTS

  • Alita: Battle Angel
    Joe Letteri
    Eric Saindon
  • Avengers: Endgame
    Dan DeLeeuw
    Matt Aitken
    Russell Earl
    Dan Sudick
  • The Lion King
    Robert Legato, ASC; Andrew R. Jones
    Adam Valdez; Elliot Newman
  • Ford v Ferrari
    Olivier Dumont
    Mark Byers
    Kathy Segal
  • Joker
    Edwin Rivera
    Mathew Giampa
    Bryan Godwin
  • The Irishman
    Pablo Helman

ART DIRECTION & PRODUCTION DESIGN

  • 1917
    Dennis Gassner
    Lee Sandales
  • Ford v Ferrari
    François Audouy
    Peter Lando
  • Joker
    Mark Friedberg
    Laura Ballinger
  • Motherless Brooklyn
    Beth Mickle
    Michael Ahern
  • Once Upon a Time in Hollywood
    Barbara Ling
    Nancy Haigh
  • The Two Popes
    Mark Tildesley
    Saverio Sammali

COSTUME DESIGN 

  • Dolemite Is My Name
    Ruth E. Carter
  • Joker
    Mark Bridges
  • Judy
    Jeny Temime
  • Rocketman
    Julian Day
  • The Two Popes
    Luka Canfora
  • Downton Abbey
    Caroline McCall
    Anna Robbins
    Susannah Buxton
    Rosalind Ebbutt

The National Board of Review Selects The Irishman and Adam Sandler


The National Board of Review, which is generally considered to be the first major precursors of the Awards Season, announced their picks for the best of 2019 earlier today and it was a good day for both The Irishman and Adam Sandler.

I haven’t seen Uncut Gems yet but, from a historical point of view, I’d love to see Adam Sandler pick up an Oscar nomination because that would seriously be the plot twist that, just a few months ago, no one saw coming.

Here are the National Board of Review’s selections!

  • Best Film:  THE IRISHMAN
  • Best Director:  Quentin Tarantino, ONCE UPON A TIME…IN HOLLYWOOD
  • Best Actor:  Adam Sandler, UNCUT GEMS
  • Best Actress: Renée Zellweger, JUDY
  • Best Supporting Actor: Brad Pitt, ONCE UPON A TIME…IN HOLLYWOOD
  • Best Supporting Actress:  Kathy Bates, RICHARD JEWELL
  • Best Original Screenplay:  Josh Safdie, Benny Safdie, Ronald Bronstein, UNCUT GEMS
  • Best Adapted Screenplay:  Steven Zaillian, THE IRISHMAN
  • Breakthrough Performance: Paul Walter Hauser, RICHARD JEWELL
  • Best Directorial Debut:  Melina Matsoukas, QUEEN & SLIM
  • Best Animated Feature:  HOW TO TRAIN YOUR DRAGON: THE HIDDEN WORLD
  • Best Foreign Language Film: PARASITE
  • Best Documentary:  MAIDEN
  • Best Ensemble:  KNIVES OUT
  • Outstanding Achievement in Cinematography: Roger Deakins, 1917
  • NBR Icon Award: Martin Scorsese, Robert De Niro, Al Pacino
  • NBR Freedom of Expression Award:  FOR SAMA
  • NBR Freedom of Expression Award:  JUST MERCY

Top Films (in alphabetical order)

  • 1917
  • Dolemite is My Name
  • Ford v Ferrari
  • Jojo Rabbit
  • Knives Out
  • Marriage Story
  • Once Upon a Time…in Hollywood
  • Richard Jewell
  • Uncut Gems
  • Waves

Top 5 Foreign Language Films (in alphabetical order)

  • Atlantics
  • Invisible Life
  • Pain and Glory
  • Portrait of a Lady on Fire
  • Transit

Top 5 Documentaries (in alphabetical order)

  • American Factory
  • Apollo 11
  • The Black Godfather
  • Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese
  • Wrestle

Top 10 Independent Films (in alphabetical order)

  • The Farewell
  • Give Me Liberty
  • A Hidden Life
  • Judy
  • The Last Black Man in San Francisco
  • Midsommar
  • The Nightingale
  • The Peanut Butter Falcon
  • The Souvenir
  • Wild Rose

Here’s The Trailer For Black Widow!


You would think that I would be super excited about the fact that my favorite MCU character, the Black Widow, is finally getting her own solo film.  (That Brie Larson’s anemic Captain Marvel got her solo film before the Black Widow is an injustice that I’ll never get over.)  And I guess I am excited.  The trailer, which you can watch below, is pretty good.  It looks like an attempt to bring some Bourne/007 action to MCU and that would seem like the perfect approach to take to the character.

If I’m less than enthusiastic, it’s because 1) I’m still upset over what happened to the Black Widow in Avengers: Endgame and 2) this film is a prequel as opposed to a sequel.  Which means that, despite starring Scarlett Johansson, the film is not going to open with the Natasha coming back to life.  (You have to wonder if, with recent events. anyone in the MCU regrets killing off one of their best characters as opposed to letting Jeremy Renner’s archer take the fall.)  Florence Pugh, in Black Widow, is playing a character who apparently took over the Black Widow name in the comic books so here’s my fear: the film will feature a mid-credits scene of Florence Pugh at Natasha’s grave, announcing that she’ll carry on her legacy.  That’s my fear.

Anyway, here’s the trailer:

Here Are The 2019 Annie Nominations!


The Annie nominations were announced earlier today.  The Annies honor the best in animation and, this year, a lot of attention is being paid to them because the race for Best Animated Feature seems to be wide open.  It’s easy to imagine either Toy Story 4 or Frozen II winning the Oscar but it’s also just as easy to imagine a dark horse like Missing Link or maybe Klaus sneaking away with the award.

Now, I’m not going to post all of the Annie nominations here because there’s a lot of them and space is limited.  If you want to see the complete list, Awards Circuit has it.  Just click here.  However, here are the Annie nominees for Best Feature Film:

Frozen II,

How To Train Your Dragon: The Hidden World,

Klaus,

Missing Link,

Toy Story 4

I’ve seen all of these except for Klaus, which I’ll be watching this sometime this week.  Still, if I was guessing, I’d say that these five films will probably also be the eventual nominees for Best Animated Film.  As of right now, I’d go with Toy Story 4 for the win but, again, I haven’t watched Klaus yet.

The Atlanta Film Critics Circle Names Parasite The Best of 2019


Earlier today, the Atlanta Film Critics Circle announced their picks for the best of 2019!

Their choice for picture: Bong Joon-ho’s Parasite!

Here’s a full list of winners:

Top 10 Films

  • Parasite
  • The Irishman
  • Marriage Story
  • Once Upon a Time…in Hollywood
  • 1917
  • Little Women
  • Uncut Gems
  • Knives Out
  • Pain and Glory
  • Apollo 11

Best Film: Parasite

Best Lead Actor: Adam Driver in “Marriage Story”

Best Lead Actress: Renee Zellweger in “Judy”

Best Supporting Actor: Brad Pitt in “Once Upon a Time…in Hollywood”

Best Supporting Actress: Laura Dern in “Marriage Story”

Best Ensemble: “The Irishman”

Best Director: Bong Joon-ho for “Parasite”

Best Screenplay: Bong Joon-ho and Han Jin Woo for “Parasite”

Best Documentary: “Apollo 11”

Best International Film: “Parasite” (South Korea)

Best Animated Film: “Toy Story 4”

Best Cinematography: Roger Deakins for “1917”

Best Original Score: Thomas Newman for “1917”

Best Breakthrough Performance: Kelvin Harrison Jr. for “Luce” and “Waves”

Best First Feature Film: Olivia Wilde for “Booksmart”

Lifetime Film Review: Stressed to Death (dir by Jared Cohn)


Stressed to death?

Hey, I hear you, sister.  We live in a stressful world.  I mean, it’s the holidays.  Not only do I have to make sure that all the members of my family have a merry gift-giving season but I also have to make sure that they know exactly what to buy me.  On top of that, I’ve got a hundred movies that I still need to see, I’ve got Oscar season to keep up with, and I’ve got to keep this site updated with interesting information.  Seriously, I can understand how you can get stressed to death….

Of course, the lead character in the Lifetime film, Stressed to Death, is suffering from maybe a little bit more stress than even I am.  Having served in the middle east, Maggie (Gina Holden) has finally returned home and is now working as an EMT.  She’s still haunted by flashbacks to one particularly harrowing firefight but she’s determined to get on with her life.  She’s got a loving husband, Jason (Jason Gerhardt), and a daughter and a job that allows her to help people.  But then, one night, she comes across a robbery taking place in a convenience store.  An obviously deranged man has shot one man and is pointing his gun at a pregnant woman.  When Maggie enters the store, she explains that she’s just an EMT and she’s here to save lives.  She says that she just wants to take the man and the woman out of the store and get them medical attention.  The gunman replies that she can only take one of them out of the store and he demands that she choose which one.  Maggie chooses to save the pregnant woman.  The robber than shoots the man to death.

Ten years later, Maggie is still haunted by that night.  Her husband has a good job and they now live in a big house.  Her daughter, Jane (Taylor Blackwell), is now a teenager and, while she’s somewhat of an outcast at school, she’s also extremely intelligent and appears to have a great future ahead of her.  Maggie thinks that she’s ready to return to work as an EMT but, as her supervisor tells her, PTSD is nothing to take chances with.

Jason’s boss, Victoria (Sarah Aldrich), often complains that Jason isn’t ruthless enough.  While Jason always wants to be a nice guy, Victoria insists that Jason should take no prisoners when it comes to making money.  As critical as Victoria is, she also says that she appreciates the fact that Jane is tutoring her son.  Of course, what neither Jason nor Maggie know is that Victoria is the widow of the man who was murdered in that convenience store.  Victoria has waited ten years for vengeance and now, she’s determined to get it….

Stressed to Death starts with an interesting idea but then it eventually becomes a standard Lifetime abduction film, as two hitmen kidnap Jane and Maggie tries to rescue her daughter.  The PTSD angle is never explored as much as the film’s title might lead you to expect.  I mean, yes, Maggie is stressed but I imagine that even someone who has never served in the military would be equally stressed if their daughter was kidnapped by two hired killers.   That said, Gina Holden did a good job in the role of Maggie and I liked that the character of Jane wasn’t just another typically perfect daughter.  Instead, she was kind of quirky and easy to root for.  As played by Sarah Aldrich, Victoria was an interesting villain.  Though her plans were evil, you could sympathize with her pain and that’s an important thing.  She wasn’t just a cardboard evil person.  Instead, she was someone who was suffering just as much Maggie, Jason, and Jane.

It’s hard not to feel that Stressed to Death missed a few opportunities but it was still a diverting Lifetime film.

Lifetime Film Review: Instakiller (dir by Craig Goldstein)


In a Lifetime film, the value of social media often depends on what time of year the film is taking place.

If it’s a Christmas film, social media is an amazingly helpful tool that helps single young women meet handsome carpenters and which also allows them to keep tabs on whether or not their hometown is going to be able to afford to put on the annual nativity pageant.  Want to find the perfect Santa Claus?  Well, just hop on Facebook and look up Kris Kringle!  Want to discover that, because of a snow storm, you’re going to have to spend the Holidays in a Christmas-themed inn?  Just check on twitter!

Of course, any other time of year, social media is portrayed as being the tool of the Devil.  Social media is how con artists steal identities and how psychotic children track down their birth mothers.  Social media is how lies are spread and how revenge porn pics are sent to everyone on Sunday morning and how stalkers can keep track of your every move.  With the exception of the films that air during Christmas, Lifetime spends most of the year telling us that we all need to get off the grid and consider learning more about the Luddites.  Perhaps we should all go to a religious retreat in the French wine country.  That’s something that my sister Erin and I have often discussed doing.  I don’t drink wine but I do speak French.  She doesn’t speak French but she does drink wine.  A year living offline, we’d make it work and, by the standards of Lifetime, we would both be a lot safer.

Take Instakiller, for instance.  Harper (Lizze Broadway) is an aspiring fashion designer and influencer and her account on …. wait for it …. Instapixer (!) has suddenly become very popular.  (One thing that I always enjoy about these Lifetime films is seeing the names that they come up with for the movie’s version of real-life social media companies.  Degrassi featured two of my favorites, Facerange and MyRoom.)  Unfortunately, Harper also has a stalker.  He sends her creepy messages.  He follows her as she walks home from school and takes pictures.  (When confronted by a bystander, he smashes the man’s face into a car hood.)  When Harper’s mom, Layla (Kelly Sullivan), forces Harper to delete her account, the stalker sits in his car and screams.  Soon, the stalker is attacking people with golf clubs and strangling them with jumper cables.

Who is Harper’s stalker?  Could it be one of the customers at her family’s coffee shop?  Could it be one of Harper’s coworkers or even one of her friends?  There’s one obvious suspect but he’s so obvious that you know from the minute he shows that he’s going to turn out to be geeky but not dangerous.  To be honest, the identity of Harper’s stalker is not that shocking, just because there aren’t that many suspects.  Once you dismiss all of the obvious red herrings, there’s really only one possible suspect left.

But no matter!  Instakiller is an entertaining Lifetime film, which is to say that if you enjoy Lifetime films, you’ll probably enjoy this one.  Kelly Sullivan and Lizze Broadway are believable as mother-and-daughter and I imagine that a lot of moms will watch this movie and find themselves totally relating to Sullivan’s character and her confusion as to why Harper is willing to put her life in danger just to have an Instapixer account.  Seriously, though, once you hit a thousand followers, the risks are totally worth it….