Here’s the 2nd Trailer for Star Trek Beyond!


I honestly don’t know much about Star Trek but I have seen both Fast Five and Fast & Furious 6 and, if I didn’t already know that Justin Lin was the director of the latest Star Trek film, I could have guessed from watching the 2nd trailer for Stark Trek Beyond.

(I’m also guessing that Star Trek Beyond is in no way related to Lucio Fulci’s The Beyond, which is a shame really.)

Seriously, judging from this trailer, Star Trek Beyond looks exciting and that should make for a nice change from the last Star Trek film.  It also appears that the Enterprise gets destroyed during Star Trek Beyond so I guess this must be the last movie….

(I’m totally kidding, calm down.)

One final note: somebody needs to make a movie starring Simon Pegg and Karl Urban as two cops who may break all the rules but who … GET RESULTS!

Anyway, until that happens, we can watch Simon and Karl in the trailer for Star Trek Beyond!

4 Shots From 4 Shows: Degrassi, Lost, Community, Ringer


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

Welcome to a special TV edition of 4 Shots From 4 Films!

4 Shots From 4 Shows

Degrassi: The Next Generation: Time Stands Still Part One (2004, dir by Stefan Scaini)

Degrassi: The Next Generation: Time Stands Still Part One (2004, dir by Stefan Scaini)

Lost: The End (2010, dir by Jack Bender)

Lost: The End (2010, dir by Jack Bender)

Community: Modern Warfare (2010, dir by Justin Lin)

Community: Modern Warfare (2010, dir by Justin Lin)

Ringer: Pilot (2011, dir by Richard Shepard)

Ringer: Pilot (2011, dir by Richard Shepard)

Star Trek Beyond Looks Much Faster and More Furious


Star Trek Beyond

J.J. Abrams reinvigorated the Star Trek film franchise when he did a sort of sort-reboot in 2009. It brought the franchise into the consciousness of a younger demographic who didn’t grow up as fans of the franchise both in film and the many tv series. The film was a success and Paramount made sure to strike while it was still hot and greenlit a sequel that looked to build on the strong foundation set-up by J.J. Abrams.

2013 saw that sequel come out and to say that it underwhelmed and burned much of the goodwill created with the 2009 film would be an understatement. Star Trek Into Darkness (a title derided the moment it was announced) literally took the “darkness” part of the title and ramped it up to 11. There wasn’t any of the fun and adventurous nature of the first film. It didn’t help that screenwriter’s Robert Orci’s 9/11 Truther ideology seeped into the film’s plot.

When it was announced that Robert Orci would end up directing the third film after J.J. Abrams went to go direct the latest Star Wars film, the outcry was loud and clear. Orci was a bad choice and just keeping him on would just sink a film franchise already teetering on the brink of becoming irrelevant in a blockbuster environment where superhero universes and the original blockbuster universe reigned supreme.

So, it was with some relief and cautious optimism when Paramount dumped Orci and went with Justin Lin (hot off the massive success of Fast & Furious 6) and rewrites by Simon Pegg. The franchise was going to get the fun back into the series and everyone was invited. Even the chosen title, Star Trek Beyond, spoke to a creative team who saw a chance to bring back the franchise from just being part of a fandom but for those who wouldn’t know a dilithium crystal from a Sith Lord.

The first teaser shows the fun part of what Justin Lin and Simon Pegg have been talking about. Now, will the next trailer show a much more dramatic side to the events fans are hoping will balance all the fun.

Star Trek Beyond looks to land on July 22, 2016.

Quick Review: Fast & Furious 6 (dir. by Justin Lin)


url-6Thinking back on the original Fast & Furious film, I still find it hard to believe it’s done so well over the years. The longevity of the films owe a lot to the Saw series, which seems fitting considering that the original director of that film will take over the reigns for the next installment. Both series have managed to take events from all of their films and weave this strange tapestry with it. Once you think one story is over, the writers somehow jump back to an earlier scene and pull out a new thread for everyone to follow. Gimmicky? Perhaps, but it works, at least for this tale.

To sum up Furious 6 in a nutshell, Dominic Toretto’s team has to help Hobbs (the lawman who was after them in Furious 5) stop a former SAS agent who is using cars to facilitate his acts of terror. Why get involved, one asks? Hobbs sweetens the deal by showing Dom that his formerly believed dead girlfriend Letty (Michelle Rodriguez) is…wait for it….not dead, and is working with these bad guys.

It’s like General Hospital with Cars. I’m such a sucker for this franchise.

If you’re new to the Furious films, the opening credits sum up the last 5 movies in a Spider-Man 2 like montage. You have your main heroes, Dominic Toretto (Vin Diesel) and Brian O’Connor (Paul Walker), who are kind of like criminals only they take down bad guys to better others (or themselves). Along with them is Dom’s sister Mia (Jordana Brewster), who is the mother of Brian’s baby boy, Jack (not to be confused with Jack Jack from The Incredibles). Then there’s the crew, made up of most of the characters from all of the Furious films leading up to 6:

From 2 Fast 2 Furious, Chris “Ludacris” Bridges and Tyrese Gibson return as two friends of Brian’s. Tej (Bridges) is the team hacker (wouldn’t be complete without one) and Roman (Tyrese) is the comic relief.

From Tokyo Drift (the 3rd and my personal favorite) comes Sung Kang, who plays Han. While he met his end in that film, every movie after the 3rd takes place somewhere before this film, believe it or not. This makes the ending of Tokyo Drift a little baffling when you see Toretto at the end of it. No matter what the writers decide to do with future installments, they’ll eventually have to circle back to how Dom got there.

From Fast & Furious. (No. 4) – We have Gal Gadot as Gisele, a former IDF member who was an accomplice to a drug cartel leader. Ironically, Gadot actually did some work with the Israeli forces, which I found interesting. She is the only member of that film to come back to the series as Don Omar and Tego Calderon sat this one out.

And finally from Fast Five, you have Hobbs (The Rock) and his former partner from Brazil, Elena (Elsa Pataky).

So, you have the setup. One of the things to understand about this (and some of the earlier ones) is that you’re working in a “Popcorn Reality”. The action’s all well and good, but in the course of all the driving, you’ll almost expect to see at least one or two action scenes or stunts that just don’t make any kind of practical sense. These GTFO moments are in great supply in Furious 6 – A runway chase that lasts a good 15 minutes, yet seems impossibly long for any plane to actually use for a take off. A “flip” car with the ability to send other cars launching into the air. In any other movie, most people would scoff and walk out. For this, it’s almost the norm and if you don’t care, it’s actually fun. Lin has been able to take the chase scenes about as far as they can possibly go, and I can’t really imagine what else they could try to push things, really.

Of particular note is Luke Evans, who plays the villain, Shaw. I didn’t really care for him in Tarsem’s Immortals, but  was good here, trying to be as much a Bond baddie as he can. Another addition is Gina Carano, who takes the place as Hobbs partner this time around. She’s a bit more light hearted here than she was in Haywire, and gets to showcase her fight skills. However, in a movie that’s already packed with stars performing particular roles, she doesn’t really have much to truly do other than to be Michelle Rodriguez’s sparring partner. Not a terrible thing, just something I noticed.

Is it worth it? Well, considering that most of the movies that came out since Fast & Furious 6 was released haven’t fared too well (Yes, I’m looking right at you, After Earth), it’s a safe bet if you also understand that this all revolves around cars driving very smooth and fast with near unlimited shift points. If you don’t like cars or racing, this might not be your cup of tea. There’s a lot of shooting at some points, which might  round things out for action fans. It’s a quick way to burn 2 hours. If you also managed to see at least the last film in the cinema, then this is a given – though you’ll probably be able to put 2 and 2 together before the story’s half done.

Also, do stick around once the credits start, as there’s a scene that will come up to help lay the groundwork for the next installment.

Trailer: Fast and Furious 6 (Extended First Look)


FastSix

During this year’s Super Bowl XLVII one of the films whose trailers were premiered was the latest and upcoming entry to the Fast and the Furious series. Since that day a new and much more extended look and version of that trailer has been released by Universal Pictures for everyone to look over.

When I say extended first look I mean extended. This trailer is over 3 minutes long and pretty much acts like a major sizzle reel that’s usually reserved for special screenings at conventions or trade shows. I was mistaken from the earlier post when I said the film has an M-1 tank in it to ramp up the epicness. It looks more like the newest French main battle tank, the Leclerc. I shall keep my opinion about the French Leclerc to myself….

Now, enjoy the extended first look of Fast and Furious 6.

Trailer: Fast and Furious 6 (Super Bowl Exclusive)


FastSix

Fast Five was a big surprise when in came out in 2011. The franchise finally broke away from the street racing template of the previous entries in the series. The huge success of Fast Five meant it had given the franchise a new template by which to keep it going for the foreseeable future.

Fast and Furious 6 continues the action film rebirth of the Fast and Furious franchise by dumping all the street racing aspect of the series and just going all out action. We have Justin Lin back as director with the cast of Fast Five returning en masse. Joining this group is Luke Evans, Gina Carano and Michelle Rodriguez (thought dead after the fourth film). From the Super Bowl tv spot that just got released it looks like Fast and Furious 6 will be even bigger than the previous film.

M1 main battle tank and C-5 Galaxy transport plane means way bigger than a bank vault.

Fast and Furious 6 is set for a May 24, 2013 release date.

Arleigh’s 13 Favorite Films of 2011


2011 was a year that wasn’t spectacular by any stretch of the imagination. From January right up to December there were not many films which I would consider event films. This is surprising considering all the superhero blockbusters which arrived during the summer and the final film in the Harry Potter film franchise. Even the prestige films which came out during the holidays never truly captured everyone’s imagination (though one film was very close to achieving it due to one Michael Fassbender).

What 2011 did have was a solid slate of titles which ranged from the pulpy to the cerebral. We even got films which were able to combine the two to come up with something very special. Not every film resonated with everyone and some even split audiences down the extreme middle with half hating it and the other half loving it.

The list below catalogs the films which I consider my favorites of 2011. Some titles on this list I consider some of the best of 2011 while some didn’t make that particular list but were entertaining enough for me to make this favorite list. Once again, the list is not ranked from top to bottom, but only numbered to keep things organized….

  1. Shame (dir. by Steve McQueen) – This character-driven film starring Michael Fassbender and Cary Mulligan was one of those film which got close to becoming the one film everyone ended up talking about as the year wound down. It’s an exercise in minimalist filmmaking as Steve McQueen doesn’t allow too much dialogue to get in the way of telling the visual story of sex-addict Brandon and his downward spiral from addiction to self-hate. Much have been said of how much Fassbender’s penis in full display was a reason why people flocked to see this little existential film, but I rather thought that was probably just a bonus for some and instead it was Fassbender’s uncompromising performance in the role of Brandon which made Shame one of my favorites for 2011.
  2. Rise of the Planet of the Apes (dir. by Rupert Wyatt) – this film was one which didn’t garner too much high-anticipation from genre fans leading up to it’s release. People had been burned by Tim Burton’s reboot of the franchise and saw this second attempt to reboot the series as a failure in the making. So, it was to o everyone’s surprise that Rupert Wyatt’s film managed to not just bring new life to a stagnating franchise but do so in such a way that it became one of the best films of 2011. Sure, there was some flaws in how the human character were written, but in the end it was the performance-capture work by Andy Serkis and the digital wizardry of WETA Digital which made Rise of the Planet of the Apes not just a wonderful and fun film this past summer, but also one which laid the groundwork for more stories in what is a franchise reborn with fresh blood and life.
  3. I Saw the Devil (dir. by Kim Ji-woon) – this little revenge thriller from South Korea was one which I happened to catch just before it left the theaters this part spring. It had played in one of the few arthouse theaters in the Bay Area that hadn’t closed down. I was glad to have seen this film on the big screen instead of on Netflix Instant the way most have seen it. It’s a brutal cat-and-mouse story of a South Korean secret agent who stalks and hunts the serial killer (played by Oldboy‘s Choi Min-sik) who kidnapped and brutally murdered his fiancee. The film is not for the timid and weak of stomach as we see through the eyes of not just Agent Soo-hyun (played by Lee Byung-hun) but that of serial killer Kyung-chul the dark corners of South Korea where hunter has become prey and vice versa.  South Korea has always been good for one great film that I feel personally attached to and for 2011 it was this film.
  4. Cave of the Forgotten Dreams (dir. by Werner Herzog) – I don’t think I could ever make a year’s favorite list of any year that had a Herzog release and not have it as a favorite of mine for the year. It happens that Herzog had two films come out in 2011 and both of them excellent documentaries. It would be his earlier documentary for 2011 that became a favorite of mine. It also happened to be his first (and according to him the only time) foray into 3D-filmmaking. Herzog makes great use of 3D filmmaking’s added epth of field to make the cave paintings in the Chauvet Cave come to life. If this was going to be Herzog’s only film shot in 3D then he made one for the ages and it’s a travesty that those who vote for documentaries to be nominated for the Academy Awards failed to even list this film.
  5. Attack the Block (dir. by Joe Cornish) – this scifi-action film from the UK became the darling for genre fans everywhere. It had everything which bigger-budgeted films of the same stripe failed to accomplish. It was fun, thrilling and, most important of all, had characters which the audience would get to know and care for. John Boyega as the gang leader and, ultimately, the reluctant savior of the block which has become under siege by an alien force is just one of the highlights of the film which boasts one of the best screenplays of 2011. Joe Cornish joins the likes of Neill Blomkamp as a filmmaker whose first feature-length film hits on all cylinders.
  6. Captain America: The First Avenger (dir. by Joe Johnston) – this film was to be the last leg of the Marvel Films before 2012’s highly-anticipated The Avengers film. It introduced the film’s title character and his origins for those not familiar with the name Captain America. This film could easily have been a throwaway one. A film to set-up this year’s The Avengers. Instead what we got was one of the most fun blockbusters in the summer of 2011. Joe Johnston goes back to his Rocketeer days and creates an action film that’s full of genuine nostalgia but not burdened by it. Any doubts fans might have had of Chris Evans in the role as Captain America had them wiped clean with his pitch-perfect performance as the title character. The film also had one of the most romantic relationships on-screen in quite awhile with Evan’s Steve Rogers and Hayley Atwell’s Peggy Carter.
  7. Drive (dir. by Nicolas Winding Refn) – In my opinion, Refn’s existential take on the pulp genre with Drive is also one of the best films of 2011, if not the best of them all. Refn, with Ryan Gosling in the role of  the Driver, has created a film that mashes up so many different genres and does it so well that it’s hard to be sympathetic to those who felt they were misled by the fim’s trailer that it would be a nonstop action film similar to Fast Five. The film is not an action film, but a film which just happens to have some action in it. Action that comes sudden and brutal and none of the whiz-bangs other action films rely heavily on. It’s another film where Refn explores duality of the male persona. It helps Refn’s film that Gosling is so great as the Driver that the film never slows down too much before things revs up once more. The rest of the ensemble cast also does stand-out work with Albert Brooks as an aging, cynical Hollywood gangster leading the pack.
  8. Fast Five (dir. by Justin Lin) – Speaking of Fast Five…this was a film that surprised me in so many ways. It’s the fifth installment in a series that seemed to have evolved from being an action series whose main goal was to highlight the street-racing community and the ridiculous lengths people in it would go to in order to trick out their cars. This latest installment in the franchise has put the street-racing aspect of the series on the back burner and instead has remade the franchise into an action-heist series that just happens to have fast cars in it. This film was loud, fast and fun and despite some major leaps in logic in the storyline it never stopped being entertaining. It also brought back Dwayne “The Rock” Johnson in an action film role that he had stopped doing these past five or so years.
  9. Hanna (dir. by Tom Hooper) – If someone had come to me and said that little Saoirse Ronan (The Lovely Bones, Atonement) would turn out to be kickass action-hero directed by a British filmmaker not known for action films then I would dismiss such a thing as crazy talk. But crazy talk it wasn’t and all that came to pass with Tom Hopper’s excellent modern fairy tale in Hanna. Ronan as the title character was asuch a find in a role that didn’t just need for her to act like the little lost babe in the woods, but to also turn on a dime and kick ass with the best of action heroes past. It helped that everyone else around her were up to the task of supporting her performance whether it was Eric Bana in the role father (huntsman in fable lore) to Cate Blanchett as the cold-hearted CIA chief (evil queen) whose connection to Hanna drives the film’s narrative from beginning to end.
  10. Kung Fu Panda 2 (dir. by Jennifer Yuh Nelson) – in a year where Pixar had one of it’s rare misses (Cars 2 really was awful and such a blatant cash grab for the studio) it was there for the taking for top animated film of the year for everyone else to fight over. There was Rango and there was The Adventures of TinTin, but my favorite animated film of 2011 has to be Kung Fu Panda 2. It continues to adventures of the Dragon Warrior and panda kung master Po and his compatriots, the Furious Five. With the first film having done with him becoming the Dragon Warrior, this sequel was free to explore more aspects of Po’s life and personality such as his true origins and the tragic circumstances which led him to be adopted by his noddle-making goose of a father. The film is much darker than the previous one with it’s storyline exploring such themes as genocide and the destructive march of technology over nature’s harmony. It also had one of the best villains to come out in 2011 with Gary Oldman as the evil peacock, Lord Shen. Plus, it had scenes of Po as a baby Panda…A BABY PANDA.
  11. Tinker, Tailor, Soldier, Spy (dir. by Tomas Alfredson) – a feature-length film remake of the BBC miniseries of the same name (adapted from a John LeCarre novel), this spy thriller/procedural was Tomas Alfredson’s follow-up to his coming-of-age vampire film, Let the Right One In. Once again he has taken a well-worn genre and infused it with his own unique style of storytelling which valued characters and how they all interacted with each other over action and thrilling sequences. With a cast that’s a who’s who of British cinema the film was able to condense many hours of the miniseries into just a couple and still not lose the complex and layered plot involving political intrigue and betrayal. This film also had one of the best performances by any male actor for 2011 with Gary Oldman in the role of George Smiley. With Fassbender being passed over and not nominated for Best Actor for the upcoming Academy Awards I would be very perturbed if anyone else other than Oldman took home the statue.
  12. Kill List (dir. by Ben Wheatley) – I’m not well-versed on the work by Ben Wheatley so I saw this film on the recommendation of many whose opinions I trust when it comes to genre films. To say that I was thoroughly surprised by just how well this filmed turned out would be an understatement. Kill List is one of those films which turns so many horror and thriller conventions right on its head, but do so to serve the film’s narrative instead of a filmmaker trying to show his/her audience just how clever they can be. The film moves at a gradual pace that leads to a surprising ending that has split audiences down the middle. Some have loved the ending and other have hated it. I, for one, thought the ending was the only way the film could end. This was a film that was able to balance the different aspects of what makes a thriller and what makes a horror film. The moment when the film transitions from the former to the latter was so seamless that it takes several viewings to find just where it occurred. The best horror film of 2011, bar none.
  13. 13 Assassins (dir. by Miike Takashi) – many will be saying that I’m cheating with this final entry since the film was released in 2010. I would agree with them, but then again this film wasn’t released in the US until early 2011 so in my own honest opinion it qualifies as a 2011 film. This latest from Japan’s eclectic and prolific filmmaker, Miike Takashi, is his own take on the Japanese jidaigeki and a remake of the 1963 film of the same name. If there was ever a best action film of 2011 then this film would be it. Miike would pull back from his more over-the-top visuals (though he still manages to insert some very disturbing imagery early on in the film) for a much more linear and traditional action filmmaking. It’s a men-on-a-mission film that pits the 13 assassins of the title against 200 or more bodyguards of a sadistic lord who must be killed for the sake of the country. The first 45 minutes or so of the film shows the film gathering the assassins and planning their ambush. It’s that final hour or so of the film with it’s nonstop action which qualified this film not just one of my favorite for 2011, but that year’s best action film. No other film could even get to it’s level.

Honorable Mentions: Warrior, Super 8, Batman: Year One, Green Lantern: Emerald Knights, Sucker Punch, A Dangerous Method, The Adventures of TinTin, The Skin I Live In, Bunraku, The Guard, We Need to Talk About Kevin, Hugo, Tyrannosaur, Thor, The Interrupters, X-Men: First Class, Contagion, Battle: Los Angeles, Project Nim