Dean Shek | Through the Shattered Lens

John Woo’s A BETTER TOMORROW was such a gigantic hit in Hong Kong cinemas when it came out in 1986 that you had to know that a sequel would soon follow. A BETTER TOMORROW II would open a year later, bringing back all the stars from the original. This film would go even bigger with both the action and the melodrama, with varying levels of success, but we’ll get to that in a little bit.

The plot seems familiar at first, as ex-gangster Ho (Ti Lung) is let out of prison to work with the police to dig up dirt on his old friend Lung (Dean Shek), a former criminal who’s trying to run a legitimate business down at the shipyard. The main reason he agrees to help though, is because his younger brother / undercover cop Kit (Leslie Cheung) is working on the case and Ho wants to protect him. After a series of double-crosses and betrayals, it seems that we’re in for the same type of story that we got in the first film. Key differences emerge when Lung is framed for murder and escapes to New York City. There we meet Ken Gor (Chow Yun-Fat), the conveniently discovered twin brother of tragic hero Mark Gor. Ken tries to help Lung, who has fallen into a state of catatonic shock upon learning that his daughter has been killed. When death squads come after him in New York, Ken shows his badass cred and saves his ass. Lung eventually snaps out of it and the two head back to Hong Kong together. There they team up with Ho and Kit to exact bloody vengeance on all who have gotten in the way of their efforts at personal reform!

The first thing I’ll say about A BETTER TOMORROW II is that the film has some incredible action sequences, some of the best you’ll ever see, and some of Woo’s best work. The finale where the trio of Ken, Ho and Lung storm the bad guy’s mansion is a masterpiece of extended and creative bloody violence. I 100% recommend the film for the action.

The second thing I’ll say about A BETTER TOMORROW II is that it has some of the most over the top melodrama that you’ll ever see. My comment is mainly aimed at the section of the film where Ken tries to get Lung to snap out of his shock. I really don’t enjoy these scenes, with my least favorite being the scene where Chow Yun-Fat tries to force a completely zoned out Dean Shek to eat. There is a lot of good-looking food wasted in that scene, and I cringe every time I watch it!

I’ve read that the film was a troubled production, and that John Woo and producer Tsui Hark had very different ideas on the type of movie that each wanted to make. Both tried to produce different edits of the film, and with too many cooks in the kitchen, we ended up with this glorious Frankenstein. When the dust settled, John Woo mostly disowned the film except for that majestic, crimson-stained finale. Tsui Hark would take over the series and turn out A BETTER TOMORROW III a couple of years later, while Woo would move on to THE KILLER.

There are interesting ideas here, and the film almost wants to turn into a comic book. For example, the scene that first introduces us to Ken Gor, Mark’s twin brother, features an old man who’s devoted his life to drawing storyboard illustrations of the adventures of Mark, Ho and Kit. He even has Mark’s trademark sunglasses and blood-stained, bullet-riddled coat, which you know Ken will put on at some point. This seems appropriate to many of the shenanigans that go on, but then the film will switch its focus to extended scenes of a depressed Kit or a drooling Lung, and it seems like we’re in a different movie. There are parts of this film that I love and there are parts that I just want to be over.

At the end of the day, if you’ve come to A BETTER TOMORROW II for the promise of John Woo’s awesome action, you will get your fill. You’ll get to see Chow Yun-Fat at his charismatic best, wearing his long coat and sunglasses, and wielding twin barettas as he takes out hordes of henchmen. You’ll get to see Ti Lung swinging a sword that might bring back images of his Shaw Brothers heydays! Just be prepared to watch Dean Shek spill milk, eat through an orange (peel and all), and gnaw on a piece of frozen meat along the way.

A BETTER TOMORROW II is currently streaming on Amazon Prime, Tubi, and Plex.

The first Hong Kong actor I ever heard of was Bruce Lee. After that, it was Jackie Chan. I remember in the mid-90’s when RUMBLE IN THE BRONX opened in America and became the number 1 movie at the box office on its opening weekend. Jackie Chan had been trying out for U.S. stardom since the early 80’s with BATTLE CREEK BRAWL, THE CANNONBALL RUN movies and THE PROTECTOR. Now, all of a sudden he was a hot property. Some of Chan’s older movies, like OPERATION CONDOR (1991), SUPERCOP (1992) and DRUNKEN MASTER (1994) were being dusted off the shelves and re-released in America. The entire world was witnessing just what an amazing talent Jackie Chan truly was.

But long before he became a star in America, Jackie Chan was already one of the biggest stars in Asia. In DRUNKEN MASTER from 1978, Chan plays the martial arts hero Wong Fei-hung. Although Wong Fei-hung was a Chinese martial artist, physician & folk hero in real life, in DRUNKEN MASTER he’s played as a mischievous & arrogant young man who thinks he knows way more than he actually does. He’s such a pain in the butt that his dad, Master Wong, sends for his Uncle So to train him. Uncle So has a reputation as a master teacher who has been known to physically cripple his students in order to teach them the discipline it takes to learn his drunken kung fu. One day, after constantly rebelling against his uncle’s teaching, Wong escapes and runs into the mysterious assassin, Thunderleg. Not realizing who he’s dealing with, the disrespectful young man gets his ass kicked and is thoroughly humiliated. It’s so bad that he goes back to his uncle’s house and submits to his teaching. He finally realizes just how much he has to learn. Wouldn’t you know it, it’s also about this time that Thunderleg is commissioned to kill Master Wong. It seems a greedy guy named Mr. Lee wants access to land under Master Wong’s control for the sole purpose of removing its natural resources without regard for how it affects the other people in the area. When Master Wong says no, he unknowingly signs his death sentence. Will young Wong Fei-hung be able to learn the secrets of drunken kung fu in time to save his dad from the man who had soundly defeated him a short time ago? You’ll just have to watch and find out!

Jackie Chan is amazing as Wong Fei-hung. I’ve read about the rigorous training and harsh conditions that Chan himself endured in the Peking opera school that he attended as a child and teenager. The positive from that difficult situation is that he learned a brand of acrobatics and martial arts that helped make him an international movie star. As a 24 year old at the time of filming DRUNKEN MASTER, he’s in peak physical condition. As great as he is in his later American movies like RUSH HOUR and SHANGHAI NOON, his athleticism is off the charts here. When you combine Chan’s physical talents with the martial arts director Yuen Woo-ping, you can expect special results. The fight scenes are the primary draw here and they deliver. There’s a reason that filmmakers like the Wachowski’s, Ang Lee & Quentin Tarantino would ask Yuen Woo-ping to choreograph the martial arts in movies like THE MATRIX, CROUCHING TIGER HIDDEN DRAGON, and the KILL BILL’s.

DRUNKEN MASTER would be a huge financial success and its combination of action and comedy would be the blueprint for success throughout the rest of Jackie Chan’s career. It’s one of the best of its kind.