Boston Demands To Be Heard


The Los Angeles film critics weren’t the only ones to vote on their favorites of 2011 today.  The Boston Society of Film Critics voted today as well.  Now, as I’ve stated quite a few times on this site, I’m a Southern girl and I have a feeling that if I ever went up to Boston, everyone up there would ignore the fact that I’m an Irish Catholic and would probably just make fun of my accent.  Eventually, the conversation would turn to politics and I would let slip the fact that not only am I not a Democrat but I didn’t even vote for Barack Obama in 2008.  A big fight would follow and I imagine we wouldn’t even get around to talking about our favorite movies…

Sorry, I lost my train of thought there.  Anyway, the BSFC voted and here’s what they came up with:

Best Picture: “The Artist”

     Runners-up: “Hugo” and “Margaret”

Best Director: Martin Scorsese, “Hugo”

     Runner-up: Michel Hazanavicius, “The Artist”

Best Actor: Brad Pitt, “Moneyball”

     Runners-up: George Clooney, “The Descendants” and Michael Fassbender, “Shame”

Best Actress: Michelle Williams, “My Week With Marilyn”

     Runner-up: Meryl Streep, “The Iron Lady”

Best Supporting Actor: Albert Brooks, “Drive”

     Runner-up: Max Von Sydow, “Extremely Loud and Incredibly Close”

Best Supporting Actress: Melissa McCarthy, “Bridesmaids”

     Runner-up: Jeannie Berlin, “Margaret”

Best Screenplay: Steven Zaillian, Aaron Sorkin and Stan Chervin, “Moneyball”

     Runner-up: Kenneth Lonergan, “Margaret”

(If I was writing for AwardsDaily.com, I guess this is where I would say, NO MOVIE HAD A BETTER SCREENPLAY THAN THE SOCIAL NETWORK)

Best Cinematography: Emmanuel Lubezki, “The Tree of Life”

     Runner-up: Robert Richardson, “Hugo”

Best Documentary: “Project Nim”

     Runner-up: “Bill Cunningham New York”

Best Foreign-Language Film: “Incendies”

     Runners-up: “A Separation” and “Poetry”

Best Animated Film: “Rango”

Best Film Editing:  Christian Marclay, “The Clock”

     Runner-up: Thelma Schoonmaker, “Hugo”

Best New Filmmaker: Sean Durkin, “Martha Marcy May Marlene”

     Runner-up: J.C. Chandor, “Margin Call”

Best Ensemble Cast: “Carnage”

     Runner-up: “Margaret”

Best Use of Music in a Film: (tie) “Drive” and “The Artist”

     Runner-up: “The Descendants”

Special Commendations:

Ben Fowlie, Sara Archambault and Sean Flynn of DocYard

The Museum of Fine Arts for “The Clock”

The Brattle Film Foundation

Best Rediscoveries:

“The Shooting” at the Harvard Film Achive

“The Makota Sisters” at the Museum of Fine Arts

“Deep End” at the HFA

“Days and Nights in the Forest” at the HFA

“Children of Hiroshima” at the HFA

Obviously, the Boston Film Critics were big fans of Kenneth Lonergan’s film MargaretMargaret was actually filmed in 2007 but, because of various lawsuits between Longergan and the film’s producers, it was not actually released until September of this year.  Unfortunately, it only played down here for about a week and I didn’t get a chance to see it but hopefully, I will in the future.  If nothing else, I want to see it so I can have something other than politics to talk about if I ever go up to Boston.

The LAFCA Honors Terrence Malick, Michael Fassbender, and …. The Descendants?


For those of you who love to follow the Oscar race, today is a big day.  Several groups announced their picks for the best of 2011 today.  The most important of these groups would be the Los Angeles Film Critics Association.  Though the LAFCA has a pretty iffy record when it comes to predicting the actual Oscar winners, their picks still tend to influence the nominations. 

Here are the LAFCA winners, along with a little commentary from yours truly.

Best Musical Score: Hanna (runner-up: Drive)

There was a lot I liked about the LAFCA awards but this is the one that truly made me go: “Yay!”  Hanna was a great film that deserves a lot more attention than its been given.

Best Cinematography: The Tree of Life (Runner-up: The City of Life and Death)

Best Production Design: Hugo (runner-up: Tinker, Tailor, Solider, Spy)

Best Supporting Actress: Jessica Chastain for Coriolanus, The Debt, The Help, Take Shelter, Texas Killing Fields, and The Tree of Life (runner-up: Janet McTeer for Albert Nobbs)

Considering that she has next to no range as an actress, Jessica Chastain is having a pretty good year.  I have a feeling she’ll win an Oscar in February and then eventually end up joining the cast of Law & Order: SVU.

Best Supporting Actor: Christopher Plummer in Beginners (runner-up: Patton Oswalt in Young Adult)

As good as Plummer was in Beginners, think about how much more exciting it would have been if Oswalt had won.

Best Screenplay: A Seperation. (runner-up: The Descendants)

Best Documentary: The Cave of Forgotten Dreams (runner-up: The Arbor)

Again, let us consider that Werner Herzog’s masterpiece wasn’t even a semi-finalist as far as the Academy is concerned.

Best Independent/Experimental Film: Spark of Being

Best Actress: Yun Jung-hee in Poetry (runner-up: Kirsten Dunst in Melancholia)

Yay!  I am so bored with Meryl Streep.

Best Actor: Michael Fassbender for Shame, A Dangerous Method, X-Men: First Class, and Jane Eyre. (runner-up: Michael Shannon in Take Shelter)

Yay!  For both the winner and the runner-up. 

Best Director: Terrence Malick for The Tree of Life (runner-up: Martin Scorsese for Hugo)

I was on twitter when this result was announced and Oh. My. God.  My timeline like totally exploded with people getting all excited and hopeful.  And then, quite a few minutes later, all that excitement turned to rage as the next award was announced–

Best Picture: The Descendants (runner-up: The Tree of Life)

That’s right.  After going out on a limb with best actress and (debatably) best director and going out of their way to honor the unfairly neglected, the LAFCA gave best picture to one of the most overrated films of 2011 — The Descendants.  This despite the fact that The Descendants hadn’t won a single other award and was a runner-up in only one category.  That must have really loved that 2nd place screenplay.  This choice reeks of compromise, as if a group of critics decided to all unite and vote for their 2nd or 3rd choice in order to keep a more controversial films like The Tree of Life from winning.

That said, my pick for the best of 2011 remains Hanna.

Best Foreign Language Film: The City of Life and Death (runner-up: A Separation)

So, A Separation has a better screenplay than the best film of 2011, yet it’s not as good a film as The City of Life and Death.

New Generation award: Martha Marcy May Marlene

To recap, the three major critics groups have now spoken and each one has named a different film for best picture.  The National Board of Review went for Hugo, the New Yorkers went for The Artist, and the LAFCA went for The Descendants.

In fact, the Artist was totally ignored by Los Angeles and I’ve noticed that there seems to be a backlash developing against this film.  The Artist won’t be opening here until Dec. 21st so I can’t judge it but I would say that if you’re upset about about a French film like The Artist getting so much attention, don’t worry.  Maybe David Fincher will remake it with American actors next year.

Here Are The 15 Semi-Finalists For Best Visual Effects of 2011


Today, the Academy of Motion Pictures Arts and Sciences announced the 15 semi-finalists for this year’s Oscar for Best Visual Effects.  Without further ado, here they are:

  • “Captain America: The First Avenger”
  • “Cowboys & Aliens”
  • “Harry Potter and the Deathly Hallows Part 2″
  • “Hugo”
  • “Mission: Impossible – Ghost Protocol”
  • “Pirates of the Caribbean: On Stranger Tides”
  • “Real Steel”
  • “Rise of the Planet of the Apes”
  • “Sherlock Holmes: A Game of Shadows”
  • “Sucker Punch”
  • “Super 8″
  • “Thor”
  • “Transformers: Dark of the Moon”
  • “The Tree of Life”
  • “X-Men: First Class”

 

Belatedly, here are the Satellite Nominations


One thing about Oscar Season is that you have so many different groups of people tossing around so many different awards that occasionally, you’ll miss a few.  The nominations for the Satellite Awards were announced last Friday but I missed them, largely because nobody really seems to care about the Satellite Awards.  Well, almost nobody.  I care about them because — even when they were known as the Golden Satellites — the Satellite Awards are consistently more interesting than the more mainstream awards.  (For instance, last year, the Satellite Awards had the guts to honor the one and only true girl with the dragon tattoo, Noomi Rapace.)

Best Picture

The Artist

The Descendants

Drive

The Help

Hugo

Midnight in Paris

Moneyball

Shame

Tinker, Tailor, Soldier, Spy

War Horse

What?  No love for David Fincher’s rip-off of The Girl With The Dragon Tattoo?  The AwardsDaily folks must be throwing a fit.  (They’ve been promoting Fincher’s rehash with the same enthusiasm that they attempted to promote Nine two years ago.)

Best Actor

George Clooney in The Descendants

Leonardo DiCaprio in J. Edgar

Michael Fassbender in Shame

Brendan Gleeson in The Guard

Ryan Gosling in Drive

Tom Hardy in The Warrior

Woody Harrelson in Rampart

Gary Oldman in Tinker, Tailor, Soldier, Spy

Brad Pitt in Moneyball

Michael Shannon in Take Shelter

It’s nice to see Brendan Gleeson get some love.  It’s also interesting to note that Michael Shannon’s performance in Take Shelter has been getting a lot of recognition.  Count me among those who hopes that Shannon gets, at the very least, a nomination for giving a great performance in a horror film.

Best Actress

Glenn Close for Albert Nobbs

Olivia Colman in Tryannasour

Viola Davis for The Help

Vera Farmiga in Higher Ground

Elizabeth Olsen in Martha Marcy May Marlene

Meryl Streep in The Iron Lady

Charlize Theron in Young Adult

Emily Watson in Oarnges and Sunshine

Michelle Williams in My Week With Marilyn

Michelle Yeoh in The Lady

Much as the Satellites recognized the work of Noomi Rapace last year, this year they continue to at least nominate some great performances that are being ignored by the mainstream.  In a perfect world, both Verma Farmiga and Higher Ground would be major contenders.

Best Supporting Actor

Kenneth Branagh in My Week With Marilyn

Albert Brooks in Drive

Colin Farrell in Horrible Bosses

Jonah Hill in Moneyball

Viggo Mortensen in A Dangerous Method

Nick Nolte in Warrior

Christopher Plummer in Beginners

Andy Serkis for Rise of the Planet of the Apes

Christoph Waltz in Carnage

Hugo Weaving in Oranges and Sunshine

Wouldn’t it be cool if Andy Serkis actually got an Oscar nomination?  It’s also nice to see Jonah Hill finally getting some recognition for Moneyball.  Brad Pitt has been honored largely for playing Brad Pitt in that film.  Hill actually gave a performance.

Best Supporting Actress

Jessica Chastain in The Tree of Life

Elle Fanning in Super 8

Lisa Feret in Mozart’s Sister

Judy Greer in The Descendants

Rachel McAdams in Midnight in Paris

Janet McTeer in Albert Nobbs

Carey Mulligan in Shame

Vanessa Redgrave in Coriolanus

Octavia Spencer in The Help

Kate Winslet in Carnage

I haven’t seen Shame yet but Carey Mulligan is one of my favorite actresses and she deserved an Oscar for her performance in An Education.  It’s also nice to see Judy Greer getting some recognition for giving one of the few performances in The Descendants that’s actually going to pass the test of time.

The full list of nominees can be found here.

The 39th Annual Annie Nominations Have Been Announced


And the awards continue…

The 39th annual nominees for the Annie Awards (honoring the best in animated films, television, and video games) were announced earlier today.

The 10 nominees for best animated film of 2011:

A Cat in Paris

The Adventures of TinTin
Arthur Christmas
Arrugas
Cars 2
Chico & Rita
Kung Fu Panda 2
Puss In Boots
Rango
Rio

The nominees for Best Animated Video Game:

  • Bumpy Road – Simogo
  • Catherine – Atlus
  • Gears of War 3 – Epic Games
  • Gesundheit – Konami Digital Entertainment
  • Ghost Trick: “Phantom Detective” – Capcom
  • Insanely Twisted Shadow Planet – Shadow Planet Productions, Gagne/Fuelcell
  • Ratchet and Clank: All 4 One – Insomniac Games
  • Rayman Origins – Ubisoft Montpellier
  • Uncharted 3: Drake’s Deception – Naughty Dog

A full list of nominees can be found here.

The WAFCA Has Spoken


I don’t know much about the Washington Area Film Critics Association but, just judging from the films that they chose to nominate for being the best of 2011, they would appear to have better taste than most film critics. 

(Seriously, film critics are the worst.)

They announced their picks for the best of 2011 earlier today and here’s a complete list of their nominees and winners.  If nothing else, this year’s Oscar race is certainly shaping up to be a bit more interesting than last years. 

Best Film:
*The Artist
The Descendants
Drive
Hugo
Win Win

Best Director:
Woody Allen (Midnight in Paris)
Michel Hazanavicius (The Artist)
Alexander Payne (The Descendants)
Nicolas Winding Refn (Drive)
*Martin Scorsese (Hugo)

Best Actor:
*George Clooney (The Descendants)
Jean Dujardin (The Artist)
Michael Fassbender (Shame)
Brad Pitt (Moneyball)
Michael Shannon (Take Shelter)

Best Actress:
Viola Davis (The Help)
Elizabeth Olsen (Martha Marcy May Marlene)
Meryl Streep (The Iron Lady)
Tilda Swinton (We Need to Talk About Kevin)
*Michelle Williams (My Week with Marilyn)

Best Supporting Actor:
Kenneth Branagh (My Week with Marilyn)
*Albert Brooks (Drive)
John Hawkes (Martha Marcy May Marlene)
Christopher Plummer (Beginners)
Andy Serkis (Rise of the Planet of the Apes)

Best Supporting Actress:
Bérénice Bejo (The Artist)
Melissa McCarthy (Bridesmaids)
Carey Mulligan (Shame)
*Octavia Spencer (The Help)
Shailene Woodley (The Descendants)

Best Acting Ensemble:
*Bridesmaids
Harry Potter and the Deathly Hallows Part 2
The Help
Hugo
Margin Call

Best Adapted Screenplay:
*Alexander Payne and Nate Faxon & Jim Rash (The Descendants)
Tate Taylor (The Help)
John Logan (Hugo)
Steven Zaillian and Aaron Sorkin (Moneyball)
Bridget O’Connor & Peter Straughan (Tinker, Tailor, Soldier, Spy)

Best Original Screenplay:

Woody Allen (Midnight in Paris)
Michel Hazanavicius (The Artist)
Tom McCarthy (Win Win)
Annie Mumolo & Kristen Wiig (Bridesmaids)
*Will Reiser (50/50)

Best Animated Feature:
The Adventures of Tintin
Arthur Christmas
Puss in Boots
*Rango
Winnie the Pooh

Best Documentary:
Being Elmo: A Puppeteer’s Journey
Buck
*Cave of Forgotten Dreams
Into the Abyss: A Tale of Death, A Tale of Life
Project Nim

Best Foreign Language Film:
13 Assassins
Certified Copy
I Saw the Devil
Pina
*The Skin I Live In

Best Art Direction:
Lawrence Bennett, Production Designer, and Gregory S. Hooper, Art Director (The Artist)
Stuart Craig, Production Designer, and Stephenie McMillan, Set Decorator (Harry Potter and the Deathly Hallows Part 2)
*Dante Ferretti, Production Designer, and Francesca Lo Schiavo, Set Decorator (Hugo)
Jack Fisk, Production Designer, and Jeanette Scott, Set Decorator (The Tree of Life)
Rick Carter, Production Designer, and Lee Sandales, Set Decorator (War Horse)

Best Cinematography:
Guillaume Schiffman (The Artist)
Robert Richardson (Hugo)
Manuel Alberto Claro (Melancholia)
*Emmanuel Lubezki (The Tree of Life)
Janusz Kaminski (War Horse)

Best Score:
*Ludovic Bource (The Artist)
Cliff Martinez (Drive)
Trent Reznor & Atticus Ross (The Girl with the Dragon Tattoo)
Howard Shore (Hugo)
John Williams (War Horse)

The National Board of Review Gives It Up For “Hugo”


 

It took them a while but, earlier today, the folks who made up the National Board of Review (nobody’s quite sure who they are) finally announced their picks for the best of 2011.  And the winner is — Martin Scorsese’s Hugo!  As anyone who was on twitter earlier today knows, this was something of a surprising result and most of the self-appointed film experts out there seemed to be convinced that the NBR would honor either War Horse or The Artist.  Seeing as it took the NBR longer than usual to announce the winners, I’m assuming that the voting was fairly close.  The NBR is usually considered to be a precursor to the Academy Awards so, if nothing else, this result would seem to bode well for Hugo‘s chances to pick up a best picture nomination.  Here are the winners with the occasional editorial comment from me:

Best Film:
Hugo

(I loved Hugo, though my favorite film of the year remains, at this point, Hanna)

Best Director:
Martin Scorsese, Hugo

Best Actor:
George Clooney, The Descendants

(I may be the only person in America who thinks that The Descendants is overratedCertainly, the members of the NBR disagree with me on that point.)

Best Actress:
Tilda Swinton, We Need to Talk About Kevin

(This was kind of surprising since I think the conventional wisdom was that Meryl Streep would win everything for The Irony Lady.)

Best Supporting Actor:
Christopher Plummer, Beginners

(I have a feeling that Plummer’s going to be the sentimental favorite at the Oscars.)
Best Supporting Actress:
Shailene Woodley, The Descendants

Best Original Screenplay:
Will Reiser, 50/50

(Yay!  This film has been strangely underrated as an awards contender but it deserves a lot more attention.)

Best Adapted Screenplay:
Alexander Payne, Nat Faxon & Jim Rash, The Descendants

Best Animated Feature:
Rango

(Another yay!)
Breakthrough Performance:
Felicity Jones, Like Crazy

Breakthrough Performance
:
Rooney Mara, The Girl with the Dragon Tattoo

(Bleh.  On twitter, I already went into a rant about how too many of my fellow film bloggers have allowed themselves to be co-opted into a conspiracy to both  force The Girl With The Dragon Tattoo remake down our throats and to try to make us forget about the original trilogy and the fact that Noomi Rapace gave a brilliant performance as Lisbeth.  I’ll hold off on going into that again until it’s time to review the remake but seriously, people — the Hollywood establishment is not going to give you a promise ring, I don’t care how much you kiss their ass.)

Debut Director:
J.C. Chandor, Margin Call

Best Ensemble:
The Help

(Believe it or not, I still need to see this one.)

Spotlight Award
:
Michael Fassbender (A Dangerous Method, Jane Eyre, Shame, X-Men: First Class)

(Oh. My. God.  So.  Hot.)

NBR Freedom of Expression
:
Crime After Crime

NBR Freedom of Expression:
Pariah

Best Foreign Language Film:
A Separation

Best Documentary:
Paradise Lost 3: Purgatory

Special Achievement in Filmmaking:
The Harry Potter Franchise – A Distinguished Translation from Book
to Film

(This is probably my favorite award to be given out by NBR.  Seriously, the Harry Potter franchise provided me — and so many others — such a blessed escape whenever life seemed overwhelming.)

Top Films (in alphabetical order)

The Artist (Can’t Wait To See It)
The Descendants
(Overrated)
Drive (Yay!)
The Girl with the Dragon Tattoo (Bleh)
Harry Potter and the Deathly Hallows Part 2 (Yay!)
The Ides of March (One of the worst films of the year)
J. Edgar (Bland and forgettable but well-made)
Tree of Life
(Yay!)
War Horse
(Going to see it but I feel obligated to do so and I resent it, to be honest)

Top 5 Foreign Language Films (in alphabetical order)

13 Assassins
Elite Squad: The Enemy Within
Footnote
Le Havre
Point Blank

Top 5 Documentaries (in alphabetical order)

Born to be Wild
Buck
George Harrison: Living in the Material World
Project Nim
Senna

Top 10 Independent Films (in alphabetical order)

50/50 (Yay!)
Another Earth
(Whatever, this was a terrible movie)
Beginners (A good film that deserves to be seen)
A Better Life
(Overrated)
Cedar Rapids (Likable but nothing spectacular)
Margin Call
(Need to see it)
Shame
(Fassbender!)
Take Shelter
(Yay!)
We Need To Talk About Kevin
(Looking forward to it)
Win Win
(Yay!)

And finally…The Independent Spirit Award Nominations


In one final bit of Oscar Season news, the 2011 Independent Spirit Award nominations were announced on Tuesday.  Because of the sheer number of nominees and awards, I’m just going to post the nominees and refrain from offering up any commentary beyond noting that 1) it’s nice to see Drive, Take Shelter, and 50/50 recognized and 2) that the Independent Spirit Award nominations have a pretty iffy record when it comes to predicting and/or influencing the actual Oscar nominations. 

Best Feature
50/50
Beginners
Drive
Take Shelter
The Artist
The Descendants

Best Director
Mike Mills, Beginners
Nicolas Winding Refn, Drive
Jeff Nichols, Take Shelter
Michel Hazanavicius, The Artist
Alexander Payne, The Descendants

Best First Feature
Another Earth
In The Family
Margin Call
Martha Marcy May Marlene
Natural Selection

Best Male Lead
Demian Bichir, A Better Life
Jean Dujardin, The Artist
Ryan Gosling, Drive
Woody Harrelson, Rampart
Michael Shannon, Take Shelter

Best Female Lead
Lauren Ambrose, Think of Me
Rachel Harris, Natural Selection
Adepero Oduye, Pariah
Elizabeth Olsen, Martha Marcy May Marlene
Michelle Williams, My Week With Marilyn

Best Supporting Male
Albert Brooks, Drive
John Hawkes, Martha Marcy May Marlene
Christopher Plummer, Beginners
John C. Reilly, Cedar Rapids
Corey Stoll, Midnight in Paris

Best Supporting Female
Jessica Chastain, Take Shelter
Anjelica Huston, 50/50
Janet McTeer, Albert Nobbs
Harmony Santana, Gun Hill Road
Shailene Woodley, The Descendants

John Cassavetes Award for films made under $500,000
Bellflower
Circumstance
Hello Lonesome
Pariah
The Dynamiter

Best Documentary
An African Selection
Bill Cunningham New York
The Interrupters
The Redemption of General Butt Naked
We Were Here

Best Cinematography
Joel Hodge, Bellflower
Benjamin Kasulke, The Off Hours
Darius Khondji, Midnight in Paris
Guillaume Shiffman, The Artist
Jeffrey Waldron, The Dynamiter

Best First Screenplay
Mike Cahill & Brit Marling, Another Earth
J.C. Chandor, Margin Call
Patrick DeWitt, Terri
Phil Johnston, Cedar Rapids
Will Reiser, 50/50

Best Screenplay
Joseph Cedar, Footnote
Michel Hazanavicius, The Artist
Tom McCarthy, Win Win
Mike Mills, Beginners
Alexander Payne, The Descendants

Best International Film
A Separation
Melancholia
Shame
The Kid With a Bike
Tyrannosaur

Piaget Producer’s Award
Chad Burris, Mosquita y Mari
Sophia Lin, Take Shelter
Josh Mond, Martha Marcy May Marlene

Someone to Watch Award
Simon Arthur, Silver Tongues
Mark Jackson, Without
Nicholas Ozeki, Mamitas

Truer Than Fiction Award
Heather Courtney, Where Soldiers Come From
Danfung Dennis, Hell and Back Again
Alma Ha’rel, Bombay Beach

Robert Altman Award for ensemble
Margin Call (Penn Badgley, Simon Baker, Paul Bettany, Jeremy Irons, Mary McDonnell, Demi Moore, Zachary Quinto, Kevin Spacey, Stanley Tucci)

2011 Gotham Awards Recap


In my previous post, I announced the start of “Oscar season” by offering up a recap of the films and performers honored by the New York Film Critics Circle earlier today.  However, the Oscar season was actually kicked off on Monday night with the Gotham Awards.  Much like the Independent Spirit awards, the Gothams are meant to honor the best in the year’s independent films.  Below is a recap of which films were honored at this year’s ceremony.

Best Feature

Beginners(tie)
The Tree of Life(tie)

Best Ensemble Performance

Beginners

Best Breakthrough Actor/Actress

Felicity JonesLike Crazy

Best Breakthrough Director

Dee ReesPariah

Best Documentary

Better This World

Best Film Not Playing at a Theater Near You

Scenes of a Crime

The big news here has been that Beginners and Tree of Life tied for best picture.  (Actually, I’m not surprised as both films pretty much explored the same themes of memory, aging, and love.)  It’ll be interesting to see if either one of these films manage to maintain the momentum of their victory through the rest of the Oscar season. 

As for me, I have a new mission and that is to see Codependent Lesbian Space Alien Seeks Same.

The New York Film Critics Circle Names “The Artist” Best Picture of 2011


This is my favorite time of year.  It’s Oscar season, the time when films and actors manuever to win nominations and awards.  This is the time of year when anything seems possible, when you think that maybe Exit Through The Gift Shop will get a best picture nomination or perhaps Christopher Nolan will be nominated for best director for Inception.  In short, this is the month and a half before bitter disillusionment sets in.

During Oscar season, several mysterious groups hand out awards of their own.  These groups are made up of critics desperately trying to convince themselves that they matter and the awards that they hand out are often seen as an indicator of what will eventually end up getting nominated.  Last year, just about every single critical group named The Social Network as best picture and David Fincher as best director and we all remember how little that actually meant once it came time for the actual Academy Awards to be handed out. 

Earlier today, the New York Film Critics Circle helped to start things off by announcing their picks for the best of 2011.  Reportedly, they held off a day on selecting their picks so that they could attend a special screening of David Fincher’s remake of The Girl With The Dragon Tattoo.  And how did that work out?  Well, check out what won:

Best picture: “The Artist”

Best director: Michael Havanavicius, “The Artist”

Best actor: Brad Pitt (“Moneyball,” “Tree of Life”)

Best actress: Meryl Streep (“The Iron Lady”)

Best supporting actor: Albert Brooks (“Drive”)

Best supporting actress: Jessica Chastain (“The Tree of Life,” “The Help” and “Take Shelter”)

Best screenplay: Steve Zaillian and Aaron Sorkin, “Moneyball”

Best cinematography: Emmanuel Lebezki, “Tree of Life”

Best non-fiction film (documentary): “Cave of Forgotten Dreams”

Best foreign language film: “A Separation”

Best first feature: “Margin Call”

Just a few comments on these awards: I have yet to see The Artist but I’m really looking forward to it.  I have a feeling I’m either going to love it or else I’m going to hate it with a passion.  It just appears to be one of those films.  I also haven’t seen Margin Call because its subject matter — Wall Street — makes me go “Bleh!”  But I may have to see it now because it appears to be becoming a bit of an awards dark horse.

I have a feeling that Brad Pitt’s going to win an Oscar for his performance in Moneyball but I really didn’t think it was anything that special.  I thought Pitt was likable but not much else.  Some of that could have had a bit to do with the fact that I couldn’t really follow the film as I’m about as interested in baseball as I am in Wall Street.  Hopefully, I won’t have to sit through another Aaron Sorkin acceptance speech at next year’s Oscar ceremony.  Seriously, there’s only so much time I can spend listening to a pompous millionaire talking about how he thinks the world works.

I haven’t seen The Iron Lady yet but its going to be boring and people are going to feel obligated to pretend like they got something out of it.

Finally, yay to the NYFCC for awarding both Albert Brooks and Werner Herzog’s The Cave of Forgotten Deams