Music Video of the Day: Hurt Feelings by Flight of the Conchords (2009, dir by James Bobin)


Way back in 2009, this music video premiered during my favorite episode of Flight of the Conchords, The Tough Brets.  That’s the episode where Bret performs a controversial rap, in which he attacks several other rappers.  (“Snoop Dogg is not very good.  Ice Cube in not very good….”)  When Murray suggests that Bret may have hurt the feelings of the rappers that he called out, Bret forms a gang for protection.

Or, at very least, Bret tries to form a gang.  It doesn’t go particularly well, though character actor Seymour Cassel does join up at the one point.)

However, before forming the gang, Bret and Jermaine perform an entire song about hurt feelings.  This song is also known as Tears of a Rapper and there’s actually several different versions of it floating around.  For instance, in a more recent version, the Maid in Manhattan reference is replaced with a joke about how much Bret loves Zac Efron.  One thing that always remains the same is that Jermaine’s family forgot to wish him a happy birthday.  Poor Jermaine!

Anyway, I like this music video.  I like the fact that when Bret sees that his friends have gone to see Maid in Manhattan without him, Jermaine just happens to be there, trying to hide his face.  For the record, Maid in Manhattan is actually a perfect reference because it’s the type of bland film that you would be embarrassed to discover someone had specifically gone out of their way not to see with you.  It’s the one where Jennifer Lopez plays a maid and Ralph Fiennes plays a politician.  At one point, Jennifer Lopez nearly sits down on a magazine that’s got a picture of Ralph Fiennes on the cover and she tells him, “Whoops, I nearly sat on your face.”

Add to that, everyone’s had hurt feelings at some point in their life and therefore, everyone can relate to this song.  For instance, I’ve recently been making an effort to obey all posted traffic laws.  Would it kill someone to say, “Wow, Lisa, you actually stopped for that red light!  We’re proud of you!?”

I’ve got hurt feelings …. I’ve got hurt feelings….

For the record, I also love Murray’s comment at the end of this clip.  “All good examples.”

Enjoy!

Music Video of the Day: Inner City Pressure by Flight of the Conchords (2007, dir by James Bobin)


I used to love watching Flight of the Conchords on HBO.  The adventures of Bret, Jermaine, and Murray (can’t forget, Murray!) helped me get through some very dark times.  No matter how down I felt during the week, I knew that I’d have a reason to laugh during the weekend.

I guess that’s why it makes me a bit sad to know that Jermaine and Bret apparently didn’t enjoy the experience of working for HBO.  When the show didn’t return for a third season, there was a lot of speculation about what happened.  At the time, Jermaine said that the show took up a lot of time and that neither one of them was happy with the pressure to constantly come up with new songs and material.  In a 2016 interview, Bret explained that the show “basically stopped being fun. It really wasn’t a decision about money. It was definitely a decision about enjoying our lives.”

I can actually understand the feeling and I am kind of glad that Flight of the Conchords ended on a good note.  I mean, the show only lasted two seasons but those were two GREAT seasons!

Of course, you can’t talk about Flight of the Conchords without talking about the music videos that aired during the show.  For instance, today’s music video of the day originally aired during the second episode of Flight of the Conchords.  In the episode, Bret and Jermaine have to figure out how to live in New York City despite having absolutely no money.  (I forget how they manage to pull it off.)  In this song and video, they describe what it’s like to live under inner city pressure.

Why does this work for me?  It’s both serious and funny.  The video strikes the right balance between parody and earnestness.

Enjoy!

 

What Lisa Watched Last Night: The 84th Annual Academy Awards


Last night, me and my BFF Evelyn watched the 84th Annual Academy Awards.

Lisa and Evelyn at the Oscars

Why Was I Watching It?

As if you had to ask.

What Was It About?

It was about honoring some good films and making a lot of catty comments about rich people who don’t know how to dress themselves.

What Worked?

You know who is adorable?  Bret McKenzie, who all good people as a member of The Flight of the Conchords.  He won an Oscar last night for best original song for Man or Muppet and he gave exactly the type of wonderfully sincere acceptance speech that you would expect from Bret McKenzie.

You know who else is adorable?  Jim Rash.  The script he co-wrote for The Descendants is overrated but it was still good to see Community’s Dean up there accepting an Oscar.

And you know who is really, really adorable?  The little Emma Stone.  Loved her dress and loved her whole little skit with Ben Stiller.

Jean Dujardin, Christopher Plummer, and Octavia Spencer all gave wonderful acceptance speeches and Uggie got to go on stage when The Artist won best picture!  That was so cute!

What Didn’t Work?

Much like the Golden Globes last month, the Academy Awards were a rather somber affair,  It was as if everyone couldn’t get over the fact that they had actually nominated Incredibly Loud and Extremely Close and everyone was muttering under their breath, “Let’s get this over with before anyone remembers that we nominated a film that not even those people at the Golden Globes were impressed by!”

As much as I enjoyed two of the nominees for best picture (The Artist and Hugo), respected one of them (The Tree of Life), and enjoyed another almost despite myself (The Help), the majority of the nominations this year went to movies that we will probably never watch again and to performers who will probably never have a year as good as this one.  Perhaps that is why the various Academy montages all seemed to feature scenes taken from films that received not a single Oscar nomination.  (More time was devoted to the latest Mission Impossible than to Extremely Loud and Incredibly Close.)  It just gave the whole ceremony a rather odd feel.  It reminded me of when I was in high school and the drama club would give out little trophies and certificates at the end of the year.  I received a little trophy for being the Best Actress in Advanced Theatre during my junior year.  I also got a certificate for “Biggest Flirt.”  (My acceptance speech, by the way, was: “Couldn’t it have been for best lay?”  Ahhh, High School.)

As host, Bill Crystal was pretty bleh and he kinda looked like Robert Blake from Lost Highway.

Whenever Rooney Mara popped up on screen, me and Evelyn would yell, “You need boobs to wear that dress, honey!”

Meryl Streep’s acceptance speech was long-winded and she came across as being a bit full of herself, I think.  Now I know that you’re saying, “Well, gee, Lisa, she’s the greatest actress ever so she’s earned the right to be full of herself!”  Actually, if you really pay attention to Streep’s performances, you’ll see that the main reason she has a reputation for being a great actress is because she never allows you to forget that she’s acting.

I missed James Franco.

“OMG! Just like me!” Moments

As I mentioned on twitter, Evelyn and I have decided that we were the Jennifer Lopez and Cameron Diaz of my living room.  We’re still debating on just who exactly was Cameron and who was J.Lo. 

Lessons Learned

Everything is better with James Franco!

Here are the 39 songs eligible for a Best Original Song nomination


Yesterday, the Academy announced that the following 39 films are eligible to nominated for the Oscar for Best Original Song of 2011.  Considering how the awards season has gone so far, I guess I shouldn’t be surprised that few of the songs that I truly enjoyed hearing this year are eligible.  Still, it is nice to see that Capt. America will have a chance to score a nomination for “Star-Spangled Man.”

Then again, it would also be nice to see something from The Muppets win because I’m sure Bret McKenzie would give a perfectly charming acceptance speech.

One final reaction to this list: there’s a movie called White Irish Drinkers?  

Yay!

  • “The World I Knew” from “African Cats”
  • “Lay Your Head Down” from “Albert Nobbs”
  • “Star Spangled Man” from “Captain America: The First Avenger”
  • “Collision of Worlds” from “Cars 2”
  • “Dakkanaga Dugu Dugu” from “DAM999”
  • “DAM999 Theme Song” from “DAM999”
  • “Mujhe Chod Ke” from “DAM999”
  • “Rainbird” from “Dirty Girl”
  • “Keep On Walking” from “The First Grader”
  • “Where the River Goes” from “Footloose”
  • “Hello Hello” from “Gnomeo & Juliet”
  • “Love Builds a Garden” from “Gnomeo & Juliet”
  • “Bridge of Light” from “Happy Feet Two”
  • “The Mighty Sven” from “Happy Feet Two”
  • “Never Be Daunted” from “happythankyoumoreplease”
  • “Hell and Back” from “Hell and Back Again”
  • “The Living Proof” from “The Help”
  • “Coeur Volant” from “Hugo”
  • “It’s How We Play” from “I Don’t Know How She Does It”
  • “When the Heart Dies” from “In the Land of Blood and Honey”
  • “Ja Nao Estar” from “José and Pilar”
  • “The Keeper” from “Machine Gun Preacher”
  • “Life’s a Happy Song” from “The Muppets”
  • “Man or Muppet” from “The Muppets”
  • “Pictures in My Head” from “The Muppets”
  • “Summer Song” from “The Music Never Stopped”
  • “Imaginary Friends” from “Olive”
  • “Sparkling Day” from “One Day”
  • “Taking You With Me” from “Our Idiot Brother”
  • “The Greatest Song I Ever Heard” from “POM Wonderful Presents The Greatest Movie Ever Sold”
  • “Hot Wings” from “Rio”
  • “Let Me Take You to Rio” from “Rio” 
  • “Real in Rio” from “Rio”
  • “Shelter” from “Take Shelter”
  • “Gathering Stories” from “We Bought a Zoo”
  • “Pop” from “White Irish Drinkers”
  • “Think You Can Wait” from “Win Win”
  • “The Backson Song” from “Winnie the Pooh”
  • “So Long” from “Winnie the Pooh”

Here Are The 2012 Critics’ Choice Movie Award Nominees


Earlier today, the Broadcast Film Critics Association announced their nominations for the 17th Annual Critics’ Choice Awards.  The BFCA is the largest of the so-called “major” critics’ groups (and, interestingly enough, it’s also the newest and the least prestigious) and it has a fairly good track record of predicting the actual Oscar nominations.  The awards themselves will be handed out on January 12th, 2012 in a self-important, kinda seedy ceremony that will be broadcast on VH-1.   

BEST PICTURE
The Artist
The Descendants
Drive
Extremely Loud & Incredibly Close
The Help
Hugo
Midnight in Paris
Moneyball
The Tree of Life
War Horse

BEST ACTOR
George Clooney – The Descendants
Leonardo DiCaprio – J. Edgar
Jean Dujardin – The Artist
Michael Fassbender – Shame
Ryan Gosling – Drive
Brad Pitt – Moneyball

BEST ACTRESS
Viola Davis – The Help
Elizabeth Olsen – Martha Marcy May Marlene
Meryl Streep – The Iron Lady
Tilda Swinton – We Need to Talk About Kevin
Charlize Theron – Young Adult
Michelle Williams – My Week With Marilyn

BEST SUPPORTING ACTOR
Kenneth Branagh – My Week With Marilyn
Albert Brooks – Drive
Nick Nolte – Warrior
Patton Oswalt – Young Adult
Christopher Plummer – Beginners
Sir Andrew Serkis – Rise of the Planet of the Apes

BEST SUPPORTING ACTRESS
Berenice Bejo – The Artist
Jessica Chastain – The Help
Melissa McCarthy – Bridesmaids
Carey Mulligan – Shame
Octavia Spencer – The Help
Shailene Woodley – The Descendants

BEST YOUNG ACTOR/ACTRESS
Asa Butterfield – Hugo
Elle Fanning – Super 8
Thomas Horn – Extremely Loud & Incredibly Close
Ezra Miller – We Need to Talk About Kevin
Saoirse Ronan – Hanna
Shailene Woodley – The Descendants

BEST ACTING ENSEMBLE
The Artist
Bridesmaids
The Descendants
The Help
The Ides of March

BEST DIRECTOR
Stephen Daldry – Extreme Loud & Incredibly Close
Michel Hazanavicius – The Artist
Alexander Payne – The Descendants
Nicolas Winding Refn – Drive
Martin Scorsese – Hugo
Steven Spielberg – War Horse

BEST ORIGINAL SCREENPLAY
The Artist – Michel Hazanavicius
50/50 – Will Reiser
Midnight in Paris – Woody Allen
Win Win – Screenplay by Tom McCarthy, Story by Tom McCarthy & Joe Tiboni
Young Adult – Diablo Cody

BEST ADAPTED SCREENPLAY
The Descendants – Alexander Payne and Nat Faxon & Jim Rash
Extremely Loud & Incredibly Close – Eric Roth
The Help – Tate Taylor
Hugo – John Logan
Moneyball – Steven Zaillian and Aaron Sorkin, Story by Stan Chervin

BEST CINEMATOGRAPHY
The Artist – Guillaume Schiffman
Drive – Newton Thomas Sigel
Hugo – Robert Richardson
Tree of Life – Emmanuel Lubezki
War Horse – Janusz Kaminski

BEST ART DIRECTION
The Artist – Production Designer: Laurence Bennett, Art Director: Gregory S. Hooper
Harry Potter and the Deathly Hallows Part 2 – Production Designer: Stuart Craig, Set Decorator: Stephenie McMillan
Hugo – Production Designer: Dante Ferretti, Set Decorator: Francesca Lo Schiavo
The Tree of Life – Production Designer: Jack Fisk, Art Director: David Crank
War Horse – Production Designer: Rick Carter, Set Decorator: Lee Sandales

BEST EDITING
The Artist – Michel Hazanavicius and Anne-Sophie Bion
Drive – Matthew Newman
The Girl With the Dragon Tattoo – Kirk Baxter and Angus Wall
Hugo – Thelma Schoonmaker
War Horse – Michael Kahn

BEST COSTUME DESIGN
The Artist – Mark Bridges
The Help – Sharen Davis
Hugo – Sandy Powell
Jane Eyre – Michael O’Connor
My Week With Marilyn – Jill Taylor

BEST MAKEUP
Albert Nobbs
Harry Potter and the Deathly Hallows Part 2
The Iron Lady
J. Edgar
My Week With Marilyn

BEST VISUAL EFFECTS
Harry Potter and the Deathly Hallows Part 2
Hugo
Rise of the Planet of the Apes
Super 8
The Tree of Life

BEST SOUND
Harry Potter and the Deathly Hallows Part 2
Hugo
Super 8
The Tree of Life
War Horse

BEST ANIMATED FEATURE
The Adventures of Tintin
Arthur Christmas
Kung Fu Panda 2
Puss in Boots
Rango

BEST ACTION MOVIE
Drive
Fast Five
Hanna
Rise of the Planet of the Apes
Super 8

BEST COMEDY
Bridesmaids
Crazy, Stupid, Love
Horrible Bosses
Midnight in Paris
The Muppets

BEST FOREIGN LANGUAGE FILM
In Darkness
Le Havre
A Separation
The Skin I Live In
Where Do We Go Now

BEST DOCUMENTARY FEATURE
Buck
Cave of Forgotten Dreams
George Harrison: Living in the Material World
Page One: Inside the New York Times
Project Nim
Undefeated

BEST SONG
“Hello Hello” – performed by Elton John and Lady Gaga/written by Elton John and Bernie Taupin – Gnomeo & Juliet
“Life’s a Happy Song” – performed by Jason Segel, Amy Adams and Walter/written by Bret McKenzie – The Muppets
“The Living Proof” – performed by Mary J. Blige/written by Mary J. Blige, Thomas Newman and Harvey Mason, Jr. – The Help
“Man or Muppet” – performed by Jason Segel and Walter/written by Bret McKenzie – The Muppets
“Pictures in My Head” – performed by Kermit and the Muppets/written by Jeannie Lurie, Aris Archontis and Chen Neeman – The Muppets

BEST SCORE
The Artist – Ludovic Bource
Drive – Cliff Martinez
The Girl With the Dragon Tattoo – Trent Reznor & Atticus Ross
Hugo – Howard Shore
War Horse – John Williams

The BFCA has obviously made a lot of nominations and some of them are interesting but I have to be honest: the BFCA as an organization annoys me with how they’re always bragging about how big they are and how they’re so good at celebrating the conventional establishment wisdom.  So, I’ll just say that its nice to see Hanna getting at least some sort of recognition (even if that recognition is kinda minor.)

A Quickie From Lisa Marie: Hurt Feelings/Tears of A Rapper (by Flight of the Conchords)


As I sit here frustrated by my attempts to write about how great a movie Winter’s Bone is and feeling depressed for the usual sordid, personal reasons, I realize that I’m still in a Flight of the Conchords type of mood. 

Here’s Bret and Jermaine performing my all-time favorite Conchords song, Hurt Feelings.