6 Classic Albert Pyun Trailers


Albert Pyun (1953 — 2022)

I just heard the sad news that director Albert Pyun has passed away at the age of 69.

In honor of Pyun’s career, it’s time for a special edition of Lisa Marie’s Favorite Grindhouse and Exploitation Film trailers!  The six trailers below were all designed to promote films directed by the great Albert Pyun.

  1. The Sword and the Sorcerer (1982)

Albert Pyun made his directorial debut with this film, which starred Richard Lynch.  The Sword and the Sorcerer was Pyun’s most financially successful film.

2. Dangerously Close (1986)

In 1986, Albert Pyun directed the teen vigilante classic, Dangerously Close.

3. Cyborg (1989)

Due to the presence of Jean-Claude Van Damme in the leading role, Cyborg remains one of Pyun’s best-known films.

4. Captain America (1990)

20 years before Kevin Feige and the MCU, Albert Pyun brought Captain America to the big screen!

5. Omega Doom (1996)

In 1996, Albert Pyun was responsible for this post-apocalyptic western, starring Rutger Hauer.

6. Tales of an Ancient Empire (2011)

Finally, in 2011, Pyun directed his long-awaited sequel to The Sword and the Sorcerer, Tales of An Ancient Empire.

Rest in Peace, Albert Pyun.

Albert Pyun Films That We Have Reviewed:

  1. The Sword and the Sorcerer (1982)
  2. Dangerously Close (1986)
  3. Cyborg (1989)
  4. Captain America (1990)
  5. Arcade (1993)
  6. Omega Doom (1996)
  7. Blast (1997)

Great Moments In Comic Book History #24: Captain America Quits


Captain America #332 (August, 1987) opens with Captain America, the living symbol of the USA, being summoned to the Pentagon.  A group of faceless bureaucrats known as The Commission tell Captain America that it is time for him to become an official agent of the U.S. Government.  They argue that Steve Rogers would not even be Captain America if he hadn’t enlisted in the armed forces and been injected with the super soldier formula.  It’s time for Steve Rogers to stop acting as a free agent and serve his government.  And, if Steve can’t do that, the Commission can find someone to take his place, someone who understands the importance of following orders.  Maybe even someone like the Super-Patriot, who is busy fighting a group of terrorists while Steve is at the meeting.

Steve thinks it over and then does the only thing that his conscience will allow.

He quits.

Of course, this wasn’t the first time that Steve Rogers quit being Captain America.  In the 1970s, he was so disillusioned to discover that the President was a part of a secret conspiracy that he resigned his commission and briefly called himself The Captain.  Eventually, he returned to being Captain America, just as he would do the second time that he quit.  After The Commission named recruited Super Patriot to carry the shield, Steve didn’t have much choice but to take it back.

Still, this moment defined what Steve Rogers was all about.  He wasn’t about serving the government or enforcing anyone’s particular policy.  He was about America and the ideals that he felt it should stand for.  And if that meant defying his government, that’s what he would do.

It was a great moment.

Captain America Vol. 1#332 (August, 1987)

“The Choice”

  • Writer — Mark Gruenwald
    Penciler — Tom Morgan
    Inker — Bob McLeod
    Colorist — Ken Feduniewicz
    Letterer — Diana Albers
    Editor — Don Daley

Previous Great Moments In Comic Book History:

  1. Winchester Before Winchester: Swamp Thing Vol. 2 #45 “Ghost Dance” 
  2. The Avengers Appear on David Letterman
  3. Crisis on Campus
  4. “Even in Death”
  5. The Debut of Man-Wolf in Amazing Spider-Man
  6. Spider-Man Meets The Monster Maker
  7. Conan The Barbarian Visits Times Square
  8. Dracula Joins The Marvel Universe
  9. The Death of Dr. Druid
  10. To All A Good Night
  11. Zombie!
  12. The First Appearance of Ghost Rider
  13. The First Appearance of Werewolf By Night
  14. Captain America Punches Hitler
  15. Spider-Man No More!
  16. Alex Ross Captures Galactus
  17. Spider-Man And The Dallas Cowboys Battle The Circus of Crime
  18. Goliath Towers Over New York
  19. NFL SuperPro is Here!
  20. Kickers Inc. Comes To The World Outside Your Window
  21. Captain America For President
  22. Alex Ross Captures Spider-Man
  23. J. Jonah Jameson Is Elected Mayor of New York City

Great Moments In Comic Book History #21: Captain America For President


In 1980, John Anderson was briefly a viable third party presidential candidate so it made sense that Marvel would come up with a storyline in which a group of activists attempt to convince Captain America to make a third party bid of his own.  When The Daily Globe broke the news that Captain America was being courted by the New Populist Party, both the Democrats and the Republicans offered to nominate him.  The Beast offered to be his campaign manager.  (Imagine that!)  The Wasp said that Captain America was the people’s choice.  Iron Man warned that the red tape would get frustrating while the always logical Vision argued that, other than having a patriotic spirit, Captain America knew nothing about politics and international relations.

As a patriot, Captain America was tempted though, in typical Marvel fashion, his actual positions were kept vague.  Ultimately, Cap turned down their offer because he felt that it was important that he remain above the pettiness of partisan politics.  Captain America was meant to protect all the people of America, regardless of whether they voted for Ronald Reagan, Jimmy Carter, John Anderson, Ed Clark, Barry Commoner, or even Gus Hall!

(In the end, the activists approached the wrong Avenger.  Despite what he told Cap, Iron Man would have done it in a heartbeat.)

A later issue of What If… revealed that, if Captain America had run, he would have easily been elected President.  Then, he would have been assassinated because almost every issue of What If… ended with everyone dead.  It’s a good thing he didn’t run.  By not running, he not only saved his own life but he also set a precedent that has kept a countless number of super powered individual from taking the plunge into electoral politics.  It didn’t stop J. Jonah Jameson from running for mayor of New York but I doubt anything could have.

Could Captain America win the election if he ran today?  As a fictional character who has a history of making questionable decisions and who is now over a hundred years old, it’s doubtful.  Despite what happened in What If, it was probably just as much of a lost cause in 1980.  If Howard the Duck couldn’t beat Carter and Ford in 1976, it’s doubtful Captain America could have beaten both Reagan and Ed Clark in 1980.  Still, who better to rebuild America than America himself?

Captain America Vol. 1 No. 250 (October, 1980)

“Cap President”

  • Writer(s) Roger Stern, Don Perlin, Roger McKenzie, Jim Shooter
  • Penciler(s) John Byrne, Ed Hannigan
  • Inker(s) Josef Rubinstein
  • Colorist(s) George Roussos
  • Letterer(s) Jim Novak
  • Editor(s) Jim Salicrup, Bob Budiansky

Previous Great Moments In Comic Book History:

  1. Winchester Before Winchester: Swamp Thing Vol. 2 #45 “Ghost Dance” 
  2. The Avengers Appear on David Letterman
  3. Crisis on Campus
  4. “Even in Death”
  5. The Debut of Man-Wolf in Amazing Spider-Man
  6. Spider-Man Meets The Monster Maker
  7. Conan The Barbarian Visits Times Square
  8. Dracula Joins The Marvel Universe
  9. The Death of Dr. Druid
  10. To All A Good Night
  11. Zombie!
  12. The First Appearance of Ghost Rider
  13. The First Appearance of Werewolf By Night
  14. Captain America Punches Hitler
  15. Spider-Man No More!
  16. Alex Ross Captures Galactus
  17. Spider-Man And The Dallas Cowboys Battle The Circus of Crime
  18. Goliath Towers Over New York
  19. NFL SuperPro is Here!
  20. Kickers Inc. Comes To The World Outside Your Window

Great Moments In Comic Book History #13: Captain America Punches Hitler


Above, we see Captain America punching out Hitler on the cover of the first issue of his new comic book.

It’s an image that we’ve all seen before.  It’s often held up as a perfect piece of wartime propaganda, as well as an answer to question of what should be done to anyone who wants to follow in Hitler’s footsteps.  However, the most important thing about this cover is often overlooked.

It was published in December of 1940.

In 1940, America was officially neutral.  Europe was at war and, while the U.S. was on the side of the Allies, the country still hadn’t entered the conflict.  Due to the trauma of World War I, many American voters and politicians were still “isolationists,” saying that it was not America’s place to get involved in a conflict taking place on the other side of the world.

Joe Simon and Jack Kirby, however, disagreed.  Kirby and Simon were both first-generation Americans and they understood what was happening in Europe.  As Jews, they understood the evil that Hitler represented and, Simon later said, they both felt helpless whenever they heard reports about what was happening from the members of their family who were still in Europe.  In one of his final interviews, Joe Simon said that he and Kirby created Captain America to serve as the antithesis of Hitler.  And, with this cover, Simon and Kirby left no doubt where they and Captain America stood on the issue of neutrality.  What is often forgotten today is how much courage it took to take that stand in 1940.  At a time when comic books were viewed as being for kids and avoided taking a stand on anything beyond being anti-crime and also when there were any who still defended Hitler and shared his anti-Semitic views, Simon and Kirby took a stand and, to his credit, publisher Martin Goodman took that stand with them.

When this issue first came out, it sold a million copies.  At the time, that was an unheard of amount.  Though it would be another year before the U.S. officially entered the war after the attack on Pearl Harbor, Simon and Kirby took an early stand and created a great moment in comic book history.

Previous Great Moments In Comic Book History:

  1. Winchester Before Winchester: Swamp Thing Vol. 2 #45 “Ghost Dance” 
  2. The Avengers Appear on David Letterman
  3. Crisis on Campus
  4. “Even in Death”
  5. The Debut of Man-Wolf in Amazing Spider-Man
  6. Spider-Man Meets The Monster Maker
  7. Conan The Barbarian Visits Times Square
  8. Dracula Joins The Marvel Universe
  9. The Death of Dr. Druid
  10. To All A Good Night
  11. Zombie!
  12. The First Appearance of Ghost Rider
  13. The First Appearance of Werewolf By Night

This 4th Of July, Make The World Safe For Democracy With These Patriotic Super Heroes!


This 4th of July, while celebrating America’s birthday, don’t forget that there was a time when superheroes not only starred in movies but also made the world safe for democracy!  From World War II, here is a gallery of patriotic super heroes fighting for the freedoms that we enjoy today!

Not even the most powerful of heroes could do it alone.  For that reason, when they weren’t beating the enemy in their own backyard, they were encouraging their readers to support the armed forces by buying war bonds.

Over the course of World War II, 85 million Americans purchased war bonds totaling an estimated $185 billion.

Finally, what other way to end this patriotic post than with a musical tribute to the Star-Spangled Man With A Plan?

And to all the real, flesh-and-blood heroes who made the ultimate sacrifice to save the world from tyranny, thank you.

Happy 100th Birthday, Jack Kirby!


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Today marks the centennial anniversary of the undisputed King of Comics, ‘Jolly’ Jack Kirby! This creative genius was responsible for some of the best known (and loved) characters of the 20th Century, and his influence is still felt to this day. Rather than using my meager words, here’s a gallery of comic cover art featuring the amazing talent of Jack ‘King’ Kirby!

Happy birthday, King!

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Confessions of a TV Addict #3: The Marvel Super Heroes Have Arrived!


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Captain America and his costumed cohorts made their television debuts way before the Marvel Cinematic Universe began dominating box offices around the world. THE MARVEL SUPER HEROES debuted in 1966, at the height of the BATMAN camp craze, with Cap, Iron Man, Thor, Hulk, and The Sub-Mariner the rotating stars of this limited animation series. And I do mean limited – Grantray-Lawrence Animation literally made copies of the comic book artwork of Jack ‘King’ Kirby, ‘Sturdy’ Steve Ditko, and other Bullpen artists, transferred them to film and basically just animated the character’s mouths and an occasional swinging fist!

The cartoons (and I use that term loosely) were syndicated to local stations, who filled holes in their time slots with the mighty Marvel heroes. Some stations ran them as stand-alone series, while others used the segments as part of local kid’s shows. Up here in New England, we watched on WNAC-TV (Channel 7 at…

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A Movie A Day #162: Captain America (1979, directed by Rod Holcomb)


Captain America drives a Chevy Van!

In this attempt to turn one of Marvel’s first heroes into a weekly television star, Steve Rogers (Reb Brown) is a laid back 70s dude who has just gotten out of the Marines.  He owns a van (“a mellow set of wheels”) and he just wants to drive around America, drawing pictures, and doing his own thing.  Doctors Simon Mills (Len Birman) and Wendy Day (Heather Menzies) want Steve to follow in his father’s footsteps and get injected with the super powered FLAG formula.  Steve is just not interested.  The only Captain America that he’s interested in emulating is Peter Fonda in Easy Rider.  “I just want to kick back and find out who I am,” Steve says.

Steve does not really have a choice, though.  Evil billionaire Lou Brackett (Steve Forrest) wants the FLAG formula and attempts to have Steve killed.  In order to save Steve’s life, Dr. Mills injects Steve with the FLAG formula.  Not only does Steve now have super strength but, in the style of Col. Steve Austin, he now has super vision and super hearing.  To help Steve in his new life as crime-fighting super hero who will “stand up for the little guy,” Dr. Mills modifies both Steve’s Chevy Van and his motorcycle.  He also gives Steve a bulletproof shield.  Vibrainium is never mentioned and, for some reason, the shield is transparent, which makes it look like its made out of plastic.  At first, Steve wears his father’s old costume but then he designs a new one.  A super hero has to have super threads.

This was the first of two pilots for a proposed Captain America television series.  Unlike both The Incredible Hulk and The Amazing Spider-Man, Captain America never made it past the pilot stage.  Like many early comic book adaptations, Captain America‘s first pilot makes the mistake of straying too far from its comic book origins.  Instead of being an almost comically old-fashioned, straight arrow patriot, this Steve Rogers is a beach bum who gets his own groovy, bass-heavy soundtrack while riding his motorcycle up and down the coast.  Forget about the Red Skull, Baron Zemo, the Secret Empire, the Serpent Squad, or any of Captain America’s other regular enemies.  This Captain America specializes in more conventional, less interesting menaces.

Reb Brown is okay as this film’s version of Steve Rogers but there is nothing that makes the character special.  He’s just a big guy wearing a silly costume and carrying a transparent shield.  With his new origin story and his modified powers, this Captain America has more in common with The Bionic Man than Joe Simon and Jack Kirby’s original character.

The van’s cool, though.

Captain America’s Bitchin’ Van

Book Review: CAPTAIN AMERICA AND THE FALCON: MADBOMB (Marvel 2004)


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madbomb1

Evil elitists are plotting to transmit mind-controlling madness, turning America’s citizenry into docile sheep to do their bidding! No, I’m not talking about today’s election (though I could be!), it’s the plotline of CAPTAIN AMERICAN AND THE FALCON: MADBOMB, Jack Kirby’s 1975 seven part epic collected in this 2004 graphic novel release. The King was making his return to Marvel after five years working for rival DC, and took over the reigns of his baby Cap’s monthly book as writer/artist/editor.

kill-derby

Kirby was never a great writer, but he shines in this tale of an attempted hostile takeover of America by a group of elitists using the Madbomb to control the populace and rule the good ol’ USA. Cap and the Falcon are enlisted by no less than Secretary of State Henry Kissinger to thwart the fiendish plot. King Kirby’s artwork is stunning, embellished by inkers Frank Giacoia and D. Bruce Berry. Kirby gives us…

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Lisa Marie’s Thoughts On Captain America: Civil War


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It was freaking awesome!

That, in a nutshell, is my main thought when it comes to Captain America: Civil War.  It’s a movie that we spent a year anticipating.  It’s a movie that we were continually assured would be great.  And it’s a movie that, unlike Batman v Superman, actually lived up to all the hype.  It’s also a movie that has already been reviewed here on the Shattered Lens.  Check out Arleigh’s review by clicking here and be sure to check out Gary’s review as well.

So, what’s really left for me to say about Captain America: Civil War?  Beyond, of course, that it was freaking awesome.

Of course, it’s hard to talk about Captain America: Civil War without also talking about Batman v Superman.  Both films start with the same basic idea: the heroic activities of super heroes has led to cities being destroyed and innocent people dying.  In Batman v. Superman, Batman takes it open himself to avenge the destruction of Metropolis and expose Superman as being the biggest false God since Baal.  In Civil War, the United Nations announces that, from now on, all super hero activity has to be cleared with them.  In Batman v. Superman, Batman and Superman are manipulated into fighting each other.  In Captain America: Civil War, Captain America and Iron Man are manipulated into fighting each other.  In Batman v Superman, Jesse Eisenberg plays a neurotic villain.  In Captain America: Civil War, Daniel Bruhl plays a neurotic villain.  Batman v Superman features more heroes than just Batman and Superman.  Civil War features more heroes than just Captain America and Iron Man.  Batman v Superman ends with a promise of more films to come.  So does Civil War.  Both films are huge and expensive star-filled spectacles and both of them are a part of a larger cinematic mythology.  They both even have roughly the same running time.  Of course, Batman v Superman seems even longer while Civil War is over far too quickly.

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And yet, Civil War is a thousand times better than Batman v Superman.  For all of its sound and fury, Batman v Superman is ultimately an empty shell.  I left the film feeling not at all emotionally moved but definitely deafened by all the explosions and the yelling and the ranting and the pounding score.  As I left the theater, the world sounded like it was underwater.  Batman v Superman opens with the world exploding and the explosion continues for another two and a half hours.  Civil War, on the other hand, takes its time.  After the initial battle scene (which features a nice cameo from the great Frank Grillo), Civil War slows down.  It explores its characters and their relationships and their motivations.  The first hour of Civil War may be dominated by people debating but its compelling to watch because, after 8 years, the MCU and the characters within feel as alive as the world outside the theater.

In Batman v Superman, Henry Cavill and Ben Affleck appeared to be acting in separate films.  That’s not a problem in Civil War.  When you watch Chris Evans and Robert Downey, Jr., you believe that they are friends and, when they fight, you don’t just thrill at the action.  You mourn the end of a friendship.  If Batman v Superman‘s battle ultimately felt hollow, the final battle in Civil War leaves you wincing in pain.

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Which is not to say that Civil War is not a fun movie.  It’s the most genuinely fun film that I’ve seen so far this year.  There’s a joy to the best films of the MCU, a joy that — with the exception of Gal Gadot’s cameo — was totally lacking from the somber and self-important mess that Batman v Superman.  I have never heard an audience applaud more than they did while watching Civil War.  The film may have been dominated by Evans and Downey but every citi of thzene MCU got a chance to shine.  Scarlett Johansson, Paul Rudd, Sebastian Stan, Anthony Mackie, Don Cheadle, Jeremy Renner, Chadwick Boseman, Paul Bettany, and Elizabeth Olsen all proved their worth to this new cinematic mythology.  After years of using Halloween to pay homage to Scarlett Johansson, I may have to go as Wanda Maximoff this year.  After seeing Hollywood waste her off-center and damaged talent in films like Godzilla, it was good to see Elizabeth Olsen playing Wanda as if she could have been a cousin to her character from Martha Marcy Mae Marlene.

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The audience saved their loudest and most enthusiastic cheers for Tom Holland, who claimed the role of Spiderman as his own and thankfully freed Andrew Garfield to go back to being the intriguing actor that we all remember from The Social Network and Never Let Me Go.  Holland doesn’t have a large role in Civil War but he’s still well-served by the film and the script makes great use of the character and Holland’s energetic performance.  As opposed to the super hero cameos in Batman v Superman, Spiderman’s appearance didn’t just feel like merely a teaser for a future film.  He belonged in the story.

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Of course, Civil War is dominated by the battle between Iron Man and Captain America and it says something about how successful the MCU has been that the battle feels less like a marketing gimmick and more like the natural result of what happens when two differing worldviews come into conflict.  When Tony Stark sides with the UN, it makes sense.  Ever since the very first Iron Man, Tony has been motivated by both guilt over making weapons and a fear that he doesn’t deserve his success.  Of course Tony would side with the UN.  Doing so not only allows him to alleviate his guilt but it also frees him of responsibility for any future actions that the Avengers may take.  It makes just as much sense that Captain America would feel the exact opposite.  His name is Captain America, not Captain United Nations.  When the UN was founded, he was still frozen in a block of ice.

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(Also interesting to note: Civil War was the first MCU film that I could follow without once having to ask my boyfriend for any background info on who all the characters were.  The MCU has become such a part of our culture that we all know the characters, regardless of whether we have ever read a Marvel comic or not.)

There is a nominal villain.  Daniel Bruhl plays Zemo and his role is actually pretty small.  That said, Zemo is definitely more interesting than the typical MCU villain (he’s certainly more memorable than Corey Stoll was in Ant-Man) and Bruhl does a good job playing him.  (Watching Civil War, it was hard not to think about how much better SPECTRE would have been if Bruhl, as opposed to Christoph Waltz, had played Blofeld.)  But, for me, the real villain of the film was the U.S. Secretary of State (played by William Hurt).  The character represented everything that all good people hate about the power structure.  William Hurt turned him into the epitome of unthinking and unreasonable authority.

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After Civil War was released, Salon’s Amanda Marcotte (who, let’s just be honest, ceased to be interesting the minute that she sold out and briefly worked for John Edwards in 2007) complained that Captain America had become “a douchey Libertarian.”  I would argue that 1) Captain America is definitely not douchey and 2) it’s his “libertarian” stance that makes him a hero.  Captain America does not represent any institution or ideology and he doesn’t take orders from faceless bureaucrats.  Captain America doesn’t need permission to do the right thing.  As played by Chris Evans, there’s something undeniably poignant about Captain America attempting to cling onto his idealism and his belief in personal freedom in an increasingly complicated and totalitarian world.  When told that he has a duty to become an anonymous, order-taking drone, Captain America says, “NO!”

(As a sidenote: If you want to see what the world expects Captain America to become, check out William Klein‘s Mr. Freedom.)

I know that some are claiming that Civil War is the best MCU film so far.  I wouldn’t quite go that far.  The film never quite reaches the lunatic heights of Guardians of the Galaxy nor does it match the subversive glee of Winter Soldier revealing that smug old Robert Redford is an agent of HYDRA.  But, no matter!  Captain America: Civil War is pretty freaking great!

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Here are the other MCU reviews that have appeared here on the Shattered Lens:

  1. Arleigh on Iron Man 2
  2. Arleigh on Thor
  3. Arleigh on Captain America: The First Avenger
  4. Leonard on The Avengers
  5. Viktor Von Glum on The Avengers
  6. Ryan on The Avengers
  7. Arleigh on Iron Man 3
  8. Leonard on Iron Man 3
  9. Ryan on Iron Man 3
  10. Ryan on Thor: The Dark World
  11. Ryan on Captain America: The Winter Soldier
  12. Lisa on Captain America: The Winter Soldier
  13. Ryan on Guardians of the Galaxy
  14. Lisa on Guardians of the Galaxy
  15. Lisa on Avengers: The Age of Ultron
  16. Leonard on Ant-Man
  17. Ryan on Ant-Man
  18. Lisa on Ant-Man
  19. Arleigh on Captain America: Civil War
  20. Gary Loggins on Captain America: Civil War

 

 

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