October True Crime: Texas Killing Fields (dir by Ami Canaan Mann)


The so-called Texas Killing Fields are a stretch of land situated off of Interstate-45 and about 26 miles southeast of Houston.  Despite being surrounded by oil refineries and being near one of Texas’s busier interstates, it’s a location where one can easily disappear.  Since 1971, over 30 bodies have been found in the Texas Killing Fields, the majority of them being girls and young women.  Many of them came from the surrounding area but others were last seen far away from Houston.  Kelli Cox, for instance, disappeared from Denton.  Jessica Cain was last seen in a suburb of Fort Worth.  Michelle Garvey disappeared from Connecticut, just for her body to later be discovered in the Texas Killing Fields.

Because of the number of bodies and the length of time, it’s believed that multiple serial killers use the killing fields as a dumping ground for their victims.  Over the years, there’s been many suspects and a few convictions.  Most recently, a trucker named William Reece was convicted of three of the Killing Fields murders.  Another person convicted of committing two of the murders, Michael Self, is now believed to have been innocent and to have only confessed after being tortured by the police.  Unfortunately, Self died in prison while waiting for his appeal to be heard.

The 2011 film, Texas Killing Fields, is very loosely based on the murders and the area’s reputation for being a serial killer dumping ground.  Sam Worthington plays Detective Mike Souder and Jeffrey Dean Morgan plays his partner, Detective Brian Heigh.  (The characters are based on real-life detectives Brian Goetschius and Mike Land.)  Brian is originally from New York and is a devout Catholic who views his work as almost being a holy crusade.  Mike is from Texas and is a bit more cynical.  He’s not happy that Brian insists on helping out Mike’s ex-wife, Detective Pam Stall (Jessica Chastain), whenever a body is found in Pam’s jurisdiction.

The discovery of a dead sex worker leads to Mike and Brian pursuing two pimps (played by Jason Clarke and Jon Eyez).  However, it soon becomes apparent that the pimps aren’t the only murderers stalking the area and using the fields as a dumping ground.  A young mother is attacked in her house and, when interrogated by Mike and Brian, demands to know why they aren’t out on the streets, looking for the men who attacked her.  Later, a mysterious phone call leads Mike, Brian, and Pam out to the killing fields, where they discover another body.

While this is going on, Brian also tries to look after Anne Sliger (Chloe Grace Moretz), a 12 year-old girl who spends her time wandering around town because it’s preferable to spending any time at her home with her mother (Sheryl Lee) or her mother’s creepy boyfriend (Stephen Graham).  When Anne is kidnapped, Brian and Mike head into the Killing Fields to find her.

Directed by Ami Canaan Mann, The Texas Killing Fields is an atmospheric film in which every frame is full of a sense of dread.  Much as David Fincher did with Zodiac, Mann creates a feeling of a world that has been taken over by evil.  Unfortunately, the film itself gets bogged down with a few subplots that don’t really go anywhere.  (Jessica Chastain’s character and her relationship with Mike felt somewhat superfluous.)  As well, the film’s examination of both Mike’s atheism and Brian’s Catholicism felt a bit shallow at best, as if it was added at the last minute to try to give this thriller some theological heft.  The identity of all the killers is pretty obvious from the start.  That said, Ami Canaan Mann gets good performances out of her cast and the action scenes are well-executed.

As a final note, the film was not actually shot in the actual Texas Killing Fields.  Instead, much like the same year’s Killer Joe and 2013’s Dallas Buyers Club, it was filmed in Louisiana and, to be honest, it looks like it was filmed there as well.  There’s little about the film that feels authentically Texan, though it does do a good job of capturing the atmosphere of the bayous.

The New York Film Critics Online Are Spunky For The Artist


Even while critics in both Los Angeles and Boston were separately meeting and voting today, yet another group of film critics was announcing their picks for the best of 2011.  This group is known as the New York Film Critics Online and, quite frankly, it sounds kinda made up to me.  But what do I know?  I’m just a country gal living in flyover country who has rarely agreed with any of the critics — online or not — this year. 

But anyway, here are their picks:

Best Picture: “The Artist”

Best Director: Michel Hazanavicius, “The Artist”

Best Actor: Michael Shannon, “Take Shelter”

     Runners-up: Michael Fassbender, “Shame” and Gary Oldman, “Tinker, Tailor, Soldier, Spy”

Best Actress: Meryl Streep, “The Iron Lady”

     Runner-up: Viola Davis, “The Help”

Best Supporting Actor: Albert Brooks, “Drive”

Best Supporting Actress: Melissa McCarthy, “Bridesmaids”

Best Screenplay: Alexander Payne and Nat Faxon & Jim Rash, “The Descendants”

Best Foreign-Language Film: “A Separation”

Best Documentary: “Cave of Forgotten Dreams”

Best Animated Feature: “The Adventures of Tintin”

Best Cinematography: Emmanuel Lubezki, “The Tree of Life”

Best Use of Music: Ludovic Bource, “The Artist”

Best Ensemble Cast: “Bridesmaids”

Best Debut Director: Joe Cornish, “Attack the Block”

Breakthrough Performer: Jessica Chastain, “The Tree of Life,” “The Help,” “The Debt,” “Take Shelter,” “Texas Killing Fields,” “Coriolanus”

The LAFCA Honors Terrence Malick, Michael Fassbender, and …. The Descendants?


For those of you who love to follow the Oscar race, today is a big day.  Several groups announced their picks for the best of 2011 today.  The most important of these groups would be the Los Angeles Film Critics Association.  Though the LAFCA has a pretty iffy record when it comes to predicting the actual Oscar winners, their picks still tend to influence the nominations. 

Here are the LAFCA winners, along with a little commentary from yours truly.

Best Musical Score: Hanna (runner-up: Drive)

There was a lot I liked about the LAFCA awards but this is the one that truly made me go: “Yay!”  Hanna was a great film that deserves a lot more attention than its been given.

Best Cinematography: The Tree of Life (Runner-up: The City of Life and Death)

Best Production Design: Hugo (runner-up: Tinker, Tailor, Solider, Spy)

Best Supporting Actress: Jessica Chastain for Coriolanus, The Debt, The Help, Take Shelter, Texas Killing Fields, and The Tree of Life (runner-up: Janet McTeer for Albert Nobbs)

Considering that she has next to no range as an actress, Jessica Chastain is having a pretty good year.  I have a feeling she’ll win an Oscar in February and then eventually end up joining the cast of Law & Order: SVU.

Best Supporting Actor: Christopher Plummer in Beginners (runner-up: Patton Oswalt in Young Adult)

As good as Plummer was in Beginners, think about how much more exciting it would have been if Oswalt had won.

Best Screenplay: A Seperation. (runner-up: The Descendants)

Best Documentary: The Cave of Forgotten Dreams (runner-up: The Arbor)

Again, let us consider that Werner Herzog’s masterpiece wasn’t even a semi-finalist as far as the Academy is concerned.

Best Independent/Experimental Film: Spark of Being

Best Actress: Yun Jung-hee in Poetry (runner-up: Kirsten Dunst in Melancholia)

Yay!  I am so bored with Meryl Streep.

Best Actor: Michael Fassbender for Shame, A Dangerous Method, X-Men: First Class, and Jane Eyre. (runner-up: Michael Shannon in Take Shelter)

Yay!  For both the winner and the runner-up. 

Best Director: Terrence Malick for The Tree of Life (runner-up: Martin Scorsese for Hugo)

I was on twitter when this result was announced and Oh. My. God.  My timeline like totally exploded with people getting all excited and hopeful.  And then, quite a few minutes later, all that excitement turned to rage as the next award was announced–

Best Picture: The Descendants (runner-up: The Tree of Life)

That’s right.  After going out on a limb with best actress and (debatably) best director and going out of their way to honor the unfairly neglected, the LAFCA gave best picture to one of the most overrated films of 2011 — The Descendants.  This despite the fact that The Descendants hadn’t won a single other award and was a runner-up in only one category.  That must have really loved that 2nd place screenplay.  This choice reeks of compromise, as if a group of critics decided to all unite and vote for their 2nd or 3rd choice in order to keep a more controversial films like The Tree of Life from winning.

That said, my pick for the best of 2011 remains Hanna.

Best Foreign Language Film: The City of Life and Death (runner-up: A Separation)

So, A Separation has a better screenplay than the best film of 2011, yet it’s not as good a film as The City of Life and Death.

New Generation award: Martha Marcy May Marlene

To recap, the three major critics groups have now spoken and each one has named a different film for best picture.  The National Board of Review went for Hugo, the New Yorkers went for The Artist, and the LAFCA went for The Descendants.

In fact, the Artist was totally ignored by Los Angeles and I’ve noticed that there seems to be a backlash developing against this film.  The Artist won’t be opening here until Dec. 21st so I can’t judge it but I would say that if you’re upset about about a French film like The Artist getting so much attention, don’t worry.  Maybe David Fincher will remake it with American actors next year.