No Guts, No Glory, Part II: Lisa Marie Goes Down Into The Oscar Pool And Gets Wet


Since every other film blogger and wannabe Awards diva is doing so, I figured I might as well post my predictions as to who and what will actually win when the Oscars are handed out on Sunday.  Please remember, these are not the films and performers that I personally would choose to honor.  (Indeed, I’ve never disagreed with the Oscar nominations more than I have this year.)  These are just my predictions and random guesses at what will be honored on Sunday.

Best Picture: The Descendants

Best Director: Michel Hazanavicius for The Artist

Best Actor: George Clooney in The Descendants

Best Actress: Viola Davis in The Help

Best Supporting Actor: Christopher Plummer in Beginners

Best Supporting Actress: Octavia Spencer in The Help

Best Original Screenplay: Woody Allen for Midnight in Paris

Best Adapted Screenplay: The Descendants

Best Animated Feature Film: Rango

Best Foreign Language Film: In Darkness (Poland)

Best Documentary Feature: Paradise Lost 3: Purgatory

Best Original Score: War Horse

Best Original Song: “Man or Muppet” from The Muppets

Best Sound Editing: Hugo

Best Sound Mixing: Hugo

Best Art Direction: The Artist

Best Cinematography: The Tree Of Life

Best Makeup: Albert Nobbs

Best Costume Design: The Artist

Best Film Editing: The Descendants

Best Visual Effects: Hugo

Agree?  Disagree?  Confused as to what just the Hell I was thinking when I made some of these predictions?  Please let me know in the comments section below.

What Lisa Marie Watched Last Night: The 69th Annual Golden Globe Awards


Last night, I watched the 69th Annual Golden Globe Awards.  I also got on twitter and made a lot of snarky comments.  People seemed to enjoy it and for that reason, I say, “Yay!”

Why Was I Watching It?

Because I am an awards show junkie!  Seriously, those glue sniffers on Intervention don’t have anything on me when it comes to craving the excess, glamour, and foolishness of a big, silly Hollywood awards show!  Add to that, this is still a fairly wide open Oscar season and the Golden Globes are, as they always say on E!, a “precursor to the Oscars.”  Winning a Golden Globe usually guarantees at least an Oscar nomination.  Plus — Ricky Gervais was back to host and like a lot of people last night, I spent the minutes before the ceremony asking myself, “What ever will he say!?” in feverish anticipation.

What Was It About?

For the past 69 years, the members of the Hollywood Foreign Press Association have thrown a big banquet in January and given out a lot of awards to various TV and movie stars.  Nobody’s really sure who the members of the Hollywood Foreign Press Association are and, to be honest, the Golden Globes always have a slightly unsavory air to them.  There’s always more than a few nominations that mostly seem to be designed to get famous people to show up at the ceremony,  Last year, they nominated the Tourist, this year they nominated The Ides of March.  Anyway, the Golden Globes are distinguished by the Oscars by the fact that they serve alcohol during the show and, in the past, someone’s always ended up giving a drunken acceptance speech or launching into an incoherent political rant and, for the past few weeks, we’ve been told that with Ricky Gervais returning to host the 69th annual banquet, anything could happen and probably would!  Yay!

What Worked

Last night, I mentioned on twitter that if nothing interesting happened on the Globes or if Ricky somehow failed to deliver the expected amount of snark then I would devote this section of my review to talking about my boobs. 

With that in mind, what can I say except that they’re a little big and heavy and they pretty much ended my dreams of being a ballerina but I like my boobs, or as I call them Pride and Joy.  They go great with every outfit I own and I’m pretty sure that they’re also the reason why I’ve never had to pay a speeding ticket.  Plus, they allowed me to say stuff like, “I should be Ms. Golden Globes!” while I was watching the show last night…

Actually, I’m being a little bit unfair to the Golden Globes (the awards ceremony, not my boobs).  The tribute to Morgan Freeman was well-done and was probably the high point of the ceremony but then again, how can you go wrong with Morgan Freeman?  Seriously, when I’m on the verge of doing something silly (like using a review of the Golden Globes to show off my boobs) , I imagine Morgan Freeman saying, “Now, do you really think that’s a good idea?”

Fashion-wise, I saw a lot of red dresses last night and that made me happy because I look really good in red.

Among the winners, Christopher Plummer (Best Supporting Actor for Beginners), Jean Dujardin (Best Actor In A Comedy Motion Picture for The Artist), Martin Scorsese (Best Director for Hugo), and Claire Danes (Best Actress In A Dramatic TV Show for Homeland) all gave good and classy acceptance speeches that made me feel good to be alive.  And Uggie the dog was so adorable up there on stage when The Artist won Best Motion Picture Comedy.  Actually, speaking of The Artist, it was kinda nice to see so many French people accepting awards last night.  (Oh, stop it!  I love France!)

I enjoyed it when Madonna won for best song because she was so shocked that she forgot to speak in her fake accent. 

On an admittedly petty note, Rooney Mara did not win Best Actress for David Fincher’s The Girl With The Dragon Tattoo and that amused me greatly because I knew that all the little AwardsDaily Fincherites were torn about how to whine about Mara losing with coming across as if they were criticizing Meryl Streep for winning.

What Did Not Work

So, let’s start with the main problem.  Last night’s Golden Globes ceremony was so respectable and predictable and slow that it might as well have just been the Oscars.  Ricky Gervais started out the ceremony by telling us that he had signed an agreement to not make any offensive or outrageous statements and then he did just that.  What’s especially annoying is that Ricky didn’t seem to be neutering himself as an act of protest or anything of the sort.  Instead, he just came across like he was too smug and sure-of-himself to realize that he was bombing.  It was as if he just expected his reputation to convince us that he was being funny and outrageous without actually being funny and outrageous.  Last year, Ricky Gervais skewered Hollywood phonies.  This year, Ricky Gervais was a Hollywood phony.  I sat there waiting for him to say just one thing that could potentially end his career and he refused to do it.

But Ricky wasn’t alone.  Seriously, where were the drunk winners launching into incoherent politically themed rants.  I mean, it’s an election year for God’s sake.  People on twitter were using the occasion to make all sorts of silly and naive political statements but the actual celebrities — the people who we depend on to act like a bunch of dumbasses — just sat there in this sort of placid anxiety like they were waiting for someone to show up for an intervention.

BLEH!

The majority of the night’s acceptance speeches were neither good nor bad.  They were just boring.  Listen, Meryl Streep is a great actress and I have no problem with her being recognized and awarded for her talent but oh my God, I nearly fell asleep trying to listen to her.  Now, if Meryl (or any other winner) had gotten up on stage and started slurring her words or making dirty jokes or something like that, it would have made for great television.  (Though I do have to give Meryl some credit for being the only winner to get bleeped.) 

The Descendants won Best Motion Picture Drama but seriously, it’s hard for me to accept that this well-made but essentially unchallenging and rather forgettable film is now the Oscar front-runner.  Seriously.  Much as with every other award it has won, The Descendants felt like something of a compromise choice and, considering that Scorsese won best director, it’s hard to gauge just how much momentum the Descendants is going to get from this victory. 

Oh!  And another thing that sucked — how did George Clooney win a Golden Globe for essentially playing the same character he always plays while Michael Fassbender’s brilliant work in Shame was ignored?  What type of game is that?

“Oh my God!  Just like me!” Moments

To quote Joan Crawford, “I’ll show you a pair of Golden Globes!”

Lessons Learned

This is shaping up to be one of the worst Oscar seasons in recent history.  Seriously, if just one deserving film or performance wins in February, I will be amazed.

Lisa Marie Is Kinda Mad At The Screen Actors Guild


The Screen Actors Guild nominations were announced on Wednesday morning and I’m just going to be honest.  I am not happy.  The SAG nominations have a pretty good track record as an Oscar precursor, largely because the Actors’ Branch is the largest branch of the Academy.  The Actors Branch, of course, is totally made up of members of the SAG though not every member of SAG is in the Actors’ Branch.  As such, there’s usually one or two SAG nominations who don’t get an Oscar nomination but, on the whole, SAG is a pretty good precursor of who is ultimately going to receive an Oscar nomination next January.

So, why am I upset?

Well, the SAG nominated some very good and deserving performers this year but somehow, they did not nominate Michael Shannon for Take Shelter.  They did not nominate Carey Mulligan for Shame.  They did not nominate Andy Serkis for Rise of the Planet of the Apes.  They did not nominate The Guard’s Brendan Gleeson. And, worst of all, they did not nominate Michael Fassbender for Shame.

My personal theory is that Fassbender’s brave performance left the other members of the SAG feeling small, in more ways than one.

Here’s what did get nominated:

Outstanding Performance By A Cast In A Motion Picture
Bridesmaids
The Artist
The Descendants
The Help
Midnight in Paris

Outstanding Performance By A Male Actor In A Leading Role
George Clooney, The Descendants
Demian Bichir, A Better Life
Leonardo DiCaprio, J. Edgar
Jean Dujardin, The Artist
Brad Pitt, Moneyball

Outstanding Performance By A Female Actor In A Leading Role
Michelle Williams, My Week With Marilyn
Glenn Close, Albert Nobbs
Viola Davis, The Help
Meryl Streep, The Iron Lady
Tilda Swinton, We Need to Talk About Kevin

Outstanding Performance By A Male Actor In A Supporting Role
Nick Nolte, Warrior
Kenneth Branagh, My Week With Marilyn
Armie Hammer, J. Edgar
Jonah Hill, Moneyball
Christopher Plummer, Beginners

Outstanding Performance By A Female Actor In A Supporting Role
Octavia Spencer, The Help
Berenice Bejo, The Artist
Jessica Chastain, The Help
Melissa McCarthy, Bridesmaids
Janet McTeer, Albert Nobbs

On the plus side, the SAG showed absolutely no love for David Fincher’s rip-off of The Girl With The Dragon Tattoo.  Also, it’s nice to see Jonah Hill’s performance in Moneyball hasn’t been totally overshadowed by Brad Pitt’s more showy performance.  Also, it’s looking more and more like Bridesmaids is going to be a factor in this year’s Oscar race and the more I think about it, the more I like the idea of that.

 

Here Are The 2012 Critics’ Choice Movie Award Nominees


Earlier today, the Broadcast Film Critics Association announced their nominations for the 17th Annual Critics’ Choice Awards.  The BFCA is the largest of the so-called “major” critics’ groups (and, interestingly enough, it’s also the newest and the least prestigious) and it has a fairly good track record of predicting the actual Oscar nominations.  The awards themselves will be handed out on January 12th, 2012 in a self-important, kinda seedy ceremony that will be broadcast on VH-1.   

BEST PICTURE
The Artist
The Descendants
Drive
Extremely Loud & Incredibly Close
The Help
Hugo
Midnight in Paris
Moneyball
The Tree of Life
War Horse

BEST ACTOR
George Clooney – The Descendants
Leonardo DiCaprio – J. Edgar
Jean Dujardin – The Artist
Michael Fassbender – Shame
Ryan Gosling – Drive
Brad Pitt – Moneyball

BEST ACTRESS
Viola Davis – The Help
Elizabeth Olsen – Martha Marcy May Marlene
Meryl Streep – The Iron Lady
Tilda Swinton – We Need to Talk About Kevin
Charlize Theron – Young Adult
Michelle Williams – My Week With Marilyn

BEST SUPPORTING ACTOR
Kenneth Branagh – My Week With Marilyn
Albert Brooks – Drive
Nick Nolte – Warrior
Patton Oswalt – Young Adult
Christopher Plummer – Beginners
Sir Andrew Serkis – Rise of the Planet of the Apes

BEST SUPPORTING ACTRESS
Berenice Bejo – The Artist
Jessica Chastain – The Help
Melissa McCarthy – Bridesmaids
Carey Mulligan – Shame
Octavia Spencer – The Help
Shailene Woodley – The Descendants

BEST YOUNG ACTOR/ACTRESS
Asa Butterfield – Hugo
Elle Fanning – Super 8
Thomas Horn – Extremely Loud & Incredibly Close
Ezra Miller – We Need to Talk About Kevin
Saoirse Ronan – Hanna
Shailene Woodley – The Descendants

BEST ACTING ENSEMBLE
The Artist
Bridesmaids
The Descendants
The Help
The Ides of March

BEST DIRECTOR
Stephen Daldry – Extreme Loud & Incredibly Close
Michel Hazanavicius – The Artist
Alexander Payne – The Descendants
Nicolas Winding Refn – Drive
Martin Scorsese – Hugo
Steven Spielberg – War Horse

BEST ORIGINAL SCREENPLAY
The Artist – Michel Hazanavicius
50/50 – Will Reiser
Midnight in Paris – Woody Allen
Win Win – Screenplay by Tom McCarthy, Story by Tom McCarthy & Joe Tiboni
Young Adult – Diablo Cody

BEST ADAPTED SCREENPLAY
The Descendants – Alexander Payne and Nat Faxon & Jim Rash
Extremely Loud & Incredibly Close – Eric Roth
The Help – Tate Taylor
Hugo – John Logan
Moneyball – Steven Zaillian and Aaron Sorkin, Story by Stan Chervin

BEST CINEMATOGRAPHY
The Artist – Guillaume Schiffman
Drive – Newton Thomas Sigel
Hugo – Robert Richardson
Tree of Life – Emmanuel Lubezki
War Horse – Janusz Kaminski

BEST ART DIRECTION
The Artist – Production Designer: Laurence Bennett, Art Director: Gregory S. Hooper
Harry Potter and the Deathly Hallows Part 2 – Production Designer: Stuart Craig, Set Decorator: Stephenie McMillan
Hugo – Production Designer: Dante Ferretti, Set Decorator: Francesca Lo Schiavo
The Tree of Life – Production Designer: Jack Fisk, Art Director: David Crank
War Horse – Production Designer: Rick Carter, Set Decorator: Lee Sandales

BEST EDITING
The Artist – Michel Hazanavicius and Anne-Sophie Bion
Drive – Matthew Newman
The Girl With the Dragon Tattoo – Kirk Baxter and Angus Wall
Hugo – Thelma Schoonmaker
War Horse – Michael Kahn

BEST COSTUME DESIGN
The Artist – Mark Bridges
The Help – Sharen Davis
Hugo – Sandy Powell
Jane Eyre – Michael O’Connor
My Week With Marilyn – Jill Taylor

BEST MAKEUP
Albert Nobbs
Harry Potter and the Deathly Hallows Part 2
The Iron Lady
J. Edgar
My Week With Marilyn

BEST VISUAL EFFECTS
Harry Potter and the Deathly Hallows Part 2
Hugo
Rise of the Planet of the Apes
Super 8
The Tree of Life

BEST SOUND
Harry Potter and the Deathly Hallows Part 2
Hugo
Super 8
The Tree of Life
War Horse

BEST ANIMATED FEATURE
The Adventures of Tintin
Arthur Christmas
Kung Fu Panda 2
Puss in Boots
Rango

BEST ACTION MOVIE
Drive
Fast Five
Hanna
Rise of the Planet of the Apes
Super 8

BEST COMEDY
Bridesmaids
Crazy, Stupid, Love
Horrible Bosses
Midnight in Paris
The Muppets

BEST FOREIGN LANGUAGE FILM
In Darkness
Le Havre
A Separation
The Skin I Live In
Where Do We Go Now

BEST DOCUMENTARY FEATURE
Buck
Cave of Forgotten Dreams
George Harrison: Living in the Material World
Page One: Inside the New York Times
Project Nim
Undefeated

BEST SONG
“Hello Hello” – performed by Elton John and Lady Gaga/written by Elton John and Bernie Taupin – Gnomeo & Juliet
“Life’s a Happy Song” – performed by Jason Segel, Amy Adams and Walter/written by Bret McKenzie – The Muppets
“The Living Proof” – performed by Mary J. Blige/written by Mary J. Blige, Thomas Newman and Harvey Mason, Jr. – The Help
“Man or Muppet” – performed by Jason Segel and Walter/written by Bret McKenzie – The Muppets
“Pictures in My Head” – performed by Kermit and the Muppets/written by Jeannie Lurie, Aris Archontis and Chen Neeman – The Muppets

BEST SCORE
The Artist – Ludovic Bource
Drive – Cliff Martinez
The Girl With the Dragon Tattoo – Trent Reznor & Atticus Ross
Hugo – Howard Shore
War Horse – John Williams

The BFCA has obviously made a lot of nominations and some of them are interesting but I have to be honest: the BFCA as an organization annoys me with how they’re always bragging about how big they are and how they’re so good at celebrating the conventional establishment wisdom.  So, I’ll just say that its nice to see Hanna getting at least some sort of recognition (even if that recognition is kinda minor.)

The LAFCA Honors Terrence Malick, Michael Fassbender, and …. The Descendants?


For those of you who love to follow the Oscar race, today is a big day.  Several groups announced their picks for the best of 2011 today.  The most important of these groups would be the Los Angeles Film Critics Association.  Though the LAFCA has a pretty iffy record when it comes to predicting the actual Oscar winners, their picks still tend to influence the nominations. 

Here are the LAFCA winners, along with a little commentary from yours truly.

Best Musical Score: Hanna (runner-up: Drive)

There was a lot I liked about the LAFCA awards but this is the one that truly made me go: “Yay!”  Hanna was a great film that deserves a lot more attention than its been given.

Best Cinematography: The Tree of Life (Runner-up: The City of Life and Death)

Best Production Design: Hugo (runner-up: Tinker, Tailor, Solider, Spy)

Best Supporting Actress: Jessica Chastain for Coriolanus, The Debt, The Help, Take Shelter, Texas Killing Fields, and The Tree of Life (runner-up: Janet McTeer for Albert Nobbs)

Considering that she has next to no range as an actress, Jessica Chastain is having a pretty good year.  I have a feeling she’ll win an Oscar in February and then eventually end up joining the cast of Law & Order: SVU.

Best Supporting Actor: Christopher Plummer in Beginners (runner-up: Patton Oswalt in Young Adult)

As good as Plummer was in Beginners, think about how much more exciting it would have been if Oswalt had won.

Best Screenplay: A Seperation. (runner-up: The Descendants)

Best Documentary: The Cave of Forgotten Dreams (runner-up: The Arbor)

Again, let us consider that Werner Herzog’s masterpiece wasn’t even a semi-finalist as far as the Academy is concerned.

Best Independent/Experimental Film: Spark of Being

Best Actress: Yun Jung-hee in Poetry (runner-up: Kirsten Dunst in Melancholia)

Yay!  I am so bored with Meryl Streep.

Best Actor: Michael Fassbender for Shame, A Dangerous Method, X-Men: First Class, and Jane Eyre. (runner-up: Michael Shannon in Take Shelter)

Yay!  For both the winner and the runner-up. 

Best Director: Terrence Malick for The Tree of Life (runner-up: Martin Scorsese for Hugo)

I was on twitter when this result was announced and Oh. My. God.  My timeline like totally exploded with people getting all excited and hopeful.  And then, quite a few minutes later, all that excitement turned to rage as the next award was announced–

Best Picture: The Descendants (runner-up: The Tree of Life)

That’s right.  After going out on a limb with best actress and (debatably) best director and going out of their way to honor the unfairly neglected, the LAFCA gave best picture to one of the most overrated films of 2011 — The Descendants.  This despite the fact that The Descendants hadn’t won a single other award and was a runner-up in only one category.  That must have really loved that 2nd place screenplay.  This choice reeks of compromise, as if a group of critics decided to all unite and vote for their 2nd or 3rd choice in order to keep a more controversial films like The Tree of Life from winning.

That said, my pick for the best of 2011 remains Hanna.

Best Foreign Language Film: The City of Life and Death (runner-up: A Separation)

So, A Separation has a better screenplay than the best film of 2011, yet it’s not as good a film as The City of Life and Death.

New Generation award: Martha Marcy May Marlene

To recap, the three major critics groups have now spoken and each one has named a different film for best picture.  The National Board of Review went for Hugo, the New Yorkers went for The Artist, and the LAFCA went for The Descendants.

In fact, the Artist was totally ignored by Los Angeles and I’ve noticed that there seems to be a backlash developing against this film.  The Artist won’t be opening here until Dec. 21st so I can’t judge it but I would say that if you’re upset about about a French film like The Artist getting so much attention, don’t worry.  Maybe David Fincher will remake it with American actors next year.

The WAFCA Has Spoken


I don’t know much about the Washington Area Film Critics Association but, just judging from the films that they chose to nominate for being the best of 2011, they would appear to have better taste than most film critics. 

(Seriously, film critics are the worst.)

They announced their picks for the best of 2011 earlier today and here’s a complete list of their nominees and winners.  If nothing else, this year’s Oscar race is certainly shaping up to be a bit more interesting than last years. 

Best Film:
*The Artist
The Descendants
Drive
Hugo
Win Win

Best Director:
Woody Allen (Midnight in Paris)
Michel Hazanavicius (The Artist)
Alexander Payne (The Descendants)
Nicolas Winding Refn (Drive)
*Martin Scorsese (Hugo)

Best Actor:
*George Clooney (The Descendants)
Jean Dujardin (The Artist)
Michael Fassbender (Shame)
Brad Pitt (Moneyball)
Michael Shannon (Take Shelter)

Best Actress:
Viola Davis (The Help)
Elizabeth Olsen (Martha Marcy May Marlene)
Meryl Streep (The Iron Lady)
Tilda Swinton (We Need to Talk About Kevin)
*Michelle Williams (My Week with Marilyn)

Best Supporting Actor:
Kenneth Branagh (My Week with Marilyn)
*Albert Brooks (Drive)
John Hawkes (Martha Marcy May Marlene)
Christopher Plummer (Beginners)
Andy Serkis (Rise of the Planet of the Apes)

Best Supporting Actress:
Bérénice Bejo (The Artist)
Melissa McCarthy (Bridesmaids)
Carey Mulligan (Shame)
*Octavia Spencer (The Help)
Shailene Woodley (The Descendants)

Best Acting Ensemble:
*Bridesmaids
Harry Potter and the Deathly Hallows Part 2
The Help
Hugo
Margin Call

Best Adapted Screenplay:
*Alexander Payne and Nate Faxon & Jim Rash (The Descendants)
Tate Taylor (The Help)
John Logan (Hugo)
Steven Zaillian and Aaron Sorkin (Moneyball)
Bridget O’Connor & Peter Straughan (Tinker, Tailor, Soldier, Spy)

Best Original Screenplay:

Woody Allen (Midnight in Paris)
Michel Hazanavicius (The Artist)
Tom McCarthy (Win Win)
Annie Mumolo & Kristen Wiig (Bridesmaids)
*Will Reiser (50/50)

Best Animated Feature:
The Adventures of Tintin
Arthur Christmas
Puss in Boots
*Rango
Winnie the Pooh

Best Documentary:
Being Elmo: A Puppeteer’s Journey
Buck
*Cave of Forgotten Dreams
Into the Abyss: A Tale of Death, A Tale of Life
Project Nim

Best Foreign Language Film:
13 Assassins
Certified Copy
I Saw the Devil
Pina
*The Skin I Live In

Best Art Direction:
Lawrence Bennett, Production Designer, and Gregory S. Hooper, Art Director (The Artist)
Stuart Craig, Production Designer, and Stephenie McMillan, Set Decorator (Harry Potter and the Deathly Hallows Part 2)
*Dante Ferretti, Production Designer, and Francesca Lo Schiavo, Set Decorator (Hugo)
Jack Fisk, Production Designer, and Jeanette Scott, Set Decorator (The Tree of Life)
Rick Carter, Production Designer, and Lee Sandales, Set Decorator (War Horse)

Best Cinematography:
Guillaume Schiffman (The Artist)
Robert Richardson (Hugo)
Manuel Alberto Claro (Melancholia)
*Emmanuel Lubezki (The Tree of Life)
Janusz Kaminski (War Horse)

Best Score:
*Ludovic Bource (The Artist)
Cliff Martinez (Drive)
Trent Reznor & Atticus Ross (The Girl with the Dragon Tattoo)
Howard Shore (Hugo)
John Williams (War Horse)

The National Board of Review Gives It Up For “Hugo”


 

It took them a while but, earlier today, the folks who made up the National Board of Review (nobody’s quite sure who they are) finally announced their picks for the best of 2011.  And the winner is — Martin Scorsese’s Hugo!  As anyone who was on twitter earlier today knows, this was something of a surprising result and most of the self-appointed film experts out there seemed to be convinced that the NBR would honor either War Horse or The Artist.  Seeing as it took the NBR longer than usual to announce the winners, I’m assuming that the voting was fairly close.  The NBR is usually considered to be a precursor to the Academy Awards so, if nothing else, this result would seem to bode well for Hugo‘s chances to pick up a best picture nomination.  Here are the winners with the occasional editorial comment from me:

Best Film:
Hugo

(I loved Hugo, though my favorite film of the year remains, at this point, Hanna)

Best Director:
Martin Scorsese, Hugo

Best Actor:
George Clooney, The Descendants

(I may be the only person in America who thinks that The Descendants is overratedCertainly, the members of the NBR disagree with me on that point.)

Best Actress:
Tilda Swinton, We Need to Talk About Kevin

(This was kind of surprising since I think the conventional wisdom was that Meryl Streep would win everything for The Irony Lady.)

Best Supporting Actor:
Christopher Plummer, Beginners

(I have a feeling that Plummer’s going to be the sentimental favorite at the Oscars.)
Best Supporting Actress:
Shailene Woodley, The Descendants

Best Original Screenplay:
Will Reiser, 50/50

(Yay!  This film has been strangely underrated as an awards contender but it deserves a lot more attention.)

Best Adapted Screenplay:
Alexander Payne, Nat Faxon & Jim Rash, The Descendants

Best Animated Feature:
Rango

(Another yay!)
Breakthrough Performance:
Felicity Jones, Like Crazy

Breakthrough Performance
:
Rooney Mara, The Girl with the Dragon Tattoo

(Bleh.  On twitter, I already went into a rant about how too many of my fellow film bloggers have allowed themselves to be co-opted into a conspiracy to both  force The Girl With The Dragon Tattoo remake down our throats and to try to make us forget about the original trilogy and the fact that Noomi Rapace gave a brilliant performance as Lisbeth.  I’ll hold off on going into that again until it’s time to review the remake but seriously, people — the Hollywood establishment is not going to give you a promise ring, I don’t care how much you kiss their ass.)

Debut Director:
J.C. Chandor, Margin Call

Best Ensemble:
The Help

(Believe it or not, I still need to see this one.)

Spotlight Award
:
Michael Fassbender (A Dangerous Method, Jane Eyre, Shame, X-Men: First Class)

(Oh. My. God.  So.  Hot.)

NBR Freedom of Expression
:
Crime After Crime

NBR Freedom of Expression:
Pariah

Best Foreign Language Film:
A Separation

Best Documentary:
Paradise Lost 3: Purgatory

Special Achievement in Filmmaking:
The Harry Potter Franchise – A Distinguished Translation from Book
to Film

(This is probably my favorite award to be given out by NBR.  Seriously, the Harry Potter franchise provided me — and so many others — such a blessed escape whenever life seemed overwhelming.)

Top Films (in alphabetical order)

The Artist (Can’t Wait To See It)
The Descendants
(Overrated)
Drive (Yay!)
The Girl with the Dragon Tattoo (Bleh)
Harry Potter and the Deathly Hallows Part 2 (Yay!)
The Ides of March (One of the worst films of the year)
J. Edgar (Bland and forgettable but well-made)
Tree of Life
(Yay!)
War Horse
(Going to see it but I feel obligated to do so and I resent it, to be honest)

Top 5 Foreign Language Films (in alphabetical order)

13 Assassins
Elite Squad: The Enemy Within
Footnote
Le Havre
Point Blank

Top 5 Documentaries (in alphabetical order)

Born to be Wild
Buck
George Harrison: Living in the Material World
Project Nim
Senna

Top 10 Independent Films (in alphabetical order)

50/50 (Yay!)
Another Earth
(Whatever, this was a terrible movie)
Beginners (A good film that deserves to be seen)
A Better Life
(Overrated)
Cedar Rapids (Likable but nothing spectacular)
Margin Call
(Need to see it)
Shame
(Fassbender!)
Take Shelter
(Yay!)
We Need To Talk About Kevin
(Looking forward to it)
Win Win
(Yay!)