The Washington D.C. Area Film Critics Go Crazy For La La Land!


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Oscar season continued today as the Washington D.C. Area Film Critics announced their picks for the best of 2016!  What films and performers were honored in America’s capitol?

Here the complete list!

Best Film

Best Director

Best Actor

Best Actress

  • Amy Adams (Arrival)
  • Annette Bening (20th Century Women)
  • Ruth Negga (Loving)
  • Natalie Portman (Jackie) — Winner
  • Emma Stone (La La Land)

Best Supporting Actor

Best Supporting Actress

  • Viola Davis (Fences) — Winner
  • Greta Gerwig (20th Century Women)
  • Naomie Harris (Moonlight)
  • Molly Shannon (Other People)
  • Michelle Williams (Manchester by the Sea)

Best Acting Ensemble

Best Youth Performance:

  • Lucas Hedges (Manchester by the Sea) — Winner
  • Lewis MacDougall (A Monster Calls)
  • Sunny Pawar (Lion)
  • Hailee Steinfeld (The Edge of Seventeen)
  • Anya Taylor-Joy (The Witch)

Best Voice Performance

  • Jason Bateman (Zootopia)
  • Auli’i Cravalho (Moana)
  • Ellen DeGeneres (Finding Dory)
  • Ginnifer Goodwin (Zootopia)
  • Liam Neeson (A Monster Calls) — Winner

Best Motion Capture Performance

  • Liam Neeson (A Monster Calls)
  • Mark Rylance (The BFG) — Winner

Best Original Screenplay

Best Adapted Screenplay

  • Eric Heisserer, Based on the Story “Story of Your Life” by Ted Chiang (Arrival) — Winner
  • August Wilson, Based on his Play (Fences)
  • Luke Davies, Adapted from the Memoir “A Long Way Home” by Saroo Brierley (Lion)
  • Patrick Ness, Based on his Novel (A Monster Calls)
  • Tom Ford, Based on the Novel “Tony and Susan” by Austin Wright (Nocturnal Animals)

Best Animated Feature

Best Documentary

  • Gleason
  • I Am Not Your Negro
  • O.J.: Made in America
  • 13th — Winner
  • Weiner

Best Foreign Language Film

  • Elle — Winner
  • Julieta
  • The Handmaiden
  • The Salesman
  • Toni Erdmann

Best Production Design

Best Cinematography

Best Editing

Best Original Score

The Joe Barber Award for Best Portrayal of Washington, DC

The Atlanta Film Critics Society Embraces La La Land!


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It wasn’t just the Los Angeles Film Critics who announced their picks for the best of 2016 today!  The Atlanta Film Critics Society also had their say.

Who won?

Find out below!

BEST FILM – LA LA LAND

BEST DIRECTOR – Damien Chazelle, LA LA LAND

BEST ACTOR – Casey Affleck, MANCHESTER BY THE SEA

BEST ACTRESS – Annette Bening, 20TH CENTURY WOMEN

BEST SUPPORTING ACTOR – Mahershala Ali, MOONLIGHT

BEST SUPPORTING ACTRESS – Lily Gladstone, CERTAIN WOMEN

BEST ENSEMBLE – Cast of AMERICAN HONEY

BEST ANIMATED FILM – KUBO AND THE TWO STRINGS

BEST DOCUMENTARY FILM – 13TH

BEST FOREIGN LANGUAGE FILM – TONI ERDMANN

BEST SCREENPLAY – Kenneth Lonergan, MANCHESTER BY THE SEA

BEST SCORE – Cliff Martinez, THE NEON DEMON

BEST SONG – “Drive It Like You Stole It” from SING STREET

BEST CINEMATOGRAPHY – Linus Sandgren, LA LA LAND

BEST EDITING – Tom Cross, LA LA LAND

EMPIRE OF THE SOUTH AWARD (Best Motion Picture Filmed in GA) – HIDDEN FIGURES

The Los Angeles Film Critics Honor Isabelle Huppert, Adam Driver, and Moonlight


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Oscar season continued today, with the Los Angeles Film Critics Association (LAFCA) naming their picks for the best of 2016!

Best Picture
Winner: MOONLIGHT
Runner-up: LA LA LAND

Best Director
Winner: Barry Jenkins, MOONLIGHT
Runner-up: Damien Chazelle, LA LA LAND

Best Actor
Winner: Adam Driver, PATERSON
Runner-up: Casey Affleck, MANCHESTER BY THE SEA

Best Actress
Winner: Isabelle Huppert, ELLE and THINGS TO COME
Runner-up: Rebecca Hall, CHRISTINE

Best Supporting Actor
Winner: Mahershala Ali, MOONLIGHT
Runner-up: Issey Ogata, SILENCE

Best Supporting Actress
Winner: Lily Gladstone, CERTAIN WOMEN
Runner-up: Michelle Williams, MANCHESTER BY THE SEA

Best Screenplay
Winner: Efthymis Filippou and Yorgos Lanthimos, THE LOBSTER
Runner-up: Kenneth Lonergan, MANCHESTER BY THE SEA

Best Cinematography
Winner: James Laxton, MOONLIGHT
Runner-up: Linus Sandgren, LA LA LAND

Best Production Design
Winner: Ryu Seong-hee, THE HANDMAIDEN
Runner-up: David Wasco, LA LA LAND

Best Editing
Winner: Bret Granato, Maya Mumma, Ben Sozanski, OJ: MADE IN AMERICA
Runner-up: Tom Cross, LA LA LAND

Best Music/Score
Winner: Justin Hurwitz, Benj Pasek, Justin Paul, LA LA LAND
Runner-up: Mica Levi, JACKIE

Best Foreign-Language Film
Winner: THE HANDMAIDEN
Runner-up: TONI ERDMANN

Best Documentary/Non-Fiction Film
Winner: I AM NOT YOUR NEGRO
Runner-up: OJ: MADE IN AMERICA

Best Animation
Winner: YOUR NAME.
Runner-up: THE RED TURTLE

New Generation Award

Douglas Edwards Independent/Experimental Film/Video Award
THE ILLINOIS PARABLES from writer-director Deborah Stratman

Here Are The Nominations For The 22nd Annual Critics’ Choice Awards!


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The Broadcast Film Critics Association have announced their nominees for the 22nd Annual Critics’ Choice Awards and here they are!  Once again, in a pattern that will probably see repeated several times of this next month, the nominations were dominated by Moonlight, La La Land, and Manchester By The Sea.

FILM NOMINATIONS FOR THE 22ND ANNUAL CRITICS’ CHOICE AWARDS

BEST PICTURE

BEST ACTOR

BEST ACTRESS

  • Amy Adams – Arrival
  • Annette Bening – 20th Century Women
  • Isabelle Huppert – Elle
  • Ruth Negga – Loving
  • Natalie Portman – Jackie
  • Emma Stone – La La Land

BEST SUPPORTING ACTOR

BEST SUPPORTING ACTRESS

  • Viola Davis – Fences
  • Greta Gerwig – 20th Century Women
  • Naomie Harris – Moonlight
  • Nicole Kidman – Lion
  • Janelle Monáe  – Hidden Figures
  • Michelle Williams – Manchester by the Sea

BEST YOUNG ACTOR/ACTRESS

  • Lucas Hedges – Manchester by the Sea
  • Alex R. Hibbert – Moonlight
  • Lewis MacDougall – A Monster Calls
  • Madina Nalwanga – Queen of Katwe
  • Sunny Pawar – Lion
  • Hailee Steinfeld – The Edge of Seventeen

BEST ACTING ENSEMBLE

BEST DIRECTOR

BEST ORIGINAL SCREENPLAY

  • Damien Chazelle – La La Land
  • Barry Jenkins – Moonlight
  • Yorgos Lanthimos/Efthimis Filippou – The Lobster
  • Kenneth Lonergan – Manchester by the Sea
  • Jeff Nichols – Loving
  • Taylor Sheridan – Hell or High Water

BEST ADAPTED SCREENPLAY

  • Luke Davies – Lion
  • Tom Ford – Nocturnal Animals
  • Eric Heisserer – Arrival
  • Todd Komarnicki – Sully
  • Allison Schroeder/Theodore Melfi – Hidden Figures
  • August Wilson – Fences

BEST CINEMATOGRAPHY

  • Stéphane Fontaine – Jackie
  • James Laxton – Moonlight
  • Seamus McGarvey – Nocturnal Animals
  • Linus Sandgren – La La Land
  • Bradford Young – Arrival

BEST PRODUCTION DESIGN

  • Arrival – Patrice Vermette, Paul Hotte/André Valade
  • Fantastic Beasts and Where to Find Them – Stuart Craig/James Hambidge, Anna Pinnock
  • Jackie – Jean Rabasse, Véronique Melery
  • La La Land – David Wasco, Sandy Reynolds-Wasco
  • Live by Night – Jess Gonchor, Nancy Haigh

BEST EDITING

BEST COSTUME DESIGN

  • Colleen Atwood – Fantastic Beasts and Where to Find Them
  • Consolata Boyle – Florence Foster Jenkins
  • Madeline Fontaine – Jackie
  • Joanna Johnston – Allied
  • Eimer Ni Mhaoldomhnaigh – Love & Friendship
  • Mary Zophres – La La Land

BEST HAIR & MAKEUP

BEST VISUAL EFFECTS

BEST ANIMATED FEATURE

BEST ACTION MOVIE

BEST ACTOR IN AN ACTION MOVIE

BEST ACTRESS IN AN ACTION MOVIE

BEST COMEDY

BEST ACTOR IN A COMEDY

  • Ryan Gosling – The Nice Guys
  • Hugh Grant – Florence Foster Jenkins
  • Dwayne Johnson – Central Intelligence
  • Viggo Mortensen – Captain Fantastic
  • Ryan Reynolds – Deadpool

BEST ACTRESS IN A COMEDY

  • Kate Beckinsale – Love & Friendship
  • Sally Field – Hello, My Name Is Doris
  • Kate McKinnon – Ghostbusters
  • Hailee Steinfeld – The Edge of Seventeen
  • Meryl Streep – Florence Foster Jenkins

BEST SCI-FI/HORROR MOVIE

BEST FOREIGN LANGUAGE FILM

  • Elle
  • The Handmaiden
  • Julieta
  • Neruda
  • The Salesman
  • Toni Erdmann

BEST SONG

  • Audition (The Fools Who Dream) – La La Land
  • Can’t Stop the Feeling – Trolls
  • City of Stars – La La Land
  • Drive It Like You Stole It – Sing Street
  • How Far I’ll Go – Moana
  • The Rules Don’t Apply – Rules Don’t Apply

BEST SCORE

  • Nicholas Britell – Moonlight
  • Jóhann Jóhannsson – Arrival
  • Justin Hurwitz – La La Land
  • Micachu – Jackie
  • Dustin O’Halloran, Hauschka – Lion

Deadpool

La La Land, Moonlight, and Manchester By The Sea Wins With The New York Film Critics Circle


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The New York Film Critics Circle met today and announced their picks for the best of 2016!  The awards were pretty evenly divided between the three films that are rapidly emerging as the early Oscar front runners — Manchester By The Sea, Moonlight, and La La Land!

Here are the winners!

  • BEST FILM: “La La Land”
  • BEST DIRECTOR: Barry Jenkins for “Moonlight”
  • BEST ACTRESS: Isabelle Huppert for both “Elle” and “The Things to Come”
  • BEST SUPPORTING ACTRESS: Michelle Williams for both “Manchester by the Sea” and “Certain Women”
  • BEST FIRST FILM: (TIE) “The Edge of Seventeen” and “Krisha”
  • BEST SCREENPLAY: Kenneth Lonergan for “Manchester by the Sea”
  • BEST FOREIGN LANGUAGE FILM: “Toni Erdmann”
  • BEST ANIMATED FILM: “Zootopia”
  • BEST SUPPORTING ACTOR – Mahershala Ali for “Moonlight”
  • BEST ACTOR – Casey Affleck for “Manchester by the Sea”
  • SPECIAL AWARDS: One for editor Thelma Schoonmaker, the other for Julie Dash’s “Daughters of the Dust” 25th Anniversary Restoration

Here Are The Satellite Nominations!


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The International Press Academy — a.k.a. the Oscar precursor that nobody cares about — announced their nominees for the best of 2016 earlier today and it was a very good day for a film that I cannot wait to see, La La Land!

Here are the Satellite nominations!

Special Achievement Award Recipients

Mary Pickford Award- Edward James Olmos
Tesla Award- John Toll
Auteur Award- Tom Ford
Humanitarian Award- Patrick Stewart
Best First Feature- Russudan Glurjidze “House of Others”
Best Ensemble: Motion Picture- “Hidden Figures”
Best Ensemble: Television- “Outlander”

Actress in a Motion Picture

Annette Bening, “20th Century Woman”
Emma Stone, “La La Land”
Natalie Portman, “Jackie”
Ruth Negga, “Loving”
Taraji P. Henson, “Hidden Figures”
Meryl Streep, “Florence Foster Jenkins”
Isabelle Huppert, “Elle”
Amy Adams, “Nocturnal Animals”

Actor in a Motion Picture

Casey Affleck, “Manchester by the Sea”
Ryan Gosling, “La La Land”
Joseph Gordon-Levitt, “Snowden”
Viggo Mortensen, “Captain Fantastic”
Joel Edgerton, “Loving”
Andrew Garfield, “Hacksaw Ridge”
Tom Hanks, “Sully
Denzel Washington, “Fences”

Actress in a Supporting Role

Helen Mirren, “Eye in the Sky”
Michelle Williams, “Manchester by the Sea”
Nicole Kidman, “Lion”
Octavia Spencer, “Hidden Figures”
Naomi Harris, “Moonlight”
Viola Davis, “Fences”
 Actor in a Supporting Role

Jeff Bridges, “Hell or High Water”
Mahershala Ali, “Moonlight”
Dev Patel, “Lion”
Lucas Hedges, “Manchester by the Sea”
Eddie Murphy, “Mr. Church”
Hugh Grant, “Florence Foster Jenkins”

Motion Picture

“La La Land”
“Moonlight”
“Manchester by the Sea”
“Lion”
“Jackie”
“Hacksaw Ridge”
“Loving”
“Hell or High Water”
“Nocturnal Animals”
“Captain Fantastic”
“Hidden Figures”
“Fences”

 Motion Picture, International Film

“The Happiest Day in the Life of Olli Maki”- Finland
“Toni Erdmann”- Germany
“Julieta”- Spain
“A Man Called Ove”- Sweden
“The Salesman”- Iran
“The Ardennes”- Belgium
“Ma’ Rosa”- Philippines
“The Handmaiden”- South Korea
“Elle”- France
“Paradise”- Russia

Motion Picture, Animated or Mixed Media 
Title of Film
“Zootopia”
“Kubo and the Two Strings”
“Moana”
Finding Dory”
“My Life As a Zucchini”
“The Jungle Book”
“The Red Turtle”
“Miss Hokusai”
“Trolls”
“Your Name”

Motion Picture, Documentary

“Gleason”
“Life Animated”
“O.J.: Made in America”
“13th”
“The Ivory Game”
“The Eagle Huntress”
“Tower”
“Fire at Sea”
“Zero Days”
“The Beatles: Eight Days a Week”

Director

Barry Jenkins, “Moonlight”
Kenneth Lonergan, “Manchester by the Sea”
Mel Gibson, “Hacksaw Ridge”
Damien Chazelle, “La La Land”
Tom Ford, “Nocturnal Animals”
Pablo Larrain, “Jackie”
Denzel Washington, “Fences”

Screenplay, Original

Barry Jenkins, “Moonlight”
Damien Chazelle, “La La Land”
Kenneth Lonergan, “Manchester by the Sea”
Taylor Sheridan, “Hell or High Water”
Matt Ross, “Captain Fantastic”
Yorgos Lanthimos/Efthymis Filippou, “The Lobster”

Screenplay, Adapted

Andrew Knight/Robert Schenkkan, “Hacksaw Ridge”
Luke Davis, “Lion”
Kieran Fitzgerald/Oliver Stone, “Snowden”
Justin Marks, “The Jungle Book”
Allison Schroeder, “Hidden Figures”
Todd Komarnicki, “Sully”

Original Score

Rupert Gregson Williams, “Hacksaw Ridge”
Justin Hurwitz, “La La Land”
Lesley Barber, “Manchester by the Sea”
John Williams, “The BFG”
John Debney, “The Jungle Book”
Hans Zimmer, “Hidden Figures”

Original Song

“Audition”- ‘La La Land’
“City of Stars”- ‘La La Land’
“Dancing with Your Shadow”- ‘Po’
“Can’t Stop the Feeling”- ‘Trolls’
“I’m Still Here”- ‘Miss Sharon Jones’
“Running”- ‘Hidden Figures’

Cinematography

John Toll, “Billy Lynn’s Long Halftime Walk”
Linus Sandgren, “La La Land
James Laxton, “Moonlight”
Simon Duggan, “Hacksaw Ridge”
Jani-Petteri Passi, “The Happiest Day in the Life of Olli Maki”
Bill Pope, “The Jungle Book”

Visual Effects

“The Jungle Book”
“Billy Lynn’s Long Halftime Walk”
“Doctor Strange”
“The BFG”
“Sully”
“Deadpool”

Film Editing

Tom Cross, “La La Land
Joi McMillon/Nat Sanders, “Moonlight”
Tim Squyres, “Billy Lynn’s Long Halftime Walk”
Alexandre de Francheschi, “Lion”
John Gilbert, “Hacksaw Ridge”
Steven Rosenblum, “The Birth of a Nation”

Sound (Editing and Mixing)

La La Land
“Billy Lynn’s Long Halftime Walk”
“Hacksaw Ridge”
“The Jungle Book”
“Allied”
“13 Hours: The Secret Soldiers of Benghazi”

Art Direction and Production Design

David Wasco, “La La Land
Barry Robinson, “Hacksaw Ridge”
Jean Rabasse, “Jackie”
Christophe Glass, “The Jungle Book”
Gary Freeman, “Allied”
Dan Hennah, “Alice Through the Looking Glass”

Costume Design

Colleen Atwood, “Alice Through the Looking Glass”
Eimer Ní Mhaoldomhnaigh, “Love & Friendship”
Courtney Hoffman, “Captain Fantastic”
Madeline Fontaine, “Jackie”
Mary Zophres, “La La Land
Alexandra Byrne, “Doctor Strange”

What If Awards Season Began And Lisa Totally Missed It? Here Are The Gotham Nominations!


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As proof of how busy I’ve been over the past few days, just consider this: On October 20th, awards season kicked off and I totally missed it!

That’s right.  On October 20th, the nominations for the 2016 Gotham Awards were announced.  The Gothams honor independent films and they actually have some pretty strict guidelines regarding what they consider to be independent.  So, a lot of this year’s potential Oscar nominees are not eligible for the Gotham Awards.

That said, over the past few years, the Gothams have slowly emerged as a somewhat helpful precursor.  While getting a Gotham nomination does not guarantee any film an Oscar nomination, it certainly doesn’t hurt.  That may especially be true this year as 2016 has, for the most part, not been the great cinematic year that 2015 was.  With no real favorites having yet to emerge, every precursor counts.

So, with that in mind and just a few days late, here are the Gotham nominations!

Best Feature

Certain Women
Kelly Reichardt, director; Neil Kopp, Vincent Savino, Anish Savjani, producers (IFC Films)

Everybody Wants Some!!
Richard Linklater, director; Megan Ellison, Ginger Sledge, Richard Linklater, producers (Paramount Pictures)

Manchester by the Sea
Kenneth Lonergan, director; Kimberly Steward, Matt Damon, Chris Moore, Lauren Beck, Kevin J. Walsh, producers (Amazon Studios)

Moonlight
Barry Jenkins, director; Adele Romanski, Dede Gardner, Jeremy Kleiner, producers (A24)

Paterson
Jim Jarmusch, director; Joshua Astrachan, Carter Logan, producers (Amazon Studios)

Best Documentary

Cameraperson
Kirsten Johnson, director; Marilyn Ness, producer (Janus Films)

I Am Not Your Negro
Raoul Peck, director; Rémi Grellety, Raoul Peck, Hébert Peck, producers (Magnolia Pictures)

O.J.: Made in America
Ezra Edelman, director; Caroline Waterlow, Ezra Edelman, Tamara Rosenberg, Nina Krstic, Deirdre Fenton, Erin Leyden, producers (ESPN Films)

Tower
Keith Maitland, director; Keith Maitland, Megan Gilbride, Susan Thomson, producers (Kino Lorber, Independent Lens)

Weiner
Josh Kriegman, Elyse Steinberg, directors and producers (Sundance Selects and Showtime Documentary Films)

Weiner_(film)

Bingham Ray Breakthrough Director Award

Robert Eggers for The Witch (A24)

Anna Rose Holmer for The Fits (Oscilloscope Laboratories)

Daniel Kwan & Daniel Scheinert for Swiss Army Man (A24)

Trey Edward Shults for Krisha (A24)

Richard Tanne for Southside with You (Roadside Attractions and Miramax)

Best Screenplay

Hell or High Water, Taylor Sheridan (CBS Films)

Love & Friendship, Whit Stillman (Amazon Studios)

Manchester by the Sea, Kenneth Lonergan (Amazon Studios)

Moonlight, Story by Tarell Alvin McCraney; Screenplay by Barry Jenkins (A24)

Paterson, Jim Jarmusch (Amazon Studios)

Best Actor*

Casey Affleck in Manchester by the Sea (Amazon Studios)

Jeff Bridges in Hell or High Water (CBS Films)

Adam Driver in Paterson (Amazon Studios)

Joel Edgerton in Loving (Focus Features)

Craig Robinson in Morris from America (A24)

Best Actress*

Kate Beckinsale in Love & Friendship (Amazon Studios)

Annette Bening in 20th Century Women (A24)

Isabelle Huppert in Elle (Sony Pictures Classics)

Ruth Negga in Loving (Focus Features)

Natalie Portman in Jackie (Fox Searchlight Pictures)

Breakthrough Actor*

Lily Gladstone in Certain Women (IFC Films)

Lucas Hedges in Manchester by the Sea (Amazon Studios)

Royalty Hightower in The Fits (Oscilloscope Laboratories)

Sasha Lane in American Honey (A24)

Anya Taylor-Joy in The Witch (A24)

* The 2016 Best Actor/Best Actress and Breakthrough Actor nominating panels also voted to award a special Gotham Jury Award for ensemble performance to Moonlight, “in which actors at all levels of experience give outstanding performances that speak eloquently to one another both within and across each chapter of the story.” The awards will go to actors Mahershala Ali, Naomie Harris, Alex Hibbert, André Holland, Jharrel Jerome, Janelle Monáe, Jaden Piner, Trevante Rhodes, and Ashton Sanders.

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(AWARDS SEASON HAS BEGUN!!!)

 

Sci-Fi Film Review: The Hunger Games: Mockingjay — Part 2 (dir by Francis Lawrence)


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It’s finally over!

It probably sounds like I’m really excited that the final Hunger Games adaptation has been released.  It may sound like I’m happy that the saga of Katniss Everdeen and her life in Panem has finally come to an end.  And, to a certain extent, I am.  After everything that Katniss has been through, she deserves some peace and, fortunately, the series has ended before Jennifer Lawrence got bored with playing the role.  (To see what happens when actor gets bored with an iconic role, check out Daniel Craig in Spectre.)  Even though I think it can be argued that Mockingjay Part Two is the weakest of all the Hunger Games films, it still allows both Katniss and the actress who brought her to life to go out on a high note.

There’s a part of me that cringes a little when I think about all of the films that were released as a direct result of the success of The Hunger Games.  The Giver, The Maze Runner, Divergent, Tomorrowland, the list goes on and on.  I’ve reached the point where I can now say that I am officially sick of sitting through adaptations of Young Adult dystopian fiction.  And yet, I was still excited to see The Hunger Games: Mockingjay Part Two (even if that title is way too long and unwieldy).  Regardless of the number of mediocre films that it may have inspired, The Hunger Games franchise has always remained compelling.

So, how was Mockingjay Part Two?  Obviously, it doesn’t work as a stand-alone film.  The pacing is totally off, characters appear and disappear almost at random, and it’s all rather confusing.  If you haven’t seen the film that came before Mockingjay Part Two, I imagine that you would be totally confused by this film.  But, when viewed as the fourth part of one gigantic epic story, the whole thing is rather brilliant.

When the film opens, Katniss is still being used a prop in Alma Coin’s (Julianne Moore) revolution.  The majority of the film deals with her journey into and through the capital.  She wants to track down and assassinate President Snow (the wonderfully evil Donald Sutherland) whereas Coin just wants to use her as a symbol to solidify her authority.  As Katniss quickly realizes, there’s not much difference between Snow and Coin.  However, it takes one great tragedy for Katniss to truly understand the truth about the Alma Coin and her revolution.  If you’ve read the book, you’ll already know about and be prepared for that tragedy but it’s still a heart-breaking moment.

It’s also the most important moment in the franchise, one that reminds us that The Hunger Games has always been far more politically sophisticated (and thematically darker) than all of the films, books, and fan fic that has been inspired by it.  This is a seriously dark and, some would say, cynical movie and, as a student of history, I appreciated that.  I appreciated that Mockingjay didn’t try to force a happy ending on us and I also appreciated the fact that Mockingjay didn’t buy into the simplistic Manichaen worldview that is currently ruining worlds both real and cinematic.  The film’s final scene may be hopeful but it’s never naive.

It’s a bit unfortunate that Mockingjay had to be split into two separate films.  Mockingjay Part Two is full of exciting moments but there’s also a lot of scenes that feel like filler.  You get the feeling they were included to make sure that Mockingjay Part Two’s running team was equal to the other films in the franchise.  This is a film that features a lot of genuinely exciting action and some truly emotional moments.  It’s also a film that features a lot of speeches.  If only both parts of Mockingjay could have been released as one six hour film.  I would have watched it!

The film also features the final performance of Philip Seymour Hoffman, playing the rule of Plutarch.  Hoffman is not in many scenes and reportedly, he died before filming two of his biggest scenes.  Those scenes were rewritten and his dialogue given to other actors.  At one point, Woody Harrelson starts to read a letter that was written by Plutarch and it’s a sad scene because you’re aware that, originally, Hoffman was meant to deliver those lines in his trademark style.  As it is, Hoffman only appears in a few minutes of Mockingjay Part Two and he doesn’t do much.  But, when the film briefly features his bemused smile, you’re reminded of what a great actor the world lost when Philip Seymour Hoffman died.

Of course, the entire Hunger Games franchise has been full of great actors.  Jennifer Lawrence brought Katniss to wonderful and empowering life and one of the joys of Mockingjay Part Two is getting to see her bring the character’s story to a close.  But even beyond Jennifer Lawrence’s rightly acclaimed work, the entire cast of the franchise deserves a lot of credit.  I’ve always loved Donald Sutherland’s interpretation of President Snow and he’s at his best here.

For that matter, if there ever is another Hunger Games film or a Hunger Games spin-off, why not make it about Jena Malone’s Johanna Mason?  The way that Malone delivered her angry and frequently sarcastic dialogue was definitely one of the film’s highlights.

Regardless of whether there are any future films, The Hunger Games: Mockingjay Part Two is a worthy conclusion to a great story.

(By the way, as you may have guessed from the title of this post, December is science fiction month here at the Shattered Lens!  We hope you enjoy it!)

Previous Hunger Games Reviews:

  1. Quick Review: The Hunger Games (dir by Gary Ross)
  2. Review: The Hunger Games
  3. 44 Days of Paranoia: The Hunger Games: Catching Fire
  4. For Your Consideration: Jennifer Lawrence in The Hunger Games Mockingjay Part One

Embracing the Melodrama #58: The Place Beyond The Pines (dir by Derek Cianfrance)


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First released in 2013, the underrated (and, as far as end-of-the-year awards ago, underappreciated) The Place Beyond The Pines is actually three cinematic melodramas in one.  Much like a great novel, this movie is split into multiple pieces with each part telling a different part of a larger story.  It’s an interesting and ambitious concept, the type that we sometimes fear that audiences are no longer capable of appreciating.

The first third of the story centers on Luke Glanton (Ryan Gosling), a motorcycle stuntman who performs at state fairs.  During one such fair in upstate New York, he meets and has a brief affair with Romina (Eva Mendes, giving an excellent performance).  When he returns to New York a year later, Luke discovers that he is now a father.  Luke quits the fair and decides that he wants to be a part of his son’s life but Romina, who is now in a stable relationship with a good man named Kofi (Mahershala Ali), asks him to stay away.  Determined to be part of his son’s life and also looking to win back Romina, Luke stays in town and gets a job working with Robin (the always excellent Ben Mendelsohn).  Robin owns an auto garage and, as he explains to Luke, he also used to be a bank robber.  Soon, with Robin’s help, Luke is robbing banks and sending the money to Romina.

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Luke’s story is probably the strongest in the film.  Ryan Gosling is charismatic as the dangerous yet likable Luke and he and Eva Mendes have a lot of on-screen chemistry.  Ben Mendelsohn brings yet another one of his trademark burned out characters to life and Mahershala Ali is sympathetic as Kofi, a man, who despite being good and responsible, is simply no Ryan Gosling.

The second part of the story deals with Avery Cross (Bradley Cooper), the cop who chases Luke after one of his bank robberies.  Avery is the politically ambitious son of a former judge (Harris Yulin) and, much like Luke, he also has newborn son.  When Avery is originally hailed as hero for his pursuit of Luke, Avery’s feelings are far more ambivalent.  It gets even more difficult for him when he catches some of his fellow cops (led, of course, by Ray Liotta) stealing the money that Luke sent to Romina.  When Romina rejects Avery’s attempt to return the money to her, Avery is left with little choice but to try to take down the crooked cops himself.  It’s the only way for him to clear his conscience.

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And, finally, in the third part of the story, teenager Jason Cankham (Dane DeHaan) meets and befriends Avery’s son, AJ (Emory Cohen).  What neither one of them realizes is that Jason is Luke’s son.  The interesting thing here is that the two sons have, on the surface at least, turned out to be the exact opposites of their father.  Jason is the good kid while AJ is probably one of the most despicable movie teenagers of all time.  When Jason learns the truth about both of their fathers, he has to decide whether he’s his father’s son or if he is his own human being.

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As you might be able to guess from the above plot description, The Place Beyond the Pines is a big epic of a film and, perhaps not surprisingly, the end results are intriguing if occasionally uneven.  The film starts out so strongly with Ryan Gosling roaring down empty roads on his motorcycle that it’s hard for the rest of the movie to live up to that opening’s promise.  And yet somehow, the film manages to do just that.  Even the parts of the film that didn’t particularly intrigue me — like the whole subplot with the corrupt cops — were saved by the efforts of a perfectly chosen cast.  The third and final part of the film provides the perfect climax, helping us to both understand the legacy of Luke Glanton and Avery Cross but also to understand why both of their stories are important, both as individual tales and as parts of a greater whole.

The Place Beyond The Pines may not be perfect, not in the way that a film like Winter’s Bone is perfect.  However, we should still be glad that films like it are being made.

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