Retro Television Review: St. Elsewhere 4.17 and 4.18 “Time Heals”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Daily Motion.

In this special two-part episode, 50 years of St. Elsewhere are documented in just two hours.

Episodes 4.17 and 4.18 “Time Heals”

(Dir by Mark Tinker, originally aired on February 19th and February 20th, 1986)

Aired over two nights, “Time Heals” uses St. Eligius’s 50th anniversary to give us 50 years of history. While the staff prepares to observe half a century of serving Boston, the episode skips back and forth in time.

In 1935, a young and enthusiastic priest named Joseph McCabe (Edward Herrmann) prepares for the opening of a hospital that he hopes will serve the downtrodden and forgotten of Boston. Monsignor Senti (Norman Burton) views McCabe as a troublemaker. Meanwhile, a young Donald Westphall watches as his father helps bring a wounded man named Patrick O’Casey (William Russ) to the hospital. Later, Westphall’s sister and mother are killed in a house fire.

In 1945, a young liver specialist named Daniel Auschlander (James Stephens) is brought on staff and meets an angry teenage Donald Westphall (Michael Sharrett). Donald shines shoes in the hospital lobby. When Donald is caught stealing, Father McCabe takes him to the hospital’s gym and gives him a boxing lesson. As for Auschlander, he allows a returning serviceman named Patrick O’Casey to see his young daughter, who is suffering from polio and has been placed in an isolation ward.

In 1955, the Archdiocese sells the hospital to the city and Father McCabe is fired. McCabe gets drunk. Auschlander says that he intends to resign in protest. McCabe replies that that would be a mistake—Auschlander is the man McCabe has recommended as his replacement. Meanwhile, Patrick O’Casey’s daughter dies after spending ten years in an iron lung, and a cocky intern named Mark Craig (William Daniels, sans mustache) has a panic attack while performing his first operation. The demanding Dr. David Domedion (Jackie Cooper) orders Craig back into the operating room. Later, Craig tells another resident, Donald Westphall (Ed Flanders, his hair dyed black but still looking quite middle-aged), that he’s been offered a position at Boston General and will never return to St. Eligius.

In 1965, Dr. Craig returns to St. Eligius, bitter that he was passed over for chief of surgery at Boston General. While a young Luther Hawkins sits in the waiting room, a newly arrived nurse named Helen Eisenberg helps Dr. Westphall deal with Terence O’Casey (Brian Kerwin), a young man having a bad acid trip. “Get a haircut, hippie,” Dr. Craig says at one point.

In 1975, Terence O’Casey is back in the hospital, waiting as Dr. Craig performs open-heart surgery on his father, Patrick. Donald Westphall is appointed hospital administrator. The same night, his wife, Maureen (Anita Gillette), is in an auto accident that leaves her brain-dead. Westphall is the one who has to decide to remove her breathing tube and allow her to pass on.

In 1985, high school principal Terence O’Casey is brought to the hospital with sudden paralysis. His doctor, Jack Morrison, struggles to diagnose Terence’s condition until he goes down to the basement, looks through the earliest hospital records, and reads about Terence’s sister, who died in an iron lung. Jack diagnoses Terence with Guillain-Barré syndrome, a paralyzing condition that can resemble polio.

Meanwhile, Jack’s son, Pete, is apparently abducted by a man at the hospital. I say “apparently” because the plotline feels a bit underdeveloped. The episode ends with the police returning Pete to Jack during St. Eligius’s anniversary party. Pete seems to be physically unharmed, and we’re not really given any details as to who abducted him or how the police tracked him down.

The subplot featuring Morrison’s son being abducted is oddly undeveloped, but that’s really the only flaw to be found in “Time Heals.” This is not only a great episode of St. Elsewhere; it’s also one of the greatest episodes of television I’ve ever seen. That said, it isn’t just a great episode of television. It’s a great work of art, period, from the excellent performances to the way the episode seamlessly mixes the flashbacks so that they come together to tell one epic story of the 20th century. Featuring both the story of the hospital and the story of the O’Caseys, “Time Heals” is a portrait of how times change and how they remain the same.

A few random notes:

For those who think Dr. Craig is too hard on his residents, this episode shows that Craig’s mentor was equally hard on him, and that it helped turn Craig into the surgeon he is today. That said, it’s also amusing to see that young Mark Craig was just as obnoxious as Victor Ehrlich.

I’ve often complained about how depressed Westphall always seems to be. This episode shows that Westphall has a lot of reasons to be depressed. The man’s life has been one tragedy after another.

One cannot overlook the importance of the O’Caseys to this episode’s power. The O’Caseys represent the community St. Eligius is meant to serve. The hospital is part of the family’s life. History repeats itself throughout the O’Casey storyline. In 1935, Patrick O’Casey is injured and nearly killed in a fight. By 1945, he’s married and a member of the U.S. Army. In 1965, Patrick’s son, Terence, is a drug-abusing member of the counterculture. By 1985, he’s a conservative high school principal who has an estranged relationship with his gay son, Kevin (John Scott Clough). All of the male O’Caseys have more in common than they realize.

Each decade is shot in a different visual style, which helps us keep track of things. The 1935 scenes are shot in black and white. The 1945 scenes feature muted colors. As we move through time, the colors become clearer and more vibrant until we finally find ourselves in 1985.

“Time Heals” is touching, powerful, and even funny. It’s a true work of art.

Retro Television Review: The Love Boat 8.10 “By Hook or by Crook/Revenge with the Proper Stranger/Don’t Get Mad, Get Even”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Love, life’s sweetest reward….

Episode 8.10 “By Hook or by Crook/Revenge with the Proper Stranger/Don’t Get Mad, Get Even”

(Dir by Richard Kinon, originally aired on November 17th, 1984)

Missy (Heidi Bohay) boards the boat with her husband, Jack (William R. Moses).  Missy is upset that Jack had an affair so she decides to even score by having one of her own.  She also decides that it should be with the biggest loser on the ship, the better to make Jack feel bad.  She selects Lester (Ken Kercheval), who is loud and obnoxious and wears an old timey nightshirt to bed.  Lester is convinced that he’s a legendary lover.  However, he never gets a chance to prove it to Missy because Missy ultimately decides to forgive her husband.  That’s probably for the best.

Consumer advocate Marvin Cooperman (Ray Buketencia) is upset when his wife, Carol (Jan Smithers), take an advertising job with the owner of Ms. Brown’s Brownies, Ellen Brown (Devon Erickson).  Eventually, Marvin realizes that he needs to stop devoting all of his time to work and that Carol has every right to pursue a career of her own.  Marvin takes over the Acapulco Lounge to let all the passengers on the ship know that he loves his wife and that Ms. Brown’s Brownies are the best.  I guess Marvin was meant to be a less evil version of Ralph Nader.

Finally, Judy is feeling depressed about her divorce.  When she falls for a handsome, bearded passenger named Mike (Patrick Wayne), it looks like she’s finally got something to be happy about.  However, Gopher worries that there’s something strange about Mike.  What is Mike trying to hide?  In fact, why is Mike using the name Mike when his actual name is Sam?  Could Mike be a criminal!?  No, actually, Mike is an FBI agent and he’s using a fake name so he can safely go on vacation without the cartels trying to assassinate him.  Gopher feels dumb.  Judy’s in love.  But seriously …. this guy has got a contract out on his life.  Don’t get too attached, Judy!  This story would have been great if Lauren Tewes was still on the show.  Pat Klous is fine as Judy but the character just doesn’t have the same sibling chemistry with Gopher and Isaac that Julie did.

This cruise goes in the pleasant but forgettable file.  There was nothing particularly bad about it but there wasn’t really anything great about it either.  It was The Love Boat on autopilot and the ocean was lovely.

Late Night Retro Television Review: Hunter 1.16 “Guilty”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Hunter, which aired on NBC from 1984 to 1991.  The entire show is currently streaming on Tubi and several other services!

This week, it’s another violent couple of days in Los Angeles.

Episode 1.16 “Guilty”

(Dir by Michael Lange, originally aired on April 13th, 1985)

In 1979, Louis McMahon (Ken Foree) was convicted of murder and given a life sentence.  Six years later, he’s been paroled and …. wait, really?  He served six years for murder?  What the Hell, California!?

Louis is free and working as a cook.  When someone starts stalking and killing the jurors at his trial, Louis is the number one suspect.  However, before the killer strikes, he always calls his victims and rasps, “Guilty.”  Louis’s throat was slashed in prison and he’s now mute!  Or is he?  McCall suggests that Louis is faking being mute and …. well, yeah.  That’s what he was doing alright.

This is the most simplistic episode of Hunter yet.  McCall and Hunter figure out quickly that Louis is the murderer.  All the other cops refuse to take Hunter and McCall seriously because of …. reasons, I guess?  I mean, there really is no other suspect.  Louis is the one person who has a reason to what to commit the murders.  The only thing linking the victims is that they all voted to convict Louis.  And yet, once again, Hunter and McCall find themselves being told not to bother the obvious murderer.

Of course, Hunter ends up shooting Louis.  We haven’t finished the first season and I’ve already lost track of the amount of people that Hunter has shot.  While I am as concerned as anyone is about trigger-happy cops, I do have to say that everyone that Hunter has shot had it coming.  That’s especially true of Louis, who was an absolute monster.  Ken Foree did a really good job playing him.  Foree was so scary so that it kind of made up for the fact that this was one of the most predictable hours of television that I’ve ever watched.

Once again, Hunter and McCall save countless lives and they get no credit for it.  Instead, they get sent to park to arrest muggers.  As the episode ends, they actually catch one.  I was surprised Hunter didn’t just shoot him.

Late Night Retro Television Review: CHiPs 4.8 “Wheels of Justice”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, not Ponch can smile his way out of the darkness.

Episode 4.8 “Wheels of Justice”

(Dir by Gordon Hessler, originally aired on December 21st, 1980)

The streets of Los Angeles are dangerous in this week’s episode.

Stan West (Basil Hoffman) is a reckless driver who is constantly causing accidents by driving too fast and making unsafe lane changes.  He gets away with it because he keeps changing his name.

Arthur Holmes (Joshua Bryant) is a drunk who Jon and Ponch have pulled over several times.  Arthur gets away with it by claiming, after every accident, that his wife was the one driving,  Denise (Christine Belford) goes along with it, even though she hates the fact that she’s enabling her husband.

A group of cheerleaders drive around and do their cheers while driving!

Finally, a gas leak at the hospital leads to all the newborn babies being loaded into an ambulance for transport.  When the ambulance is side-swiped by Stan, the babies end up at the station.  Getraer gives everyone a lesson on how to properly soothe a crying baby.  It’s cute but it’s also so manipulative that it leaves you feeling oddly used.  But, hey, at least it’s cute!

This episode of CHiPs took a serious turn towards the end when the drunk driver swerved to avoid the cheerleaders and the end result is that his wife was thrown from the car and killed.  When the car was shown crashing in slow motion, the wife’s mannequin actually fell out of the car.  While I imagine that was probably not planned, it still created a memorably macabre image.  In the end, Arthur ends up sobbing while Denise lies dead just a few feet away from him.  That’s a pretty dark ending for an episode of CHiPs.  Not even a quick scene of the officers holding the babies could change the fact that this was a really downbeat episode.

And you know what?  There’s nothing wrong with that.  Driving drunk is selfish, stupid, and dangerous and CHiPs deserves some credit for not holding back.