Retro Television Review: St. Elsewhere 4.17 and 4.18 “Time Heals”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Daily Motion.

In this special two-part episode, 50 years of St. Elsewhere are documented in just two hours.

Episodes 4.17 and 4.18 “Time Heals”

(Dir by Mark Tinker, originally aired on February 19th and February 20th, 1986)

Aired over two nights, “Time Heals” uses St. Eligius’s 50th anniversary to give us 50 years of history. While the staff prepares to observe half a century of serving Boston, the episode skips back and forth in time.

In 1935, a young and enthusiastic priest named Joseph McCabe (Edward Herrmann) prepares for the opening of a hospital that he hopes will serve the downtrodden and forgotten of Boston. Monsignor Senti (Norman Burton) views McCabe as a troublemaker. Meanwhile, a young Donald Westphall watches as his father helps bring a wounded man named Patrick O’Casey (William Russ) to the hospital. Later, Westphall’s sister and mother are killed in a house fire.

In 1945, a young liver specialist named Daniel Auschlander (James Stephens) is brought on staff and meets an angry teenage Donald Westphall (Michael Sharrett). Donald shines shoes in the hospital lobby. When Donald is caught stealing, Father McCabe takes him to the hospital’s gym and gives him a boxing lesson. As for Auschlander, he allows a returning serviceman named Patrick O’Casey to see his young daughter, who is suffering from polio and has been placed in an isolation ward.

In 1955, the Archdiocese sells the hospital to the city and Father McCabe is fired. McCabe gets drunk. Auschlander says that he intends to resign in protest. McCabe replies that that would be a mistake—Auschlander is the man McCabe has recommended as his replacement. Meanwhile, Patrick O’Casey’s daughter dies after spending ten years in an iron lung, and a cocky intern named Mark Craig (William Daniels, sans mustache) has a panic attack while performing his first operation. The demanding Dr. David Domedion (Jackie Cooper) orders Craig back into the operating room. Later, Craig tells another resident, Donald Westphall (Ed Flanders, his hair dyed black but still looking quite middle-aged), that he’s been offered a position at Boston General and will never return to St. Eligius.

In 1965, Dr. Craig returns to St. Eligius, bitter that he was passed over for chief of surgery at Boston General. While a young Luther Hawkins sits in the waiting room, a newly arrived nurse named Helen Eisenberg helps Dr. Westphall deal with Terence O’Casey (Brian Kerwin), a young man having a bad acid trip. “Get a haircut, hippie,” Dr. Craig says at one point.

In 1975, Terence O’Casey is back in the hospital, waiting as Dr. Craig performs open-heart surgery on his father, Patrick. Donald Westphall is appointed hospital administrator. The same night, his wife, Maureen (Anita Gillette), is in an auto accident that leaves her brain-dead. Westphall is the one who has to decide to remove her breathing tube and allow her to pass on.

In 1985, high school principal Terence O’Casey is brought to the hospital with sudden paralysis. His doctor, Jack Morrison, struggles to diagnose Terence’s condition until he goes down to the basement, looks through the earliest hospital records, and reads about Terence’s sister, who died in an iron lung. Jack diagnoses Terence with Guillain-Barré syndrome, a paralyzing condition that can resemble polio.

Meanwhile, Jack’s son, Pete, is apparently abducted by a man at the hospital. I say “apparently” because the plotline feels a bit underdeveloped. The episode ends with the police returning Pete to Jack during St. Eligius’s anniversary party. Pete seems to be physically unharmed, and we’re not really given any details as to who abducted him or how the police tracked him down.

The subplot featuring Morrison’s son being abducted is oddly undeveloped, but that’s really the only flaw to be found in “Time Heals.” This is not only a great episode of St. Elsewhere; it’s also one of the greatest episodes of television I’ve ever seen. That said, it isn’t just a great episode of television. It’s a great work of art, period, from the excellent performances to the way the episode seamlessly mixes the flashbacks so that they come together to tell one epic story of the 20th century. Featuring both the story of the hospital and the story of the O’Caseys, “Time Heals” is a portrait of how times change and how they remain the same.

A few random notes:

For those who think Dr. Craig is too hard on his residents, this episode shows that Craig’s mentor was equally hard on him, and that it helped turn Craig into the surgeon he is today. That said, it’s also amusing to see that young Mark Craig was just as obnoxious as Victor Ehrlich.

I’ve often complained about how depressed Westphall always seems to be. This episode shows that Westphall has a lot of reasons to be depressed. The man’s life has been one tragedy after another.

One cannot overlook the importance of the O’Caseys to this episode’s power. The O’Caseys represent the community St. Eligius is meant to serve. The hospital is part of the family’s life. History repeats itself throughout the O’Casey storyline. In 1935, Patrick O’Casey is injured and nearly killed in a fight. By 1945, he’s married and a member of the U.S. Army. In 1965, Patrick’s son, Terence, is a drug-abusing member of the counterculture. By 1985, he’s a conservative high school principal who has an estranged relationship with his gay son, Kevin (John Scott Clough). All of the male O’Caseys have more in common than they realize.

Each decade is shot in a different visual style, which helps us keep track of things. The 1935 scenes are shot in black and white. The 1945 scenes feature muted colors. As we move through time, the colors become clearer and more vibrant until we finally find ourselves in 1985.

“Time Heals” is touching, powerful, and even funny. It’s a true work of art.

Lisa Reviews An Oscar Nominee: Moonstruck (dir by Norman Jewison)


Nominated for Best Picture of 1987, Moonstruck is a film about love, romance, New York City, and being Italian.

Loretta Castorini (Cher) is a widow and a bookkeeper who lives with her parents, Cosmo (Vincent Gardenia) and Rose (Olympia Dukakis) in Brooklyn.  When her boyfriend, Johnny (Danny Aiello), asks Loretta to marry him, Loretta says yes even though she knows that, while she likes him, she’s not really in love with him.  After he proposes, Johnny reveals that he has to go to Sicily to see his “dying” mother.  He asks Loretta to pay a visit to his estranged brother, Ronny (Nicolas Cage), and invite him to the wedding.  Loretta, a strong believer in family and the importance of following tradition, agrees.

Loretta finds Ronny working in the bakery that he owns.  Ronny is not thrilled to learn that his brother has gotten engaged.  Ronny reveals that he has a wooden hand.  He lost his real hand when he accidentally placed it in a bread slicer while having a conversation with Johnny.  After he lost his hand, Ronny’s then-fiancée left him.  Ronny has never forgiven Johnny for the loss of his hand.  “I lost my hand!  I lost my bride!”  Ronny yells to the heavens.  Loretta, however, immediately understands that Johnny actually hurt his hand to get his fiancée to break up with him.  A conversation at Ronny’s apartment leads to the two of them impulsively sleeping with each other.  The next day, Ronny promises to never bother Loretta again if she agrees to go the opera with him.

What the guilt-stricken Loretta doesn’t know is that her father is having an affair himself and it turns out that Cosmo and Mona (Rose Gilette) enjoy the opera as well.  Meanwhile, Rose finds herself tempted by a lecherous college professor named Perry (John Mahoney).

There’s a lot of stereotypes to be found in Moonstruck.  Of course, passionate Ronny loves the opera.  Of course, the simple but well-intentioned Johnny abandons his fiancée so that he can rush to Sicily to be with his “dying” mother who, it turns out, isn’t dying at all.  Of course, Loretta slaps Ronny and tells him to snap out of it.  (I should note that I’m a fourth Italian myself so I could definitely relate to some of this film.  I’ve never liked opera, though.)  Fortunately, the film’s cast is so perfectly chosen and John Patrick Shanley’s script so adroitly maintains the balance between the broad comedy and the small dramatic moments that it doesn’t matter that all of the characters are a bit stereotypical.  The film comes to a wonderful life.  It’s impossible not love these characters, flaws and all.  Cher and Olympia Dukakis deserved the Oscars that they both won for this film.  Vincent Gardenia deserved the nomination that he received.  Nicolas Cage, Danny Aiello, and John Mahoney were not nominated but they should have been.  In particular, John Mahoney is heart-breaking in his small role, playing the type of lecherous character that most films would have just portrayed as being a cardboard buffoon.  As for Nicolas Cage, Moonstruck is a film that features both his trademark eccentricity and his ability to show the real and vulnerable human being underneath all of the bluster.  Moonstruck is a film about the search for love and the glory of finding it.  It’s a wonderfully romantic film, even if almost all of that love seems to involve infidelity.  As directed by Norman Jewison, Moonstruck not only celebrates falling in love but also celebrates being lucky enough to do so in New York City.  It’s a love letter not just to its characters but to the city as well.

Moonstruck was nominated for Best Picture but it lost to a far more epic production, The Last Emperor.

 

 

 

Horror on the Lens: Panic at Lakewood Manor (dir by Robert Scheerer)


Today’s horror on the lens is a made-for-TV movie from 1977.  This movie has many different names: Panic at Lakewood Manor, It Happened At Lakewood Manor, and Ants.

Panic at Lakewood Manor is a mix of different genres.  It’s a disaster film, a soap opera, and ultimately a revenge-of-nature horror film.  The film begins with our cast gathering at Lakewood Manor, a luxury hotel that’s only partially finished.  In fact, the owners are so determined to complete construction that they ignore the threat posed by …. KILLER ANTS!

Anyway, this is a made-for-TV movie from the 70s so it’s never as graphic as what we’d expect to see today.  That said, I once accidentally stepped on a fire ant mound while I was barefoot and OH MY GOD DID THAT EVER HURT!  AGCK!

If you’re a fan of old movies, you’ll enjoy seeing a lot of familiar faces in this one.  Even Myrna Loy shows up!

(Incidentally, this film was written by Guerdon Trueblood, who directed the brilliant The Candy Snatchers.)