Holiday Film Review: Die Hard 2: Die Harder (dir by Renny Harlin)


During 1990’s Die Hard 2, John McClane (Bruce Willis) asks himself, “How can the same shit happen to the same person twice?” and he does have a point.

I mean, consider the situation.  In 1988, McClane spent his Christmas sneaking around a skyscraper and saving his wife from a group of sadistic mercenaries.  Two years later, John McClane spends his Christmas sneaking around an airport and saving his wife from a group of sadistic mercenaries.

There are a few differences of course.  In 1988, the mercenaries were only interested in stealing as much money as they could and each mercenary had his own properly ghoulish personality.  In 1990, the mercenaries are really more of a cult, led by the fanatical Col. Stuart (William Sadler).  And, along with trying to make some money, they are also trying to free General Ramon Esperanza (Franco Nero), a Central American drug lord and former CIA asset.  Despite the fact that the mercenaries are played by familiar actors (like Robert Patrick, John Leguizamo, Tony Ganois, and Vondie Curtis-Hall), none of them are quite as memorable as the henchmen that Alan Rickman commanded in the first film.  And while Sadler has charisma and makes a big impression during his first scene, his character is nowhere near as interesting or entertaining as Hans Gruber.  Franco Nero, it must be said, is as dashing as ever.  He really seems to be having fun in this movie.

A lot more people die in Die Hard 2 than died in the first Die Hard and the majority of them are innocent bystanders.  This isn’t like the first film, where Harry Ellis died because his coke-addled mind led him to believe that he could outsmart Gruber.  The victims in Die Hard 2 include a friendly church caretaker and over 200 passengers of an airplane that Stuart tricks into crashing on an airport runway.  The scene where the plane crashes remains disturbing no matter how many times that you see it and it truly makes you hate Colonel Stuart.  When the plane crashes, despite McClane’s futile efforts to warn the pilots, McClane sobs and it’s a powerful scene because it’s the first scene in which McClane has not had a quip or a one-liner ready to go.  In this scene, McClane fails to save the day and, for a few minutes, he’s helpless.  I usually end up crying with McClane.  Today, those tears are also a reminder of what a good actor Bruce Willis truly could be whenever he let down his defenses and allowed himself to be vulnerable on screen.

Die Hard 2 is usually dismissed as not being as good as the first movie and …. well, that’s correct.  It’s not as good but then again, few actions films are.  There’s a reason why Die Hard continues to be held in such high regard.  That said, Die Hard 2 is not bad.  The stakes are a bit higher and the action scenes a bit more elaborate, as you would expect from a film directed by Renny Harlin.  Bruce Willis plays McClane with the blue collar swagger that made his such an awesome hero in the first film.  Bonnie Bedelia and William Atherton also return from the first film and Atherton once again gets his comeuppance in a crowd-pleasing moment.  The cast is full of character actors, all of whom get a chance to make an impression.  Dennis Franz is the profane head of security who eventually turns out to be not such a bad guy.  John Amos is the major who eventually turns out to be not such a good guy.  Colm Meaney has a few heart-breaking moments as the pilot of the doomed airplane.  My favorite supporting performance is given by Fred Thompson, bringing his quiet authority to the role of tough but fair-minded Air Traffic Control director.  Watching Die Hard 2, it does feel as if the viewer has been dropped in the middle of these people’s lives.  Everyone seems real.  No one seems like a mere plot device.

Is Die Hard a Christmas movie?  You bet it is!  But so is Die Hard 2 and it’s not a bad one.

A Mardi Gras Film Review: Mardi Gras For The Devil (dir by David A. Prior)


A maniac is holding New Orleans hostage!  He’s committed a series of savage, Satanically-influenced homicides and the police cannot seem to even slow him down!  The entire city is terrified!

Well, actually … New Orleans doesn’t seem to be scared at all.  In fact, no one in this movie seems to be all that disturbed by all of the brutal murders that are happening around them.  Some people would probably say that’s because this film takes place during Mardi Gras and everyone’s too drunk to notice.  Why worry about being murdered when all you have to do to get a bunch of cheap beads is flash a boob?  Add to that, this is New Orleans.  New Orleans is a very forgiving city.

Anyway, regardless of whether people care or not, there’s a Satanic murderer prowling through the city.  Who is the killer?  Could he possibly be that guy who always dresses in black, who has a perfectly trimmed beard, and who is always throwing back his head and laughing before doing something evil?  The guy’s name is Bishop and he’s played by everyone’s favorite Canadian character actor, Michael Ironside.  As far as Michael Ironside villains are concerned, Bishop is pretty frightening though he’s nowhere near as a frightening as Darryl Revok.  I mean, he does a lot of evil stuff but he doesn’t actually make anyone’s head explode.

Detective Mike Turner (Robert Davi) is obsessed with stopping Bishop.  Unfortunately, Detective Turner doesn’t appear to be very good at his job.  I mean, everyone he knows he keeps getting seriously injured.  His first partner dies.  His second partner gets run over by a bus.  His ex-wife (Lesley-Anne Down) ends up trapped in a pool.  His girlfriend (Lydie Denier) ends up getting tied up in a barn while a time bomb ticks down across from her.  Fortunately, a few of these people do manage to survive.  Turner may not be a very good cop but, fortunately, Bishop isn’t that good of a serial killer.

It soon becomes apparent that Bishop has a motive for all of his murders, one that goes beyond the usual serial killer weirdness.  It turns out that Bishop’s murders are actually sacrifices and he has given his soul to Satan.  Giving your soul to the devil apparently gives you the power to do whatever the script needs you to do at any particular moment in the movie.  Fortunately, it also leaves you with a weakness that can be exploited whenever the movie decides to come to an end.

Am I saying that Mardi Gras For the Devil makes no sense?  I most definitely am!  However, that’s actually the film’s charm.  The film was made with so little concern for continuity and narrative logic that it plays out like a fever dream.  The cast is surprisingly good for a film like this, which means that everyone delivers the strangest of lines with the utmost sincerity.  Michael Ironside plays his role without a hint of subtlety, which is exactly the type of bad guy that a film like this requires.  Meanwhile, Robert Davi brings a weary cynicism to his role.  You can just hear him thinking, “Satanic serial killers?  I’m too old for this shit.”  Combine that with a fiery ending that doesn’t even try to make sense and you have a movie that, perhaps through no intention of the film’s director, manages to create and sustain a very surreal atmosphere.  The film may not be any good but it’s hard to look away from.

Though the film takes place at Mardi Gras and was released, in some countries, as both Mardi Gras For The Devil and Mardi Gras Nightmare, it actually has very little do with Mardi Gras.  The opening scenes were shot during a Mardi Gras parade but that’s about it.  The film was also released under the title Night Trap, which is a woefully generic title.  You can find the movie on YouTube.

Playing Catch-Up With 6 Film Reviews: Avengers Grimm, Bad Asses On The Bayou, Hayride 2, Insurgent, Poltergeist, Tomorrowland


Here are 6 films that I saw during the first half of 2015.  Some of them are on Netflix and some of them were major studio releases.  Some of them are worth seeing.  Some of them most definitely are not.

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Avengers Grimm (dir by Jeremy M. Inman)

Obviously made to capitalize on the popularity of Avengers: Age of UltronAvengers Grimm opens with a war in the world of fairy tales.  Evil Rumpelstiltskin (Casper Van Dien) uses Snow White’s (Laura Parkinson) magic mirror to cross over into our world and he takes Snow White with him!  It’s now up to Cinderella (Milynn Sharley), Sleeping Beauty (Marah Fairclough), and Rapunzel (Rileah Vanderbilt) to cross over into our world, save Snow White, and defeat Rumpelstiltskin.  Also sneaking over is rebellious Red Riding Hood (Elizabeth Petersen) who is determined to kill Rumpelstiltskin’s henchman, The Wolf (Kimo Leopoldo).  

Got all that?

Avengers Grimm is another enjoyably insane mockbuster from The Asylum.  The budget’s low, the performances are intentionally melodramatic, and it’s all lot of fun.  Casper Van Dien has a lot of fun playing evil, the women all get to kick ass, and Lou Ferrigno is well-cast as a labor leader named Iron John.

Avengers Grimm is currently available on Netflix.

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Bad Asses On The Bayou (dir by Craig Moss)

Apparently, this is the third film in which Danny Trejo and Danny Glover have respectively played Frank Vega and Bernie Pope, two old guys who kick ass in between worrying about their prostates.  I haven’t seen the previous two Bad Asses films but I imagine that it really doesn’t matter.

In this film, Trejo and Glover go to Louisiana to attend a friend’s wedding.  When she’s kidnapped, they have to rescue her and impart some important life lessons to her younger brother.  It’s all pretty predictable but then again, it’s also pretty good for a film called Bad Asses On The Bayou.  This is a film that promises two things: Danny Trejo kicking ass and lots of bayou action.  And it delivers on both counts.

In fact, I would say that Bad Asses On The Bayou is a better showcase for Danny Trejo’s unique style than the better known Machete films.  Danny Trejo is a surprisingly adept comedic actor and he gives a performance here that shows his talent goes beyond mere physical presence.

Bad Asses On The Bayou is currently available on Netflix.

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Hayride 2 (dir by Terron R. Parsons)

I should admit up front that I haven’t seen the first Hayride film.  Luckily, Hayride 2 picks up directly from the end of the first film and is filled with so many flashbacks and so much conversation about what happened that it probably doesn’t matter.

Essentially, Pitchfork (Wayne Dean) is a murderous urban legend who turns out to be real.  He killed a lot of people in the first film and he stalks those that escaped throughout the 2nd film.  Like all good slasher villains, Pitchfork is a relentless killer.  He’s also an unrepentant racist, which leads to a genuinely unpleasant scene where he attacks a black detective (Corlandos Scott).  Say whatever else you will about the film, Hayride 2 deserves some credit for being on the side of the victims.  No attempt is made to turn Pitchfork into an anti-hero and the movie is relentlessly grim.

Hayride 2 is an odd film.  The film’s low-budget is obvious in every single scene.  The pacing is abysmal and the performances are amateurish.  And yet, when taken on its own meager terms, it has a dream-like intensity to it that I appreciated.  Then again, I always have had a weakness for low-budget, regional horror films.

Hayride 2 is available on Netflix.

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Insurgent (dir by Robert Schwentke)

Insurgent is both the sequel to Divergent and was also 2015’s first YA dystopia film.  Shailene Woodley is as good as ever and I guess it’s good that she has a commercially successful franchise, which will hopefully inspire audiences to track down better Shailene Woodley films like The Spectacular Now.  

All that said, Insurgent often felt even more pointless than Divergent.  For a two-hour film featuring performers like Woodley, Kate Winslet, Octavia Spencer, Ansel Elgort, and Miles Teller, Insurgent has no excuse for being as forgettable and boring as it actually was.  The next installment in The Hunger Games can not get here soon enough.

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Poltergeist (dir by Gil Kenan)

When a family (led by Sam Rockwell and Rosemarie DeWitt) move into a new house, they discover that everything is not what it seems.  For one thing, they come across a bunch of creepy clown dolls.  They also hear a lot of scary sounds.  They discover that the house was built on an old cemetery.  Their youngest daughter vanishes.  And finally, someone says, “Isn’t this like that old movie that was on TCM last night?”

Okay, they don’t actually say that.  However, as everyone knows, the 2015 Poltergeist is a remake of the 1982 Poltergeist.  Since the 1982 Poltergeist still holds up fairly well, the 2015 Poltergeist feels incredibly unnecessary.  It has a few good jump scenes and it’s always good to see Sam Rockwell and Rosemarie DeWitt in lead roles but ultimately, who cares?  It’s just all so pointless.

Watch the wall-dancing original.  Ignore the remake.

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Tomorrowland (dir by Brad Bird)

Welcome to the world of tomorrow!  Wow, is it ever boring!

Actually, I feel a little bit bad about just how much I disliked Tomorrowland because this is a film that really did have the best intentions.  Watching the film, you get the sinking feeling that the people involved actually did think that they were going to make the world a better place.  Unfortunately, their idea of a better world is boring and almost oppressively optimistic.  There is no room for cynicism in Tomorrowland.  Bleh.  What fun is that?

Anyway, the film basically steals its general idea from the Atlas Shrugged trilogy.  Tomorrowland is a secret place that is inhabited by inventors, dreamers, and iconoclasts.  Years ago, Frank (George Clooney) was banished from Tomorrowland because, after learning that the Earth was destined to end, he lost “hope” in mankind’s future.  Fortunately, he meets Casey (Britt Robertson), who is full of hope and through her, he gets to return.  They also get a chance to save the world and battle a cartoonish super villain played by Hugh Laurie.  (Why is he a villain?  Because he’s played by Hugh Laurie, of course!)

After all the hype and build-up, Tomorrowland turned out to be dull and predictable.  What a shame.  The Atlas Shrugged trilogy was at least fun because it annoyed the hipsters at the AV Club.  Tomorrowland is just forgettable.