The National Society Of Film Critics Honors Goodbye to Language!


Goodbye to Lanugage

Earlier today, the National Society of Film Critics announced their picks for the best films of 2014!  By one vote, they named Jean-Luc Godard’s Goodbye To Language as best picture of the year.

Thank you, National Society of Film Critics, for reminding us that, occasionally, unexpected things do happen!

Check out the winners and the runner-ups below!

BEST PICTURE
*1. Goodbye to Language 25 (Jean-Luc Godard)
2. Boyhood 24 (Richard Linklater)
3. Birdman 10 (Alejandro G. Iñárritu)
3. Mr. Turner 10 (Mike Leigh)
BEST DIRECTOR
*1. Richard Linklater 36 (Boyhood)
2. Jean-Luc Godard 17  (Goodbye to Language)
3. Mike Leigh 12 (Mr. Turner)
BEST NON-FICTION FILM
*1. Citizenfour 56 (Laura Poitras)
2. National Gallery 19 (Frederick Wiseman)
3. The Overnighters 17 (Jesse Moss)
BEST SCREENPLAY
*1. The Grand Budapest Hotel 24 (Wes Anderson)
2. Inherent Vice 15 (Paul Thomas Anderson)
2. Birdman 15 (four co-writers)
BEST CINEMATOGRAPHY
*1. Mr. Turner 33 (Dick Pope)
2. The Immigrant 27 (Darius Khondji)
3. Goodbye to Language 9 (Fabrice Aragno)
BEST ACTOR
*1.Timothy Spall 31 (Mr. Turner)
2. Tom Hardy 10 (Locke)
3. Joaquin Phoenix 9  (Inherent Vice)
3. Ralph Fiennes 9 (The Grand Budapest Hotel)
BEST ACTRESS
*1. Marion Cotillard  80 (Two Days, One Night)
2.  Julianne Moore 35 (Still Alice)
3. Scarlett Johansson 21 (Lucy; Under the Skin)
BEST SUPPORTING ACTOR
*1. J.K. Simmons 24  (Whiplash)
2. Mark Ruffalo 21 (Foxcatcher)
3. Edward Norton 16 (Birdman)
BEST SUPPORTING ACTRESS
*1. Patricia Arquette 26 (Boyhood)
2. Agata Kulesza 18 (Ida)
3. Rene Russo 9 (Nightcrawler)

For Your Consideration #8: Captain America: The Winter Solider (dir by Joe and Anthony Russo)


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I would estimate that, when it comes to the movies, Ryan the Trash Film Guru and I agree with each other perhaps 95% of the time.  What’s interesting is that the 5% of the time that we have disagreed, it’s always been the result of an entry in the Marvel Cinematic Universe.  As Ryan has documented many times on this site, he’s not a fan of the MCU.  (The title of his review of the second Thor film is probably one of the best that’s ever appeared on this site.)  As for me, I’m the exact opposite.  In fact, I am such a fan of the MCU that I am about to suggest that Captain America: The Winter Soldier — along with being one of the best action films of the year — deserves serious Oscar consideration.

(Ryan’s opposite take on the film can be read here.)

Now, unlike some of the films that I’ve suggested deserve your consideration, Captain America: The Winter Soldier, along with receiving critical acclaim, was also a major commercial success.  What made The Winter Soldier unique was that it deserved both the acclaim and the money.  There was a lot that I liked about The Winter Soldier.  In the role of Captain America, Chris Evans was both likable and, most importantly, believable as a hero out of time.  And while I would have never guessed that her character was supposed to be Russian, Scarlett Johansson continued her streak of kicking serious ass in the role of the Black Widow.  Samuel L. Jackson brought his customary style to the role of Nick Fury and Sebastian Stan was properly intimidating as the Winter Soldier.  The action scenes were exciting, the dialogue was sharp and witty, and the film worked both as a stand alone film and as a part of the overall Marvel universe.

But, for me, what truly elevated Captain America: The Winter Soldier was the film’s subtext.  (In that way, I would compare it to another surprisingly intelligent genre film, The Purge: Anarchy.)  For those who may have forgotten, the villains of the Winter Soldier are all members and pawns of Hydra, a secret organization that has so infiltrated the American establishment that it has literally become something of a shadow government.  Hydra has also infiltrated SHIELD and plans to use their intelligence capabilities to not only preemptively identify possible threats but to eliminate them as well.  In fact, by taking control of the SHIELD helicarriers, Hydra can anonymously deliver death and destruction from above.

Does that sound familiar to anyone?

What truly makes this subtext come alive is that fact that the main villain — Hydra’s double agent in SHIELD — is played by none other than Robert Redford.  Any student of American film knows what Robert Redford represents.  Early in his career, Redford was the idealistic, ambitious, and frequently laconic protagonist, the perfect symbol of American exceptionalism.  In the 1970s, Redford was the audience surrogate in classic paranoia films like Three Days of the Condor and All The President’s Men.  Lately, as the man behind the Sundance Film Festival and a frequent director, Robert Redford has been the epitome of bourgeois, establishment liberalism.

Hence, when we hear Redford say, “Hail Hydra,” it’s more than just a catch phrase.  It’s also the film’s way of saying that we’re all fucked.  If even Robert Redford can be a villain, the film seems to be saying, then how foolish do we have to be to fully trust anyone or anything?  If Robert Redford can order people killed and then justify it by claiming that he was acting for a greater good then why are we so shocked when governments do the exact same thing?

We live in paranoid times.  In the future, historians will recognize that few films captured that paranoia as perfectly as Captain America: The Winter Soldier.

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Here Are The Chicago Film Critics Association Nominations!


Happy Valentine's Day!

Finally, from the former hometown of Al Capone and President Obama, here are the Chicago Film Critic Associations Nominations!

BEST PICTURE
Birdman
Boyhood
The Grand Budapest Hotel
Under the Skin
Whiplash

BEST DIRECTOR
Wes Anderson, The Grand Budapest Hotel
David Fincher, Gone Girl
Alejandro Gonzalez Inarritu, Birdman
Richard Linklater, Boyhood
Christopher Nolan, Interstellar

BEST ACTOR
Benedict Cumberbatch, The Imitation Game
Jake Gyllenhaal, Nightcrawler
Michael Keaton, Birdman
David Oyelowo, Selma
Eddie Redmayne, The Theory of Everything

BEST ACTRESS
Marion Cotillard, Two Days, One Night
Scarlett Johannson, Under the Skin
Julianne Moore, Still Alice
Rosamund Pike, Gone Girl
Reese Witherspoon, Wild

BEST SUPPORTING ACTOR
Josh Brolin, Inherent Vice
Ethan Hawke, Boyhood
Edward Norton, Birdman
Mark Ruffalo, Foxcatcher
J.K. Simmons, Whiplash

BEST SUPPORTING ACTRESS
Patricia Arquette, Boyhood
Jessica Chastain, A Most Violent Year
Laura Dern, Wild
Agata Kulesza, Ida
Emma Stone, Birdman

BEST ORIGNAL SCREENPLAY
Birdman, Alejandro Gonzalez Inarritu, Nicolas Giacobone, Alexander Dinelaris and Armando Bo
Boyhood, Richard Linklater
Calvary, John Michael McDonagh
The Grand Budapest Hotel, Wes Anderson
Whiplash, Damien Chazelle

BEST ADAPTED SCREENPLAY
Gone Girl, Gillian Flynn
The Imitation Game, Graham Moore
Inherent Vice, Paul Thomas Anderson
Under the Skin, Walter Campbell
Wild, Nick Hornby

BEST FOREIGN-LANGUAGE FILM
Force Majeure
Ida
Mommy
The Raid 2
Two Days, One Night

BEST DOCUMENTARY
Citizenfour
Jodorowsky’s Dune
Last Days in Vietnam
Life Itself
The Overnighters

BEST ANIMATED FEATURE
Big Hero 6
The Boxtrolls
How to Train Your Dragon 2
The Lego Movie
The Tale of the Princess Kaguya

BEST ART DIRECTION/PRODUCTION DESIGN
The Grand Budapest Hotel
Interstellar
Into The Woods
Only Lovers Left Alive
Snowpiercer

BEST CINEMATOGRAPHY
Birdman
The Grand Budapest Hotel
Ida
Inherent Vice
Interstellar

BEST EDITING
Birdman
Boyhood
Gone Girl
The Grand Budapest Hotel
Whiplash

BEST ORIGINAL SCORE
Birdman
The Grand Budapest Hotel
The Imitation Game
Interstellar
Under the Skin

MOST PROMISING PERFORMER
Ellar Coltrane, Boyhood
Gugu Mbatha-Raw, Belle/Beyond the Lights
Jack O’Connell, Starred Up/Unbroken
Tony Revolori, The Grand Budapest Hotel
Jenny Slate, Obvious Child
Agata Trzebuchowska, Ida

MOST PROMISING FILMMAKER
Damien Chazelle, Whiplash
Dan Gilroy, Nightcrawler
Jennifer Kent, The Babadook
Jeremy Saulnier, Blue Ruin
Justin Simien, Dear White People

Here Are The Detroit Film Critics Nominations!


Under the Skin

And here are the Detroit Film Critics Nominees for 2014!  I’m happy to see that they had some love for one of my favorite films of the year, Under the Skin!

(h/t to awards circuit)

BEST FILM

Boyhood
Birdman
The Grand Budapest Hotel
Under the Skin
Whiplash

BEST DIRECTOR

Wes Anderson, The Grand Budapest Hotel
Damien Chazelle, Whiplash
Jonathan Glazer, Under the Skin
Alejandro González Iñárritu, Birdman
Richard Linklater, Boyhood

BEST ACTOR

Benedict Cumberbatch, The Imitation Game
Brendan Gleeson, Calvary
Jake Gyllenhaal, Nightcrawler
Michael Keaton, Birdman
Tom Hardy, Locke
Eddie Redmayne, The Theory of Everything

BEST ACTRESS

Essie Davis, The Babadook
Scarlett Johansson, Under the Skin
Julianne Moore, Still Alice
Rosamund Pike, Gone Girl
Reese Witherspoon, Wild

BEST SUPPORTING ACTOR

Josh Brolin, Inherent Vice
Ethan Hawke, Boyhood
Edward Norton, Birdman
Mark Ruffalo, Foxcatcher
JK Simmons, Whiplash

BEST SUPPORTING ACTRESS

Patricia Arquette, Boyhood
Laura Dern, Wild
Rene Russo, Nightcrawler
Emma Stone, Birdman
Tilda Swinton, Snowpiercer

BEST ENSEMBLE

Birdman
Boyhood
Guardians of the Galaxy
The Grand Budapest Hotel
Into the Woods

BREAKTHROUGH

Damien Chazelle, Whiplash (director, screenplay)
Jennifer Kent, The Babadook (director, screenplay)
Gugu Mbatha-Raw, Belle, Beyond the Lights (actress)
Chris Pratt, Guardians of the Galaxy (actor)
Dan Stevens, The Guest (actor)

BEST SCREENPLAY

Wes Anderson, The Grand Budapest Hotel
Damien Chazelle, Whiplash
Nicolas Giacobone and Alejandro González Iñárritu, Birdman
Richard Linklater, Boyhood
John Michael McDonagh, Calvary

BEST DOCUMENTARY

CitizenFour
Finding Vivian Maier
Jodorowsky’s Dune
Keep On Keepin’ On
Life Itself

(It’s interesting to note that, despite the fact that they clearly appreciate independent visions, the Detroit Film Critics totally snubbed Only Lovers Left Alive, a film that is, in many ways, a love letter to Detroit.)

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Here are The Washington D.C. Film Critics Picks For The Best of 2014!


I like the Washington D.C. Film Critics because they don’t just give out awards.  Instead, they nominate multiple films and leave everyone in suspense until they get around to giving out their awards.  Just like the Oscars!

Anyway, here are their nominees for 2014!

WDC

Best Film:
Birdman or (The Unexpected Virtue of Ignorance)
Boyhood
Gone Girl
Selma
Whiplash

Best Director:
Damien Chazelle (Whiplash)
Ava DuVernay (Selma)
David Fincher (Gone Girl)
Alejandro G. Iñárritu (Birdman or (The Unexpected Virtue of Ignorance))
Richard Linklater (Boyhood)

Best Actor:
Benedict Cumberbatch (The Imitation Game)
Oscar Isaac (A Most Violent Year)
Michael Keaton (Birdman or (The Unexpected Virtue of Ignorance))
David Oyelowo (Selma)
Eddie Redmayne (The Theory of Everything)

Best Actress:
Scarlett Johansson (Under the Skin)
Felicity Jones (The Theory of Everything)
Julianne Moore (Still Alice)
Rosamund Pike (Gone Girl)
Reese Witherspoon (Wild)

Best Supporting Actor:
Ethan Hawke (Boyhood)
Edward Norton (Birdman or (The Unexpected Virtue of Ignorance))
Mark Ruffalo (Foxcatcher)
Andy Serkis (Dawn of the Planet of the Apes)
J.K. Simmons (Whiplash)

Best Supporting Actress:
Patricia Arquette (Boyhood)
Jessica Chastain (A Most Violent Year)
Laura Dern (Wild)
Emma Stone (Birdman or (The Unexpected Virtue of Ignorance))
Tilda Swinton (Snowpiercer)

Best Acting Ensemble:
Birdman or (The Unexpected Virtue of Ignorance)
Boyhood
The Grand Budapest Hotel
Into the Woods
Selma

Best Youth Performance:
Ellar Coltrane (Boyhood)
Mackenzie Foy (Interstellar)
Jaeden Lieberher (St. Vincent)
Tony Revolori (The Grand Budapest Hotel)
Noah Wiseman (The Babadook)

Best Adapted Screenplay:
Gillian Flynn (Gone Girl)
Graham Moore (The Imitation Game)
Paul Thomas Anderson (Inherent Vice)
Anthony McCarten (The Theory of Everything)
Nick Hornby (Wild)

Best Original Screenplay:
Alejandro G. Iñárritu, Nicolás Giacobone, Alexander Dinelaris, Jr., Armando Bo (Birdman or (The Unexpected Virtue of Ignorance))
Richard Linklater (Boyhood)
Wes Anderson (The Grand Budapest Hotel)
Phil Lord & Christopher Miller (The LEGO Movie)
Damien Chazelle (Whiplash)

Best Animated Feature:
Big Hero 6
The Book of Life
The Boxtrolls
How to Train Your Dragon 2
The LEGO Movie

Best Documentary:
Citizenfour
Jodorowsky’s Dune
Last Days in Vietnam
Life Itself
The Overnighters

Best Foreign Language Film:
Force Majeure
Ida
Mommy
Two Days, One Night
Wild Tales

Best Art Direction:
Production Designer: Kevin Thompson, Set Decorator: George DeTitta Jr., SDSA (Birdman or (The Unexpected Virtue of Ignorance))
Production Designer: Adam Stockhausen, Set Decorator: Anna Pinnock (The Grand Budapest Hotel)
Production Designer: Nathan Crowley, Set Decorator: Gary Fettis (Interstellar)
Production Designer: Dennis Gassner, Set Decorator: Anna Pinnock (Into the Woods)
Production Designer: Ondrej Nekvasil, Set Decorator: Beatrice Brentnerova (Snowpiercer)

Best Cinematography:
Emmanuel Lubezki, ASC, AMC (Birdman or (The Unexpected Virtue of Ignorance))
Robert Yeoman, ASC (The Grand Budapest Hotel)
Hoyte Van Hoytema, FSF, NSC (Interstellar)
Roger Deakins, ASC, BSC (Unbroken)
Daniel Landin, BSC (Under the Skin)

Best Editing:
Douglas Crise, Stephen Mirrione, ACE (Birdman or (The Unexpected Virtue of Ignorance))
Sandra Adair, ACE (Boyhood)
Kirk Baxter, ACE (Gone Girl)
Lee Smith, ACE (Interstellar)
Tom Cross (Whiplash)

Best Original Score:
Antonio Sanchez (Birdman or (The Unexpected Virtue of Ignorance))
Trent Reznor & Atticus Ross (Gone Girl)
Hans Zimmer (Interstellar)
Jóhann Jóhannsson (The Theory of Everything)
Mica Levi (Under the Skin)

The Joe Barber Award for Best Portrayal of Washington, DC:
Anita
Captain America: The Winter Soldier
Kill the Messenger
Selma
X-Men: Days of Future Past

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Trailer: Avengers: Age of Ultron (Extended)


AVENGERS-ULTRON-POSTER

“I know you mean well. You want to protect the world, but you don’t want it to change. There’s only one path to peace…your extinction.” — Ultron

Marvel has released a new extended version of the teaser trailer they released a couple weeks ago. While it’s pretty much similar to the first teaser trailer this extended version has a new intro with Ultron in his initial form confronting the partying Avengers in Avengers Tower. The voice-over by James Spader as Ultron also sounds much different in this trailer than the first. We also get more lingering shots of all the Avengers from Iron Man all the way to Hawkeye rather than the rapid-fire cuts we saw in the first teaser.

May 2015 cannot come soon enough.

Avengers: Age of Ultron is set for a May 1, 2015 release date in North America.

Here Are The Gotham Nominations!


Under the Skin

Under the Skin

Here are the nominations for the Gotham Independent Film Awards!  It’s debatable just how reliable the Gothams are as an Oscar precursor.  For one thing, the majority of the big studio productions are not eligible for the Gothams.  However, when you’re an indie film trying to win mainstream awards, any recognition is good recognition.

As far as the nominees go, Birdman and Boyhood are already Oscar front runners.  However, the Gotham nominations will perhaps remind some people that The Grand Budapest Hotel is eligible for Oscar consideration as well.

Here are the Gotham nominations!

Best Feature

  • Birdman or (The Unexpected Virtue of Ignorance) – Alejandro G. Iñárritu, director; Alejandro G. Iñárritu, John Lesher, Arnon Milchan, James W. Skotchdopole, producers (Fox Searchlight Pictures)
  • Boyhood – Richard Linklater, director; Richard Linklater, Cathleen Sutherland, Jonathan Sehring, John Sloss, producers (IFC Films)
  • The Grand Budapest Hotel – Wes Anderson, director; Wes Anderson, Scott Rudin, Steven Rales, Jeremy Dawson, producers (Fox Searchlight Pictures)
  • Love Is Strange – Ira Sachs, director; Lucas Joaquin, Jay Van Hoy, Lars Knudsen, Ira Sachs, Jayne Baron Sherman, producers (Sony Pictures Classics)
  • Under the Skin – Jonathan Glazer, director; Nick Wechsler, James Wilson, producers (A24 Films)

Best Documentary

  • Actress – Robert Greene, director; Douglas Tirola, Susan Bedusa, Robert Greene, producers (The Cinema Guild)
  • CITIZENFOUR – Laura Poitras, director; Laura Poitras, Mathilde Bonnefoy, Dirk Wilutzky, producers (RADiUS, Participant Media, and HBO Documentary Films)
  • Life Itself – Steve James, director; Zak Piper, Steve James, Garrett Basch, producers (Magnolia Pictures and CNN Films)
  • Manakamana – Stephanie Spray & Pacho Velez, directors; Lucien Castaing-Taylor, Véréna Paravel, producers (The Cinema Guild)
  • Point and Shoot – Marshall Curry, director; Marshall Curry, Elizabeth Martin, Matthew Van Dyke, producers (The Orchard and American Documentary / POV)

Bingham Ray Breakthrough Director Award

  • Ana Lily Amirpour for A Girl Walks Home Alone at Night (Kino Lorber)
  • James Ward Byrkit for Coherence (Oscilloscope Laboratories)
  • Dan Gilroy for Nightcrawler (Open Road Films)
  • Eliza Hittman for It Felt Like Love (Variance Films)
  • Justin Simien for Dear White People (Lionsgate and Roadside Attractions)

Best Actor*

  • Bill Hader in The Skeleton Twins (Lionsgate and Roadside Attractions)
  • Ethan Hawke in Boyhood (IFC Films)
  • Oscar Isaac in A Most Violent Year (A24 Films)
  • Michael Keaton in Birdman or (The Unexpected Virtue of Ignorance) (Fox Searchlight Pictures)
  • Miles Teller in Whiplash (Sony Pictures Classics)

* The 2014 Best Actor nominating panel also voted to award a special Gotham Jury Award jointly to Steve Carell, Mark Ruffalo, and Channing Tatum for their ensemble performance in Foxcatcher (Sony Pictures Classics).

Best Actress

  • Patricia Arquette in Boyhood (IFC Films)
  • Gugu Mbatha-Raw in Beyond the Lights (Relativity Media)
  • Julianne Moore in Still Alice (Sony Pictures Classics)
  • Scarlett Johansson in Under the Skin (A24 Films)
  • Mia Wasikowska in Tracks (The Weinstein Company)

Breakthrough Actor

  • Riz Ahmed in Nightcrawler (Open Road Films)
  • Macon Blair in Blue Ruin (RADiUS)
  • Ellar Coltrane in Boyhood (IFC Films)
  • Joey King in Wish I Was Here (Focus Features)
  • Jenny Slate in Obvious Child (A24 Films)
  • Tessa Thompson in Dear White People (Lionsgate and Roadside Attractions)
Boyhood

Boyhood

Trash Film Guru Vs. The Summer (?) Blockbusters : “Captain America : The Winter Soldier”


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I’m firmly of the belief that nobody my age has any business whatsoever using the phrase “WTF,” but nevertheless — WTF? Captain America : The Winter Soldier has been playing for two weeks now, there are, what, either or ten people who write regularly (or semi-regularly) for this website, pretty much all of ’em are bigger fans of Marvel’s cinematic product than I am — and I’m the first person to review this flick here, even though more or less  the entire country saw the thing before I did yesterday? Well, okay, but somebody had better get busy on writing a rebuttal to this, because what I’ve got to say is going to piss a lot of people off.

It’s not that DisMar’s latest blockbuster is “bad,” per se — it’s just that it’s exactly what you expect it to be, that’s all these things ever are, and sorry, but it’s not “the greatest super-hero flick ever made.” And that statement, in and of itself, is going to be enough to upset the die-hards out there because, to them, every Marvel movie is “the greatest super-hero flick ever made” — until the next one. Which is probably just as well because these things are entirely disposable and don’t hold up particularly well to multiple viewings. Be honest — once the initial “high” wore off, was The Avengers really all that great? Or Iron Man 3? Or Thor : The Dark World?

Of course they weren’t. Which doesn’t mean they weren’t fun, or that they didn’t hit all the right bullet points on whatever unofficial geek check-list you keep. It’s just that they do their job, get it over with, and move on — as you do, dear reader. Think about it : after watching your average Marvel movie (and if there’s one thing all of these films are, it’s aggressively average), you’re not necessarily pumped to see it again so much as you are pumped for the next one. And that’s kinda the point, isn’t it? The Marvel cinematic “universe” is a self-perpetuating organism at this point, whose primary function is to whet your appetite for the supposed “greatness” to come rather than give you time to reflect on the mediocrity of what’s already been/is going on. The hype surrounding the product is woven into the fabric of the product itself — in fact, it’s the largest part of it.

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Don’t get me wrong — I had a reasonably fun time kicking back and watching Captain America : The Winter Soldier. Chris Evans does a reasonably good job portraying Cap/Steve Rogers as a guy who’s fundamentally decent, but not so holier than thou that you want to knock his teeth in. Robert Redford’s choice to play the treacherous Alexander Pierce as a believably nonchalant master manipulator is solid, and everything about him oozes “old movie vet” professionalism. Sebastian Stan cuts a strikingly mysterious pose as the (sub-) titular Winter Soldier. Anthony Mackie is likable in the extreme as sidekick Sam Wilson/The Falcon. And it’s cool to see Toby Jones “back” — after a fashion, at any rate — as Arnim Zola, this time in an iteration somewhat closer to how Jack Kirby originally envisioned him. The main thrust of the story is pretty engaging, too, revolving as it does around a massive web of Hydra “fifth columnists” within S.H.I.E.L.D. itself. It’s reasonably — though far from overwhelmingly — interesting, and keeps you guessing just enough.

But there are some pretty glaring flaws here, as well. Samuel L. Jackson seems tired and played-out as Nick Fury, and while it doesn’t help that his entire “character arc” in this film is lifted note-for-note from that of Jim Gordon in The Dark Knight, the fact of the matter is that Sam doesn’t seem to be putting any more effort into this gig than he does in his credit card commercials. Scarlett Johansson remains horribly miscast as Natasha Romanov/The Black Widow, and while that’s not such a huge problem in movies where she’s peripheral (at best) to the action, it stands out like a sore thumb here, where she’s called upon to be much more central to the proceedings. And for a supposed future love interest, Emily VanCamp is entirely forgettable in her brief time on screen.

Still, those are minor quibbles compared to the main problem here, which is how hopelessly generic, and indeed formulaic, this whole thing feels from start to finish. Joe Johnston’s Captain America : The First Avenger remains my personal favorite Marvel Studios film, but as with Kenneth Branagh and the Thor franchise, DisMar has opted here to show a veteran director with his own ideas and authorial stamp the door when it came time for a sequel and bring in “talent” from the world of television (in this case brothers Joe and Anthony Russo) to hammer things into the dry, predictable “house style” best exemplified by Joss Whedon’s Avengers and Jon Favreau’s first two Iron Man flicks. The end result is a multi-million-dollar, CGI-heavy, clinically-paced, personality-free zone.

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About a half hour into things here, you start to get the distinct feeling that you’ve seen all this before, and there’s good reason for that — you have. The action sequences are progressively bigger, louder, and more destructive, but not much else. They don’t become progressively more thrilling or suspenseful, and while the stakes are nominally raised every time, their execution remains largely the same. You could probably run ’em all in reverse order with no real difference to the story.  And while there does, in fact, seem to be a kind of major shake-up Marvel’s “universe” at the end of this film, the fact that the Agents Of S.H.I.E.L.D. TV series remains a going concern week in and week out is all you need to know to figure out that any “ramifications” from this story are apparently very short-lived indeed. In other words, Marvel’s doing on celluloid what they’ve always done in print — providing, in the words of Stan Lee (who it pains me to even quote, but in this case I must) “the illusion of change” — but no actual change at all.

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In the end, in the eyes of this armchair critic at any rate, that’s what Marvel’s movies are all about at this point  : the status quo. If you’re happy with that, then you’ll enjoy the heck out of Captain America : The Winter Soldier. But if you’d like to actually see something that takes a few risks, dares to break the mold a bit, and maybe even matters — well, you’ll have to look elsewhere. That’s not the point here. The point here is to get you all hot and bothered for Captain America 3, or The Avengers 2 — or whatever the hell else is in the pipeline — before this one’s even over. Viewed from that angle — the one that shows the goal of every Marvel movie is nothing more than ensuring that there will be a next Marvel movie — then yeah, this one’s gotta be viewed as an unqualified success. So what?

Super Bowl Trailer: Captain America: The Winter Soldier


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It’s becoming a sort of yearly occurrence to have a Marvel Studios film premiere a special trailer during the live-broadcast of the NFL’s latest Super Bowl event. Last year, it was a special Super Bowl trailer of Iron Man 3 (an extended version soon coming out after). This year it will be Captain America: The Winter Soldier that will get the special Super Bowl treatment.

Captain America: The Winter Soldier has been gaining some major buzz since the release of its first teaser trailer from a couple months back. Where Thor: Dark World used fantasy as an overall theme for its look and story, with the sequel to Captain America: The First Avenger the filmmakers have taken on the look and feel of a techno/conspiracy-thriller. The Winter Soldier looks to be like something that wouldn’t seem out of place if made during the cynical and distrustful era of the 1970’s when conspiracies and distrust of those in power dominated the headlines.

Captain America: The Winter Soldier is set for an April 4, 2014 release date.

Also, we have the UK and Ireland version of the trailer which show a brief glimpse of Sharon Carter (Emily VanCamp) who is the descendant of Peggy Carter from the first film.