Trailer: Spider-Man: Homecoming


Marvel released the 2nd full trailer for Spider-Man: Homecoming, which is looking pretty good. It seems that having proved himself to Tony Stark (Robert Downey Jr.), Peter Parker (Tom Holland) has received some cool upgrades to his Spider-Man suit. While Peter appears to want to join the Avengers, Stark would have him just keep an eye on New York City and some of the more low-level stuff. When The Vulture (Michael Keaton) threatens the city, Spider-Man may be the only one to stop him. Then again, it does look like there’s an Iron-Man team up here, which is sweet. This trailer is feeling like some of Brian Michael Bendis’ Ultimate Spider-Man line.

The film comes out on July 7th. Enjoy.

Spider-Man: Homecoming Slings In With Two Official Trailers


spider-man-homecoming

It’s been rumored that the Spider-Man: Homecoming trailer will appear in front of Rogue One: Star Wars Story. It’s logical considering Sony has let Spider-Man to play in the Marvel Cinematic Universe sandbox which also happens to share spot in the Walt Disney Empire with Lucasfilm. Yet, we don’t have to wait for next week’s Rogue One to see this trailer. Like all superhero blockbuster films the trailers themselves get their premiere on-line (after a live premiere on Jimmy Kimmel Live) and this is no different with the first official trailer for Spider-Man: Homecoming.

So, without further ado, here’s not one, but two trailers for Spider-Man: Homecoming.

Domestic: this one definitely focuses more on the high school aspect of Spider-Man’s life.

International: this one a bit more action-packed with a focus on Spider-Man’s heroics and more time showcasing the villains.

Playing Catch-Up: Spotlight (dir by Tom McCarthy)


Spotlight

Earlier today, I finally got to see Spotlight, the film that is currently the front-runner to win the Oscar for best picture.  Spotlight tells the story of how the Spotlight team, a group of journalists working for the Boston Globe, investigated the shameful history of sexual abuse of children by Catholic priests in the Archdiocese of Boston.  Starting with charges against one priest, the Spotlight team eventually uncovered sexual abuse by at least 70 priests and also revealed that the revered Cardinal Law was involved in covering up the crimes.

Having now seen Spotlight, I can say it’s a good film.  It’s well-made.  It’s well-acted.  The script contains some memorable lines.  I’ve talked to a few friends of mine who have actually worked as journalists and they have all assured me that Spotlight gets the details of their profession correct and that it’s pretty much an authentic look at what it’s like to be a reporter at a major newspaper.  There’s a lot of good things that can be said about Spotlight.

And yet, I’m not particularly enthusiastic about it.  I think my main issue with the film is that it’s just such an old-fashioned and rather conventional film.  It’s a throw back of sorts, an earnest exploration of a real-life outrage.  (Even the fact that the heroes are journalists makes the film feel as if it was made a decade or two in the past.)  On the one hand, you have to respect that director Tom McCarthy had the guts to tell his story in the least flashy way possible.  But, occasionally, his by-the-book approach is not as compelling as you want or need it to be.  Spotlight is a good film but it’s not a particularly challenging film and it’s the films that challenge us that truly stay with us after the final credits conclude.

Yes, it’s a good film but some are declaring that Spotlight is the best film of the year and I’m afraid that I just don’t see it.  There are a lot of 2015 films that will probably still be fondly remembered 5 years from now: Ex Machina, Mad Max: Fury Road, Inside Out, Sicario, and others.  When compared to those films, Spotlight feels more like an admirable made-for-TV movie.  It feels more like something that should sweep the Emmys than the Oscars.

That said, Spotlight does feature some excellent performances.  In fact, the entire cast does such a good job that it’s difficult to really single anyone out.  They come together as a nearly perfect ensemble.  (That said, I’m a bit torn on whether Mark Ruffalo came across as being passionate or merely mannered.)  Michael Keaton, especially, does a good job, embodying everyone’s ideal image of a journalist with integrity.

Spotlight‘s a good film but my favorite Tom McCarthy movie remains Win Win.

Here Are The Just-Announced Florida Film Critics Circle Nominations!


BEST PICTURE
Carol
Mad Max: Fury Road
Spotlight
The Big Short
The Martian

BEST ACTOR
Bryan Cranston – Trumbo
Paul Dano – Love and Mercy
Leonardo DiCaprio – The Revenant
Michael Fassbender – Steve Jobs
Eddie Redmayne – The Danish Girl

BEST ACTRESS
Cate Blanchett – Carol
Brie Larson – Room
Charlotte Rampling – 45 Years
Saoirse Ronan – Brooklyn
Charlize Theron – Mad Max: Fury Road


BEST SUPPORTING ACTOR
Oscar Isaac – Ex Machina
Mark Ruffalo – Spotlight
Mark Rylance – Bridge of Spies
Michael Shannon – 99 Homes
Sylvester Stallone – Creed

BEST SUPPORTING ACTRESS
Elizabeth Banks – Love and Mercy
Jennifer Jason Leigh – The Hateful Eight
Rooney Mara – Carol
Kristen Stewart – Clouds of Sils Maria
Alicia Vikander – Ex Machina
BEST DIRECTOR

Todd Haynes – Carol
Alejandro G. Iñárritu – The Revenant
George Miller – Mad Max: Fury Road
Tom McCarthy – Spotlight
Ridley Scott – The Martian

BEST ENSEMBLE
The Big Short
Mistress America
Spotlight
Straight Outta Compton
Tangerine

BEST ORIGINAL SCREENPLAY
Ex Machina
The Hateful Eight
Inside Out
Mistress America
Spotlight

BEST ADAPTED SCREENPLAY
The Big Short
Brooklyn
Carol
Room
Steve Jobs

BEST CINEMATOGRAPHY
Carol
Mad Max: Fury Road
The Revenant
Sicario
Youth

BEST VISUAL EFFECTS
Ex Machina
Mad Max: Fury Road
The Martian
Star Wars: The Force Awakens
The Walk

BEST ART DIRECTION/ PRODUCTION DESIGN
Brooklyn
Carol
Crimson Peak
Love & Mercy
Mad Max: Fury Road

BEST SCORE
Carol
The Hateful Eight
Love & Mercy
Mad Max: Fury Road
Star Wars: The Force Awakens

BEST DOCUMENTARY
Amy
Best of Enemies
Cartel Land
Heart of a Dog
The Look of Silence

BEST FOREIGN LANGUAGE FILM
The Assassin
Mommy
Mustang
Phoenix
Son of Saul
BEST ANIMATED FILM

Anomalisa
Inside Out
The Good Dinosaur
The Peanuts Movie
Shaun the Sheep Movie

FFCC BREAKOUT AWARD
Bel Powley – Diary of a Teenage Girl
Daisy Ridley – Star Wars: The Force Awakens
Kitana Kiki Rodriguez – Tangerine
Jacob Tremblay – Room
Alicia Vikander – Ex Machina and The Danish Girl

And here are the Phoenix Film Critics Nominations!


And finally, to wrap up today’s excursion into awards season, here are the Phoenix Film Critics Nominations!  As soon as you look over these nominations and see if your favorite film made the list, be sure to go back and read Patrick’s review of Santa and the Ice Cream Bunny and Jedadiah Leland’s review of Star Wars Episode 1: The Phantom Menace!

BEST PICTURE

Ex Machina
Mad Max: Fury Road
The Martian
Room
Spotlight
BEST COMEDY FILM

The Big Short
Dope
Joy
Spy
Trainwreck

BEST SCIENCE FICTION FILM

Avengers: Age of Ultron
Ex Machina
Mad Max: Fury Road
The Martian

BEST MYSTERY OR THRILLER FILM

Bridge of Spies
Sicario
Spotlight

BEST ANIMATED FILM

Anomalisa
Inside Out

The Peanuts Movie
Shaun the Sheep

BEST INTERNATIONAL FILM

The Assassin
White God
Youth

BEST DOCUMENTARY

Amy
Best of Enemies
Cartel Land
He Named My Malala
Listen to Me Marlon

BEST HORROR FILM

Bone Tomahawk
Crimson Peak
It Follows
Unfriended

BEST MUSICAL

Amy
Pitch Perfect 2
Straight Outta Compton

BEST ACTOR

Michael Caine, Youth
Bryan Cranston, Trumbo
Matt Damon, The Martian
Leonardo DiCaprio, The Revenant
Michael Fassbender, Steve Jobs

BEST ACTRESS

Cate Blanchett, Carol
Marion Cotillard, Macbeth
Jennifer Lawrence, Joy
Brie Larson, Room
Saoirse Ronan, Brooklyn

BEST SUPPORTING ACTOR

Tom Hardy, The Revenant
Richard Jenkins, Bone Tomahawk
Michael Keaton, Spotlight
Mark Rylance, Bridge of Spies
Michael Shannon, 99 Homes
Sylvester Stallone, Creed
Jacob Tremblay, Room

BEST SUPPORTING ACTRESS

Jennifer Jason Leigh, The Hateful Eight
Alicia Vikander, The Danish Girl
Alicia Vikander, Ex Machina
Kate Winslet, Steve Jobs

BEST DIRECTOR

Alex Garland, Ex Machina
Alejandro Inarritu, The Revenant
Tom McCarthy, Spotlight
George Miller, Mad Max: Fury Road
Ridley Scott, The Martian
Quentin Tarantino, The Hateful Eight

BEST SCREENPLAY

Matt Charman, Ethan Coen, Joel Coen, Bridge of Spies
Alex Garland, Ex Machina
Tom McCarthy, Josh Singer, Spotlight
Charles Randolph, Adam McKay, The Big Short
Aaron Sorkin, Steve Jobs

BEST SCORE

Tom Holkenborg aka Junkie XL, Mad Max: Fury Road
Jóhann Jóhannsson, Sicario
Ennio Morricone, The Hateful Eight
Thomas Newman, Bridge of Spies

Carol Wins In New York!


mara_blanchett_carol

Earlier today, the New York Film Critics Circle announced their picks for the best films and performer of the year!  And the big winner was … Carol!

Best Picture
Carol

Best Director
Todd Haynes, Carol

Best Screenplay
Carol

Best Actor
Michael Keaton, Spotlight

Best Actress
Saoirse Ronan, Brooklyn

Best Supporting Actor
Mark Rylance, Bridge of Spies

Best Supporting Actress
Kristen Stewart, Clouds of Sils Maria

Best Animated Film
Inside Out

Best Foreign Film
Timbuktu

Best Non-Fiction Film
In Jackson Heights

Best Cinematographer
Ed Lachman, Carol

Best First Film
Son of Saul

SPECIAL AWARD #1: Posthumous Award honoring the legacy of William Becker and Janus Films

SPECIAL AWARD #2: Ennio Morricone, Composer

For Whatever They’re Worth, Here are The Satellite Awards Nominees!


Sicario_poster

The International Press Academy has announced the nominees for the Satellite Awards!  Who are the International Press Academy?  They’re kind of like an even less credible version of the Golden Globes.  They’re also the same people who, last year, nominated The Wolf of Wall Street for five awards, despite having not seen the film.  I would suggest viewing these nominations more as a guide to conventional wisdom than anything else.

Motion Picture
Spotlight, Open Road
Sicario, Lionsgate
Room, A24
The Revenant, 20th Century Fox
The Martian, 20th Century Fox
Carol, The Weinstein Co.
Brooklyn, Fox Searchlight
Bridge of Spies, DreamWorks
Black Mass, Warner Bros.
The Big Short, Paramount

Director
Tom Hooper, The Danish Girl
Thomas McCarthy, Spotlight
Steven Spielberg, Bridge of Spies
Ridley Scott, The Martian
Lenny Abrahamson, Room
Alejandro González Iñárritu, The Revenant

Actress in a Motion Picture
Saoirse Ronan, Brooklyn
Charlotte Rampling, 45 Years
Cate Blanchett, Carol
Carey Mulligan, Suffragette
Brie Larson, Room
Blythe Danner, I’ll See You in My Dreams

Actor in a Motion Picture
Will Smith, Concussion
Tom Hardy, Legend
Michael Fassbender, Steve Jobs
Matt Damon, The Martian
Leonardo DiCaprio, The Revenant
Johnny Depp, Black Mass
Eddie Redmayne, The Danish Girl

Actress in a Supporting Role
Rachel McAdams, Spotlight
Rooney Mara, Carol
Kate Winslet, Steve Jobs
Jane Fonda, Youth
Elizabeth Banks, Love & Mercy
Alicia Vikander, The Danish Girl

Actor in a Supporting Role
Sylvester Stallone, Creed
Paul Dano, Love & Mercy
Michael Keaton, Spotlight
Mark Ruffalo, Spotlight
Christian Bale, The Big Short
Benicio Del Toro, Sicario

Motion Picture, International Film
South Korea, The Throne
Brazil, The Second Mother
Croatia, The High Sun
Belgium, The Brand New Testament
Taiwan, The Assassin
Hungary, Son of Saul
France, Mustang
Germany, Labyrinth of Lies
Austria, Goodnight Mommy
Sweden, A Pigeon Sat on a Branch Reflecting on Existence

Motion Picture, Animated or Mixed Media
The Prophet
The Peanuts Movie
The Good Dinosaur
Shaun The Sheep Movie
Inside Out
Anomalisa

Motion Picture, Documentary
Where to Invade Next
The Look of Silence
The Hunting Ground
He Named Me Malala
Going Clear: Scientology and the Prison of Belief
Drunk Stoned Brilliant Dead:The Story of the National Lampoon
Cartel Land
Best of Enemies
Becoming Bulletproof
Amy

Screenplay, Original
Josh Singer, Thomas McCarthy, Spotlight
Michael A. Lerner, Oren Moverman, Love & Mercy
Josh Cooley, Meg LeFauve, Pete Docter, Inside Out
Andrea Berloff, Jonathan Herman, Straight Outta Compton
Ethan Coen, Joel Coen, Matt Charman, Bridge of Spies
Abi Morgan, Suffragette

Screenplay, Adapted
Jez Butterworth, Mark Mallouk, Black Mass
Lucinda Coxon, The Danish Girl
Emma Donoghue, Room
Drew Goddard, The Martian
Alejandro González Iñárritu, Mark L. Smith, The Revenant
Aaron Sorkin, Steve Jobs

Original Score
Thomas Newman, Spectre
Michael Giacchino, Inside Out
Howard Shore, Spotlight
Harry Gregson-Williams, The Martian
Carter Burwell, Carol
Alexander Desplat, The Danish Girl

Original Song
“Writing’s On The Wall”, Spectre
“Till It Happens To You”, The Hunting Ground
“See You Again”, Furious 7
“One Kind Of Love”, Love & Mercy
“Love Me Like You Do”, Fifty Shades of Grey
“Cold One”, Ricki and the Flash

Cinematography
Roger Deakins, Sicario
John Seale, Mad Max: Fury Road
Hoyte Van Hoytema, Spectre
Dariuz Wolski, The Martian
Emmanuel Lubezki, The Revenant

Visual Effects
Spectre
The Walk
The Martian
Mad Max: Fury Road
Jurassic World
Everest

Film Editing
Pietro Scalia, The Martian
Joe Walker, Sicario
Michael Kahn, Bridge of Spies
Lee Smith, Spectre
Elliot Graham, Steve Jobs
Affonso Goncalves, Carol

Sound (Editing and Mixing)
The Martian
Spectre
Sicario
Inside Out
Mad Max: Fury Road
Jurassic World

Art Direction and Production Design
Fiona Crombie, Macbeth
Eve Stewart, The Danish Girl
Dennis Gassner, Spectre
Dante Ferretti, Cinderella
Colin Gibson, Mad Max: Fury Road,
Adam Stockhausen, Bridge of Spies

Costume Design
Wen-Ying Huang, The Assassin
Shim Hyun-seob, The Throne
Sandy Powell, Cinderella
Paco Delgado, The Danish Girl
Janet Patterson, Far From the Madding Crowd
Jacqueline Durran, Macbeth

Ensemble: Motion Picture
Spotlight

Sicario

At least these nominations gave me an excuse to drag out some Sicaro-related media.

Here’s The Trailer for Spotlight


Here’s the trailer for the upcoming film, Spotlight.  Spotlight is obviously being set up to be a potential Oscar contender but, to be honest, I have a feeling it’s going to be one of those “well-intentioned” misfires that will be familiar to anyone who follows the ups and downs of the annual Oscar race.

(Remember when everyone thought that Unbroken was going to win it all?)

That said, some would argue that Michael Keaton is owed an Oscar to make up for losing to Eddie Redmayne earlier this year.

 

Film Review: Minions (dir by Pierre Coffin and Kyle Balda)


Minions_posterThe Minions, everyone’s favorite group of little yellow weirdos from the first two Despicable Me films, now have a movie of their very own!  Earlier tonight, Jeff and I braved a theater that was full of hyperactive little children and we watched Minions.

I have to admit that I was really looking forward to seeing Minions.  After all, I loved both of the Despicable Me movies and, much like Through the Shattered Lens co-founder Arleigh Sandoc, I thought the minions were pretty adorable.  Along with the fact that they were just so weird that you couldn’t help but love them, the minions were distinguished by the wonderfully cheerful approach that they took towards their work.  Even when one of them was accidentally launched into space during the original Despicable Me, he continued to smile.  He was just happy to be a part of the project.  Seriously, who wouldn’t want a bunch of minions to do her bidding?

Now, it was established during the first Despicable Me movie that the minions were specifically created by the super villain Gru.  However, Minions reimagines their origins.  Now, we discover that the minions have existed since the beginning of time and, apparently immune from aging, they have always sought to serve a villainous master.  During the film’s opening, we watch as they serve a Tyrannosaurus Rex, Dracula, and Napoleon.  Unfortunately, the minions’ combination of enthusiasm and stupidity proves fatal to most of their employers.

Eventually, the minions find themselves exiled to Antarctica.  After several centuries, the minions find themselves suffering from depression and ennui.  Finally, three brave minions (all voiced by director Pierre Coffin) volunteer to go out into the world and find a new master to serve.  Kevin is the responsible leader.  Bob is the cute, enthusiastic one who always carries a teddy bear with him.  (Bob also has heterochromia, just like me!)  And finally, Stuart is the one who likes to play his guitar.

Kevin, Bob, and Stuart get in a rowboat and eventually, they reach New York City.  However, it turns out that the year is 1968 and there is a serious shortage of evil super villains to serve!  Not only is Gru just a child but Bill Clinton hasn’t even launched his political career yet!  Eventually, though, our three minions learn about Villain-Con, being held in Orlando, Florida.  Hitching a ride with a family of aspiring bank robbers (Micheal Keaton is the voice of the father), the minions reach Orlando and eventually, they end up working for Scarlet Overkill (Sandra Bullock) and her husband, Herb (Jon Hamm).

Scarlet explains that, ever since she was a little girl, she has wanted to be the Queen of England.  But she doesn’t have the crown!  She orders Kevin, Stuart, and Bob to get that crown and reads them a bedtime story about three minions who failed to get a crown and were subsequently killed by an angry wolf.  AGCK!

This leads to our three minions going to London and, since it’s 1968, that also leads to a lot of good (if predictable) songs on the soundtrack.  As a result of several odd incidents, Bob is briefly the King of England.  And things only get stranger from there…

The children in the audience loved it but, at the same time, I could never bring myself to like Minions as much as I wanted to.  Minions just doesn’t have as much heart as Despicable Me.  There’s no moment in Minions that’s anywhere close to being as joyful as the “It’s so fluffy” scene from Despicable Me.  The minions are fun supporting characters but they don’t quite work as well as protagonists for a 91 minutes film.  Sandra Bullock tries really hard as Scarlet Overkill but she just doesn’t have the right voice for the character.  Part of Sandra Bullock’s appeal, after all, is that she not only looks but sounds like she’s totally down-to-earth and that’s one thing that Scarlet definitely is not.  Jon Hamm, however, is hilarious as the vacuous Herb.

Minions is a cute movie that doesn’t really make much of an impression.  Kids will love it, though.  And, even though I would never actually eat there, I’m still going to go by McDonald’s and order a Happy Meal so I can get the little minion that’s inside.

(Especially if it’s one of those cursing minions…)

Cursing Minions

Lisa Tries To Predict The Oscars!


Oscars

Well, it’s almost here!

Tomorrow night, the Oscars will be handed out!  Now, I have to admit that, despite all of the time that I spent keeping up with all of the guild awards and the critics award and all the other precursors, I kinda lost interest in the Oscar race after the actual nominations were announced.  I took one look at Jeff Wells claiming to be solely responsible for the success of Birdman and Sasha Stone going on and on about Selma and Ryan Adams doing whatever the Hell it is that he supposedly does over at Awards Daily and I just found myself saying, “Fuck it, who cares?”

Seriously, 2015 will be remembered as the year that Oscar punditry jumped the shark.  Hopefully, within the next few years, new voices will emerge and we’ll be spared from having to deal with Jeff Wells, Sasha Stone, and all the rest.

The Oscar commentary this year has been so negative and so toxic and so predictably strident and so tediously bitter that I did get a little bit burned out.  It just hasn’t been as much fun this year.  When, earlier this week, I was reminded that the Oscars were this Sunday, I have to admit that I was taken a little bit by surprise.  For some reason, I had gotten into my head that the Oscars were next week.

But anyway, they’re not next week.  They’re tomorrow and that means that it is now time for me to try to predict who and what will win tomorrow night.  A lot of people are saying that this is the closest Oscar race in years.  But you know what?  They say that every year.

Remember how there were going to be a lot of upsets last year?

And, in the end, exactly what everyone thought would win did win.

I imagine the same thing will happen this year.

Here are my predictions!  I will be listing both what I think will win and what I think should win.

Need to kill some time?  Look through all the posts since November and count up how many times this picture has appeared on the site!

Need to kill some time? Look through all the posts since November and count up how many times this picture has appeared on the site!

Best Picture: 

Will Win: Birdman

Should Win: Boyhood

Best Director:

Will Win: Alejandro Gonzalez Inarritu for Birdman

Should Win: Richard Linklater for Boyhood

Best Actor

Will Win: Eddie Redmayne for The Theory of Everything

Should Win: Michael Keaton for Birdman

Best Actress

Will Win: Julianne Moore for Still Alice

Should Win: Reese Witherspoon for Wild

Best Supporting Actor

Will and Should Win: J.K. Simmons for Whiplash

Best Supporting Actress

Will and Should Win: Patricia Arquette for Boyhood

Best Original Screenplay

Will Win: Birdman

Should Win: Boyhood

Best Adapted Screenplay

Will and Should Win: Whiplash

Best Animated Feature:

Will Win: How to Train Your Dragon 2

Should Win: Big Hero 6

Best Foreign Language Film

Will Win: Leviathan

Should Win: Ida

Best Documentary Feature

Will Win: CitizenFour

Should Win: Finding Vivian Maier

Best Documentary Short Subject:

Will Win (random guess): Crisis Hotline: Veterans Press 1

Should Win: ???

Best Live Action Short Film:

Will Win (random guess): The Phone Call

Should Win: ???

Best Animated Short Film:

Will and Should Win: My Moulton

Best Original Score:

Will and Should Win: The Theory of Everything

Best Original Song:

Will Win: “Glory” from Selma

Should Win: “Hooray for Everything” from The Lego Movie

Best Sound Editing

Will and Should Win: American Sniper

Best Sound Mixing

Will Win: American Sniper

Should Win: Whiplash

Best Production Design

Will and Should Win: The Grand Budapest Hotel

Best Cinematography

Will Win: Unbroken

Should Win: Ida

Best Makeup and Hairstyling

Will Win: Foxcatcher

Should Win: Guardians of the Galaxy

Best Costume Design

Will Win: The Grand Budapest Hotel

Should Win: Inherent Vice

Best Film Editing

Will and Should Win: Boyhood

Best Visual Effects

Will Win: Interstellar

Should Win: Guardians of the Galaxy

Guardians of the Galaxy

Well, those are my predictions!  Will I be right or will I be wrong?  We’ll find out tomorrow!