Brad reviews MEN & CHICKEN (2015), starring Mads Mikkelsen!


MEN & CHICKEN (2015) is the story of two estranged, and flat out strange, brothers, Gabriel (David Dencik) and Elias (Mads Mikkelsen), who find out a family secret when their father passes away. It turns out that their “dad” is not their biological father, so the two brothers head out to find their real one. They know he’s a reclusive scientist named Evelio Thanatos, and that he lives on a remote island. When they arrive on his island, they meet their three half-brothers Josef (Nicolas Bro), Gregor (Nikolaj Lie Kaas) and Franz (Soren Malling), who are some real weirdos, and who are prone to violently beat visitors in the head with heavy cookware and stuffed beavers. After taking a couple of beatings from their brothers, Gabriel and Elias are able to work their way into their family’s dilapidated mansion where they find that it is filled with chickens, pigs and a bull named Isak. This is a strange group, with each brother exhibiting certain physical abnormalities and odd behaviors. There’s something dark going on here… and why won’t their new brothers let Gabriel and Elias meet their dad, who apparently sleeps all day in an upstairs room? The remainder of the film deals with the brothers getting to know each other and discovering their family’s deep, dark, animalistic secrets!

I’ve presented a plot summary of MEN & CHICKEN above, but no summary can really do this film justice. It’s a film that has to be seen to be believed. The first thing I really noted about the film is its complete commitment to its weird tone and a twisted sense of humor. We meet Mikkelsen’s character Elias on the most awkward date ever, which he follows up by going to the bathroom and immediately masturbating. We soon learn that masturbating is just something he always has to do. The way his brother accepts the behavior as if it’s no different than him tying his shoes is odd and funny at the same time. There’s also a sight gag early in the film where Gabriel is watching from afar as his brother is being beaten repeatedly in the head by kitchen pots the size of bathtubs that made me laugh out loud. Of course, it’s meant to be funny, but the film’s visuals are also realistic enough that when we see Elias up close his face is a bloody mess! I haven’t watched a lot of Danish films in my life, but I’m starting to get a sense of just how twisted their senses of humor can get! Director and writer Anders Thomas Jensen is somehow able to balance the dark comedy of his setup, the strange nature of the characters he’s created, and the grotesque, horrific visuals that we see inside their family home in a way that’s both absurd and increasingly poignant as the film continues on. I’m so used to movies that follow the same plot points and formulas, but Jensen’s films are wildly unpredictable. You truly never know what you’re about to see next, to both good and bad effect, but it’s definitely not boring!

Mads Mikkelsen is incredible as brother Elias. This role could not possibly be farther away from his repressed badass in Jensen’s RIDERS OF JUSTICE, but you can’t take your eyes off of him. As odd and repulsive as his character can be, the actor’s instincts for absurd comedy are perfectly on display and he’s incredible. I also liked actor David Dencik as his brother Gabriel. His more “normal” character grounds the film as all sorts of craziness is going on around him. They complement each other well. I also recognized Nikolaj Lie Kaas and Nicolas Bro as two of the odd brothers, who were also in RIDERS OF JUSTICE. It’s fun seeing Jensen’s stock players in such unique and versatile performances.

After having now watched Jensen’s films MEN & CHICKEN and RIDERS OF JUSTICE, one of the things I’m picking up on is his ability to create an endearing “family” out of almost any kind of circumstances. These are some of the most strange and troubled people that you will ever see on screen, but beneath the perversity of it all, a theme emerges on the power and acceptance that can be experienced inside of a family, and, ultimately, on the nature of humanity itself. It may not be altogether realistic, but there’s an idealism and hope that resonates with me. 

As I wrap this up, let me just say that MEN & CHICKEN is not for everyone, so I can’t recommend it wholeheartedly. It goes to some deep, dark places in both its humor and the revelation of their dad’s disturbing scientific experiments. However, adventurous viewers with a perverse sense of humor and a willingness to follow a story wherever it may lead will be rewarded by this wholly unique film. A 25 year old me would have probably not been a fan, but 50+ year old me thinks it’s great!!

6 Shots From 6 Films: “Mads Mikkelsen / Anders Thomas Jensen” Special Edition!


6 Shots From 6 Films is just what it says it is, 6 shots from 6 films. As opposed to the reviews and recaps that we usually post, 6 Shots From 6 Films lets the visuals do the talking!

Today’s “6 Shots From 6 Films” celebrate the filmmaking partnership of actor Mads Mikkelsen and director Anders Thomas Jensen. These two began working together on movies 25 years ago and show no sign of slowing down. I watched my first Mikkelsen / Jensen film yesterday, RIDERS OF JUSTICE, and I can’t wait to get caught up as most of the movies are available for streaming. Without further adieu, here are the 6 films directed by Anders Thomas Jensen and starring Mads Mikkelsen:

FLICKERING LIGHTS (2000)

THE GREEN BUTCHERS (2003)

ADAM’S APPLES (2005)

MEN & CHICKEN (2015)

RIDERS OF JUSTICE (2020)

THE LAST VIKING – AKA BACK TO REALITY (2025)

Brad reviews RIDERS OF JUSTICE (2020), starring Mads Mikkelsen!


RIDERS OF JUSTICE (2020) is the genre-bending story of Markus (Mads Mikkelsen), a badass soldier who returns to his home in Denmark after his wife dies in a train accident. His daughter Mathilde (Andrea Heick Gadeberg), who survived the accident that took her mother’s life, needs her dad to help her through this difficult time, but he has no idea how to process what happened and is failing miserably. Enter Otto (Nikolaj Lie Kaas), a data analyst and another survivor of the train crash. Otto tells Markus that his mathematical analysis indicates that the “accident” was actually the staged assassination of a person on the train by a group of criminals who go by the name “Riders of Justice,” and that his wife was an innocent casualty of that attack. Otto also brings along his eccentric, intelligent and emotionally troubled friends Lennart (Lars Brygmann) and Emmenthaler (Nicolas Bro) to help convince Markus of their findings. Markus accepts their premise, mainly because he wants someone to blame and take vengeance upon. Soon, the badass and the unlikely trio of nerds set out to kick ass, compute probabilities, hack computers, and get in touch with their innermost feelings. It’s gonna be a bumpy ride, with both blood and tears flowing like raging rivers!

I must admit that prior to sitting down with a group of friends and watching RIDERS OF JUSTICE this weekend, I had never heard of the film. It came out during the COVID lockdown periods of 2020 and 2021 and somehow flew completely under my radar. I’m so glad my friend Stewart chose the film for us to watch because it’s filled with awesome action sequences, absurdist comedy, and real human emotions. I also give it bonus points for being a Christmas movie, as it begins and ends with musical renditions of “The Little Drummer Boy,” even featuring Mads Mikkelsen wearing an ugly Christmas sweater!

I’ll start my discussion of the film with Mads Mikkelsen, an actor I’ve always appreciated, as the emotionally repressed and extremely lethal soldier, Markus. Usually a film like this would star someone like Jason Statham or Liam Neeson and focus solely on his quest for vengeance and not detour too much from those goals. This movie leaves us with no doubt of Markus’ killing abilities, but it also forces him to deal with his daughter’s feelings, as well as her sensitive boyfriend’s attempts to help him heal. Men who try to push Markus into revealing his feelings usually end up with a black eye or broken nose. But to his credit, he usually does feel bad about it afterwards. Next we have Otto, the nerd whose math calculations convince Markus that the riders of justice need to die. Otto is a sweet guy who truly wants to help Markus and Mathilde, but we find out over the course of the film that beneath his pleasant personality is a life fueled by guilt and shame. And then there’s Otto’s nerdy friends Lennart and Emmenthaler. I won’t go into all of the details of their lives, but these guys are also revealed to be thoughtful, kind, angry, funny, and extremely damaged depending on the time and the circumstances. On a funny side note, Emmenthaler’s unexpected ability to assemble a weapon is second to none. RIDERS OF JUSTICE pulls off the genuinely surprising feat of creating a “family” out of this mismatched group, and we see how they come to help each other and depend on each other. This makes the stakes so much higher when they inevitably must battle the evil riders of justice. The movie is funny, dramatic, and badass in equal measures and somehow it all works! 

RIDERS OF JUSTICE was written and directed by a Danish filmmaker named Anders Thomas Jensen. I’m going to be emotionally vulnerable here and admit that I was completely unaware of Jensen, and that he and Mikkelson have an ongoing director / star, filmmaking collaboration that extends back to 2000 and currently includes six movies, with their latest, THE LAST VIKING (AKA BACK TO REALITY), set to be released in the fall of 2025. This collaboration also includes the actors Nicolaj Lie Kaas, Nicolas Bro and, with increasing frequency, Lars Brygmann. Based on my appreciation of RIDERS OF JUSTICE, I will be going back in time and watching some of their previous films to see how they stack up, and I’ll be looking forward with great anticipation to the release of their most recent work later this year. One of the great joys of cinema is the discovery of something new and special. I feel like this may have just happened for me again with a late night viewing of RIDERS OF JUSTICE!

Disney returns to the Pride Lands in the Mufasa: The Lion King Trailer!


Disney’s Mufasa: The Lion King adds a new bit of Movie Trivia in the world. As it stands, James Earl Jones has voiced two characters (the other being Darth Vader, of course) that have had prequels created for them. I’m hoping that Universal decides to give us that Thulsa Doom backstory we all know we’re secretly longing for.

Despite not asking for a prequel, the trailer looks pretty good. Mufasa doesn’t appear to be of any special lineage, but that makes one wonder how he became the King of Pride Rock. Barry Jenkins (Moonlight, If Beale Street Could Talk) brings together some talent in John Kani, Seth Rogen, Mads Mikkelsen, Thandiwe Newton, Donald Glover, Aaron Pierre, and Billy Eichner. The film also introduces Blue Ivy Carter, along with her mom, Beyonce Knowles-Carter. With music by Lin-Manuel Miranda (Moana, In the Heights), this should be interesting.

Mufasa: The Lion King premieres this December.

The Fantastic Beasts: The Secrets of Dumbledore trailer changes our villain again!


Ah, the Wizarding World of Harry Potter returns! With all of the controversy surrounding the Johnny Depp/Amber Heard breakup, Warner Bros. made a switch and now Mads Mikkelsen (Hannibal, Rogue One: A Star Wars Story) is our new Grindelwald in Fantastic Beasts: The Secrets of Dumbledore! What is it with Mikkelsen playing sorcerers hell bent on destroying things? This is becoming a trend.

This third act has our hero, Newt Scamander (Eddie Redmayne) and his friends out to stop Grindelwald before he can do more damage. As a prequel to the Potter stories, I’m pretty sure they’ll succeed, but how they get there is important. Though I’m not particularly excited for this, having Mads on board is never a bad thing.

Returning are Eddie Redmayne, Katherine Waterston, Jude Law, Alison Sudol, Dan Fogler and Ezra Miller.

The film will be available in theatres in April 2022.

Here’s The Trailer For Riders of Justice!


Riders of Justice is a Danish film, featuring Mads Mikkelsen as a soldier who comes home from Afghanistan after his ex-wife is killed in a train crash. When Mikkelsen receives information that the crash was not exactly an accident, he sets out for revenge. Though it may not be obvious from the plot description, Riders of Justice is apparently a dark comedy as well as being a thriller.

Riders of Justice proved to be a pretty popular film when it premiered in Denmark and was even nominated for several Danish film awards. (Again, you might not guess this strictly from reading a description of the film’s plot.) On May 21st, it’s finally going to be released here in the United States. I would suggest seeing the original now so that you can compare it to the inevitable English-language remake with Liam Neeson.

Here’s the trailer!

The Toronto Film Critics Association Honors Nomadland


They love Nomadland, even in Canada!

The Toronto Film Critics Association announced their picks for the best of 2020 yesterday and Noamdland picked up another best picture prize.  Chloe Zhao and Frances McDormand were also, once again, honored.  Daniel Kaluuya, who has been coming on strong in recent days, picked up Best Supporting Actor for Judas and the Black Messiah, defeating former front runners Paul Raci and Leslie Odom Jr.

Here are the winners from Toronto:

Best Film
Winner: ​​Nomadland
Runners Up: First Cow & Minari

Best Director
Winner: ​Chloe Zhao – Nomadland
Runners Up: Lee Isaac Chung – Minari & Kelly Reichardt – First Cow

Best Screenplay
Winner: ​Minari
Runners Up: Nomadland & Sound of Metal

Best Actress
Winner: ​Frances McDormand – Nomadland
Runners Up: Viola Davis – Ma Rainey’s Black Bottom & Sidney Flanigan – Never Rarely Sometimes Always

Best Actor
Winner: ​Riz Ahmed – Sound of Metal
Runners Up: Chadwick Boseman – Ma Rainey’s Black Bottom & Mads Mikkelsen – Another Round

Best First Feature
Winner: ​The Forty-Year-Old-Version
Runners Up: The Father & Promising Young Woman

Best Documentary
Winner: ​Collective
Runners Up: Crip Camp, David Byrne’s American Utopia & Time

Best Foreign Language Film
Winner: ​Bacurau
Runners Up: Another Round & Beanpole

Best Animated Feature
Winner: ​Wolfwalkers
Runners Up: Soul & The Willoughbys

Best Supporting Actress
Winner: Maria Bakalova – Borat Subsequent Moviefilm
Runners Up: Youn Yuh-jung – Minari & Olivia Colman – The Father

Best Supporting Actor
Winner: Daniel Kaluuya – Judas And The Black Messiah
Runners Up: Paul Raci – Sound of Metal & Leslie Odom Jr. – One Night in Miami

Here Are The Nominees of the 2020 Indiana Film Journalists Assosciation!


Bad Education

The Indiana Film Journalists Association (IJA) has announced their nominees for the best of 2020!  They’ll be announcing the winners on December 21st!

What I like about these nominations is that there’s a lot of them.  2020 may have been a difficult year for many but there were a lot of good films released and it does seem kind of silly (as it does every year) to limit things to some sort of arbitrary number.  Why only nominate 10 films when you could nominate 20 or 30?  Many of the nominees below will appear on my own personal best lists in January.

The other thing that I like about these nominees is that the include films like Bad Education and Mangrove.  There’s some debate as to whether or not these films should be considered Oscar eligible.  I feel that they should be so it’s nice to see that the folks in Indiana agree with me!

Here are the nominees:

BEST FILM
Da 5 Bloods
Another Round
The Assistant
Athlete A
Bad Education
Crip Camp: A Disability Revolution
Dick Johnson is Dead
Emma.
The Father
First Cow
I’m Thinking of Ending Things
Ma Rainey’s Black Bottom
Minari
The Nest
Never Rarely Sometimes Always
Nomadland
One Night in Miami
Palm Springs
The Personal History of David Copperfield
Possessor
Promising Young Woman
Small Axe: Mangrove
Song Without a Name
Soul
Sound of Metal
The Trial of the Chicago 7
The Twentieth Century
The Vast of Night

BEST ANIMATED FEATURE
Onward
Soul
Wolfwalkers

BEST FOREIGN LANGUAGE FILM
76 Days
Another Round
Bacurau
Beanpole
La Dosis
Song Without a Name

BEST DOCUMENTARY
76 Days
All In: The Fight for Democracy
Athlete A
Boys State
Crip Camp: A Disability Revolution
Desert One
Dick Johnson is Dead
Disclosure
John Lewis: Good Trouble
The Last Out
Miss Americana
MLK/FBI
Time
Totally Under Control
Welcome to Chechnya

BEST ORIGINAL SCREENPLAY
Lee Isaac Chung – Minari
Brandon Cronenberg – Possessor
Pete Docter, Mike Jones and Kemp Powers – Soul
Sean Durkin – The Nest
Emerald Fennell – Promising Young Woman
Kitty Green – The Assistant
Eliza Hittman – Never Rarely Sometimes Always
Tobias Lindholm and Thomas Vinterberg – Another Round
James Montague and Craig W. Sanger – The Vast of Night
Matthew Rankin – The Twentieth Century
Andy Siara – Palm Springs
Aaron Sorkin – The Trial of the Chicago 7
Alice Wu – The Half of It

BEST ADAPTED SCREENPLAY
Christopher Hampton and Florian Zeller – The Father
Armando Iannucci and Simon Blackwell – The Personal History of David Copperfield
Charlie Kaufman – I’m Thinking of Ending Things
Mike Makowsky – Bad Education
Kemp Powers – One Night in Miami
Jonathan Raymond and Kelly Reichardt – First Cow
Ruben Santiago-Hudson – Ma Rainey’s Black Bottom
Chloé Zhao – Nomadland

BEST DIRECTOR
Lee Isaac Chung – Minari
Brandon Cronenberg – Possessor
Pete Docter – Soul
Sean Durkin – The Nest
Emerald Fennell – Promising Young Woman
Kitty Green – The Assistant
Eliza Hittman – Never Rarely Sometimes Always
Kirsten Johnson – Dick Johnson is Dead
Charlie Kaufman – I’m Thinking of Ending Things
Regina King – One Night in Miami
Spike Lee – Da 5 Bloods
Melina Léon – Song Without a Name
Steve McQueen – Small Axe: Mangrove
Matthew Rankin – The Twentieth Century
Kelly Reichardt – First Cow
Aaron Sorkin – The Trial of the Chicago 7
George C. Wolfe – Ma Rainey’s Black Bottom
Alice Wu – The Half of It
Chloé Zhao – Nomadland

BEST ACTRESS
Haley Bennett – Swallow
Jessie Buckley – I’m Thinking of Ending Things
Carrie Coon – The Nest
Viola Davis – Ma Rainey’s Black Bottom
Sidney Flanigin – Never Rarely Sometimes Always
Julia Garner – The Assistant
Han Ye-ri – Minari
Leah Lewis – The Half of It
Rachel McAdams – Eurovision Song Contest: The Story of Fire Saga
Frances McDormand – Nomadland
Pamela Mendoza – Song Without a Name
Cristin Milioti – Palm Springs
Elisabeth Moss – The Invisible Man
Carey Mulligan – Promising Young Woman
Aubrey Plaza – Black Bear
Margot Robbie – BIrds of Prey (and the Fantabulous Emancipation of One Harley Quinn)
Anya Taylor-Joy – Emma.

BEST SUPPORTING ACTRESS
Jane Adams – She Dies Tomorrow
Maria Bakalova – Borat Subsequent Moviefilm
Toni Collette – I’m Thinking of Ending Things
Olivia Colman – The Father
Olivia Cooke – Sound of Metal
Allison Janney – Bad Education
Margo Martindale – Blow the Man Down
Talia Ryder – Never Rarely Sometimes Always
Youn Yuh-jung – Minari

BEST ACTOR
Christopher Abbott – Possessor
Ben Affleck – The Way Back
Riz Ahmed – Sound of Metal
Kingsley Ben-Adir – One Night in Miami
Paul Bettany – Uncle Frank
Chadwick Boseman – Ma Rainey’s Black Bottom
Eli Goree – One Night in Miami
Anthony Hopkins – The Father
Hugh Jackman – Bad Education
Jude Law – The Nest
Delroy Lindo – Da 5 Bloods
Mads Mikkelsen – Another Round
Jesse Plemons – I’m Thinking of Ending Things
Eddie Redmayne – The Trial of the Chicago 7
Steven Yeun – Minari

BEST SUPPORTING ACTOR
Chadwick Boseman, Da 5 Bloods
Bo Burnham – Promising Young Woman
Bill Burr – The King of Staten Island
Peter Capaldi – The Personal History of David Copperfield
Colman Domingo – Ma Rainey’s Black Bottom
Aldis Hodge – One Night in Miami
Caleb Landry Jones – The Outpost
Alan Kim – Minari
Frank Langella – The Trial of the Chicago 7
Orion Lee – First Cow
Ewan McGregor – BIrds of Prey (and the Fantabulous Emancipation of One Harley Quinn)
Bill Murray – On the Rocks
Leslie Odom, Jr. – One Night in Miami
Paul Raci – Sound of Metal
J.K. Simmons – Palm Springs
Dan Stevens – Eurovision Song Contest: The Story of Fire Saga
David Strathairn – Nomadland
David Thewlis – I’m Thinking of Ending Things

BEST VOCAL / MOTION CAPTURE PERFORMANCE
Sean Bean – Wolfwalkers
Tina Fey – Soul
Jamie Foxx – Soul
Oliver Platt – I’m Thinking of Ending Things
Donald Ray Pollock – The Devil All the Time
Ben Schwartz – Sonic the Hedgehog

BEST ENSEMBLE ACTING
Da 5 Bloods
Another Round
The Devil All the Time
I’m Thinking of Ending Things
The King of Staten Island
Ma Rainey’s Black Bottom
Minari
One Night in Miami
The Personal History of David Copperfield
She Dies Tomorrow
The Trial of the Chicago 7
Uncle Frank

BEST MUSICAL SCORE
Erick Alexander and Jared Bulmer – The Vast of Night
Terence Blanchard – One Night in Miami
Ludovico Einaudi – Nomadland
Ludwig Göransson – Tenet
Emile Mosseri – Minari
Richard Reed Parry – The Nest
Trent Reznor and Atticus Ross – Soul
William Tyler – First Cow
Jay Wadley – I’m Thinking of Ending Things
Isobel Waller-Bridge and David Schweitzer – Emma.
Benjamin Wallfisch – The Invisible Man
Jim Williams – Possessor

BREAKOUT OF THE YEAR
Maria Bakalova (actress) – Borat Subsequent Moviefilm
Max Barbakow (director) – Palm Springs
Emerald Fennell (writer / director) – Promising Young Woman
Sidney Flanigin (actress) – Never Rarely Sometimes Always
Alan Kim (actor) – Minari
Orion Lee (actor) – First Cow
Leah Lewis (actress) – The Half of It
Darius Marder (writer / director) – Sound of Metal
Andrew Patterson (director) – The Vast of Night
Tayarisha Poe (writer / director) – Selah and the Spades
Kemp Powers – co-writer / co-director for Soul and writer for One Night in Miami
Matthew Rankin (writer / director) – The Twentieth Century
Andy Siara (writer) – Palm Springs
Autumn de Wilde (director) – Emma.

HOOSIER AWARD
Athlete A
Eliza Hittman, writer / director of Never Rarely Sometimes Always and graduate of Indiana University

ORIGINAL VISION AWARD
After Midnight
Assassin 33 A.D.
Dick Johnson is Dead
I’m Thinking of Ending Things
Possessor
Promising Young Woman
She Dies Tomorrow
The Twentieth Century
The Vast of Night
Vivarium

Mangrove

Rogue One: A Star Wars Story Makes Its Final Approach



We take a brief break from our current regular scheduled horror programming to bring in the final official trailer for the latest entry in that little space opera called Star Wars.

With just two months left before Rogue One: A Star Wars Story splashes down into theaters everywhere, the film doesn’t seem to be gathering the sort of massive hype and anticipation that last year’s Star Wars: The Force Awakens had leading up to its release.

Rogue One is still predicted to be the biggest film of the year. Yet, the feeling that permeates each trailer release have been one of guarded anticipation.

This latest and final full trailer oils to remedy that situation.

Rogue One: A Star Wars Story is set for a December 16, 2016 release just in time for the holidays.

Rogue One: A Star Wars Story Official Trailer Finally Arrives


Rogue One

The Rogue One official trailer finally came out after weeks of fans waiting for it since last month’s Star Wars celebration over in London.

At first, people thought the trailer would be released during the celebration, but that didn’t come to pass. Then San Diego Comic-Con came and went and still no official trailer. We already seen the teaser, the sizzle reel from London celebration and even a tv spot that aired in the last week or so. Yet, there was still no full trailer. Fans were waiting with extreme patience.

Once news came down that the first official trailer will show during the Olympics the guessing game began on which day it will be. When it was confirmed that it was to be tonight people worldwide began to wait for the trailer to premiere. And waited during each Olympic event. And waited some more. I, myself, decided I needed a nap and left orders to be awoken when it finally did show.

Well, it did show just an hour into my nap and despite being groggy from being woken up that first image of the desert planet with Forest Whitaker and Felicity Jones conversing got my full attention. The wait was long, but it was well worth it and now the wait for the film’s premiere begins.

Rogue One: A Star Wars Story is set for a December 16, 2016 release date.