Today, the Shattered Lens celebrates the 82nd birthday of the iconic screenwriter and director, John Milius!
While director Francis Ford Coppola definitely put his own stamp on 1979’s Apocalypse Now, the film started life as a script written by John Milius and the film itself is full of dialogue that could only have been written by Milius. The most famous example is Robert Duvall’s monologue about the smell of napalm in the morning. Actually, the entire helicopter attack feels like pure Milius. Reportedly, Duvall’s character was originally named Colonel Kharnage but, by the time the movie was made, his name had become Kilgore. It’s still not exactly a subtle name but it’s not quite as obvious as Kharnage.
(When James Caan read the script, he loved the role so much that he was offended to not be offered it and, as a result, he turned down offers to play not only Willard but also Kurtz.)
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today is John Milius’s birthday and you know what? It should be a national holiday!
It’s time for….
4 Shots From 4 John Milius Films
Dillinger (1973, dir by John Milius, DP: Jules Brenner)
Big Wednesday (1978, dir by John Milius, DP: Bruce Surtees)
Conan The Barbarian (1982, dir by John Milius, DP: Duke Callaghan)
Red Dawn (1984, dir by John Milius, DP: Ric Waite)
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Tubi!
Leave the pets alone.
Episode 2.8 “Bloodlines”
(Dir by James Quinn, originally aired on November 26th, 1989)
Woody Burton (Marc Alaimo) breaks out of prison and heads home to try to retrieve some money he stole. The house is occupied by his bitter son, Jack (Chris Nash) and his delusional wife, Joyce (Sheree North). Woody tries to bury his son alive but fortunately, Jack has his gun with him and shoots his father dead.
The episode then jumps forward in time. Jack is now married to Maggie (Ruth de Sosa). Maggie and Jack have “adopted” a daughter named Patty (Irina Cashen). Because Jack had a criminal record, they couldn’t legally adopt so Jack paid a baby broker. Now, Maggie worries that Patty might be possessed by the devil. About 10 minutes into the second story, the family’s cat was killed for a cheap shock and I stopped watching.
From what I saw, this was a pretty crappy episode. The first half was thoroughly unpleasant and didn’t even have any supernatural elements. The second half was a dull Omen rip-off that killed a defenseless house pet.
Yes, I stopped watching when the cat died. I had seen enough.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988. The show can be found on Daily Motion.
Episode 3.15 “Bye George”
(Dir by Mark Tinker, originally aired on January 9th, 1985)
It’s another busy day at St. Eligius.
The then-Governor of Massachusetts, Michael Dukakis, appears as himself, entering the ER after pulling a muscle while out for his daily run. Fiscus refuses to believe that he’s the governor. Elliot recognizes him, of course.
Three years later, Governor Dukakis ran for President and lost …. big time. Dukakis is still alive and is the earliest living unsuccessful presidential nominee. Because he lost to the first President Bush, he used to show up on the news during the second President Bush’s term. He always came across as being bitter and kind of whiny.
With Tshalla’s kidney transplant having been performed and his clinic at risk due to government corruption, Dr. Wyler finally leaves Boston and heads back to Africa. And really, it’s not a moment too soon. For all the time the show spent assuring us that Dr. Wyler was a modern-day saint, I found him to be a bit full-of-himself and a little annoying. We’ve already got Dr. Westphall and Dr. Craig on this show. We don’t need any more pompous doctors.
Speaking of Dr. Westphall, he’s depressed. Well, what else is new?
Since revealing that he only studied for six months at a fly-by-night medical school, Dr. Morrison is no longer allowed to treat patients or go on rounds. Joan Halloran (played by Nancy Stafford) returns to the hospital (and the show) and announces that she will be defending Morrison in front of the medical review board and that she hopes that Morrison will be able to continue on as a resident. Morrison just kind of shrugs. Morrison is easily depressed as Dr. Westphall.
Joan talks to everyone around the hospital and everyone agrees that Jack Morrison is the kindest, bravest, warmest, most wonderful human being they’ve ever known in their life. When Joan tells Jack that he is universally beloved, Jack seems to cheer up a little. Not much but a little.
Poor Mrs. Hufnagel. She’s finally about to leave the hospital but, before she goes, she asks another patient, stand-up comedian Murray Robbin (Murray Rubin), to marry her. Murray says he’ll think about it and then he promptly dies.
Murray was Elliot’s patient. Depressed by his death, Elliot goes to Westphall for advice. Westphall’s advice is as useless as usual. Given that Westphall can’t even hear the laughter of children without spending the next eight hours obsessing on about how they’re all going to grow up and die someday, he may not be the best person to talk to while feeling down.
Elliot finds Hufnagel in the chapel and they both cry together. It was a touching scene, well-played by Florence Halop and Stephen Furst.
Dr. Ehrlich took Dr. Craig out for dinner! Yay! I love it Ehrlich tries to suck up to Craig because it neve goes well. He takes the Craigs to an incredibly tacky Hawaiian place.
Uh-oh, Ehrlich’s credit card has been declined! Surely the wealthy Dr. Craig will help….
“Start washing dishes, Ehrlich,” Craig says.
As if so often the case, Ellen Craig admonishes her husband for being rude and agrees to help Victor out.
This was a great episode! Yes, Westphall and Morrison were their usual depressing selves but Elliot and Hufnagel finally got to act like real people (as opposed to just caricatures) and the bit with Ehrlich and the Craigs was wonderfully handled. Those who only know William Daniels as the kindly old Mr. Fenney are really missing out. Dr. Craig’s a great character.
I enjoyed this episode. For once, the humor and the drama were evenly balanced. With Peter White dead and the cast clicking as an ensemble, St. Elsewhere appears to have really found its pace.
As some of our regular readers undoubtedly know, I am involved in a few weekly watch parties. On Twitter, I host #FridayNightFlix every Friday and I co-host #ScarySocial on Saturday. On Mastodon, I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, at 10 pm et, I will be hosting #FridayNightFlix! The movie? 1984’s The Terminator!
If you want to join us this Friday, just hop onto twitter, find The Terminator on Prime, start the movie at 10 pm et, and use the #FridayNightFlix hashtag! I’ll be there happily tweeting. It’s a friendly group and welcoming of newcomers so don’t be shy.
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, the Shattered Lens wishes a happy early birthday to German director Uli Edel, who will be turning 79 tomorrow! It’s time for….
4 Shots from 4 Uli Edel Films
Christiane F. (1981, dir b Uli Edel, DP: Justus Pankau and Jürgen Jürges)
Last Exit to Brooklyn (1989, dir by Uli Edel, DP: Stefan Czapsky)
Body of Evidence (1993, dir by Uli Edel, DP: Douglas Milsome)
The Baader Meinhof Complex (2008, dir by Uli Edel, DP: Rainer Klausmann)
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989. The entire show is currently streaming on Tubi and several other services!
This week, we finish up Highway to Heaven.
Episode 5.13 “Merry Christmas from Grandpa”
(Dir by Michael Landon, originally aired on August 4th, 1989)
The final episode of Highway to Heaven is a sad one for a number of reasons.
First off, it’s a Christmas episode but, because NBC never really gave the final season a regular spot on the schedule and instead of just aired the final 13 episodes whenever they needed to fill a hole, the finale didn’t air until August.
Secondly, the episode features Mark and Jonathan going “thirty years into the future,” — in this case to 2018. Mark is stunned to discover that he’s still alive in 2018. Jonathan tells him that it’s because he finally stopped smoking. In real life, Victor French died of lung cancer six months after filming this episode. Again, because of the way NBC handled the final season, French did not live to see the final episode aired.
Finally, the final episode of Highway to Heaven is not one of its strongest episodes. The strength of Highway to Heaven was that Jonathan and Mark spent their time helping ordinary people. Even if you didn’t agree with the show’s theology, it was hard not be touched by the earnest sincerity that lay at the heart of the majority of the episodes. Jonathan and Mark were do-gooders, in the best sense of the term.
That said, there were more than a few episodes that could be a bit preachy and that’s the case with this episode. As was often the case with Highway to Heaven‘s weaker episodes, this episode was inspired by Landon’s own environmentalism. On Christmas Eve, Jonathan and Mark visit three men — a businessman, a farmer, and the President (seriously!) — and bring with them visions of the future. The businessman sees that he has to stop promoting nuclear power. The farmer sees that he has to stop using insecticides. And the President watches as all of his future grandchildren and great-grandchildren vanish from existence as a result of him not doing something to protect the environment.
It’s heartfelt, yes. I don’t doubt Landon’s sincerity. But I just wish the final episode had been a bit more of a traditional episode. I wish that it had featured more of heart and the humor and the Landon/French chemistry that marked the show’s best moments. Of course, again, Landon had no way of knowing that Victor French was going to die. (Apparently, even though French does look noticeable thinner, he did not learn that he had lung cancer until after he filmed his last episode.) If the show had been renewed for another season, it’s doubtful it would have worked without the chemistry between Landon and French.
I’ve enjoyed reviewing this show. Originally, I didn’t think I would. I expected this show would bring out my cynical side with a vengeance and there were a few episodes that did just that. For the most part, though, this show won me over. Watching it, one gets the feeling that Michael Landon truly did want to make the world a better place. Who can’t be touched by that?
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958. The show can be viewed on Tubi!
This week, Casey investigates an underground gambling syndicate.
Episode 1.26 “Earthbound Satellites”
(Dir by Michael Gordon, aired on April 7th, 1958)
After a man shoots himself in the head over a $20,000 gambling debt, Casey goes undercover as a flighty socialite with a gambling problem. She meets George Courtney (Whitfield Connor), a rather dapper man who runs an underground casino. Courtney drives Casey to the casino but, along the way, he switches cars which makes it difficult for the police to tail him.
Later, at a debriefing, Casey expresses frustration that we can launch satellites into space but we can’t follow a car in Manhattan. Her boss is inspired to put a transmitter in her purse so that the police can follower her in Manhattan.
This episode was made at a time when transmitters and satellites were relatively new ideas and, as a result, a lot of time is spent on establishing the reality of technology that viewers today take for granted. That makes for somewhat slow episode and it also means that Casey doesn’t really get to do as much as usual in this episode. If anything, Casey almost comes across as being a bit incompetent, allowing the bad guys to get their hands on both the transmitter and her gun.
This wasn’t the most exciting episode of Decoy but Whitefield Connor did a good job in the role of the charming but amoral George Courtney. Casey seemed to be truly sad at the end of the episode. George had so much going for him but, in the end, he sacrificed his freedom for his own greed.