Scene That I Love: Rebel Without A Cause


Since today is Nicholas Ray’s birthday, it seems appropriate to share a scene from Ray’s best-known film, 1955’s Rebel Without A Cause.  In this scene, a group of teens who can barely find happiness or peace on their own planet are asked to consider the wonders of the universe.

4 Shots From 4 Films: Special Nicholas Ray Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Director and screenwriter Nicholas Ray was born 115 years ago today, in Galesville, Wisconsin.  He would go on to become one of the most influential American directors of all time, making independently-minded films that celebrated rebels and iconoclasts.  The directors of the French New Wave loved him and for good reason.

Today, we celebrate the life and legacy of Nicholas Ray with….

4 Shots From 4 Nicholas Ray Films

In A Lonely Place (1950, dir by Nicholas Ray, DP: Burnett Guffey)

Rebel Without A Cause (1955, dir by Nicholas Ray, DP: Ernest Haller)

Bigger Than Life (1956, dir by Nicholas Ray, DP: Joseph MacDonald)

Party Girl (1958, dir by Nicholas Ray, DP: Robert J. Bronner)

Late Night Retro Television Review: Hunter 1.15 “The Beach Boy”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Hunter, which aired on NBC from 1984 to 1991.  The entire show is currently streaming on Tubi and several other services!

This week, someone is killing criminals in Los Angeles and, for once, it’s not Rick Hunter!

Episode 1,15 “The Beach Boy”

(Dir by Richard Colla, originally aired on April 6th, 1985)

A Hawaiian drug lord is angered when five Los Angeles drug dealers decide to stop dealing his product.  So, he sends his main assassin — Wes “Beach Boy” Kapano (Brett Clark) — to L.A. to kill all five of them.  Hunter and McCall find themselves in the strange position of providing productive custody to the dealers while trying to stop Kapano.

This was a typical “chase-em-and-shoot-em” episode of Hunter.  Dee Dee even managed to get shot for the second time this season.  (And, once again, it didn’t seem to actually hurt her.  “I’m fine!”)  For the first season, at least, Hunter kept things simple.  In between the flirtatious Hunter/McCall banter, there would be at least one car chase and three shootings.

What sets this episode apart is that Hunter and McCall are protecting drug dealers.  While McCall makes it clear that she doesn’t actually care what happens to the dealers, Hunter’s feelings are a bit more ambivalent.  He’s been chasing the dealers for so long that he’s developed a grudging affection for them.  When one of them is killed while helping the police, Hunter’s actually upset about it.

The other thing that sets this episode apart was Brett Clark’s intimidating turn as the assassin.  The Beach Boy, as he’s called, doesn’t waste too much time with conversations.  He doesn’t brag about how clever he is or go to a lot of trouble trying to fool anyone.  Instead, he just shows up and starts firing.  He wears a bulletproof vest, as well.  McCall shoots him twice and he barely flinches.  He’s a scary dude!

That said, Hunter still manages to kill him.  How many people have been killed by Rick Hunter so far?  I’ve lost track.  Most officers are suspended after a shooting so that the shooting board can rule whether or not it was justified.  Hunter is always back on the streets within an hour of killing someone.  Considering how quick he is with a gun, I probably wouldn’t want to tell him he was suspended either.

Much like Hunter and McCall, this episode was brutal and efficient.

Retro Television Review: America 2100 1.1 “Pilot”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  This Thursdays, I will be reviewing America 2100, which aired its only episode on ABC in 1979.  The show can be found on YouTube!

Episode 1.1 “Pilot” 

(Directed by Joel Zwick, originally aired on July 24th, 1979)

In 1979, it appears that the comedy team of Chester Barnes (Jon Cutler) and Phil Kreese (Mark King) are on the verge of breaking up.  Tired of not finding success and struggling to pay the bills, Chester is thinking of moving home and working for his uncle’s refrigeration company.  Phil begs Chester to reconsider.  Chester finally agrees to sleep on it.  To help him sleep, Phil suggests warm milk and sleeping pills.  Chester and Phil go to bed in their small apartment….

….and wake up in 2100!

As the cheery Dr. Karen Harland (Karen Valentine) explains, Chester and Phil died in 1979 but, through the use of science, they’ve been brought back to life!   What is 2100 like?

It’s a lot like the 70s, just a little bit tackier.

The Future!

At first, Chester and Phil claim that there were the leaders of America in 1979.  When Karen says that the mysterious Max takes a dim view of lying, Chester and Phil admit that they were two unemployed losers.  When they ask who Max is, Karen explains that Max is in charge and that everyone has to do what Max is.

Max is a robot, though it’s not a good idea to call him that.  He prefers to be called a — wait for it — “computer.”  Max speaks with the voice of Sid Caesar.  Every child is brought before Max and told what they’re going to do with the rest of your life.  “You’ll be a microbiologist,” Max says to one child.  “You’ll be a female impersonator,” he says to another.  Eventually, Chester and Phil are brought before Max.

“You two will be museum exhibits,” Max says.

Chester and Phil are not happy about that.  They want to be in show business!  Back at their apartment, they explain to Karen that she’s living a life where there is no freedom and, without free will, life is meaningless.  Karen admits that she secretly wants to be a tap dancer.  She then shows off a few of her tap dancing moves and the audiences goes wild and the end credits roll.

Wow, I wonder what type of wacky adventures Chest and Phil had in the future!?

Well, they didn’t have any adventures.  This pilot aired once and it didn’t lead to a series.  Watching the pilot, I could see why the show didn’t work.  The two leads were miscast and they both played their roles very broadly.  When you’ve already got Sid Caesar providing the voice of a rolling computer, you really don’t need anyone else in the cast to go overboard.  It also didn’t help that Chester and Phil seemed to be pretty much interchangeable as characters.  The only thing that really distinguished one from the other was that Chester was the one with dark hair.

That said, I am a big believer in personal freedom and I appreciated that this show attempted to make the case for allowing people to be creative and to even screw up occasionally.  An America where everyone compliantly takes orders from a computer may have seemed unbelievable in 1979 but it’s a bit more plausible in 2026.  Max is basically a less cranky version of Bernie Sanders so it was fun to see someone tell him off, even if it was just Chester and Phil.

Join #TubiThursday For Dirty Dancing!


Hi, everyone!  Tonight, on Mastodon, I will be hosting the #TubiThursday watch party!  Join us for a true classic, Dirty Dancing!

You can find the movie on Tubi and you can join us on Mastodon at 9 pm central time!  (That’s 10 pm for you folks on the East Coast.)  We will be using #TubiThursday hashtag!  See you then!

Song of the Day: Andy Warhol from David Bowie


Today’s song of the day comes from David Bowie and it’s about Bowie’s fascination with Andy Warhol.  Warhol himself apparently didn’t care for this song but Bowie meant it as a tribute.

This song came out in 1971.  25 years later, Bowie would play Andy Warhol in Basquiat.

Scenes I Love: Robert Mitchum Throws A Punch In Out of the Past


The great Robert Mitchum was born, on this date, 108 years ago.  Today’s scene that I love comes from one of my favorite Mitchum films, the classic 1947 noir Out of the Past.

In this scene, we are reminded that no one was cooler than Robert Mitchum.  And no one threw a better punch.

4 Shots From 4 Films: Special Andy Warhol Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

On this date, 98 years ago, Andy Warhol was born.  Today, we mark this occasion with….

4 Shots From 4 Andy Warhol Films

Empire (1965, dir by Andy Warhol)

Vinyl (1965, dir by Andy Warhol)

Poor Little Rich Girl (1965, dir by Andy Warhol)

Chelsea Girls (1966, dir by Andy Warhol and Paul Morrissey)

Late Night Retro Television Review: 1st & Ten 4.11 “Final Bow”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, yet another new player joins the Bulls.

Episode 4.11 “Final Blow”

(Dir by Stan Lathan, originally aired on December 14th, 1988)

Bubba’s fighting with his wife again!  Maybe Jethro can fix things by sending her a fur coat, along with a card claiming that the coat is a gift from Bubba.  Yes, that really is one of the main storylines on this week’s episode.  If nothing else, you can always count on 1st & Ten to keep things simple.

As for the other storyline, the Bulls have signed Olympic runner Moses Jackson (Peter Parros) to the team.  Moses’s agent (Calvin Lockhart), who is obviously meant to be a stand-in for Don King, announces that Moses is both the fastest man on the planet and also the world’s greatest athlete.  For his part, Moses doesn’t even want to play football.  He’s terrified of getting tackled.

Wide Receiver Coleman King (Richard Lawson) is scared that he’s going to lose his job to Moses.  Even though Coleman had never been seen or mentioned before last week’s episode, he is apparently an old friend of TD Parker (OJ Simpson).  TD is not so secretly in love with Coleman’s wife, Della (Vanessa Bell Calloway).  When a depressed Coleman goes to Bulls Stadium with a gun, it’s up to TD to turn on the charm and convince Coleman that violence is never the answer.  TD tells Coleman that he can’t play forever and he has to start thinking about what he wants to do once his athletic career is over.  Coleman decides that he would like to be a teacher.  TD takes Coleman’s gun and drives Coleman home in his Bronco.

During the next game, Moses turns out to be a bust.  Every time he gets the ball, he gets tackled almost immediately.  It’s not until the final quarter that he finally manages to break free and run for a 60 yard touchdown.  However, Moses then runs into the locker room and refuses to come back out.  The Bull are still down by 6 and their star player has just announced his retirement.  Fortunately, Coleman King is still playing and he manages to make a last-minute, game-winning touchdown.

Yay!  The Bulls remains undefeated.

After the game, TD congratulates Coleman and tells him that he picked a great way to go out.  Coleman laughs and says he’s not going anywhere.  He figures that he has at least another three years to go before retiring.  Teaching can wait!

This was actually not a terrible episode.  A lot of that is due to Richard Lawson’s empathetic performance as Coleman King.  In fact, Lawson turns Coleman King into one of the few interesting characters on the series.  I can’t wait to see what else he does …. oh wait.  According to the imdb, this episode was the last time that either Richard Lawson or Coleman King appeared on 1st & Ten.

Oh well, I guess that’s football for you!