Horror Film Review: The Blair Witch Project (dir by Daniel Myrick and Eduardo Sanchez)


 

Do you remember The Blair Witch Project?

Yeah, I know you remember the movie. I know you remember that it’s a found-footage film about three people who go into the woods to make a documentary about a legendary figure known as the Blair Witch. They end up getting lost in the woods, and then eventually two of them end up running around and finding a house where they presumably fall victim to the witch. Later, their film was found even as they remained listed as “missing.”

But do you really remember what a big deal this movie was back in 1999? In today’s cynical age, it can be easy to forget just how big a deal The Blair Witch Project was when it was first released. It was one of the first films—perhaps the first—to truly take advantage of the Internet as a marketing tool. Whereas other films, up to that point, would just have a simple webpage where you could read bios about the actors and spend ten minutes waiting for a clip from the movie to load, The Blair Witch Project had a web page that didn’t even seem to realize that it was advertising a film. Instead, it was all about the legend of the Blair Witch and how three young people were missing. Today, we’re used to viral hoaxes. In 1999, though, the Internet was still a new enough thing to most people that there was an assumption that anything you saw online had to be real. If you saw a web page saying that Heather Donahue, Joshua Leonard, and Michael Williams had disappeared, then the assumption was that they had really disappeared. It can be hard to remember today, but there were once very serious debates about whether or not The Blair Witch Project was real or if it was just a film.

Today, of course, we all know it was just a film. Joshua Leonard, who was the first of the three to die and whose fingers were apparently chopped off by the witch, has subsequently gone on to be a busy character actor, and he appears to still have all of his fingers. Michael C. Williams is also still acting and apparently also worked as a high school guidance counselor after throwing away the map that would have helped him, Joshua, and Heather find their way out of the forest. Heather Donahue, who famously said, “I’m so scared,” while filming herself at night, has retired from acting but is still occasionally interviewed. They’re all alive! Yay!

Today, it’s hard to watch The Blair Witch Project without thinking about the hundreds of found-footage films that followed in its wake. Like all successful (and/or good) films, The Blair Witch Project made it look easy and, as a result, a lot of people have tried to do the same thing with varied success. (It’s also easy to forget what a big deal the first Paranormal Activity film was.) Seen today, the film’s flaws are easy to spot. The dialogue was largely improvised and, as is so often the case with improv, this leads to a lot of scenes that don’t really seem to go anywhere. And yet, there’s still a certain power to the film. It does capture the frustrating feeling of being lost, and the final run through the house is still effectively creepy. The film’s power has been diluted by 27 years of imitation, but it still works on a very basic level.

That said, the main feeling that one gets from The Blair Witch Project is one of nostalgia. For a film about a witch that kills children and film students, it’s a surprising reminder of a more innocent time. There was a time when people truly believed in the Blair Witch.

Bonus Horror on the Lens: Mesa of Lost Women (dir by Herbert Tevos and Ron Ormond)


 

Off in the middle of the desert, Dr. Aranya (Jackie Coogan) is conducting dangerous experiments that are resulting not only in giant spiders but also a master race of superwomen who Aranya is planning to use to conquer the world or something.

1953’s Mesa of Lost Women is a bit of a disjointed film.  It was originally filmed by a German director named Herbert Tevos, who claimed to be an associate of Erich Von Stroheim’s and a former collaborator of Marlene Dietrich’s.  However, despite his claims of being well-connected, no one was particularly impressed with Tevos’s first cut of the film so Ron Ormond was brought in to film additional scenes, the majority of them featuring Jackie Coogan as the insane Dr. Aranya.  Jackie Coogan was, at the time, still best-known for playing The Kid in the Charlie Chaplin film of the same name.  After Mesa, he would go on to play Uncle Fester on the original Addams Family.

Anyway, Mesa of Lost Women is one of those B-movies that simply has to be seen and heard to be believed.  (Lyle Talbot provides the narration, which is judgmental even by the standards of the 1950s.)  Enjoy Mesa of Lost Women!

Horror On The Lens: The Beast of Yucca Flats (dir by Coleman Francis)


 

Since today would have Tor Johnson’s birthday, it seems appropriate to sahre the one film in which he starred, 1961’s The Beast Of Yucca Flats.

The Beast of Yucca Flats is a thoroughly inept film that makes next to no sense and has massive continuity errors.  It’s a film that also features Tor Johnson as a Russian scientist who gets mutated by radiation and becomes a monster, but not before taking off almost all of his clothes while walking through the desert.  For that matter, it’s also a film about a family that comes together though adversity — namely, being shot at by the police after the family patriarch is somehow mistaken for Tor Johnson.  And finally, it’s the story of how a dying monster can find comfort from a rabbit and that’s actually kind of a sweet message.

Here’s the thing — yes, The Beast of Yucca Flats is bad but you still owe it to yourself to watch it because you will literally never see anything else like it.  Plus, maybe you’ll be able to figure out what the whole point of the opening scene is.

Because I’ve watched this film a few times and I still have no idea!  But I always tear up when Tor reaches out for that rabbit.

Enjoy!

Join #MondayMania For The Killer Downstairs!


Hi, everyone!  Tonight, on twitter, I will be hosting one of my favorite films for #MondayMania!  Join us for 2019’s The Killer Downstairs!

You can find the movie on Prime and then you can join us on twitter at 9 pm central time!  (That’s 10 pm for you folks on the East Coast.)  See you then!

Horror Song of the Day: Main Theme From Psycho by Bernard Herrmann


Today’s horror song of the day really needs no introduction.

From 1960, here is the main theme from Alfred Hitchcok’s Psycho, composed by Bernard Herrmann.

Horror Scenes that I Love: Tor Johnson In The Unearthly


We honor the birthday of Tor Johnson with today’s scene of the day.

Even though Tor Johnson is playing a character named Lobo, today’s scene that I love isn’t from Ed Wood’s 1955 film, Bride of the Monster. Instead, it’s from 1957’s The Unearthly. In this film, Lobo is now John Carradine’s servant. (Lobo made quite a career out of working for mad scientists.) The Unearthly was directed by Boris Peftroff, a friend of Wood’s, so it’s not improbable that this film’s Lobo was meant to be the same Lobo as the one who appeared in Bride of the Monster and Night of the Ghouls.

Anyway, in this scene, Tor does his usual Lobo stuff while John Carradine plays the piano. “Time for go to bed,” Lobo says at one point, a much-mocked line but one that is delivered with a bit of gentleness by Tor Johnson. My point is that Tor did the best that he could and bless him for it.

4 Shots From 4 Horror Films: Special Tor Johnson Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Today is Tor Johnson’s birthday so it just seems appropriate to present….

4 Shots From 4 Tor Johnson Films

Bride of The Monster (1955, dir by Ed Wood)

Plan 9 from Outer Space (1959, dir by Ed Wood)

Night of the Ghouls (1960, dir by Ed Wood)

The Beast from Yucca Flats (1961, dir by Coleman Francis)

Monday Live Tweet Alert: Join Us for D.N.A.!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasionally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 1996’s D.N.A.!

If you want to join this watch party, just hop onto Mastodon, pull up D.N.A. on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!

Enjoy!

October Positivity: 77 Chances: A Story About Letting Go (dir by Tracy Trost)


The plot of 2015’s 77 Chances may seem familiar.

Jason Shaw (Andrew Cheney) is an aspiring photographer who works as a clerk in a store owned by his sister, Ava (Erin Bethea).  One day, Jason meets a woman named Mac (Rachel Hendrix) and it’s attraction-at-first-sight.  That night, they go on a date and they have an amazing time.  They start bonding instantly.  Jason feels as if he’s finally found his soul mate.  Unfortunately, the date ends with a car crash that leaves Mac dead.

The next morning, Jason wakes up without a scratch on him.  Convinced that he’s just woken up from the most intense dream of his life, Jason goes about his day and he’s immediately hit by a sense of deja vu.  He feels like he knows what people are going to say and do before they do it.  Everything about the day feels very familiar.  And then, once again, he meets Mac….

Yep, Jason is stuck in a Groundhog Day-style time loop.  He relives the same day over and over again.  Once Jason realizes that this is actually happening to him and that it’s not a dream, he assumes that he’s in the time loop to save Mac.  But, no matter he does, the car accident always occurs and Mac always dies at the end of the night.  Even when he specifically goes out of his way not to meet her and spends the entire day locked away in his apartment, he still sees a news story about her death in a car accident.

What if Jason hasn’t being sent through the time loop just to save Mac?  What if there’s something else that he has to do first?

77 Chances is a sweet film.  Yes, it does have a religious angle and that will probably turn off some viewers but who cares?  Actually, when you think about it, the idea of God making someone live the same day over and over again makes more sense than the solutions that are typically offered up in time loop films.  For my part, I appreciated that Jason wasn’t being forced to live the same day over and over again for the reason that everyone would naturally assume.  I love Groundhog Day and Palm Springs but, for the most part, most time loop films suffer because they always tend to hit the same notes.  77 Chances works because it actually tries to do something unexpected with the idea.

77 Chances also works because of the chemistry between Andrew Cheney and Rachel Hendrix.  They make for a cute couple and you really do hope that things will work out for them.  They just seem to belong together.  Rachel Hendrix, in particular, gives a strong and likeable performance as Mac.  It’s interesting to see the different ways that she reacts to being approach by Jason over the course of the time loop.  While Jason has spent months getting to know her, Mac has no idea who he is.  Early on in the time loop, when Jason comes on too strong, Mac blows him off and tells him that his obsessiveness is creepy.  Good for her!

77 Chances left me pleasantly surprised.  It’s a sweet movie.

Late Night Retro Television Review: Degrassi: The Next Generation 3.15 “Accident Will Happen Part Two”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sunday, I will be reviewing the Canadian series, Degrassi: The Next Generation, which aired from 2001 to 2015!  The series can be streamed on YouTube and Tubi.

This week, we finish up the storyline that was started last week.  In other words, Degrassi goes there!

Episode 3.15 “Accidents Will Happen Part Two”

(Dir by Eleanore Lindo, originally aired on February 9th, 2004)

Manny is pregnant and frightened. Craig, however, is overjoyed and can’t wait to be a father at 15. During their lunch period, Craig shows up with a book of baby names. When Ashley sees and hears Craig and Manny debating what they should name the baby, she immediately figures out what has happened. She then proceeds to announce it to the entire cafeteria.

Craig is still enthusiastic about being a father, but Manny is having doubts. When Emma briefly leaves Manny and Craig alone with Baby Jack, Craig freaks out over having to change the baby’s diaper. Manny realizes that if Craig can’t handle that, he can’t handle being a father. She decides to get an abortion. Both Emma and Craig are upset by Manny’s decision. Emma, who knows that her mother considered getting an abortion when she was pregnant, feels that Manny should give the baby up for adoption. Craig still thinks that he and Manny can raise the child themselves. But Manny says that she can’t handle the idea of giving birth and that she’s too young to be a mom. In the end, Emma supports Manny’s right to make her own decision, even if she doesn’t agree with it.

As much as I complain about Emma as a character, Degrassi deserves a lot of credit for how this episode portrays her reaction to Manny’s decision to get an abortion. Emma’s opposition to abortion is treated respectfully, and the episode allows the viewers to make up their own minds about the issue while also making it clear that neither Manny nor Craig was mature enough to raise a child. It’s the type of thing that Degrassi did so well in its early seasons. (Unfortunately, later seasons would be a bit more heavy-handed when it came to dealing with issues like abortion.)

Unfortunately, this episode’s nuanced and intelligent take on abortion is matched with one of the worst B-plots in Degrassi history. After JT tells Liberty that he will never like her and that it’s time for her to get over her crush, Liberty shifts her attention over to Sean. When Sean and Liberty are assigned to work together on a class assignment, Liberty starts trying to act “tough” to win Sean’s interest. Of course, for Liberty, this means dressing up and talking like a minor character in Grease. Eventually, Sean says, “You’re as edgy as a butter knife,” and Liberty is crushed once again. However, it turns out that Sean’s friend, Towerz (Travis Donegan), likes smart girls. So, Liberty finally gets a boyfriend!

Oh, this was just embarrassing to watch. I felt bad for everyone involved. Not only was Liberty made to look like a crazed stalker, but the idea of her dating Towerz—who is a part of the crew that’s been stealing supplies from the school—made no sense at all. It didn’t help that all of this played out in between scenes of Cassie Steele and Miriam McDonald doing some of the best work that they ever did on Degrassi.

This episode was considered to be so controversial that it didn’t even air in the States until 2006, two years after it originally aired in Canada.