Here’s The Trailer For — Deep Breath — Star Wars Episode IX: The Rise of Skywalker


Here’s the new trailer for an obscure little art film called …. Stars Wars Episode IX: The Rise of Skywalker!

My first reaction, to be honest, is that the title is extremely unwieldy.  I imagine that most people in the real world will just call it “the new Star Wars film” while people on twitter will demand that it only be called “Episode IX.”  I’m not going to speculate on which Skywalker is rising.  The majority of them seem to be dead.  Perhaps the film will end with Adam Driver taking over the universe and destroying it, Thanos-style.  That would be kind of fun.

I’m not really big into Star Wars.  You may have already guessed that.  While everyone else is going crazy over this trailer, I have to admit that my first reaction was, “Again with the desert?”  But, snarkiness aside, it’s a nicely done trailer.  There’s no way not to be excited by that scene of Rey doing a back flip over that cruiser.  And any trailer that ends with mocking laughter is okay with me.  Apparently, the Emperor is back.  And so is Billy Dee Williams.

(For that matter, Carrie Fisher will be in the film, as well.  Director J.J. Abrams has said that there was enough unused Fisher footage from the previous two sequels that Leia will be able to play a role in The Rise of Skywalker.)

It’s always somewhat weird to me to see how controversial the Star Wars films have become.  I really don’t have enough shrug emojis available to me to express how I react whenever I see people on twitter debating whether or not the last movie was any good or not.  I liked The Force Awakens and I respected the fact that Rogue One killed off the entire cast.  I was kind of indifferent to both Solo and The Last Jedi.

But, let’s hope the best for The Rise of Skywalker!  Apparently, the Star Wars franchise will be going on a bit of a hiatus after the release of this one.  (That said, if The Rise of Skywalker does better at the box office than Solo or The Last Jedi, that hiatus could be a short one.)  So, let’s hope that they (temporarily) end on a good note!

Weekly Trailer Round-Up: Mary Queen of Scots, Colette, The Miseducation of Cameron Post, The Favourite, Goosebumps 2, A Simple Favor, The Extinction, The Package, Life Itself, Along Came The Devil, Little Italy, Unfriended: Dark Web, Wonder Park, Castle Rock


It’s time for the weekly trailer round-up!  We’ve got fourteen today so let’s get down to business:

First off, we have the trailer for one of the most anticipated films of the year: Mary, Queen of Scots.  This movie brings together two of last year’s nominees for best actress, with Saoirse Ronan playing the title character and Margot Robbie playing Queen Elizabeth I.  It is set to be released in December for Oscar consideration.

Also getting early Oscar buzz is Keira Knightley for her performance in Colette.  Colette premiered at the Sundance Film Festival this year and will be released on September 21st.

Another film that generated buzz at Sundance was The Miseducation of Cameron Post, which stars Chloe Grace Moretz as a teenage girl forced into gay conversation therapy.  The Miseducation of Cameron Post will be released into theaters on August 3rd.

Following the arthouse success of The Lobster, Yorgos Lanthimos returns with The Favourite.  Rachel Weisz and Emma Stone play cousins who compete to be the favorite of Queen Anne.  The Favourite will be released on November 23rd.

The books and the monsters are back but Jack Black is nowhere to be seen in the trailer for Goosebumps 2: Haunted Halloween.  This film will be released on October 12th.

When Blake Lively disappears, her new best friend, Anna Kendrick, teams up with Lively’s husband to find her.  Directed by Paul Feig of Ghostbusters and Bridesmaids fame, A Simple Favor will be released on September 14th.

Everyone’s favorite sidekick, Michael Pena, finally gets the leading role in The Extinction, a sci-fi thriller that will be premiering on Netflix on July 27th.

Also coming to Netflix is The Package, a teen comedy from the creators of Workaholics.  The Package will be delivered on August 10th.

The second film to be directed by This Is Us creator Dan Fogelman, Life Itself will be released on September 21st.

According to this trailer, Along Came The Devil is “an exorcism film for a new generation.”  This film will be released on August 10th.

Have you ever wondered what happened to Danny Aiello?  He’s in Little Italy, with Emma Roberts and Hayden Christensen.  Little Italy will be released in August.

The internet is still the most dangerous place on Earth in the second trailer for Unfriended: Dark Web.  See for yourself on July 20th.

After a long and troubled production that saw original director Dylan Brown fired for “inappropriate conduct,” the animated film Wonder Park will finally be released on March 15th, 2019.

Finally, here is the long-awaited official trailer for Castle Rock, the new Hulu series from J.J. Abrams and Stephen King.  Castle Rock premieres on July 25th.

 

Insomnia File No. 17: The Suburbans (dir by Donal Lardner Ward)


What’s an Insomnia File? You know how some times you just can’t get any sleep and, at about three in the morning, you’ll find yourself watching whatever you can find on cable? This feature is all about those insomnia-inspired discoveries!

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Last night, if you were still awake at 3:45 in the morning, you could have turned over to Starz and watched the 1999 comedy, The Suburbans!

And, in all probability, you would have fallen asleep before it was over.

This film tells the story of four guys who used to be in a band.  The name of the band was The Suburbans and, in 1980, they had a hit with a song called … wait … what the Hell was that song called?  See, this is an example of how slapdash The Suburbans was.  The whole point of the film is that they had a hit song but the movie goes off in some many different and random tangents that I can’t even remember what the name of this very important song was.  All I remember is that the song didn’t really sound like it would ever be a hit (no, not even in the 80s) and that the four guys really didn’t seem like they would ever be rock stars.

Anyway, The Suburbans only had that one hit and now, nearly twenty years later, all the band members are leading conventional lives in the suburbs.  Oddly, they all appear to live in the same suburb and they’re all still best friends.  Craig Bierko is the former lead guitarist, who is now a doctor of some sort.  Will Ferrell (yes, that Will Ferrell) is the former bass player who now works with computers.  Tony Guma is the overweight drummer who is at the center of a lot of scenes, presumably because Guma co-wrote the script.  Donal Lardner Ward is the former lead singer.  Along with starring in the film, Ward also directed it.  That might explain why, despite not being a very interesting character, everyone in the film is portrayed as being in love with him.

The Suburbans briefly reunite to play at Ferrell’s wedding.  A music executive (Jennifer Love Hewitt) happens to be at the wedding.  It turns out that she used to love The Suburbans and their one hit!  (The problem is that Jennifer Love Hewitt was only 20 when this film was made, which means that, when the Suburbans were famous, she would have only been a year old.)  She arranges for The Suburbans to reunite for a pay-per-view special and…

…and then a lot of stuff happens.  And I do mean a lot of stuff.  But what’s odd is none of that stuff adds up to anything.  Ward’s girlfriend (played by Amy Brenneman) is briefly threatened by Hewitt but, fear not — Donal Lardner Ward is the world’s greatest guy!  Occasionally, one member of the Suburbans might argue with another member of the Suburbans but fear not — they’re all great guys!

What’s funny is that, after spending 81 minutes with these characters and listening to their oppressively relentless quippy dialogue, you still don’t feel like you know a damn thing about any of them.  You never even find out how The Suburbans first got together or what inspired them to write their one hit in the first place.  Nor do you find out why they broke up.  They’re just sort of there and we’re supposed to care.

I guess I should mention that Ben and Jerry Stiller are both in the film.  They play Hewitt’s bosses and it’s painful to watch both of them.  Apparently, the director just said, “Ben, say something funny!” and the result was an endless scene of Ben Stiller saying whatever popped into his head.

(I should also probably mention that J.J. Abrams produced this movie.  Yes, that J.J. Abrams…)

If you track down the Suburbans on DVD, you’ll notice that the cover art is pretty much centered around Jennifer Love Hewitt and Will Ferrell.  What’s funny is that neither Hewitt nor Ferrel really get to do much in the movie.  (That said, Ferrell’s performance is enjoyably odd, even if it does feel totally out of the place.)  The entire movie is centered around Tony Guma and Donal Lardner Ward.  After all, they wrote and directed the damn thing.  So, I guess if you’re a Tony Guma fan, The Suburbans is the movie for you!

Previous Insomnia Files:

  1. Story of Mankind
  2. Stag
  3. Love Is A Gun
  4. Nina Takes A Lover
  5. Black Ice
  6. Frogs For Snakes
  7. Fair Game
  8. From The Hip
  9. Born Killers
  10. Eye For An Eye
  11. Summer Catch
  12. Beyond the Law
  13. Spring Broke
  14. Promise
  15. George Wallace
  16. Kill The Messenger

Star Wars: The Force Awakens (dir. by J.J. Abrams) Is the Sequel the Fandom Has Been Waiting For


Star Wars - The Force Awakens

[some minor, very minor spoilers]

When I first began this site on Christmas Eve of 2009 I had to thank the excitement I had for event films after seeing and experiencing James Cameron’s Avatar. It was an experience I hadn’t felt since the days of the Lord of the Rings trilogy and, even earlier than that, the original Star Wars trilogy. These were films that fired up one’s imagination, appreciation and love for film as entertainment and art. Some of these films would linger on longer in one’s mind than others, but that first viewing in their initial release would always imprint their effect on each viewer.

When George Lucas announced that he would be returning to that galaxy, far, far away with a trilogy of prequels almost 15 years since the world last saw Return of the Jedi premiere first the first time, the Star Wars fandom were giddy, excited and hyped beyond belief. The Star Wars films and the many spin-offs (novels, comic books, video games, etc.) which came about because of it only whetted the appetites of long-time Star Wars fans for more films detailing the adventures in the scifi universe created by George Lucas.

Yet, the prequels’ effect on these long-time fans would be the direct opposite of the effect the original trilogy had on the fandom. These three prequels (all directed and written by George Lucas himself) would do more than disappoint the fandom. It would create a schism between those who saw the original trilogy as the gateway to their fandom and those younger generation who never saw the original trilogy and had the prequels become their gateway to the fandom. Even to this day there would be some of the younger generation who truly believe that the prequels trump the original three films which began the franchise.

When news came down that Disney had bought Lucasfilm and everything which George Lucas had built and cultivated there was no chance in hell that there wouldn’t be another series of Star Wars despite the disaster which were the prequels. Lo and behold, it didn’t take long for Disney to greenlight the sequel to Return of the Jedi and have it set decades after the events of that film.

So, it is with Star Wars: The Force Awakens that the Star Wars fandom get to see whether their continued faith in the franchise was worth it or if they have been Charlie Brown’d once again and had the ball taken away at the very last second. It’s easy to say that Star Wars: The Force Awakens was great or it was awful. The true answer to whether this film succeeded in what it intended do was a bit more complicated.

Yet, if one was to look for an easy and simple answer then I’m happy to say that Star Wars: The Force Awakens was great. It had it’s moments of logic gap and plot holes, but as an overall finished product the film succeeded in course-correcting the franchise from the nadir it was at with the culmination of the prequels. It wouldn’t have taken much to surpass the very low bar set by those prequels, but The Force Awakens leapfrogged that bar and went even higher.

The film does begin thirty years after the events of Return of the Jedi and we find out with the now familiar episode intro crawl that Luke Skywalker has disappeared since those events and the galaxy has remained in turmoil with his absence. The Galactic Empire has been defeated, but in its place a new danger in the form of the genocidal First Order has arisen from the Empire’s remains. Opposing the First Order is a sort of galactic force supported in secret by the New Republic and led by General (not Princess) Leia Organa calling themselves the Resistance. It’s the conflict between these two factions and the search for Luke that forms the narrative base for The Force Awakens.

The film doesn’t linger too long in explaining the events which occurred in that 30-year gap between Return of the Jedi and The Force Awakens. It doesn’t need it as we’re quickly introduced to the series’ new characters in the form of Poe Dameron, the best pilot in the galaxy, who has been sent on a secret mission by Leia to find the clues as to her brother’s whereabouts. Next in line was Kylo Ren who becomes this film’s analogue to the Darth Vader figure of the original trilogy. Yet, the bulk of the film was told through the eyes of Finn and Rey.  The former is First Order stormtrooper who has seen first-hand what the First Order truly stands for and not for the betterment of the galaxy. The latter is a young woman living life on the desert planet Jakku scavenging the graveyard of starship wreckage from a battle thirty year’s prior.

It’s through Rey and Finn that the audience learns through their adventures upon meeting up with each other on Jakku what has transpired since the Rebellion destroyed the second Death Star and killed Emperor Palpatine. To these two characters, the events from the original trilogy seem to have passed beyond the realm of history and become more like legends and myths to the younger generation. Through a combination of fear and awe, Ren and Finn get introduced to some of the original trilogies main characters (Leia, Han Solo, Chewbacca and even Admiral Ackbar). These are the stories they’ve been told of growing up come to life right in front of their eyes and their reaction mirrors those of the audience who haven’t seen these characters in anything new and relevant since the end of Return of the Jedi. The reaction alone to seeing Han Solo and Chewbacca alone seemed like the fandom’s collective cheer for the good that has been missing with the franchise for over 30 years now.

The Force Awakens is not a perfect by any stretch of the imagination. Like mentioned earlier, the film does suffer from some gaps in story logic and plot holes. As with most J.J. Abrams directed films he had a hand in writing the script and one could see where he sacrificed coherent storytelling beats for something that just pushed the story along the path he wanted the film to take. For those who have been steeped in Star Wars lore and backstory, this would be easily explained as the Force nudging, guiding and, if all else fails, pushing the characters onto the right path, but for the casual viewers it would come off as story beats of convenience.

As a story to bring back the faithful and lure in those still uninitiated to the franchise The Force Awakens straddles the line between nostalgia and trying to bring in something new to the proceedings.

Let’s begin with the former and just say it now that The Force Awakens does follow some major story beats directly from A New Hope (to a smaller effect from Empire Strikes Back and Return of the Jedi). One could almost say that this film was a sort of soft reboot of the original trilogy with how it lifted ideas from them and through some writing and directing recombination come up with something new, but still very familiar for hardcore and non-fans alike.

Does this decision to lean heavily on the original trilogy for ideas hurt the film? For some it might be a bit too distracting to recognize too many callbacks to those earlier films, but for most it’s a reminder of what the prequels lacked and that’s the sense of adventure and fun. There was never anything fun about the prequels. The Force Awakens brings it all back and for most viewers this is the course-correction the series has needed since the last images from Revenge of the Sith faded away from the silver-screen.

Even the new characters introduced in this latest film were an amalgamation of the main characters from the original trilogy. Where Abrams and Kasdan changed this up a bit was to go beyond just creating new analogues for the classic characters of Leia, Han, Luke, Chewie and R2D2. They opted to take all the qualities fans loved about those characters and mixed them all up to be used in the roles of Rey, Finn, Poe, Kylo Ren and BB8.

As the standout character in the film, Rey (played by find of the year Daisy Ridley) would bring back memories of not just the young and hopeful Luke from the original trilogy, but also some personal traits of Leia and Han. The same goes for Finn who at times reminded us of Han’s roguish charm to Luke’s naivete of his role in the larger world he has finally witnessed for the very first time. For the half-empty crowd this might look as lazy character development, but those who see the film with the half-full mindset would easily latch onto these new characters. Characters who now take on the responsibility of moving the franchise beyond the nostalgia of the original trilogy and erasure of the disappointment of the prequels to new adventures with the next two films.

So, is Star Wars: The Force Awakens worth returning back to the franchise after the prequels or is it too much of a rehash of the original three films? The answer to that is a definite yes despite some of it’s flaws. For some the very flaws some have pointed out (too many callbacks, sort of a reboot, etc.) was what made the film a fun time to be had. It’s a return to the comfort zone the fandom missed with the prequels.

Will the next two films in this new trilogy follow suit and just rely too much on nostalgia to continue trying to satisfy it’s massive audience? Or will Rian Johnson and Colin Trevorrow (director of Episode VIII and Episode IX, respectively) move into new territory with minimal callbacks to those earlier films? We as an audience will have to wait til 2017 and 2019 to find out. Until then enjoy what Abrams and Lucasfilm has accomplished with The Force Awakens. A film which has reinvigorated a film franchise that has seem some major lows, but one which also happens to be one hell of a fun ride from start to finish on it’s own merits.

P.S.: Some controversy has arisen since the film’s release concerning the character played by Daisy Ridley. Some have been very vocal about calling her Rey character as a sort of knee-jerk reaction to the accusation that the Star Wars films have lacked for a strong female lead. An argument that’s as misguided and misinformed as that of the films being whitewashed. The films in the franchise have always had strong female characters. The accusation that Rey as a character in The Force Awakens is such a “Mary Sue” (a female character written and created to be the best at everything, no flaws) ignore the details in the character’s development.

What’s sadder is that some of the very people (film critics and writers) who in the past have complained that major films (especially blockbusters) have been lacking in very strong female characters have been the very same who see Rey as a negative and a character too good. This despite the character following in the very same footsteps in how her predecessors have been written (Luke, Han, Anakin). It’s an argument that is sure to bring heated debate among fans and detractors, but one that takes away from the performance of Daisy Ridley who should be one of the many breakout stars to come out of Star Wars: The Force Awakens.

Star Trek Beyond Looks Much Faster and More Furious


Star Trek Beyond

J.J. Abrams reinvigorated the Star Trek film franchise when he did a sort of sort-reboot in 2009. It brought the franchise into the consciousness of a younger demographic who didn’t grow up as fans of the franchise both in film and the many tv series. The film was a success and Paramount made sure to strike while it was still hot and greenlit a sequel that looked to build on the strong foundation set-up by J.J. Abrams.

2013 saw that sequel come out and to say that it underwhelmed and burned much of the goodwill created with the 2009 film would be an understatement. Star Trek Into Darkness (a title derided the moment it was announced) literally took the “darkness” part of the title and ramped it up to 11. There wasn’t any of the fun and adventurous nature of the first film. It didn’t help that screenwriter’s Robert Orci’s 9/11 Truther ideology seeped into the film’s plot.

When it was announced that Robert Orci would end up directing the third film after J.J. Abrams went to go direct the latest Star Wars film, the outcry was loud and clear. Orci was a bad choice and just keeping him on would just sink a film franchise already teetering on the brink of becoming irrelevant in a blockbuster environment where superhero universes and the original blockbuster universe reigned supreme.

So, it was with some relief and cautious optimism when Paramount dumped Orci and went with Justin Lin (hot off the massive success of Fast & Furious 6) and rewrites by Simon Pegg. The franchise was going to get the fun back into the series and everyone was invited. Even the chosen title, Star Trek Beyond, spoke to a creative team who saw a chance to bring back the franchise from just being part of a fandom but for those who wouldn’t know a dilithium crystal from a Sith Lord.

The first teaser shows the fun part of what Justin Lin and Simon Pegg have been talking about. Now, will the next trailer show a much more dramatic side to the events fans are hoping will balance all the fun.

Star Trek Beyond looks to land on July 22, 2016.

Japanese Trailer of Star Wars: The Force Awakens Even Better


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Just a couple weeks ago saw the release of the first and last official trailer for Star Wars: The Force Awakens. It was teasers before that one. The official trailer was suppose to keep the Star Wars fandom sated until December 18 (or earlier for those willing to brave the early advance screenings before midnight). It pushed all the right buttons to keep the fandom happy and wanting more.

Out of the blue, this morning saw Disney release without any fanfare a new trailer but one cut and edited for the Japanese market. It’s a trailer that includes scenes and images already seen in the previous official trailer and two earlier teasers, but also happened to include newer scenes (that still doesn’t spoil what the film will be all about) involving BB-8, Kylo Ren and more Princess Leia and Chewie.

So, it would seem that when Disney said that the trailer released a couple weeks ago would be the one and only trailer for the film it would seem they meant it would be the only domestic trailer. Sneaky, sneaky there Disney.

Plus, I rather prefer the Japanese trailer. Once again proves the Japanese gets the cool things.

Star Wars: The Force Awakens Breaks The Internet


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It’s not hyperbole when I say that Star Wars: The Force Awakens broke the internet tonight. Fandango announced pre-sale of tickets early by accident which caused the massive Star Wars fandom to rush on-line to be able to buy tickets before they ran out for the early showing on December 17, 2015. Well, this hasn’t gone down well with many who thought the pre-sale orders were going to go up after the trailer debuts during halftime of Monday Night Football.

I was one such out-of-luck individuals, but I remembered my days of youth when pre-ordering tickets to such event films meant going to the theater itself and buying them in person. This I did and I’m blessed to have gotten all the tickets I need.

Thus, despite Star Wars: The Force Awakens breaking the internet it would seem doing things the old-school way still rewards those who still thinks in analog and not just digital.

Now, let’s watch the latest trailer for Star Wars: The Force Awakens over and over before it premieres on December 18, 2015.