Remember Suffragette? The Women’s Film Critics Circle Certainly Does!


The Women’s Film Critics Circle have announced their picks for the best of 2015.  After starting out as one of those films that everyone expected to be a major contender, Suffragette has faded somewhat as an awards contender.  However, regardless of what the Academy may or may not do, Suffragette has been embraced by the Women’s Film Critics Circle.

Check out the winners below.  Also, check out all the categories!  Why can’t the Oscars be this much fun?

Best Actor
Eddie Redmayne (The Danish Girl)

Best Actress
Carey Mulligan (Suffragette)

Best Movie about Women
Suffragette

Best Movie by a Woman
Suffragette

Best Young Actress
Brie Larson (Room)

Best Comedic Actress
Amy Schumer (Trainwreck)

Best Woman Storyteller (Screenwriting Award)
Phyllis Nagy (Carol)

Women’s Work / Best Ensemble
Suffragette

Best Foreign Film by or about Women
The Second Mother

Best Theatrically Unreleased Movie by or about Women
Bessie

Best Female Images in a Movie
Suffragette

Best Male Images in a Movie
Bridge of Spies

Worst Female Images in a Movie
Jurassic World

Worst Male Images in a Movie
Steve Jobs

Best Family Film
Inside Out

Best Documentary by or about Women
Amy

Best Female Action Hero
Charlize Theron (Mad Max: Fury Road)

Best Animated Female
Amy Poehler (Inside Out)

Best Screen Couple
Tom Courtenay and Charlotte Rampling (45 Years)
Brie Larson and Jacob Tremblay (Room)

Best Equality of the Sexes
Mad Max: Fury Road

Courage in Filmmaking
Sarah Gavron (Suffragette)

Courage in Acting (taking on unconventional roles that radically redefine the images of women on screen)
Brie Larson (Room)

Acting and Activism Award
Olivia Wilde

The Invisible Woman Award (performance by a woman whose exceptional impact on the film dramatically, socially or historically, has been ignored)
Alicia Vikander (The Danish Girl)

Adrienne Shelly Award (for a film that most passionately opposes violence against women)
He Named Me Malala

Josephine Baker Award (for best expressing the woman of colour experience in America)
What Happened, Miss Simone?

Karen Morley Award (for best exemplifying a woman’s place in history or society, and a courageous search for identity)
Suffragette

Lifetime Achievement Award
Lily Tomlin

Mommie Dearest Worst Screen Mom of the Year Award
Cate Blanchett (Cinderella)

Here Are The Very Confusing SAG Nominations!


Spotlight

The nominees for the SAG Awards were announced earlier today!  The SAG Awards are usually one of the more accurate of the various Oscar precursors.  Because so many members of the Academy are also members of the Screen Actors Guild, the SAG Awards are usually a pretty good indication of what films are on the Academy’s radar and which ones aren’t.  Occasionally, an actor will be nominated by SAG and then snubbed by the Academy.  Last year, for instance, SAG nominated Jake Gyllenhall for Nightcrawler, Jennifer Aniston for Cake, and Naomi Watts for St. Vincent.  None of those three received any love from the Academy.  But, for the most part, SAG is one of the most reliable precursors out there.

And that’s why so many of us are in shock today!  The SAG Awards in no way resembled what many of us were expecting.  Other than Spotlight, none of the film’s that many of us expected to be nominated for best ensemble (the SAG’s equivalent of the Academy’s best picture) were nominated (and even Spotlight only received one other nomination, for Rachel McAdams who, up to this point, hasn’t really figured into the Oscar discussion).  The Martian was not nominated for best ensemble or anything else for that matter.  Creed was totally snubbed.  Brooklyn was nominated for actress but not ensemble.  Mad Mad: Fury Road was nominated for its stunt work and nothing else.  Helen Mirren received two nominations, for films that hardly anyone (outside of the SAG, obviously) was really paying any attention to.  Sarah Silverman received a best actress nomination for I Smile Back, which I hadn’t even heard of until about a week ago.  It’s an unexpected and strange group of nominees.

Keep in mind, it’s not necessarily a bad thing that the nominees are unexpected.  Beasts of No Nation and Straight Outta Compton will both receive deserved boosts in their hunt for Oscar gold.  At the same time, I have to admit that I wasn’t happy to see either The Big Short or Trumbo nominated for best ensemble because I know I’m going to feel obligated to see them and they both look so freaking tedious and blandly political!  But consider this: if The Big Short and Trumbo are both huge Oscar contenders, we may face a situation where both Jay Roach and Adam McKay are nominated for best director in the same year.  I think that’s one of the signs of the apocalypse and, at this point, I’m kind of ready to welcome the end of the world.

Anyway, here are the SAG nominations!  Look them over and, after the Golden Globe nominations are announced tomorrow, update your Oscar predictions accordingly.

Best Performance by a Cast Ensemble in a Motion Picture

Best Performance by a Male Actor in a Leading Role

Best Performance by a Female Actor in a Leading Role

  • Cate Blanchett – Carol
  • Brie Larson – Room
  • Helen Mirren – Woman in Gold
  • Saoirse Ronan – Brooklyn
  • Sarah Silverman – I Smile Back

Best Performance by a Male Actor in a Supporting Role

Best Performance by a Female Actor in a Supporting Role

  • Rooney Mara – Carol
  • Rachel McAdams – Spotlight
  • Helen Mirren – Trumbo
  • Alicia Vikander – The Danish Girl
  • Kate Winslet – Steve Jobs

Best Performance by a Stunt Ensemble in a Motion Picture

Best Performance by an Ensemble in a Drama Series

  • Downton Abbey
  • Game of Thrones
  • Homeland
  • House of Cards
  • Mad Men

Best Performance by a Male Actor in a Drama Series

  • Peter Dinklage – Game of Thrones
  • Jon Hamm – Mad Men
  • Rami Malek – Mr. Robot
  • Bob Odenkirk – Better Call Saul
  • Kevin Spacey – House of Cards

Best Performance by a Female Actor in a Drama Series

  • Claire Danes – Homeland
  • Viola Davis – How to Get Away with Murder
  • Julianna Marguilles – The Good Wife
  • Maggie Smith – Downton Abbey
  • Robin Wright – House of Cards

Best Performance by an Ensemble in a Comedy Series

  • The Big Bang Theory
  • Key and Peele
  • Modern Family
  • Orange is the New Black
  • Transparent
  • Veep

Best Performance by a Male Actor in a Comedy Series

  • Ty Burrell – Modern Family
  • Louis CK – Louie
  • William H. Macy – Shameless
  • Jim Parsons – The Big Bang Theory
  • Jeffrey Tambor – Transparent

Best Performance by a Female Actor in a Comedy Series

  • Uzo Aduba – Orange is the New Black
  • Edie Falco – Nurse Jackie
  • Ellie Kemper – Unbreakable Kimmy Schmidt
  • Julia Louis-Dreyfus – Veep
  • Amy Poehler – Parks and Recreation

Best Performance by a Male Actor in a TV Movie or Mini-Series

  • Idris Elba – Luther
  • Ben Kingsley – Tut
  • Ray Liotta — Texas Rising
  • Bill Murray – A Very Murray Christmas
  • Mark Rylance – Wolf Hall

Best Performance by a Female Actor in a TV Movie or Mini-Series

Best Performance by a Stunt Ensemble in a Comedy or Drama Series

  • Blacklist
  • Game of Thrones
  • Homeland
  • Marvel’s Daredevil
  • The Walking Dead

Inside Out and Anomalisa Get Some Love From Annie!


Inside_Out_(2015_film)_poster

The nominations for the Annie Awards were announced today!  The Annie Awards honor the best in animation.  Looking over the list of nominees, my initial thought is, “Wow, that’s a really long list!”  So, I’m just going to post the nominations for Best Animated Feature Film and Best Achievement For Voice Acting In A Feature Film.  You can view the complete list over at my favorite site for Oscar news, Awards Circuit!

(FYI: I love Awards Watch as well.  For those of you still clinging onto Awards Daily, it’s time to jump ship.)

Anyway, here are (some of) the Annie nominations!

Best Animated Feature 

Outstanding Achievement, Voice Acting in an Animated Feature Production

  • Anomalisa – Paramount Pictures – Cast: Jennifer Jason Leigh Character: Lisa Hesselman
  • Inside Out – Pixar Animation Studios – Cast: Amy Poehler Character: Joy
  • Inside Out – Pixar Animation Studios – Cast: Phyllis Smith Character: Sadness
  • Minions – Illumination Entertainment – Cast: Pierre Coffin Character: The Minions
  • Minions – Illumination Entertainment – Cast: Jon Hamm Character: Herb Overkill
  • The Peanuts Movie – Blue Sky Studios, Twentieth Century Fox Animation – Linus: Alex Garfin Character: Linus
  • The Peanuts Movie – Blue Sky Studios, Twentieth Century Fox Animation – Lucy: Hadley Belle Miller Character: Lucy
  • The SpongeBob Movie: Sponge Out of Water – Paramount Animation – Cast: Tom Kenny Character: SpongeBob

Shaun_the_Sheep_MoviePoster

Here Are The Winners of The 2015 Hollywood Film Awards, Whatever The Hell Those Are.


The_Martian_film_poster

Oh my God, y’all — the Hollywood Film Awards were held on Sunday and a bunch of potential Oscar contenders were honored!  Which all leads to one very important question:

What the Hell are the Hollywood Film Awards?

As I pondered that question, I realized that I had vague memories of sitting through the Hollywood Film Awards last year.  The ceremony was broadcast on CBS and it was distinguished from other awards shows in that there were no nominees.  Instead, only the winners were announced.  It was so amazingly dull and I can remember watching it and thinking, “Awards season has finally jumped the shark.”

(And this was even before Sasha Stone and Jeff Wells had their annual breakdowns…)

Anyway, the Hollywood Film Awards for 2015 were given out on Sunday and I’m assuming they weren’t televised.  (I was busy watching A Student’s Obsession anyway…)  You can find the winners below.  For the most part, it’s a pretty boring list (and why give out awards in November?) but it does allow us an early glimpse into some of the films and performers that are contending for Oscar gold.

Here’s the list.  Along with a gif of a kitty showing just how excited he is over Awards Season…

YAY! AWARDS! I'M SO EXCITED..I'M SO EXCITING...I'M SO ... SCARED!"

“YAY! AWARDS! I’M SO EXCITED..I’M SO EXCITED… I’M SO … SCARED!”

Career Achievement Award presented to Robert De Niro by David O. Russell.

Producer Award presented to Ridley Scott (“The Martian) by Russell Crowe.

Director Award presented to Tom Hooper (“The Danish Girl”) by Amber Heard.

Actor Award presented to Will Smith (“Concussion”) by Jamie Foxx.

Actress Award presented to Carey Mulligan (“Suffragette”) by Jake Gyllenhaal.

Supporting Actor Award presented to Benicio Del Toro (“Sicario”) by Reese Witherspoon.

Supporting Actress Award presented to Jane Fonda (“Youth”) by Laura Dern.

Breakout Actor Award presented to Joel Edgerton (“Black Mass”) by Johnny Depp, Dakota Johnson.

Breakout Actress Award presented to Alicia Vikander (“The Danish Girl”) by Armie Hammer.

New Hollywood Award presented to Saoirse Ronan (“Brooklyn”) by Ryan Gosling.

Ensemble Award presented to “The Hateful Eight” by Quentin Tarantino.

Breakout Ensemble Award presented to “Straight Outta Compton” by Ice Cube.

Comedy Award presented to Amy Schumer (“Trainwreck”) by Selena Gomez.

Breakthrough Director Award presented to Adam McKay (“The Big Short”) by Steve Carell.

Screenwriter Award presented to Tom McCarthy, Josh Singer (“Spotlight”) by Mark Ruffalo.

Blockbuster Award presented to “Furious 7” by Kurt Russell.

Song Award presented to “Furious 7” (“See You Again”) by Vin Diesel.

Animation Award presented to Pete Docter (“Inside Out”) by Amy Poehler.

Cinematography Award presented to Janusz Kaminski (“Bridge of Spies”).

Composer Award presented to Alexandre Desplat (“The Danish Girl,” “Suffragette”).

Documentary Award presented to Asif Kapadia (“Amy”).

Editor Award presented to David Rosenbloom (“Black Mass”).

Visual Effects Award presented to Tim Alexander (“Jurassic World”).

Sound Award presented to Gary Rydstrom (“Bridge of Spies”).

Costume Design Award presented to Sandy Powell (“Cinderella”).

Make-Up and Hair Styling Award presented to Lesley Vanderwalt (“Mad Max: Fury Road”).

Production Design Award presented to Colin Gibson (“Mad Max: Fury Road“).

"Yawn. These awards are boring..."

“Yawn. These awards are predictable and boring.  You disappoint me…”

Pixar Does It Again With Inside Out


Inside_Out_(2015_film)_posterInside Out is the latest brilliant film from Pixar’s Pete Docter and it will remind you why you fell in love with Pixar in the first place.

There are no talking cars or lovable monsters in Inside Out.  Instead, it’s the story of a very normal 12 year-old girl named Riley (voiced by Kaitlyn Dias).  Or rather, it’s the story of what goes on in her head.  For most of the movie, Riley deals with experiences to which we can all relate: she moves to a new city, she struggles to relate to her well-meaning parents (voiced by Kyle MacLachlan and Diane Lane), and she tries to fit in at a new school.  Inside Out is a film about the small moments of life and how they all add up to create a bigger picture.

What sets Inside Out apart is the way that it tells its deceptively simple story.  Inside Out takes place almost entirely inside of Riley’s brain.  And it turns out that her mind is gigantic wonderland, one that is so big and complex that not even the characters who live there quite understand how it all works.  Bing Bong (Richard Kind), a pink half-elephant, half-cat, half-dolphin creature, spends his time wandering through the halls of memory and mournfully thinking back to when he was Riley’s imaginary friend.  Whenever Riley goes to sleep, the actors and directors at Dream Productions film a different nightly movie.  Meanwhile, Imagination Land is a fun place to visit but not a good place in which to live and past childhood traumass — like a gigantic stalk of broccoli and a terrifying birthday clown — are locked away deep in Riley’s subconscious, where they are guarded by officious policemen.   Zigzagging through this mental landscape is the literal Train of Thought.

And then, above it all, there’s Headquarters.  This is where five different emotions take turns “steering” Riley through life.  Fear (Bill Hader) is always nervous but, at the same time, keeps Riley safe.  Disgust (Mindy Kaling) prevents Riley from eating broccoli and hanging out with the wrong crowd.  Sadness, meanwhile, hasn’t had much to do over the past 12 years and, as a result, she spends most of her time standing in a corner and feeling … well, sad.  Sadness is voiced by Phyllis Smith, best known for playing Meredith on The Office.  Smith proves herself here to be a strong and empathetic voice artist.

Their unquestioned leader is Joy (Amy Poehler).  As befits her name and job, Joy is always positive, always upbeat, and always optimistic.  For 12 years, Joy has been in charge of steering Riley’s life but that all changes when Riley and her family move to San Francisco.  Suddenly, Joy finds it more difficult to keep Riley permanently happy.  Memories that were formerly color-coded yellow for happy start to turn blue.

When both Joy and Sadness are accidentally expelled from the Headquarters, it’s up to the three remaining emotions to try to keep Riley well-balanced until they can return.  However, the journey back up to the Headquarters is a long and dangerous one, full of some of the most imaginative (and metaphorical) imagery in Pixar’s history.  Joy and Sadness will have to work together to make it.

And really, that’s what makes Inside Out so special.  It’s the rare family film that acknowledges that allowing ourselves to feel sad is often as important as being happy.

Inside Out is a brilliant coming-of-age story and one of the best films of the year.  It’s a film that will make you laugh and cry and will remind you of why you fell in love with Pixar in the first place.  Kids will love the humor and adults … well, adults will probably be trying to hold back the tears.

What a great film!

Thank you, Pixar.

http://www.youtube.com/watch?v=7ZLOYXKmIkw

Shattered Politics #79: Man of the Year (dir by Barry Levinson)


Man_of_The_Year_(2006_film)

The 2006 comedy Man of the Year is a difficult film to review.  Some of that is because it’s not that interesting of a film.  It’s simplistic and predictable.  In fact, the only reason that I’m reviewing this film for Shattered Politics is because I needed an example of a bad, mainstream political film.

However, that’s not the only reason why it’s difficult to write about Man of the Year.  The bigger reason is that Man Of The Year stars Robin Williams and, in many ways, it’s typical of one of his later lesser films.  After his tragic death, it’s even harder to watch Robin Williams waste his talents in a bad film.

And, make no mistake about it, Man of the Year is a bad film.

Robin Williams plays Tom Dobbs.  Dobbs, we are told, is the most famous political commentator in America.  Watching the film, it’s obvious that Dobbs is meant to be the film’s equivalent of Jon Stewart and Stephen Colbert.  However, the difference is that Stewart and Colbert are both obviously liberal whereas, from what little we see of Tom Dobbs show, Dobbs doesn’t appear to have any positions beyond the few vague platitudes that pass for political thinking in most mainstream films.  Dobbs is against special interests.  He’s against career politicians.  He’s against … well, he’s against everything that most people are against and for everything that most people are for.  About the closest that Tom Dobbs come to being edgy is when he makes a stupid joke about Pope Benedict being German.

Anyway, Dobbs is recruited to run for President and he manages to get on the ballot in 13 states!  And he’s even doing well because, apparently in this film’s version of reality, Catholic voters have no problem supporting someone who makes fun of Pope Benedict for being German.  And he’s even invited to take part in a presidential debate.  When asked his first question in the debate, Dobbs starts talking and, because he’s being played by Robin Williams, he doesn’t stop.  The debate spirals out-of-control.  Dobbs goes on and on about the state of America, all the while assuming weird accents and slipping in and out of different personalities.

“Oh my God,” I thought, “he’s had a nervous breakdown.”

Except, of course, he hasn’t.  And, since this is a movie, everyone in America loves his performance.  On election night, Tom Dobbs apparently wins all 13 of his states and he’s elected President!

Except, of course, he hasn’t been.  It turns out there was an error with the voting machines.  Eleanor Green (Laura Linney), who works at the company that built the machines, figures out what happened.  In order to keep her from revealing the truth, the company drugs her and attempts to destroy her credibility and…

Wait, this is a Robin Williams comedy, isn’t it?  Well, it is and it isn’t.  Half of the film is devoted to Tom Dobbs saying things that are supposed to be funny but the other half deals with Eleanor trying to expose a giant cover-up without getting killed.  Director Barry Levinson can’t seem to figure out whether his film is supposed to be an unfunny comedy or a boring drama.  So, he tries to do both and … well, taken by that criteria, the film actually works.  If Levinson set out to be unfunny and boring, he succeeded.

One of the biggest dangers of making a film about a comedian is that, for the film to work, you have to believe that people would actually find the comedian to be funny.  When the jokes aren’t funny, it doesn’t matter how many reaction shots of people laughing that you stuff into the film.  Man of the Year is full of reaction shots.  During the debate, we continually see Eleanor’s teenage son laughing.  (How many teenagers, other than the weird ones and the ones assigned to do so for homework, actually watch a presidential debate?)  During one particularly painful moment, Tom starts rambling while traveling on the campaign bus and we are subjected to countless reaction shots of Christopher Walken and Lewis Black laughing so hard that they look like they might faint from exhaustion.

The problem is that it’s rare that a few hundred people will all start laughing and stop laughing at the exact same time.  Whenever you listen to a truly good comedian, you always hear a few giggles that indicate that at least a few audience members are still thinking about the last joke or else that they’re anticipating the next joke.  Often times, when a comedian says something especially funny or unexpected, you don’t even hear laughter.  You might hear a gasp of shock.  You might hear tittering.  You might hear applause.  You might hear someone shouting like they’re at a sporting event.

What I’m saying is that everyone reacts to humor in their own individual way.  Everyone has a laugh of their very own.  Uniform laughter, like the laughter in Man of the Year, sounds fake because it is fake.

Add to that, nothing that Tom Dobbs says is particularly funny.

So, no — don’t watch Man of the Year.  Watch Dead Poets Society.  Watch Good Will Hunting or Awakenings.  You could even watch Cadillac Man!  But don’t watch Man of the Year.

A Few Thoughts On The 2015 Golden Globes!


GG

So, normally, this where I’d make a few disparaging remarks about the nature of celebrity in American society and also a few jokes about how my boobs are the real golden globes.  But I’m not going to do that.  (Or, at the very least, I’m not going to do that right now.)  At this moment, as I think back on the Golden Globes, I am too excited to be snarky.

This was a historic night.

For perhaps the first time in Golden Globe history, both of the winnings films — The Grand Budapest Hotel for comedy and Boyhood for drama — were directed by native Texans.  Richard Linklater grew up around Houston and lives in Austin.  Meanwhile, Wes Anderson was raised in Dallas and, along with Owen and Luke Wilson, attended St. Mark’s!

That’s right, America.

Two great films won tonight and you have my homestate to thank for both of them.

Take that, Vermont!

(Just kidding, Vermont.  I remember how sensitive people are up there.)

(Because, God forbid, there should ever be a moment when anyone dares joke about a state north of West Virginia.)

(Love you, mean it.)

It was a good night.  Not only were my fellow Texans honored but so were my fellow redheads.  Amy Adams won Best Actress (Comedy) for Big Eyes.  Julianne Moore won Best Actress (Drama) for Still Alice.  I have yet to see either one of those films so I can’t really say much about either performance but, for me, it doesn’t matter.  After spending years of having to deal with the rampant anti-redhead prejudice that runs through this society, it was good to finally to see some of my flame-haired sisters getting some recognition.

In other news, Michael Keaton won for Best Actor (Comedy) for Birdman and he gave a speech that nearly made me cry.  Patricia Arquette won Best Supporting Actress for Boyhood and gave a speech that did make me cry.  And then Amy Adams gave her acceptance speech and it was so heartfelt and eloquent that it should be the speech by which all future speeches are judged.  Before any of those three won, J.K. Simmons picked up Best Supporting Actor for his performance in Whiplash and he gave an acceptance speech that left me amazed that such an intimidating actor could also be such a nice guy.

In many ways, it was a great night.

And then, in some other ways, it most definitely was not a great night.

For the most part, Tina Fey and Amy Poehler seemed to just be going through the motions, secure in the knowledge that people would laugh and applaud regardless of what they actually said because, at this point, people feel obligated to do so. However, good for them for calling out Bill Cosby on his bullshit and saying what everyone knows is true.

I was not a fan of Margaret Cho’s North Korean observer.  Not only was it offensive but it was a bit hypocritical as well.  This is an industry that, up until three weeks ago, was terrified of North Korea, to the extent that they were even willing to shut down movies to avoid offending a dictator who is a legitimate contender for the title of Worst Living Human Being.  However, the Alamo Drafthouse — a Texas theater, I might add — had the guts to show The Interview, the world did not end, and now suddenly Hollywood wants credit for standing up to North Korea.

Of course, the main reason that the film industry is willing to make fun of North Korea is because there’s no money to be made there.  The people who are patting themselves on the back for “standing up” to North Korea are probably the same people who rationalize doing business with equally oppressive but far more financially lucrative regimes across the world.

Finally, I guess my main problem with the Golden Globes this year is that it just wasn’t the type of train wreck that we’ve come to expect from the Hollywood Foreign Press Association.  All of the presenters (except for Ricky Gervais) appeared to be sober.  Only one winner had to have his speech censored.  (A lot of people on twitter loved Kevin Spacey’s acceptance speech.  I thought it came across as being calculating and manipulative — which, I guess, is one reason why Spacey makes for such a convincing Frank Underwood.)  Everyone was on their best behavior.

And I can understand that.  With the murders in Paris and the worldwide attacks on free speech, this was perhaps the time for everyone to be serious.  But, still, I wanted to see just one thoroughly incoherent speech.  That’s what we watch the Golden Globes for, isn’t it?

So, ultimately, a mixed review for the Golden Globes.  Ultimately, though, it was a good night for Texas filmmakers so I’m happy.

Add to that, it gave me my annual excuse to arch my back and declare, “I’ll show you a pair of golden globes!”

It was a good night.

Finally — Some Oscar News!


Finally, I have some concrete, nonspeculative, 100% verified Oscar news to share with y’all!

Yesterday, it was announced that the host of next year’s ceremony will be …. Neil Patrick Harris!

Now, that news isn’t really shocking or surprising.  Neil Patrick Harris has been hosting everything lately.  He’s hosted the Tonys.  He’s hosted the Emmys.  It’s about time that he got a chance to host the Oscars.

I have to admit that I think it’s a little bit silly the amount of importance that some commentators put on who exactly is going to host the ceremony.  Usually, it really doesn’t make that much of a difference.  Seth McFarlane was criticized when he hosted.  Ellen DeGeneres was acclaimed.  But ultimately, did either one of them really make a difference?  It all comes down to what the winners are wearing, what they say in their speeches, and whether or not there are any surprises or upsets.  The host is just kind of there.

(I mean, Ellen did a good job and all but oh my God, did I ever get sick of every group on the planet trying to do their own version of the Oscar selfie….)

I know some of my friends were hoping that Tina Fey and Amy Poehler would host the Oscars.  Honestly, though, both Tina and Amy have lately started to remind me of the type of girls in high school who would judge you for wearing a short skirt.  There’s a certain tyranny of thought right now that says we have to love everything that Tina and Amy do but I personally think I’ll be much happier with Neil Patrick Harris.

And who knows?  Gone Girl could be an Oscar contender this year and, depending on how much the Academy actually embraces it, Harris could be both the host and a nominee, an accomplishment most recently achieved by James Franco.

Anyway, the main reason I’m happy about this news is because it means that Oscar season is here!  Soon, all of the Oscar films will have been seen and reviewed.  The critics groups will be voting.  The campaigns will be starting.

And it will officially be a good time to be alive…

"Take me to the Oscars!"

“Take me to the Oscars!”

 

What Lisa Marie Watched Last Night #64: The 70th Annual Golden Globes


Last night, I watched the 70th Annual Golden Globe awards.  Judging from twitter, so did a lot of other people.  All I can say is that I hope my golden globes are as popular as this show when they’re 70 years old.

Why Was I Watching It?

I have to admit that I nearly didn’t watch it because I was in kind of a crappy mood on Sunday night.  Seriously,that night,  my twitter timeline was a testament to just how annoyed this little redheaded Irish girl can get.  But, in the end, I decided that I had to watch the Golden Globes because, even though I don’t care much for rich celebrities, I do love movies, I love TV, and I love award shows.  Add to that, I knew that if I didn’t watch the Golden Globes that would mean missing out on a chance to make countless references to my boobs and I just couldn’t do that to my followers on twitter.

What Was It About?

It was about celebrities getting drunk and winning awards and getting bleeped while delivering their acceptance speeches.  It was about the fact that the members of the Hollywood Foreign Press Association will do anything to get George Clooney to come hang out with them.  It was about Tommy Lee Jones glaring, Jodie Foster rambling, and Quentin Tarantino using the n-word backstage.  It was about Ben Affleck winning Best Director and Argo beating Lincoln for best film.  It was about star fucking and star mocking.  It was the best of award shows and it was the worst of award shows.  In short, it was the Golden Globes.

What Worked?

To be honest, the 70th annual Golden Globes were a lot of fun.  The show moved quickly and most of the jokes were actually funny.  The assembled stars started drinking early and I think that helped out a lot.

Among those who won Golden Globes, the best acceptance speeches were given by Lena Dunham, Christoph Waltz, Ben Affleck, and Daniel Day-Lewis.  A lot of people were critical of Anne Hathaway’s acceptance speech but I thought it was sweet and genuine.

My favorite winner was Jennifer Lawrence, mostly because she specifically started her speech by mentioning that she had beaten “Meryl.”  Some people on twitter felt that was a bit rude but, quite frankly, I’ve grown tired of Meryl Streep showing up at every awards ceremony looking like grandma in a prom dress.

(Meryl, incidentally, was not at the Golden Globes last night because she had the flu.)

I thought Will Ferrell and Kristen Wiig were funny when they did their little introduction for the Best Actress (Comedy/Musical) award but I thought Tommy Lee Jones’ annoyed glare was even funnier.

Tina Fey (who looked great) and Amy Poehler (who did not) were both great hosts and I loved Poelher’s joke about how torturous it must have been for Kathryn Bigelow to be married to James Cameron.  That’s one of the great things about the Golden Globes.  Unlike at the Oscars, people are willing to make jokes about James Cameron.

Unlike a lot of people, I found Jodie Foster’s “coming out” speech to be funny and wonderfully human.  That said, I wasn’t aware that Jodie Foster was ever in the closet.  Seriously, worst kept secret ever.

It was a genuinely exciting and nice moment when Argo was announced as the winner for Best Motion Picture (Drama), defeating the heavily favored Lincoln. While I liked both of those films, there is a definite backlash brewing against the seeming inevitability of Lincoln’s victory.

Finally, Sacha Baron Cohen was pretty annoying but, on the plus side, he did take the time to insult Russell Crowe’s singing.  As anyone who has ever watched South Park knows, this means that Crowe is going to jump in his tug boat and head off on a quest for vengeance.

And that’s the way things should be.

What Did Not Work?

A lot of people on twitter were really excited when Bill Clinton came out on stage to introduce the clip for Lincoln.  Myself, I hit mute as soon as I saw him.  I don’t watch awards shows to see redneck politicians.  Add to that, having Bill Clinton introduce Lincoln was yet another example of the nonstop hype that has led to people resenting both Steven Spielberg and his latest film.

The Golden Globes used to be a fun precursor to the actual Oscar nominations so it was hard not to be disappointed that, under this new schedule, the Golden Globes were awarded after the Oscar nominations had been announced.

“OMG!  Just like me!” Moment

"I'll show you some Golden Globes!"

“I’ll show you some Golden Globes!”

Lessons Learned

None.  I was too stubborn last night to learn any lessons.