Lisa Marie’s Week In Television: 3/29/26 — 4/4/26

I watched an episode of this classic detective series on Tuesday. Maury Chaykin was a great Wolfe and Timothy Hutton was a wonderful Archie Goodwin. The late James Tolkan also appeared in the episode, wearing an eyepatch.

Saved By The Bell (Tubi)

My review of Saved By The Bell will drop in 30 minutes.

Show Me A Hero (HBO Max)

“….and I’ll show you a tragedy.” I rewatched this 2015 HBO miniseries on Wednesday. The miniseries dealt with the fight over low-income housing in Yonkers, New York and it starred Oscar Isaac as Nick Wasicsko, who went from being elected mayor at the age of 28 to committing suicide 6 years later. Supporting roles were played Catherine Keener, James Beluhsi, Peter Riegert, Jon Bernthal, Winona Ryder, Alfred Molina, and Carla Quevado. The show was written by David Simon and each episode was directed by Paul Haggis. Not surprisingly, several actors from The Wire popped up in small roles.

Show Me A Hero really impressed me when it originally aired. Rewatching it, it still held my attention but I could see that the miniseries was a bit more heavy-handed than I remembered and that Simon and Haggis were clearly more interested in the political storyline than they were in the stories of the people who eventually moved into the new housing developments. Some of the performances were better than other. Catherine Keener and Winona Ryder both overacted while, cast as the show’s three mayors, Belushi, Isaac, and Molina all gave strong performances. Carla Quevado was exceptionally good as Isaac’s wife.

In the end, Show Me A Hero works best as a portrait of an ambitious politician who peaked too young, suffered due to things out of his control, and then spent the rest of his life trying to regain his lost promise. Some people feel that Nick Wasicsko was a hero. This miniseries ultimately focuses on the tragedy.

St. Elsewhere (Daily Motion)

I reviewed St. Elsewhere here.

TV 2000 (NightFlight Plus)

Jeff and I watched an episode of this old 80s music program on Friday night. John Kassir, who played the kicker on 1st and Ten and who would later voice the Crypt Keeper on Tales From the Crypt, was one of the hosts. He was a bit hyperactive.

Retro Television Review: Baywatch 1.18 “Shark Derby”

Posted on April 4, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001. The entire show can be viewed on Tubi.

This week, a lifeguard dies!

Episode 1.18 “Shark Derby”

(Dir by Gregory J. Bonann, originally aired on March 2nd, 1990)

Hey, remember Jill?

Jill, played by Shawn Weatherly, was a major character at the start of the season. She was the tough, seasoned lifeguard who was one of Mitch’s best friends. She was also Shauni’s mentor. If Shauni was often silly and superficial, Jill was all business. She also had a brief flirtation with Trevor, before Trevor vanished from the show.

As the first season progressed, Jill became less and less important. In this week’s episode, Jill finally gets to do something, She dies! She dies after being attacked by a shark who was drawn to the beach by an unethical restaurant owner (Peter Brown) who has been pouring chum into the ocean and who has also placed some sort of transmitter underwater that sends out a high-pitched tone that only sharks can hear. The restauranter is just doing it to promote his annual shark derby. However, when one of the sharks attacks a raft full of school children, Jill swims out into the ocean to save them. And she ends up getting bitten by a shark. She doesn’t lose any limbs. In fact, we don’t see any blood at all. But, at the hospital, it’s announced that Jill has over two hundred sutures. Yikes!

Despite getting chomped by a shark, it first appears as if Jill will survive. But towards the end of the episode, even as she’s preparing to leave the hospital, she develops a blood cot that kills her, off-screen. David Hasselhoff gets to show off his ability to cry onscreen. To be honest, that’s the main reason this episode works. We don’t really know enough about Jill to get too emotionally involved in her situation. But Hasselhoff is so incredibly earnest and sincere in his grief that he gets to you. Jill must have been someone amazing if the Hoff is crying.

This episode was shameless and emotionally manipulative and it was pure Baywatch. This episode also featured a record number of slo mo of doom scenes. The shark attacked in slow motion. Jill and Craig yelled at people to get out of the water in slow motion. Is it really slow motion if no one yells? I’m not sure.

So, Jill is dead. But the Hoff and the rest are still alive and ready to save swimmers across California.

Late Night Retro Television Review: Freddy’s Nightmares 2.7 “Silence is Golden”

Posted on April 3, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Tubi!

Mimes are evil!

Episode 2.7 “Silence Is Golden”

(Dir by Charles Braverman, originally aired on November 19th, 1989)

“Here’s what on my mind tonight!” Freddy Krueger tells us as this episode starts.

Our first story is about radio DJ Rick Rake (Jeff Yagher), who has a mullet, a leather jacket, and a bad attitude. “I say what I think and I think what I say,” Rick says. When he’s visiting the park with his wife, Sheila (Sherry Hursey), a listener attempts to pick a fight with Rick. Rick throws a punch and accidentally hits a mime (Abie Selznick).

Eh, who cares? We all hate mimes, right?

Unfortunately, The mime carries a silent grudge and soon, Rick is haunted by visions of the mime everywhere. When Sheila is sucked into the ground and buried alive, the police say it was a sinkhole but Rick knows that it was the mime. Rick goes on the radio and announces that all mimes should be hunted down and killed. Rick sees the mime in the studio and, going after him, ends up taking a literal rake to the throat. Rick survives but he can no longer speak …. JUST LIKE A MIME!

In the second story, we discover that the mime is named Kip and he’s also a professional burglar. He steals to keep his girlfriend (Kim Morgan Greene) happy but he’s haunted by nightmares involving mistakes and death. When he learns that the last two people he robbed have turned up dead, Kip worries that he’s being set up. And, of course, he is.

At the end of the episode, Freddy reminds us that he’s dead so he can never be a mime or a DJ. Sorry, Freddy. You kind of brought it on yourself, though.

The first story actually worked fairly well, just because mimes are creepy. The second story was basically a noir with nightmares. I think it might have worked a bit better if Kip had just been an ordinary guy as opposed to a mime. The show never really explained if he was the same mime who killed Sheila and silenced Rick or was he just another mime in Springwood.

How many mimes are there in that town? No wonder Freddy went crazy.

Retro Television Review: St. Elsewhere 3.14 “Whistle, Wyler Works”

Posted on April 3, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988. The show can be found on Daily Motion.

This week, we learn why almost all of Morrison’s patients seem to die.

Episode 3.14 “Whistle, Wyler Works”

(Dir by David Anspaugh, originally aired on January 2nd, 1985)

It’s another busy day at St. Eligius.

Having finally found a kidney donor, Dr. Westphall performs the transplant. Tshalla (Larry B. Scott) gets a new kidney but Dr. Wyler is shaken to discover that, while he’s been working in Africa, surgical techniques in America have progressed to the point that Wyler now feels undertrained.
Having managed to alienate even the super patient Dr. Morrison, Mrs. Hufnagle is now working her “charm” on Bobby Caldwell. Caldwell tells Hufnagle that she doesn’t really need plastic surgery but Hufnagle seems to really want it.
Victor freaks out when he’s not included to assist in Dr. Craig’s latest big surgery. A chance meeting with Ellen Craig leads to Victor confessing that his father died when he was young and that he’s always been looking for a new father figure.
Ellen snaps at Mark for not understand how much Victor looks up at him. Yay! I always like it when Ellen stands up to Mark. That Bonnie Bartlett and William Daniels were (and are) married in real life always adds an extra snap to these scenes.
Elliott appears to have a crush on one of Nurse Rosenthal’s daughters. There’s no way that’s going to end well.
Dr. Chandler returns from vacation (in reality, Denzel Washington was probably busy filming a movie) and deals with a patient (Jay Tarses) who is also a bigamist.
When the representative of a fly-by night medical school approaches Luther and tries to get him to enroll, Auschlander kicks the smarmy representative out of the hospital. Before the rep leaves, he mentions that St. Eligius already has at least one of his school’s graduates on staff.
Yep, it’s Jack Morrison.

It’s already been established that Jack got his medical degree from a Mexican medical school. In this episode, it’s further established that, whereas most doctors spends years in medical school, Jack graduated after six months. Jack explains that he still passed all of the tests that he was required to take but that he was also given credit for his life experience of working as a pharmaceutical rep.

Dr. Westphall is not amused. If someone could learn how to be a doctor that quickly, Westphall says, wouldn’t we all being doing it? Westphall points out that he put his reputation on the line to keep Jack around as a second-year resident. Westphall also says that this explains why Jack always seems to be misdiagnosing his patients and …. well, I think Westphall has a point!

This was not a bad episode, though I’m a bit weary of this Dr. Wyler storyline. Wyler doesn’t do much other than feel sorry for himself. I’m far more interested to see where things will be going with both Victor and Jack.

Late Night Retro Television Review: Highway to Heaven 5.12 “It’s A Dog’s Life”

Posted on April 2, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989. The entire show is currently streaming on Tubi and several other services!

This week’s episode is a strange one.

Episode 5.12 “It’s A Dog’s Life”

(Dir by Michael Landon, originally aired on July 28th, 1989)

One night, after Jonathan foils a mugging by using “the stuff” to turn the mugger’s gun into a water pistol, Mark sits down on a curb, lies down in the grass, and bemoans that he never gets to do anything on his own. He never gets “the stuff.” He has to worry about his health while Jonathan, already being dead, cannot be hurt again. Why, he wonders aloud, does he always have to be “Jonathan’s dog?”

When Mark opens his eyes, Jonathan is gone. However, there is a dog sitting next to him. Convinced that the Boss has 1) turned Jonathan into a dog and 2) given Mark “the stuff,” Mark proceeds to reunite a runaway with his family and he also thwarts a convenience store robbery. When the dog indicates that it wants to live with the runaway and his family, Mark sadly returns to the shabby hotel where he and Jonathan were staying. He sees a man standing out on a ledge, threatening to jump.

“My first solo assignment!” Mark says.

Mark runs upstairs and climbs out onto the ledge. He tells the suicidal man that he has no fear of falling because he has the stuff. Suddenly, Jonathan appears and tells Mark to get back inside before he falls. Jonathan reveals that Mark never had the stuff and that Jonathan was never a dog. Instead, Jonathan was just off on another assignment.

Mark falls off the ledge.

Oh no, Mark’s dead!

No, actually Mark is dreaming. Mark wakes up in his hotel room and realizes that Jonathan is gone. But the dog is taking a bath….

And the episode ends!

The second-to-last episode of Highway to Heaven is an odd one. With Jonathan gone for the majority of the episode, Victor French gets the opportunity to carry a story on his own. Sadly, French himself would die before this episode aired. Unfortunately, while French is fine in this episode, the story itself is presented in the rather cartoonish style that Highway to Heaven always used whenever it featured a comedic episode. The runaway’s mother is portrayed as being such a loon that’s hard not to think that the kid would be better off on his own. As well — is Jonathan a dog or not!? The episode’s refusal to answer this question is a bit annoying.

Next week, we will finish up Highway to Heaven with the show’s final episode.

Retro Television Review: Decoy 1.25 “High Swing”

Posted on April 2, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958. The show can be viewed on Tubi!

This week, Casey investigates an elderly crime lord.

Episode 1.25 “High Swing”

(Dir by David Alexander, originally aired on March 31st, 1958)

Casey rides to the hospital with a young woman named Anne (Zohra Lampert). Anne has overdosed on heroin. Before she dies, Anne tells that Casey that she was poisoned by an old man named Otto Flagler (Albert Dekker). After learning that Anne was a pickpocket, Casey goes undercover as a thief until Otto Flagler approaches her and invites her to come live and work with him and his wife, Lily (Edith Atwater).

Casey is shocked to discover that Lily is in a wheelchair, the result of an accident that occurred when Lily was a trapeze artist. Otto is a mugger because he needs the money to take care of his wife. Casey even starts to feel sorry for Oto and Lily. That said, Casey is still a cop and she has a job to do. When Otto realizes that he and his wife are about to be arrested, he slips heroin into their coffee. By the time the police arrive, both Otto and Lily are dead.

Casey is upset. One of the other cops offers to buy her a cup of coffee. Casey says that she won’t be drinking coffee for a while.

This was a sad episode. Casey didn’t really have to do much to solve the mystery. The whole point of the episode was that Otto and Lily were not master criminals. They were two people who loved each other and found themselves in a desperate situation. That said, Otto did murder Anne so let’s not feel too sorry for him.

Albert Dekker and Edith Atwater both gave good performances and, as always, Beverly Garland was excellent in the role of Casey. This was a good episode.

Late Night Retro Television Review: 1st & Ten 3.9 “The Brink of Death”

Posted on April 1, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, OJ has some wisdom to share.

Episode 3.8 “The Brink of Death”

(Dir by Bruce Seth Green, originally aired on November 4th, 1987)

There’s a lot happening in this week’s episode.

For instance, Bubba and Jethro now own the bar where all of the Bulls hang out. To be honest, I thought they always owned the bar but apparently, they didn’t. As I’ve said a few times in the past, the way these episodes were edited for syndication occasionally makes it a bit difficult to actually follow the storyline.

Wide receiver Billy Cooper (Michael Toland) was kidnapped by Stuart (Richard Tanner), the nerdy guy whose girlfriend Billy stole. Stuart wrapped up Billy in a straight jacket, forced him to wear a “Dumb Jock” label on his forehead, and then filmed him screaming in fear of a bunch of fire ants. Billy’s girlfriend dumped him because Stuart was “more interesting.”

But the main plotline dealt with Dr. Death, the defensive player who was played by Donald Gibbs. While playing against Oakland, many of the Bulls were tackled by Joe “The Terminator” Morgan (Andre Newman), a notoriously dirty player. Dr. Death decided to get revenge by tackling Joe Morgan during a kick return, even though Joe had signaled for something called a fair catch. (I guess that meant that no one was supposed to touch Joe.) Joe Morgan ended up in the hospital. The owner of the Oakland team pressured Joe to press assault charges against Dr. Death, who was already feeling guilty about injuring Joe as severely as he did.

It was up to O.J. Simpson to talk some sense into Joe Morgan. O.J. went to the hospital and told Joe that football was all about getting injured. O.J. asked Joe if this was the way he wanted to go out.

By appealing to Joe’s desire to be remembered as a killer football player, OJ is able to convince Joe to drop the charges.

(I should mention that OJ himself was an early contender for the role of the actual Terminator.)

O.J. Simpsons saved the day again!

Retro Television Review: The Love Boat 7.13 “The Misunderstanding/Love Under The Decks/The End Is Near”

Posted on April 1, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!

And love won’t hurt anymore….

Episode 7.13 “The Misunderstanding/Love Below Decks/The End Is Near”

(Dir by Robert Scheerer, originally aired on December 10, 1983)

There’s all sorts of misunderstandings on this week’s cruise.

Karen Stevens (Morgan Brittany) is convinced that her mother, film star Nancy Fairchild (Clair Trevor), didn’t want her or love her. Nancy appeals to Karen’s husband (James Houghton) to help bring about a reconciliation. Karen apparently did her research because there’s something about the Pacific Princess that always helps retired film stars to either find love or fix their familial relationships.

“Dutch” Boden (Vic Tayback) is the rough and plain-spoken ship’s engineer. He thinks that Ellen Kirkwood (Arlene Dahl) is the Captain’s girlfriend. Instead, Ellen is the widow of one of Stubing’s old friends. Stubing worries that Dutch is bothering Ellen. Instead, Dutch and Ellen are falling in love. This is one of the rare episodes where we get to see how the crew lives on the below decks. Their cabins are really small!

Finally, newlywed Felix (Lou Richards) and Andrea (Delta Burke) are worried that the world is going to end. When the world doesn’t end at the appointed time, Felix fears that maybe he based his calculations on Eastern Time. Since the Love Boat was on the Pacific Coast, that would have meant the world would have ended three hours before Felix expected. Maybe Felix’s problem is that he doesn’t understand time zones. I’m the same way. They confuse the heck out of me.

This week’s cruise was a little bland. The guest cast was charming but two of the stories felt very familiar. But I did like the storyline with the paranoid newlyweds. Lou Richards and Delta Burke really threw themselves into their somewhat ludicrous characters. I laugh more than I thought I would.

This was a pleasant if not extremely memorable cruise.

Late Night Retro Television Review: Pacific Blue 3.19 “Heat of the Moment”

Posted on March 31, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network! It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, Chris has a crisis.

Episode 3.19 “Heat of the Moment”

(Dir by Terrence H. Winkless, originally aired on March 22nd, 1989)

Chris and TC respond to reports of a robbery occurring at a jewelry store. One of the robbers, carrying a shotgun, makes a run for it. TC goes after him. The other robber is easily captured and handcuffed by Chris. Chris calls for backup and then leaves the store to help TC, despite the owner of the store begging her to stay. As soon as Chris leaves, it is revealed that a third robber was hiding in the backroom. He proceeds to beat up the owner and then free his partner. Meanwhile, the other robber manages to escape from Chris and TC. When Chris returns to the store, she is shocked to learn about the third robber.

Chris is also shocked that anyone could think that she made the wrong decision. She didn’t know there was another robber in the store. As she explains it, TC was out there, chasing a guy with a shotgun. She made the right decision! Not everyone agrees and soon, Chris starts to wonder if maybe her relationship with TC clouded her judgment.

Uhmm …. yeah, Chris, that’s pretty much what happened. I mean, Chris basically abandoned an innocent woman to two psychotic criminals just because she was worried about TC. It would have taken Chris just a few seconds to check the backroom. Add to that, the owner was obviously terrified and begged Chris not to leave. Chris’s response was to be rude. Even if there hadn’t been a third robber, Chris still left the owner alone with the second robber and didn’t bother to secure the crime scene.

This is another episode of Pacific Blue where the viewer is expected to not dwell on the fact that Chris is terrible at her job. Chris being bad at her job has pretty much been her defining characteristic. Even before she started sleeping with TC, Chris was regularly rude to crime victims and frequently violated the constitutional rights of the people she arrested. She also spent a lot of time complaining nonstop about going from being a Navy pilot to being a bicycle cop. By any standard, Chris should have been fired a long time ago. She certainly should have been fired for not checking the backroom of that jewelry store.

But this is Pacific Blue. And, on Pacific Blue, no one with a badge is ever held accountable for screwing up. The bike patrol captures the main robber and his girlfriend. Chris shoots and kills the other robbers. And she decides that maybe she and TC should just be honest about their relationship.

“I know this week has been tough on you,” Chris tells TC.

Actually, you know who this week was hard on? The poor jewelry store owner who got beaten up because Chris is terrible at her job!

Ugh. Bicyclists just think the world revolves around them.

Retro Television Review: Saved By The Bell: The New Class 1.9 “Good-Bye, Megan”

Posted on March 31, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Saved By The Bell: The New Class, which ran on NBC from 1993 to 2o00. The show is currently on Prime.

Can the gang convince Megan’s father not to improve her life?

Episode 1.9 “Good-Bye Megan”

(Dir by Don Barnhart, originally aired on November 6th, 1993)

Megan is frustrated by the fact that, unlike her, the rest of the gang at Bayside has no plans for the future. She even imagines coming to the 20-year reunion in her medical scrubs (complete with facemask) and discovering that Tommy is a mechanic, Lindsay is a waitress, Vicki is still watching soap operas, Weasel plays video games for a living, and Scott is a lifeguard.

In other words, Megan is a snob. In her fantasy, it doesn’t matter that it’s been previously established that Tommy is actually a very good auto mechanic and that he could probably make a lot of money fixing other people’s cars. It doesn’t matter that Lindsay is married to Tommy and appears to be very happy. It doesn’t matter that Scott also appears to be good at his job (and the world does need lifeguards) and that Weasel is apparently now some sort of video game celebrity. All that matters is that Megan is a doctor and they’re …. not.

Like, seriously, what type of petty person even has a fantasy like that? Are all of her friends supposed to become doctors? The fantasy is inspired by her friends just wanting to enjoy their high school years so, to me, it seems like Megan is just jealous that other people are having a good time while she spends her nights studying. I certainly wouldn’t want Megan to be my doctor. She’d probably judge me for caring more about movies than lectures.

Megan’s father (Richard Lawson) is a judge who is able to pull some strings and get Megan accepted to exclusive Willowbrook Academy. Megan is superexcited about leaving her dumb friends behind but then she meets with two Willowbrook girls and discovers that they are too snobby for her–

Really? Because I think this episode already established that no one is a bigger snob than Megan.

Megan changes her mind about going to Willowbrook. She wants to stay at Bayside with her loser friends. When her father comes to Bayside to give a speech about his life as a judge, Megan’s friends try to convince him that Bayside is a wealthy school, just like Willowbrook. It’s pretty dumb — for one thing, it’s already been established that the judge knows all of Megan’s friends so why would he suddenly believe that Tommy D was a sophisticated entrepreneur-in-the-making — but it works. The judge is so moved by the gang’s attempts to lie to him that he allows Megan to stay at Bayside.

Yay, I guess.

This first season is pointless. There’s no continuity from one episode to the next. One episode ended with Megan and Scott walking off with each other while the audience went, “Wooooo!” Another episode has Scott trying to break up Lindsay and Tommy. Now, suddenly Tommy and Scott are best friends. Weasel had a crush on Megan but now he doesn’t. It’s a mess but, on the plus side, most of these people will be gone once season 2 begins.

As for season one, we’ve only got four more episodes to go!